Alongside him — remora to his Great White — was the chiseled actor John Kortajarena, guiltlessly popping sweets.
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Dogs are allowed inside, and one can order a single cup of coffee and stay, guiltlessly, all day.
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In an era of prestige television, it's rare that a show gets to be as guiltlessly entertaining as Netflix's GLOW.
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What we do know is that she unfairly punished and guiltlessly tortured Hogwarts students, often with a sickly sweet smile on her face.
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Non-fictional serial killers are also able to guiltlessly justify their crimes because they lack empathy, a hallmark trait of antisocial personality disorder.
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What does "Make America Great Again" mean if not to go back to a time when Americans could guiltlessly indulge in the western fantasy?
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At least that way if you fall out with a sibling you can just throw 'em guiltlessly into a space portal and get a new one.
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So not only can you guiltlessly dig in, but you can also share them with everyone from your celiac aunt to your animal-rights-activist ex-boyfriend.
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These foods are a "cheat" because the consequences of guiltlessly and regularly eating them—which is to say, the appearance of fatness—is considered unacceptable and unflattering.
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How to watch: Rental or purchase (iTunes, Amazon) We're mercifully nowhere near the reality of Mad Max, so you can guiltlessly enjoy this thrill ride down Fury Road.
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And when my younger son, now 1, is ready to join his brother on the couch, I will guiltlessly place him there, delighted they may experience these pleasures together.
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I would wait until two hours before the party and eat something healthy (read: boring bowl of salad), then I could have a glass of wine and a slice of cake guiltlessly.
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Even amid all this talent and all this life, the film is guiltlessly focused on its least interesting element: the shopworn tale of one Bobby Dorfman (Jesse Eisenberg) and his older uncle Phil Stern (Steve Carell).
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His Paris Review interviewer, a decade ago, described him as chain-smoking "guiltlessly, often ambidextrously," and something similar can be said about his prose, which is unencumbered, chatty and roiling in a steady baritone even when it deals with repressed memories.
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Or at least it was compared with the $10,63 (plus 25 percent buyer's premium) an unidentified telephone bidder paid for four little china dishes reminiscent of a "Mad Men" era when people still guiltlessly enjoyed martinis at lunch and smoked in restaurants.
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It's hard to get started (especially after indulging guiltlessly on your honeymoon) and to keep going sometimes, but I always find if I can give it 3 weeks of hard work and discipline, something in my body and mind switches and it becomes so much fun!
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The line “Nobody can rule guiltlessly”, by Louis Antoine de Saint- Just, appears as the epigraph. The action begins with Rubashov's arrest in the middle of the night by two men from the secret police (in the USSR, this would be the NKVD). When they came for Rubashov they woke him from a recurring dream, a replay of the first time he was arrested by the Gestapo. One of the men is about Rubashov's age, the other is somewhat younger.
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They also collaborated on the song cycle Our Hunting Fathers (1936), radical both in politics and musical treatment, and subsequently other works including Cabaret Songs, On This Island, Paul Bunyan and Hymn to St Cecilia. Auden was a considerable influence on Britten, encouraging him to widen his aesthetic, intellectual and political horizons, and also to come to terms with his homosexuality. Auden was, as David Matthews puts it, "cheerfully and guiltlessly promiscuous"; Britten, puritanical and conventional by nature, was sexually repressed. In the three years from 1935 to 1937 Britten wrote nearly 40 scores for the theatre, cinema and radio.
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Representations of Saint-Just include those found in the novels Stello (1832) by Alfred de Vigny, and A Place of Greater Safety by Hilary Mantel; as well as in the plays Danton's Death (1835, by Georg Büchner) and Poor Bitos (Pauvre Bitos, ou Le dîner de têtes, 1956, by Jean Anouilh). Saint-Just’s quote, “Nobody can rule guiltlessly,” appears as an epigraph before chapter one in Arthur Koestler’s 1941 anti-totalitarian novel Darkness At Noon. In film, Saint-Just has been portrayed by Abel Gance in Napoléon (1927); Jess Barker in Reign of Terror (1949); Bogusław Linda in Danton (1983); and Christopher Thompson in La Révolution française (1989). Jean-Pierre Léaud plays a farcical caricature of Saint-Just in Jean-Luc Godard's Week End (1967).
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