To see this home hack work its magic, watch the full video above.
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While some might imagine co-writing to be the mark of hack work, that just isn't the case.
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They say there are still open questions about the attack, starting with a most basic one: how exactly did the hack work?
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It makes a passionate case for Ms. Keane, whose portraits were described by The Times critic John Canady as "the very definition of tasteless hack work," he added.
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The authorities praised his early poems, which he later called "hack work," and he was admitted to the elite Gorky Literary Institute and to the Soviet Writers' Union.
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The reanimation of beloved properties — to use the grim business nomenclature of Hollywood — often leads to hack work and zombie-ism, as old archetypes are shocked to life and arrayed in garish, synthetic modern effects.
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If you did grow up in the '80s and '90s and spent any amount of time working with desktop computers, you're probably waiting for exasperated tales of trying to find the right device drivers and software to make this hack work—but once they were plugged in, iOS was totally happy to play ball with the antique peripherals.
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Time Out called the film "a hack-work of almost awesome incoherence". Allmovie praised the film, complimenting its atmosphere.
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In 1795 he had to give up his bookshop, and peddled pamphlets and chapbooks. Simultaneously he did much hack-work, translation and compilation for London booksellers. eventually becoming the recognised doyen of his profession.
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Kucich, "Biographer", 235; see Crook, xxv for the exact number; Mazzeo, xli. However, Shelley's biographies have not been fully appreciated until recently. The Lives were not reprinted until 2002, and little study has been made of them because of a critical tradition that "dismiss[es] the Lives as hack work churned out rapidly in order to pay off debts".
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In 1951, Anthony Boucher and J. Francis McComas reviewed the 1950 Prime Press edition and placed it among "Dumas's drabbest hack-work.""Recommended Reading," F&SF;, June 1951, p.84 Discussing the werewolf theme in literature, Franz Rottensteiner described The Wolf-Leader as "considerably superior from a literary point of view".Franz Rottensteiner, The Fantasy Book:an illustrated history from Dracula to Tolkien.
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The album Gainsbourg Confidentiel sold only 1,500 copies. The decision was taken right upon leaving the studio: "I'll get into hack work and buy myself a Rolls". Still, his next album, Gainsbourg Percussions, inspired by the rhythms and melodies of Miriam Makeba and Babatunde Olatunji, was a world away from the yéyé wave, on the scene which was to become a key to the Gainsbourg fortune. More success began to arrive when, in 1965, his song "Poupée de cire, poupée de son" was the Luxembourg entry in the Eurovision Song Contest.
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By this time he was "living on alcohol", and eating very little, but still writing (including a commissioned work on astrology, which he viewed as "hack-work"). In August 1963 he went caving in Yorkshire to gather sound effects for his final radio play, Persons from Porlock. Caught in a storm on the moors, he did not change out of his wet clothes until he was home in Hertfordshire. Bronchitis evolved into viral pneumonia, and he was admitted to hospital in London on 27 August, dying there on 3 September, aged 55.
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Scholars have trouble identifying Carey's first works, because he was probably writing anonymously. According to Laetitia Pilkington, friend of Jonathan Swift's and other Tory wits, Carey worked as a "subaltern" to James Worsdale later in his life, in 1734, when he was best paid and most famous. Since he was writing for pay when he had theatrical successes, it seems reasonable that he had been hiring his pen for quite some time. In the 18th century, he appears to have done hack work for the periodicals of the day.
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Senancour was tinged to some extent with the older philosophe form of free-thinking, and had no sympathy with the Catholic reaction. Having no resources but his pen, Senancour was driven to hack-work during the period which elapsed between his return to France (1803) and his death at Saint-Cloud; but some of the charm of Obermann is to be found in the Libres Méditations d'un solitaire inconnu. Thiers and Villemain successively obtained for Senancour from Louis Philippe pensions which enabled him to pass his last days in comfort. Senancour also authored the comedic drama Valombré (1807), and late in life wrote a second novel in letters entitled Isabelle (1833).
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He graduated B.A. in 1840 and M.A. in 1859, after which he moved to Corpus Christi College. On 16 June 1870 he was incorporated at Exeter College, Oxford. Riley was called to the bar at the Inner Temple on 23 November 1847, but early in life he began hack work for booksellers to make a living, by editing and translation. On the creation of the Historical Manuscripts Commission (by royal charter in April 1869), Riley was engaged as an additional inspector for England, and given the task of examining the archives of various municipal corporations, the muniments of the colleges at Oxford and Cambridge, and the documents in the registries of various bishops and chapters.
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Cour à Clichy (etching, 1910) Les blessés - Parc de Saint-Cloud (etching, 1915) Auguste Brouet was born and raised in a poor family in the popular north-east quarters of Paris and in Les Lilas, in the near suburbs. While apprenticed to a lithographer, he struggled for artistic education through the evening drawing classes of Eugène Quignolot (Dijon, 1847- Jouarre, 1921), also briefly attending Gustave Moreau's atelier. Starting from around 1895 he would make a living by doing hack work for fashionable artists and also crafting reproductive etchings in color, in the workshop of . Around 1902 he started to devise original etchings, sometimes larger pieces in color, more often smaller works in black and white, as was the growing trend at the time.
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The non-fiction books were "hack-work", he said, written to support a growing family. In 1966, he published his first novel, The Secret of Santa Vittoria. The New York Times critic Orville Prescott wrote: "If I had my way the publication of Robert Crichton's brilliant novel...would be celebrated with fanfares of trumpets, with the display of banners and with festivals in the streets." The book was on the New York Times bestseller list for over 50 weeks, spending 18 of them at the top of the list,John Bear, The #1 New York Times Best Seller: intriguing facts about the 484 books that have been #1 New York Times bestsellers since the first list, 50 years ago, Berkeley: Ten Speed Press, 1992, p.
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In 1904 he also began to work for a second music publisher, Chappell & Co, a third in 1907, the Columbia Graphophone Company, and a fourth in 1910, when he worked for Elkin & Co. McCanna considers that "this hack-work may have been tedious, but the experience was invaluable in moulding the composer's fluent writing for both piano and orchestra". Throughout the time working for the companies he continued to compose and publish his own work, comprising organ music, songs, duets, piano pieces and anthems. He worked for Columbia for over twenty years and rose to the position of Musical Director and Adviser, working with leading musicians across a range of musical styles; Columbia released more than 600 recordings with Ketèlbey conducting. In 1912 the composer and cellist Auguste van Biene offered a prize for a new work to complement his popular piece The Broken Melody.
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The Brewis brothers were not previously familiar with the IWM, and they were initially skeptical about the proposed commission, but became more comfortable with the project after visiting the IWM North branch and discussing it. Although David said Field Music wrote the songs "to order", he said "it didn't feel like hack work". The latter had previously produced works based upon World War I, including a collaboration with the band Warm Digits, and the Royal Northern Sinfonia on a score for Asunder (2016), a film directed by Esther Johnson about the war's effects on a small English town. However, David said his knowledge about World War I was limited to his high school studies and explained this by claiming that "the way you see things at high school: you pay a bit of attention, you find it interesting, but you don't think too deeply about it".
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During this period he stayed with the miserly Pandolfo Pucci, known as "monnsignor Insalata". A few months later he was performing hack-work for the highly successful Giuseppe Cesari, Pope Clement VIII's favourite artist, "painting flowers and fruit"Giovanni Pietro Bellori, Le Vite de' pittori, scultori, et architetti moderni, 1672: "Michele was forced by necessity to enter the services of Cavalier Giuseppe d'Arpino, by whom he was employed to paint flowers and fruits so realistically that they began to attain the higher beauty that we love so much today." in his factory-like workshop. In Rome there was demand for paintings to fill the many huge new churches and palazzi being built at the time. It was also a period when the Church was searching for a stylistic alternative to Mannerism in religious art that was tasked to counter the threat of Protestantism.Harris, Ann Sutherland, Seventeenth-century Art & Architecture (Upper Saddle River: Pearson/Prentice Hall, 2008).
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