How to use graphic equaliser in a sentence? Find typical usage patterns (collocations)/phrases/context for "graphic equaliser" and check conjugation/comparative form for "graphic equaliser". Mastering all the usages of "graphic equaliser" from sentence examples published by news publications.
A range of new idents for Channel 5 were launched in February 2011 incorporating the "5" motif featuring live action and CGI elements. They echo the predominantly red colour scheme of the channel's new corporate image, each based in a spacious studio with a large screen as the backdrop for the action. "Drums" features a drummer against a backdrop of animated shapes with the "5" appearing on a screen behind. In "Equaliser", a "5" contained in a cube emerges from a graphic equaliser display.
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The radio was moved to a new lower centre console that was not fitted to the 1980 model as standard. It was Eurovox MCC-9090R cassette player and radio with Voxson VX-89 graphic equaliser powering 6 speakers - 2x4" full range front, 2x1" dome tweeter overhead and 2x6" tri-axial rear. Apart from this, the car had a standard turbo version interior with green seats and triangular center steering wheel. The cars were fitted with either gold or black-centred (depending on body colour) Simmons 'P-4' 3-piece composite alloy 7.5x15" wheels with polished lip.
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After the Work recorded Slow Crimes in early 1982, Mick Hobbs and Rick Wilson left the quartet, and the remaining members, Tim Hodgkinson and Bill Gilonis formed a touring version of the Work with Amos (Jim Welton) and Chris Cutler to fulfil concert commitments in Japan. They performed three shows in Tokyo and one in Osaka in June 1982, performing material mostly from Slow Crimes. The concert in Osaka was the only one recorded, and this was done using a cassette recorder half-way down the hall; the tape was later remastered using a graphic equaliser and a DBX expander. After the Japanese tour the Work split up.
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The replacement of the relatively fragile thermionic valve (vacuum tube) by the smaller, lighter-weight, cooler-running, less expensive, more robust, and less power-hungry transistor also accelerated the sale of consumer high-fidelity "hi-fi" sound systems from the 1960s onward. In the 1950s, most record players were monophonic and had relatively low sound quality. Few consumers could afford high-quality stereophonic sound systems. In the 1960s, American manufacturers introduced a new generation of "modular" hi-fi components — separate turntables, pre-amplifiers, amplifiers, both combined as integrated amplifiers, tape recorders, and other ancillary equipment like the graphic equaliser, which could be connected together to create a complete home sound system.
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When valve amplifiers were the norm, user-adjustable "tone controls" (a simple two-band non-graphic equaliser) and electronic filters were used to allow the listener to change frequency response according to taste and room acoustics; this has become uncommon. Some modern equipment uses graphic equalisers, but valve preamplifiers tend not to supply these facilities (except for RIAA and similar equalisation needed for vinyl and shellac discs). Modern signal sources, unlike vinyl discs, supply line level signals without need for equalisation. It is common to drive valve power amps directly from such source, using passive volume and input source switching integrated into the amplifier, or with a minimalist "line level" control amplifier which is little more than passive volume and switching, plus a buffer amplifier stage to drive the interconnects.
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