Esfandiari tells us the little guy's got POP -- saying Kevin's right-hand carries KO power!!
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Williams, on the other hand, carries himself with a brand of quiet composure that has a power all its own.
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So Mr. Mohi-ud-din hand-carries the next day's news to the presses and operates the hulking machines himself, something he has never had to do before.
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So Mr. Mohi-ud-din hand-carries the next day's news to the presses and operates the hulking machines himself, something he has never had to do before.
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An educated, working-age immigrant, on the other hand, carries no such cost for the U.S. Recent analysis by the Committee for Economic Development indicates that adding just 100,000 working-age immigrants per year provides an infusion of human capital that would cost $47 billion to obtain through education and child rearing spending on native-born workers.
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Athena is dressed in armour with a gilded helmet, her left hand carries a spear, her right carries Nike.
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The pleasures of eating. The Journal of Gastronomy, 5, 125–131. Citizenship, on the other hand, carries duties or responsibilities along with various rights.Wilkins, J. F. (2005).
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Iverson, Ethan "Interview with George Cables (Part 1)". ethaniverson.com. Retrieved November 25, 2016. His "left hand carries subtle dynamic shadings [... He has] a reverence for melody and a sense of musical destination that gives form to his improvisations."Bennett, Bill (March 1, 2000) "John Hicks: Nightwind: An Erroll Garner Songbook". JazzTimes.
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Cabezudos are smaller figures, usually to the human scale, that feature an oversized, carton-pierre head. The heads are worn with a matching costume. The person dressed as cabezudo will use one hand to hold his head, while the other hand carries a whip or pig bladder, used to frighten children or young women. Seeing through the "mouth" of the head, he will chase after these people, though he might pause to calm a frightened child.
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The rhetorical tetrahedron, on the other hand, carries those 3 points, along with adding context into the picture, as shown in the top image to the right. Simply put, context can help explain the "why" and "how" something is written by introducing the setting in which it was created. As seen in the more complex image, a tetrahedron is a triangular pyramid, and the rhetorical tetrahedron adds another dimension of detail to the situation or work.
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The sword in David's hand carries an abbreviated inscription H-AS OS; this has been interpreted as an abbreviation of the Latin phrase humilitas occidit superbiam ("humility kills pride"). David is perturbed, "his expression mingling sadness and compassion." The decision to depict him as pensive rather than jubilant creates an unusual psychological bond between him and Goliath. This bond is further complicated by the fact that Caravaggio has depicted himself as Goliath, while the model for David is il suo Caravaggino ("his own little Caravaggio").
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Pie comes from an upper middle class Thai family that adheres to traditional thought and customs, including the very vocal disapproval of homosexuality. Kim, on the other hand, carries herself with deliberate masculinity that defies convention and intimidates Pie upon first encounter, so much so that she immediately requests a roommate change which the college promptly denies. Pie is reluctant to converse or interact with her roommate so she takes tape and draws boundaries in the room to separate her space from Kim's to avoid as much contact as possible. On the first day of class, Kim by chance meets Jane, who is seen still crying after her breakup.
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A most intriguing and unique movement, it begins with a seven-note ostinato in the left hand that Ligeti indicates should be rhythmically and dynamically independent from the right hand. The right hand carries a folk-like melody that is first heard alone in single notes before it gets juxtaposed in a loose canon with various transformed versions of itself, producing a lively counterpoint with rich harmonies and a sense of rhythmic freedom. Eventually, both hands move up an octave, significantly lightening the texture. The piece concludes with the right hand taking over the ostinato at a yet higher octave; the ostinato progressively loses notes until it is only a trill on F and G which proceeds to fade away to silence.
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The general later died in the doctor's hands. In the background and to the left of the men surrounding Wolfe, an approaching runner is depicted. He is waving his hat in one hand to attract their attention and I the other hand carries a captured flag with the fleur-de-lis, a symbol of France, symbolic of the news relayed to the dying Wolfe that the French were being defeated. The inclusion of Simon Fraser, Lieutenant Colonel of the 78th Fraser Highlanders (behind the man in green uniform, identified in the painting as Sir William Johnson) is interesting, as General Wolfe reportedly spoke highly of Fraser's regiment, but Fraser was not at the battle, as he was recovering from wounds received earlier.
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The animal tamer appears from behind the curtain, whip in hand A circus animal tamer welcomes the audience, Hereinspaziert in die Menagerie (Come on in to the menagerie) and describes the various animals in his menagerie, such as tigers, bears and monkeys. He lifts the curtain, and calls for the snake to be brought on. A stage hand carries out Lulu (Lulu motif) dressed as Pierrot, while the animal tamer describes her in biblical terms as the source of evil, fated to murder, Sie ward geschaffen, Unheil anzustiften ... Zu morden – ohne dass es einer spürt. (She was created, evil to instigate ... to murder – without leaving any clues), and orders her off, while inviting the audience to see what will unfold.
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