108 Sentences With "grillwork" | Random Sentence Generator

The bronze grillwork that once decorated all the elevators will be recreated.

A Gutenberg Bible, then another, century after century, elegant grillwork crisscrossing the shelves.

Steam seeped into the room from one side, while rain poured down onto some metal grillwork.

With its cantilever design and grillwork, the Kaden Tower is a distinctive 15-floor office building.

No one, of course, would argue that uptown matrons will be besieging their dentists for grillwork any time soon.

The open-air terrace that most people visit, wrapping the 86th floor, has been little altered from the early years with its limestone balustrade and familiar stainless-steel grillwork.

The dark green marble that now fills the arch above the Broadway entrance will be replaced with glass decorated with more grillwork, allowing sunlight to bathe the lobby once again.

They were ringers for the real-life models who stalked the Hood by Air men's runway in January, right down to their elaborate tattoos and the uncanny grillwork distorting their grins.

They are certainly not scaring the bejesus out of your dog, or attacking your car because they have seen a reflection of themselves in the grillwork and wrongly perceived an enemy worthy of attack.

Now the Pont des Arts, its iron grillwork freshly painted and protected by plexiglass panes, has taken on a new role, as the setting for an exhibition of sculptures by the contemporary artist Daniel Hourdé.

Although the building's 17-story limestone facade is free of embellishment, except for grillwork around its oversize windows, the apartment interiors were designed to be as spacious and ornate as many of those found in Fifth Avenue contemporaries.

Wrong turns usually begot more wrong turns: A gate of intricate Moorish grillwork might reveal a courtyard filled with fountains and colorful tiles and tropical plants; walking around a red and yellow building might lead to a block full of blues and greens.

Blondes and brunettes and, possibly, redheads—my screen was colorless—washing their hair, relentlessly smiling, teeth gleaming like the grillwork of automobiles, breasts firmly, chillingly encased—packaged, as it were—and brilliantly uplifted, forever, all sagging corrected, forever, all middle age bulge—middle age bulge!

One evening after dinner at Duo Tapas, an outdoor spot on a busy plaza, a couple of acquaintances and I walked leisurely around the Barrio Santa Cruz, the gem of Seville's intricate casco antiguo, a nest of elegant two-story homes of pale colors and decorative grillwork butting cobblestone streets.

Blondes and brunettes and possibly redheads—my screen was colorless—washing their hair, relentlessly smiling, teeth gleaming like the grillwork of automobiles, breasts firmly, chillingly encased—packaged, as it were—and brilliantly uplifted, forever, all sagging corrected, forever, all middle-aged bulge defeated, eyes as sensuous and mysterious as jelly beans.

But Trump's appreciation of art and historical significance, if genuine, is certainly newfound — in 1980, he demolished the iconic Bonwit Teller building and reneged on a promise to the Met to save a pair of Art Deco sculptures and metal grillwork from the front of the building so that the museum could include them in its 20th century sculpture collection.

Grillwork is decorative grating of metal, wood, stone, or other material used as a screen, divider, barrier, or as a purely decorative element. It may function as a window, either with or without glazing. Grillwork may also refer to grilles, decorative front ends of motor vehicles. Grillwork is sometimes referred to as simply as a grill or as grille, but the latter terms do not convey a decorative quality.

Iron grillwork decorates the entrance transom, and the interior features a Tiffany mosaic ceiling, brass elevator doors, and marble walls.

All windows are double-hung. The first floor windows feature black wrought iron grillwork. The fourth floor windows have no decorative exterior elements.

Inside, original stamped tin ceilings are still installed. Pillars inside the courtroom have ornate cast iron capitals, and the radiators are covered with grillwork.

The lobby walls are Levanto Italian marble. The elevator doors, elevator signals, and directory are all beautiful examples of Art Deco design. The metal grillwork continues along the south and east sides of the outside of the building. All of the grillwork was designed by Edwin Weary, one of the architects, who also designed the frieze on the Milwaukee Journal Sentinel Building located on State Street.

With the move, the law school also took a portion of the ornate grillwork that had been custom made for the school.Campus tour: Gatke Hall. Willamette University.

The bank occupied the entire second floor, which featured a coffered wooden ceiling, intricately carved moldings and recessed arches, marble floors, and ornate iron grillwork at the tellers' windows.

The monument features narrow windows, grillwork that covers its entrance, and a bronze plaque that reads "Julien Dubuque. Miner of the Mines of Spain. Founder of Our City. Died March 24, 1810".

The arches were originally open, but since the 1978 restoration they have been filled with metal mesh and cast iron grillwork. Above these openings, another ring of brick corbels supports the hipped red tile roof.

When opened, 256 Broadway was also outfitted with its own electric plant and three hydraulic elevators, located in the two basement levels of the building. 256 Broadway also contained brass plumbing and iron elevator grillwork.

The temple is distinguished from the neighboring Japanese temples due to its bolder colors. The interior features a double-sided altar with gold-trimmed grillwork. The Hsu Yun Temple is located at 42 Kawananakoa Pl in Liliha-Kapalama - Honolulu.

It is an imposing earth-covered mound with a granite facade facing the road. The mound is across and about tall. The stonework facade is approximately across. The ceiling of the crypt has a glass skylight surmounted by an exterior cone of iron grillwork.

The Palladian windows light the gym, also used for assemblies, with its original hardwood floor. The stage has its original red velvet curtain, with elaborate moldings on the sides. It is topped with a molded broken pediment decorated with grillwork and urn-shaped finials.

The cathedral is on the east side of the town plaza. A low concrete wall with metal grillwork surrounds the church building. The wall is modulated by pillars that hold cast iron lamps. The building is cruciform in shape with a nave, transept and two side aisles.

In 1960, there were renovations to the structure and grillwork was added. Ownership remained within the Kennedy family until 1970, when it was sold to William V. Berry, who opened La Carafe. La Carafe was one of the oldest bars operating in Houston as of 2012.

The reconstruction was completed by 1938. The interior of the cathedral remained unchanged from its dedication until the mid-1950s. Under the direction of Bishop Joseph M. Gilmore, the bronze altar canopy was installed. The grillwork behind the altar and the gilding of the interior were also added.

The main façade has two towers. The southern tower is known as the 'clock tower'. The Renaissance retrochoir contains alabaster sculptures by Jusquin, Copin of Holland and Juan de Malinas. Particularly noteworthy is the Plateresque iron grillwork screen or reja in the wall behind the sepulchre of King Ordoño.

Business and Buildings: Downtown Honolulu's Old Fashioned Block Hawaiian Journal of History 6:3-27. Young local architect C.W. Dickey designed it with features of Italianate architecture: arched windows, terra cotta ornaments, and a wide balcony with fine grillwork above the entrance. Every floor had a unique exterior.

Similar decoration continues on the shallow ceiling dome. It is coffered, with plain and decorated grillwork and solid recessed panels with dentils, anthemion leaves and other foliate molding. Rosettes mark the interstices. Around the central recess is a wide band with urns, rosettes and cartouches bordered by rinceau and foliate triangles.

The crypt is an imposing earth-covered mound with a granite facade facing the road. The mound is 90 feet across and about 12 feet tall. The stonework facade is approximately 30 feet across. The ceiling of the crypt has a glass skylight surmounted by an exterior cone of iron grillwork.

The sanctuary has a vaulted ceiling and its stained- glass windows include various Christian symbols such as a cross, crown, anchor, palms, and vines. A large, sliding door on the east side of the sanctuary provides access to fellowship hall, which includes wrought-iron grillwork on its second-floor balcony.

The building was designed by Don Pedro A. Beibal. It is located on the north side of the town plaza and is surrounded by a balustrade concrete wall with pillars that features metal grillwork gates. A square bell tower dominates the main façade. The bells are in the third level contained within open arches.

Original lattice grillwork is found at the service windows. The post office was built in 1935 to a design by Louis A. Simon, then the supervising architect of the United States Department of the Treasury. The building's styling is described as "Starved Classicism", a variant of Art Deco styling that is unusual and rare in the region.

Mykle, p. 171 A few of the local Black churches suffered significant damage. Tabernacle Missionary Baptist Church lost many bricks on its front facade and much of the metal grillwork around the entrances, while the building itself was deroofed. Payne Chapel AME Church, then located at Banyan Boulevard and Tamarind Avenue, was destroyed by the storm.

Meanwhile, the Board worked with sculptors, painters, and others to design more than 100 statues, fountains, bronze doors, murals, plaques, and panels (both interior and exterior) throughout the complex. Modern architectural styles were not completely ignored in the design effort, however; most of the doors and grillwork throughout the Federal Triangle complex were Art Deco in style.

Halladay Farmhouse is a historic home located at Duanesburg in Schenectady County, New York. It was built about 1786 and remodeled in the 1830s in a vernacular Greek Revival style. It is a -story, five-bay frame building with a small 1-story gable-roofed wing. It features a wide frieze pierced by rectangular eyebrow windows with ornate iron grillwork.

The gazebo/bandstand located in the middle of the park is the focal point of the memorial. It commemorates Wisconsin workers' tools, while emphasizing the struggles encountered by the laborers. The fabricating of all the ornamental grillwork, which is composed of salvaged gears, was done by skilled union members. A drive was held in order to raise funds to pay for the artwork.

Depression-era interior modifications were mostly cosmetic in nature. These included replacement of open metal grillwork doors on the elevators with polished metal doors, and installation of dark green marble- faced walls at elevator entrances. Modern translucent panels replaced the original stained-glass skylights in the second-floor courtrooms. The first- floor east-west corridor is no longer used as a post office.

Decorative terra cotta swags are located above the ornamental grillwork that flanks the main entry door. The symmetrical plan is E-shaped with a semi-enclosed courtyard at the north end. The windows are spaced evenly and are designed to create a balanced overall look for the building. The tops of the first floor windows and the main entry doorway are arched.

Siding consists of clapboard on all facades save the north (front), which uses flushboard. All windows have low-relief molded surrounds and flat cornices. That face's central bay, with the main entrance, is framed by full-height square recessed Doric pilasters, which repeat at the corners. They support a wide molded frieze, above which are small windows with decorative grillwork.

In time Brother Clemens opened the grillwork for them. The citizens came into the friary met the Guardian and porter in the cloister and demanded the Guardian again to obey the king's letter. "We will not under any circumstances abandon the friary because of the letter." The bailiff grew angry and threatened him and declared him a rebel against his majesty.

House Museums Historic Columbus The home was built for James Rankin, a planter and owner of The Rankin Hotel who came to Columbus from Ayrshire, Scotland. Construction of the home was interrupted by the American Civil War. The home includes iron grillwork, pine floors, marble mantels and a walnut double stairway. Period gaslight chandeliers are a highlight of the museum rooms.

The piers of the central arch are topped by conical limestone turrets. The smaller side arches are asymmetrical (one is wide, the other ), but are similarly styled on a smaller scale. One of the side arches retains an iron grillwork gate, of a style that both would have originally had. The main gate at one time had an iron portcullis.

The temple in Ogden was the first built in Utah since the Salt Lake Temple was dedicated in 1893 and since Utah gained statehood in 1896. The Ogden Temple was originally constructed with and four floors, one below ground. The temple included six ordinance rooms and eleven sealing rooms. The stone on the temple was fluted and decorative metal grillwork was added between the stone.

It cost $600,000 and it was awarded the RIBA Bronze medal. More of a “istana” that a bungalow, the mansion was able to breathe with its system of natural ventilation, that included metal grillwork, glass louvres, along with shading hoods, canopies and overhangs, and both vertical and horizontal fins. The Borneo house has a perfectly square floor plan with spacious verandahs on all sides.

The Owings House is a historic house at 563 Skyline Drive in North Little Rock, Arkansas. It is a two-story brick building, with classic Spanish Revival features, including a tile roof, arched openings, and iron grillwork. It is unusual in that its brick has not been stuccoed. The house was built in 1927 by Justin Matthews as part of his large Edgemont development.

Windows are set in rectangular openings with keystoned lintels. The interior lobby space retains original finishes, including marble flooring and service windows with metal grillwork. The Neo- Classical single story building was built in 1933 for a cost (of land and construction) of about $75,000. The architect is unknown, but the building design resembles the work of Knox Taylor, who designed a number of post offices earlier in the 20th century.

Being damaged by the earthquake, the city council again voted to demolish it. The only parts to survive were: the clock works, bell, iron spiral stairwell, balcony railings, and arch iron grillwork. In 1961, a group of local citizens organized an effort to rebuild the clock tower. The new clock tower would be built in front of the Kern County Museum on Chester Ave, approximately 1.25 miles north of its original location.

The face was not covered with glass, but usually had a hinged brass cover, often decoratively pierced with grillwork so the time could be read without opening. The movement was made of iron or steel and held together with tapered pins and wedges, until screws began to be used after 1550. Many of the movements included striking or alarm mechanisms. The shape later evolved into a rounded form; these were later called Nuremberg eggs.

The only surviving chapel of the original building stands by the northern wall. It is a small square building displaying oculus on the outside three walls, capped with a Renaissance dome topped by a roof lantern with a bell-shaped roof and a cross from 1617. The thin pilasters of the roof lantern display mascarons, while each oculus is sheltered by grillwork. The dome outside is covered metal, while interior reveals art déco polychrome.

Near the entrance are statues of St Gregory the Great and St Augustine by Giambattista Muccio in 1775. The entrance portals have iron grillwork screens (1774) by Filippo Scattarelli. The interior has an oval layout, but kept a large choir and coretti situated over the entrance and flanking the nave, where the nuns could hear the mass while remaining cloistered. Over the vault is a fresco depicting the Glory of St Benedict with St Joseph (1793) by Sebastiano Monaco.

There is a dentillated cornice line between the floors and above the second floor, with a frieze board above that is punctuated by window openings covered with painted metal grillwork. The roof is a low-pitch hip roof. The rear additions added to each unit date to later in the 19th century, and are not as architecturally sophisticated. The house was built in 1836-37 for Edward Kent, then mayor of Bangor, and Jonas Cutting, his law partner.

The building was designed by William E. Burk, Jr., who also designed the Park Plaza Condominiums. It has twelve floors of office space above a wider six-story base which incorporates a parking garage on floors 2–6. The exterior walls of the parking levels are molded concrete with an open grillwork pattern of stylized quatrefoils inspired by Moorish architecture. The upper floors have recessed rectangular windows arranged in a simple grid pattern with beveled surrounds.

The current station was built between 1912 and 1914 by the New York Central Railroad south of the city proper to replace the former structure downtown. Such a move was necessitated by a track realignment. The one-and-a-half-story brick building was constructed in a Neoclassical style and includes columns flanking the vestibules, decorative grillwork and large arched windows. The waiting room includes a bowed ticket window and a series of delicate triple- globed bronze chandeliers.

" The hotel was known for its physical amenities. Its Art Deco lobby had a spectacular chandelier (also in the Art Deco style), Spanish arcade-like windows, tiled walls and a flagstone floor. The lobby was said to look like "a regal Spanish arcade, with open balconies and steel grillwork, as opulent as the Granada Building at Lafayette Park." One person who was present at the hotel's groundbreaking ceremony recalled it was "a palace compared to what we had been used to.

It also encouraged many Grand Lodges (state organizations) of Masonry to make large donations to the memorial, bringing new life to the memorial's fund-raising efforts. The association also agreed to expend funds to build a kitchen and dining room, hang bronze doors on the first floor and install bronze grillwork for the heating and ventilation system on the first floor.Brown, History of the George Washington Masonic National Memorial..., p. 69. Two other major decisions were made in 1947 as well.

The Justin Matthews Jr. House is a historic house at 257 Skyline Drive in North Little Rock, Arkansas. It is a large two story Mediterranean Revival house, designed by Little Rock architect Max F. Meyer and built in 1928. It has all of the hallmarks of this style, including a red tile roof, stuccoed walls, arched openings for doors and windows, and wrought iron grillwork. The house was built for the son of developer Justin Matthews in his Park Hill development.

The architecture is based on the traditional Territorial Style, but utilizes more modern features like milled lumber, large windows, and wrought iron grillwork, which were becoming increasingly available at the time in New Mexico. The house has an off-center entrance door opening into a hallway with three rooms to the south and a double row of rooms on the north. Some of the rooms have surviving brick floors and corner fireplaces. The ceilings are high, higher than in most older adobe homes.

It has two main sections: an octagonal section that once served as a drive-through filling area, and a rectangular service area to its left. Corinthian columns originally supported the octagonal section; these have since been covered over or replaced. The octagonal section is topped by a round dome, at whose apex is a small pillared section that was once topped by a grillwork globe that housed a light. This light, when illuminated, became the beacon which gives the station its name.

Bronze doors, grillwork and window sashes had been installed throughout the first floor, the first floor assembly hall was completed, the kitchen and dining room were finished, the north and south corridors on the first floor were completed and an addition to the heating plant installed.Brown, History of the George Washington Masonic National Memorial..., p. 72-73. The "Hall of Presidents" was also finished. This walkway on the upper level of the auditorium contained plaques depicting Presidents of the United States who were Masons.

The rear façade, facing Carrer Rosselló, has floral motifs extending horizontally and vertically along the three balconies and down the four floors. The building has an entryway characterized by an elaborate decoration of the stairway, a glasswork on the skylight and a Roman mosaic flooring. Its central position provides the axis around which the stairwell and layout of the first floor revolve. The iron grillwork on the ground floor doors, facing both Avinguda Diagonal and Carrer Rosselló, were forged by master ironworker Manuel Ballarín i Lancuentra.

Its most prominent architectural feature is the rounded portico of the front facade, which is flanked by full-height windows on either side. Iron grillwork forms accent the second floor exterior, and the first floor of the portico has fluted Corinthian columns. Although the exterior of the house has been well preserved, the interior has been altered, particularly by its 20th century institutional owners. It was later the home of William Lawrence, professor and Dean of the Episcopal Theological School and subsequently Bishop of Massachusetts.

Mackrell, Alice. Art And Fashion, Sterling Publishing Company, Inc., page 116, (2005) – Its exterior, with its tile mosaic of enormous figures and a projecting Paramount sign which can be seen up and down the street, is impressive, but it is the interior that rises to unequaled heights. A grand lobby, with side walls made of alternating vertical bands of warm green artificial light panels and muted red piers, and with both ends and ceiling decorated with an almost luminescent grillwork, forms a regal introduction.

Farmington's former West End Library is located in the center of Unionville village, on the south side of School Street west of Connecticut Route 177. It is a single-story building, with load-bearing brick walls finished in stucco, and a red tile roof. Its main facade is seven bays wide, with a projecting gable-roofed entry portico in the center bay. The other bays have tall round- arch windows, with small rectangular transom-like windows set above, just below the roofline, with diamond grillwork.

1: The Feast of the Annunciation was most often celebrated on 25 March, essentially New Year's Day in the old calendar. 2 Grillwork or the 'grille' is a loose translation of the Danish word 'gitter' which denotes a wrought iron fence or gates. This refers to the practice of gating off the monk's part of the church from the rest of the congregation which normally came to hear mass in the friary church. Aarhus Cathedral still has the grille in place as a work of medieval art.

The old Battle Creek Post Office is a stone-and-brick structure measuring approximately 112 feet long and 75 feet deep. The 1930–1931 addition, although carefully matched in style, obscures the symmetry of the original design. Stone quoins run along the corners, and a stone balustrade and a denticulated stone cornice run across the top. Both the original structure and the matching addition have two stone arched windows measuring approximately 8 feet wide and 16 feet high, decorated with a cast- iron grillwork.

Cortés was born in the colonial city of León, Nicaragua. At the age of 34, he moved into the house in which the famous and most celebrated Nicaraguan poet, Rubén Darío, spent his childhood. Cortés lost his mind, (due to a lack of clinical studies this is how he is being diagnosed) on midnight of 18 February 1927 at the age of 34. As a result of his delirium, Cortés spent much of that year chained to the iron grillwork of his bedroom because of fear he could possibly hurt himself.

At its base, the tower rests on a white concrete plinth. The entrance faces the street on the north side, with three concrete steps leading up to the arched doorway from street level. The doors are covered by black cast iron grillwork gates and flanked by a pair of cast iron light fixtures. On the first five floors, each face of the building is penetrated by one centered window (excepting the first floor, where the north face instead has the front doorway, and the south face is a solid brick wall).

The Wisconsin Tower is a prime example of Art Deco architecture, and was built from 1929 to 1930, in the middle of the Art Deco era. It was designed by the Chicago architectural firm of Weary & Alford Company. The firm designed several Midwest office buildings and banks during this period which had similar features–skyscrapers with Bedford stone exterior and inset upper floors. The dramatic brown marble front entrance, surrounding a grillwork of birds and flowers, leads to an equally impressive lobby, almost all of which is original.

The Wisconsin Workers Memorial is a public artwork by American artists Terese Agnew and Mary Zebell located in Zeidler Park, which is in downtown Milwaukee, Wisconsin, United States. The artwork, created in 1995, takes the whole park as its theme, and includes a gazebo in the middle of the park with handles of tools and grills forming the ornamental grillwork. There are also decorative chains around the park spelling out popular labor slogans, as well as graphic panels explaining significant moments in Wisconsin's labor history.Wisconsin Labor Society Newsletter.

Located just off of South Hill Street at 403 West 8th Street, it is in the downtown Jewelry District, which in recent years, has had a revival, with lofts, artist's work spaces, and new shops, restaurants, and businesses around the Garfield. The main entrance is marked by an elaborate wrought iron entrance canopy above and a terrazzo sidewalk below. Floral and grapevine patterns decorate the open grillwork above the entrance. The lobby is graced with polished nickel fittings, elegant display cases, and Gothic- style chandeliers in tones of gold and silver.

Accessed January 28, 2010. Except for the Gusaling Arsenio Lacson (Arsenio Lacson Hall), all buildings inside the campus possess a 19th-century or Hispanic architectural design.Infrastructures. Pamantasan ng Lungsod ng Maynila. Accessed January 28, 2010. Moldings, window and door material, grillwork and paneling depict the details of the Bahay na Bato. The different buildings are either separate or interconnected with one another. The University's academic and recreational facilities include an amphitheater, audiovisual rooms, an auditorium, campus- wide Wi-Fi,Mayuga, Jonathan. "Tamano vows ‘heights of excellence’ for PLM ".

In 1927 Buffalo architect Bryant Fleming was commissioned to do renovations on the house. He removed a veranda that had been installed around 1900 along with much of the front facade's three-dimensional decoration, making it more of a pure Federal building. To make up for the veranda he had the front lawn terraced and accentuated the front entrance with the fanlight and flanking pilasters, reinforcing those already found on the corners. The fenestration was further enhanced with square plaques at either side of the window heads and the grillwork windows in the attic.

Houston City Hall The architect of the City Hall was Joseph Finger, an Austrian-born Texan architect responsible for a number of Houston-area landmarks. The design on the lobby floor depicts the protective role of government. In the grillwork above the main entrances are medallions of "great lawgivers" from ancient times to the founding of America, including Thomas Jefferson, Charlemagne, Julius Caesar and Moses, and an outdated city seal adorns the interior doorknobs. The building is faced with Texas Cordova limestone, and the doors to the building are of a specially cast aluminum.

It was listed on the National Register of Historic Places in 1994. Denver architect William Norman Bowman designed the building, which was completed in 1923 and has undergone only minor alterations. The building features a projecting central bay of smooth-faced sandstone, stairs rising from street level, Roman Doric columns supporting a lintel engraved with the county's name, and three sets of double doors with grillwork transoms at the main entrance. The roof is made of red tile, and walls flanking the entry are made of rough sandstone.

He was named Architect of the City of Paris in 1884. Bonnier shared an interest in Japanese prints and stencil patterns with Siegfried Bing, and in 1895 was the main architect and designer for the renovation of Bing's shop at 22 rue de Provence in Paris, the Maison de l'Art Nouveau. Bing had first asked Victor Horta for plans, but had rejected them as too expensive. Bonnier designed the grillwork for the entrance to the Japanese section of the shop on Rue Chauchat, and oversaw placement of the glass cupola over the corner turret.

Decorative iron grillwork was added to the doors at ground level and to the highest level, where an electronic carillon bell system was installed, transforming the fire drill tower into a working bell tower. After the renovations were completed, on August 23, 1978 the tower was rededicated as Buford Tower, named after Austin Fire Department Captain James L. Buford, the first Austin firefighter to die in the line of duty. The bell system was named the Kitchens Memorial Chimes, after the tower's builder, Rex D. Kitchens. Today, the bells chime the hours and play Christmas carols during the Christmas season.

In 1987, his firm was acquired by Ellerbe Associates, and the merged firm continued as Ellerbe Becket until the end of 2009, when it was acquired by AECOM. It is now known as Ellerbe Becket, an AECOM Company. Becket's buildings used unusual facade materials such as ceramic tile and stainless steel grillwork, repetitive geometric patterns, and a heavy emphasis on walls clad in natural stone, particularly travertine and flagstone. With The Walt Disney Company and the United States Steel Corporation, Becket's firm co-designed Disney's Contemporary Resort, which opened in 1971 at Walt Disney World Resort.

This courtyard is masked by a retaining wall built of red Tennessee marble, and topped with Art Deco light fixtures. The interior of the building contains numerous Art Deco elements, namely grillwork with floral motifs, floral patterns in the entrance transoms, aluminum spandrels on the upper floors with floral and zigzag patterns, and a plaster ceiling with aluminum floral and zigzag moldings (this ceiling was later hidden by the installation of a tiled ceiling in the 1960s). The first floor contains a marble floor and marble, aluminum, and bronze paneling. The courtroom floor is made of cork wood.

The former St. Mary's Parochial School is located on the north side of New Britain's downtown area, behind St. Mary's Church on the east side of Beaver Street. It is a three-story brick structure on a brownstone foundation, with a hip roof and a slightly projecting gabled entry section. The main entrance stands under a large round-arch recess, which is flanked by narrow sash windows with transom. A brownstone beltcourse separates the floors, and there are a pair of sash windows above the entrance arch, with flanking narrow sash windows; these windows are all topped by transoms with diamond grillwork.

Ventanilla or "little windows" beneath the window sill are faced with iron grillwork wrought in the palmette motif with cast-lead ornamentation typical of the 1870s. The neo-Gothic ogee arches are carved on the main double doors replicated those in the older Villavicencio House. The house is unusual because the town main double doors of the zaguan are built on either side of the a central bay sporting a large decorative wrought-iron grills with a palmatte motif decorated with cast-lead ornaments. The left door led to that part of the zaguan where the carriage was kept when not in use.

The Health Building at 125 Worth Street c. 1932–1935 has metal grillwork and health-related designs around the entrances, designed by German craftsman Oscar Bruno Bach, who produced custom metalwork for the Chrysler and Empire State Buildings. Other Art Deco sanitation buildings include the Tallman Island Water Pollution Control Plant in Queens and the Manhattan Grit Chamber in East Harlem. Other major Art Deco projects included the New York Municipal Airport, of which Marine Air Terminal remains, and the ventilation tunnels and portals of the Lincoln Tunnel, which opened in 1937 and connect New Jersey and Manhattan.

There was no doorbell or telephone and the doors were locked; and though the basement windows were broken, they were protected by iron grillwork. An emergency squad of seven men eventually had no choice but to begin pulling out all of the junk that was blocking their way and throwing it out onto the street below. The brownstone's foyer was packed solid by a wall of old newspapers, folding beds and chairs, half a sewing machine, boxes, parts of a wine press, and numerous other pieces of junk. A patrolman finally broke in through a window into a second-story bedroom.

The Federal Building of Little Rock, Arkansas is located at 700 West Capitol Avenue, adjacent to the Richard Sheppard Arnold United States Post Office and Courthouse. It is a large seven-story Modern structure, occupying an entire city block, built in 1962 to the designs of the local firms of Swaim & Allen & Associates and Ginocchio, Cromwell & Associates. Utilizing modern curtain-wall construction, its exterior (on all four sides) is dominated on the upper floors by a narrow windows separated by limestone spandrels. The south-facing main entrance is recessed, consisting of several pairs of double doors, with flanking gold-colored grillwork.

That was denied them, and they ran to the church grillwork2 with burning rage and shouting. They shook the grillwork so that it was nearly broken it into pieces by force. When the Guardian, Brother Anders Bertelsen, heard it, he hurried together with some of the other brothers to the grille and asked them why they had come with such anger and such rage, and what they wanted. They all shouted that they had a royal letter (indicating) that all the brothers should be expelled and the friary remodeled into a hospital for the poor and the sick.

Workers laid a cement floor for the auditorium (although this would later be replaced with marble). The marble wall material in the auditorium came from the Hilgartner Marble Co. of Baltimore, while the seating and woodwork came from the American Seating Co. of Grand Rapids. The fan-shaped ceiling and the frieze in the auditorium were designed by Louis Ludwig of Washington, D.C., while the installation of the ceiling and the frieze was done by the A.W. Lee Co. of Washington. Contractors were also busy installing sashes, windows and ventilation grillwork throughout the building, and laying a cement floor in the memorial hall on the second floor.

When built, the clock tower featured granite floors and metal interior furnishings, though there was very little wood trim, unlike other contemporary structures. The lower floors contained bronze grillwork and doorways, especially around the elevators, while on the upper floors, ornamental iron is used for the metalwork around the elevators. The second-floor spaces contained offices of the Metropolitan Life Insurance Company and contained white marble wainscoting, plaster cornices, marble mantels, etched-glass doors facing the executive offices, and red mahogany door, wall, and window panels. Each of the tower's floors are up to in area, smaller than the floor areas of most other nearby office buildings.

At three stories high, it was described in 1928 as "the highest building for squares around", with the result that "from the cupola on the roof one may look out over the Vieux Carré and see the Mississippi in its crescent before Jackson Square".Saxon (1928), p. 203. The entrance to the building bears iron grillwork, and the door is carved with an image of "Phoebus in his chariot, and with wreaths of flowers and depending garlands in bas-relief". Inside, the vestibule is floored in black and white marble, and a curved mahogany-railed staircase runs the full three stories of the building.

He based the design of the Louisville complex largely on three of Wright's projects, only one of which was actually built. Like the Kaden Tower, Wright's never-constructed 1946 sketches for the Sarabhai Calico Mills Store in Ahmedabad, India, had grillwork over the outside windows, a feature that evokes the jali of traditional Mughal architecture. This feature served the dual role of reducing interior solar heat gain while preserving views from interior to exterior (though traditionally jalis also permitted ventilation). Even though Louisville's humid sub-tropical climate has much lower temperatures throughout the year than Ahmedabad's hot semi-arid climate, the exterior cladding still functions as a solar shading device.

Upon its opening, Abram S. Hewitt's wife, Sarah Amelia Hewitt donated a lace collection, George Hearn donated two fountains worth $1,000, and Lloyd Bryce's wife donated art and objects from the Palace of Fontainebleau. The museum had a metalwork gallery, which showcased historic iron grillwork and a room devoted to ironwork, both which no longer are focus rooms. The museum has a wide variety of objects in its collection, ranging from matchbooks, to shopping bags, porcelain from the Soviet Union, and the papers of graphic designer Tibor Kalman. The museum holds the world's largest collection of works on paper by Hudson River School painter Frederic Edwin Church.

Through a spokesman named "John Baron"—who turned out to be Trump himself—Trump said that his company had obtained three independent appraisals of the sculptures, which he claimed had found them to be "without artistic merit." An official at the Metropolitan Museum of Art disputed the statement, stating: "Can you imagine the museum accepting them if they were not of artistic merit? Architectural sculpture of this quality is rare and would have made definite sense in our collection." In addition to the relief panels, the huge Art Deco nickel grillwork over the entrance to the store, which had also been promised to the museum, disappeared.

The property was then parceled out, and the château was slated to be dismantled. In 1840, the comte Le Marois acquired the estate, and saved the building from total destruction. The new owner, finding the residence too large for his use, demolished the wings built by the Duchess of Berry, leaving the remainder of the construction its current state. The château (in 2006) with François Olivier's iron grillwork gate bearing the family arms From the 19th century until 1955, the château and the property belonged to the Lebaudy family, who arranged the commons to lodge their stables, and their kennels, since they practised fox hunting in the surrounding forests.

On the exterior of the building Charles Keck created 23 limestone panels depicting the march of civilization from east to west including wagon trains heading west from Westport Landing. Grillwork in the doors depict oak leaf motifs in memory of Oak Hall. The south facade of the museum is an iconic structure in Kansas City that looms over a series of terraces onto Brush Creek. About the same time as the construction of the museum, Howard Vanderslice donated to the west of the museum, across Oak Street, for the Kansas City Art Institute, which moved from the Deardorf Building at 11th and Main streets in downtown Kansas City.

They granted him immediately a postponement until the next Sunday, and then they drove the monks out. There was a traitor, Brother Henning, who heard the Guardian say to the porter in the cloister that he should not open the gate when the town bailiff and the others came to force the brothers out. Henning went to the town bailiff, and told him the Guardian would not speak to him at the gate, but near the iron grill in the church. When the town bailiff came and knocked on the gate, the porter, Brother Clemens, let him go to the grillwork and went himself to fetch the Guardian.

The fourth side consists of a library with clerestory and stained-glass windows, and it overlooks the entry gate-lodge,There are good images of the gate lodge at Google Street View (rue Lefranc de Pompignan), in which the scallop of St Jacques can be seen crowning the decorative grillwork on the gate, and also of sections of the brick retaining wall (Chemin de la Vignée). farm buildings and church. The plan of the chateau is a rectangle of some 18m by 50m, with a semi-circular two-story bay on the north side. A sketch of the facade dating from 1802from one of the sketches in the carnet de 1802, reproduced in Cranga, P189, fig 18.

By 1919 they started to buy land at 3rd and E to build a new, larger store, which launched on November 7, 1927, with three floors plus a mezzanine, basement and roof garden. There was a tea room, lunch counter, beauty parlor, barber shop, sit-down soda fountain, candies, stationery, grocery store called Sage's Market, and a restaurant, Café Madrid. The main entrance archway fitted with Italian marble rose 29 feet, while the interior lobby ceiling was an impressive 32 feet high; the doors were made of hammered copper. The outside face of the building had alternating intricate stone and wrought iron ornamental grillwork, with the Harris coat-of-arms molded into the stonework.

Bentley Historical Library, University of Michigan. Retrieved on February 3, 2013. (The Buhs's daughter, Martha Henry, became a notable American-Canadian actress. Lloyd Buhs, the secretary- treasurer of the Pfeiffer Brewing Company, was charged in 1943 with embezzling company funds to purchase a controlling interest in a small war plant.) Woodley Green Woodley Green Lake Shore Dr., Grosse Pointe (1934, 1959) Clients: Emory W. Clark, Benson Ford Style: Regency, Georgian Woodley Green, considered "one of [Keyes's] finest houses," is another important work in the Regency and Neo-Palladian style, with a stone pediment front portico with Ionic columns, a parapet and copper hipped roof, and a red brick façade with Keyes's expected "delicate iron grillwork railings" and symmetrical bow- fronted flanking wings.

1653-1663 In conjunction with reparations made necessary after lightning struck the bell tower, Baldassare Longhena, the consultant architect and buildings manager for the procurators of Saint Mark de supra from 1640 to 1682, replaced the five steps in front of the loggetta and the external benches with a wide terrace and balustrade. The two lateral windows were reduced to half lunettes with iron grillwork in the upper portion, and doors were added.Morresi, Jacopo Sansovino, pp. 216-217 The bronze gate, made by Antonio Gai between 1733 and 1734 1733-1750 Antonio Gai realized the elaborate bronze gate (1733-1734) with the allegorical figures of Vigilance (on the left with the lighted lamp and the crane holding a pebble with its foot) and Liberty (on the right with the pileus on a staff).

Peters was a collaborator with Wright on the Price Tower project, so it is not surprising that the Kaden and Price buildings have many common components, including their distinctive cantilever design which provides open interior space, free of columns, by suspending the floors from a central core. Both buildings sit on large, landscaped sites, adjacent to similarly-styled smaller buildings, are decorated in pastel earthtones, and have somewhat obscured windows. Like the Calico Mills design, the Kaden Tower, when occupied at night, is reminiscent of a Japanese lantern with inside lighting illuminating the grillwork with a soft, yellow glow. During the month of December in the 1970s and early 1980s, transparent color gels were placed on the inside of the windows to form large seasonal symbols when the office lights were left on.

The building was described as an Art Deco piece featuring elements that would later be used in Moderne architecture. Its symmetrical columns and massing were drawn from Beaux Arts classicism, with elements of minimalism; Reamer was also influenced by Paul Philippe Cret's calls for "starved classicism". The front entrance of the 1931 office building, on the southeast corner of the block, faced south on John Street towards Downtown Seattle and had the newspaper's name etched into the stone above the main entrance; the sign was supplemented for several decades by an ornate golden sign with the newspaper's letterhead that was installed above the main entrance. The exterior of the office building had subtle details, including etched columns and aluminum grillwork on the windows, forgoing ornaments for a simpler design that emphasized its mass.

Under the direction of British Argentine architect Edward Taylor, the Italianate structure functioned as Buenos Aires' largest building from 1859 until the 1890s.Museum of the Casa Rosada: history Casa Rosada: History The old fort's administrative annex, which survived the construction of Taylor's Customs House, was enlisted as the Presidential offices by Bartolomé Mitre in the 1860s and his successor, Domingo Sarmiento, who beautified the drab building with patios, gardens and wrought-iron grillwork, had the exterior painted pink reportedly in order to defuse political tensions by mixing the red and white colors of the country's two opposing political parties: red was the color of the Federalists, while white was the color of the Unitarians.Daniel Lewis, "Casa Rosada" in Encyclopedia of Latin American History and Culture, New York: Charles Scribner's Sons 1996, vol. 2, p. 2 citing James R. Scobie, Argentina: A City and a Nation, 2d edition (1971) pp.

The flagship Ford Expedition Platinum will be more upscale and move further upmarket, with high-end interior fit-and-finish and luxury interior and exterior appointments. Interiors will feature handcrafted real wood trim, real metal accents, soft-touch materials, 12-speaker Bang & Olufsen luxury sound system, dual panel panoramic glass roof with power shade, soft premium diamond-quilted perforated leather climate-controlled and massaging seats with French seam stitchwork, soft leather wrapped dash, steering wheel, and door panels with single and double stitched ornamental stitchwork. The Platinum's exterior will receive standard full LED headlamps vertically stacked in headlamp nacelles, LED turn signal lamps, LED daytime running lamps, LED fog lamps and diffused LED tail lamps with LED brake lamps. In addition, the exterior will feature "platinum" satin-finished lower front and rear bumper skid plates, roof rails, side mirror crowns, and liftgate accents, along with polished stainless steel power deployable-and-retractable running boards, polished alloy wheels, chrome brightwork, and platinum satin- finished mesh grillwork. Expedition Platinums will also feature a specific performance tuned version of the 3.5 liter EcoBoost V6 with 400 horsepower and 480 lb-ft of torque (using 93-Octane fuel) mated to the 10-speed 10R80 SelectShift automatic transmission.