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232 Sentences With "grand pianos"

How to use grand pianos in a sentence? Find typical usage patterns (collocations)/phrases/context for "grand pianos" and check conjugation/comparative form for "grand pianos". Mastering all the usages of "grand pianos" from sentence examples published by news publications.

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They celebrate the album's arrival at this concert, playing on two grand pianos.
In the years that followed, I learned four truths about baby grand pianos. 1.
Even among serious musicians, few have homes of a size that can accommodate grand pianos.
And like collector automobiles, grand pianos like Faziolis and Steinways will keep commanding premium prices.
In 2014 China imported nearly 6,000 grand pianos, up from fewer than 2,000 in 2005.
Is "y'all shipping keys, we shipping grand pianos" one of the greatest drug dealing bars you've ever heard?
Depending on the size and number of keys, Schoenhut grand pianos can cost anywhere from $65 to $250.
"Porter decorated the suite with two grand pianos placed curve to curve, the players facing," Mr. McBrien wrote.
Indeed, for two months last year, the company sold more grand pianos in China than in the United States.
When's the last time anyone actually played one of those grand pianos or cooked dinner in a shared lounge?
In today's 360 video, step inside the Steinway & Sons factory in Hamburg, Germany, where grand pianos have been handmade since 1904.
Pianists played Chopin on grand pianos as waiters passed around Moët Champagne, hot tea and bite-size chocolate éclairs on wooden trays.
Last year, sales of grand pianos in America—a key market—fell by 15.8%, according to the National Association of Music Merchants.
Suites offer a variety of luxurious amenities, from full kitchens and 24-hour butler service to wood-burning fireplaces and grand pianos.
Twenty-four feet of water entered the Schermerhorn, Nashville's transcendently beautiful symphony hall, where the losses included two Steinway concert grand pianos.
That could increase the price importing companies pay on a variety on consumer goods ranging including soccer balls, children's picture books, and grand pianos.
Even with output of 170 pianos, Fazioli will never defeat Steinway, which makes about 2,000-2,0003 a year, with grand pianos starting at $63,000.
DAVID ALLEN Four grand pianos nestled together in front of the Cornelia Street Cafe in Greenwich Village on Tuesday afternoon presented quite a sight.
Today Mr Fazioli's factory—more accurately, a hall filled with craftsmen and their tools—runs at full capacity, turning out 26 grand pianos a year.
My mother herself, during her Depression childhood, had cut out pictures of grand pianos and diamond tiaras and presented them as her wish list for presents.
But there was some inspiration: A live performance of George Gershwin's "Rhapsody in Blue" included 84 grand pianos, which is still pretty jaw-dropping when you watch it today.
It had been deemed "not salvageable" after an inspection by the staff at Fazioli Pianos, which produces grand and concert grand pianos in Sacile that can cost several hundred thousand dollars.
Steinway Musical Instruments, best known for its grand pianos and controlled by U.S. hedge fund billionaire John Paulson, has attracted takeover interest from China Poly Group, Bloomberg reported on Monday citing sources.
Faced with an order to vacate by the end of December, school officials will spend Christmas week packing up 12 grand pianos, its estimable Braille music library and other items, presumably to go into storage.
Honestly, let's mostly just revisit the brilliance of "y'all shipping keys, we shipping grand pianos" because damn, that's a good one, and we only have 60 more days to point out good Lil Wayne lines on here.
He's even attaching grand pianos to the walls, inside of which he'll project a film, The End is My Beginning, in which his Polish father-in-law, an ex-miner, inhabits the mise en scène of his paintings.
A few that might make your heart sing: A concert on four grand pianos in the middle of a street, a spectacle with songs all about New York, and a series where musicians improvise with native city birds.
The piano, made by Kranich and Bach, a now-defunct New York City company once popular for its diminutive line of grand pianos known as "Grandettes," belonged to the previous owners of this house — a family, with three sons, that had lived here for half a century.
In his memoir of Neruda, Volodia Teitelboim, a friend and fellow Chilean Communist, reports that the recipient of the 1952 Stalin Peace Prize was, on his many stays in Moscow, often put up at the Metropole Hotel, an establishment much favored under the czar by nobles and rich bourgeois, where Neruda enjoyed "an apartment complete with a pair of grand pianos, enormous bathtubs decorated with purple flowers, and huge emerald-green leaves," and so on.
She had already logged oodles more screen time than any host in recent memory when she perched on a stool between two grand pianos and played one with each hand in a demonstration of technical badassery, then took a tour through songs she wished she had written (Roberta Flack's "Killing Me Softly," Juice WRLD's "Lucid Dreams," Kings of Leon's "Use Somebody"), wrapping on her own Jay-Z collaboration "Empire State of Mind" like a humblebrag come to life.
Although the company manufactured grand pianos, it was mainly well known for high-end uprights, or "Cabinet Grand Pianos". After the Great Depression, Sterling merged with the Winter Piano Company, and the Sterling name was retained until the 1960s.
C 213, C189, C 169 (grand pianos) and C 130, C 126, C 121, C 116 (upright pianos) The series "Schimmel Classic" includes three grand pianos of 169 cm to 213 cm and four pianos also in different models. The series was developed for a high standard.
Yoshiki (1993) Kawai grand pianos have evolved steadily over the decades from the Model 500/600 built in the 1960s and 1970s, to the KG Series in the 1980s and early 1990s that became popular among teachers and institutions. During these years, Kawai grand pianos earned a reputation for long-term, stable performance even in heavy use. In 1996, Kawai introduced the RX Series grand pianos featuring the Ultra-Responsive ABS Action. The RX Series continued to evolve with the introduction of the Millennium III Action with ABS-Carbon in 2004.
In addition, Bass contracted with Steinway & Sons to purchase 105 grand pianos; at the time, it was the largest order in Steinway's history.
The subsidiary made some 100,000 pianos and organs annually during its peak years in the 1960s and 1970s. An average day saw 250 pianos and 150 electronic organs shipped from the factory. Grand pianos from Kimball in Indiana ranged from compact models to larger models. In Vienna, the Bösendorfer division made concert grand pianos as large as : the Imperial Bösendorfer.
W 206, W 180 (grand pianos) and W 123, W 118, W114 (upright pianos) The series “Wilhelm Schimmel”, named after the company's founder consists of two grand pianos and three piano models in different designs. The instruments are made for young piano players, offering them pianos of high quality to an affordable price. The instruments are produced in the Schimmel production site in Kalisz, Poland.
This $3.8 million purchase included three new concert grand pianos and was the largest purchase order that Steinway had ever received in the history of the company.
Whaletone is a British company headed by Polish designer Robert Majkut that produces a series of digital grand pianos noted for their advanced aesthetic and technical design.
Steingraeber manufactures uprights in sizes measuring 122, 130, and 138 cm in height. Grand pianos come in lengths of 170, 192, 212, 232, and 272 cm. Steingraeber also ships unfinished grand pianos with carbon fibre soundboards and bridge agraffes to England, where they are modified and finished by the piano makers at Hurstwood Farm and sold under the Hurstwood brand. As of 2020 only 60 uprights and 60 grands are being made each year.
The H.S. Schultz Piano Store in 1905. One common specialty store is the piano store, which typically sells a range of upright pianos and grand pianos. In the 2010s, some piano stores sell high-end digital pianos, including grand pianos equipped with a digital player piano mechanism that can play back a recorded performance by activating the hammers. Piano sales are on the decline, in part because high- quality, properly-maintained pianos can remain playable for 60 to 80 years after their original purchase.
In 1815, he established his own manufacture of pianos, and almost annually for nearly forty years improved them with new inventions. His first grand pianos followed the English system of Broadwood and Tomkinson, though endowed with mechanical genius it was not long before he modified, then completely changed their principles of construction. Pape concentrated on defects in square and grand pianos caused by the structural gap between the sounding board and wrest plank allowing the hammers to strike the strings; the solution of placing actions above the strings had been imagined by Marius, then Hildebrand and finally Streicher in Vienna, but instead of levers and counterweights Pape's arrangement used a coil spring to raise the hammers quickly and with almost no effect on touch. This system was very successful in squares but lacked some lightness and delicacy in grand pianos.
The production of the cooperation was located in Luckenwalde and Braunschweig in Germany. Instruments of a higher quality such as Schimmel pianos were produced in Braunschweig. The production of grand pianos stayed in the company in Leipzig.
K 280, K 256, K 230, K 219, K 195, K175 (grand pianos) and K 132,K 125, K 122 (upright pianos) The series "Schimmel Konzert" includes 6 grand pianos of 175 cm to 280 cm length and three upright piano models, each available in different designs and colours. The series was developed to cater for the needs of professional pianists. The instruments can be found worldwide on concert and theatre stages and has received awards for the sound and construction. The Schimmel "Art Collection" is also part of this series.
In 1976, he started his own business, the "Klavierhaus Klavins" in Bonn. He mainly restored and sold used home and grand pianos. In 1980, he became a master craftsman, which, in Germany, meant that he could officially train apprentices.
Smith Hall is located between the Foreign Language Building and Foellinger Auditorium, but is off the Main Quad. The professors of voice, piano, and percussion have their offices there. The Steinway grand pianos and percussion equipment are located in this building.
On the stage were two grand pianos and a Wurlitzer Organ. It was through these facilities that Bing Crosby, then an unknown Gonzaga University student, made his radio debut. Decades later, Crosby would partner with the station to launch KXLY-TV.
The structure was four stories with a basement. The new addition was devoted largely to the manufacturer of grand and re-producing grand pianos."Begin New Addition to Big Piano Plant", Gary Evening Times, Vol. 18, No. 209, February 23, 1925, pg.
Born in Braunschweig, Winkelmann was the son of a master carpenter. He first worked with luthier Carl Rautmann in Wolfenbüttel and in 1837 he founded a piano factory in Brunswick. The first 3 uprights were made at home. Then grand pianos were made.
Hobart M. Cable pianos are built using Alaskan Sitka spruce soundboards and Japanese hammer felt. The company makes upright pianos, console pianos and grand pianos. Upright piano model numbers begin with UH, grand piano model numbers begin with GH and console models begin with CH.
The Patented Cupola Steel Frame is constructed on the principle of our Grand Pianos, with Capo-d'Astro Bar cast integrally. Height, 4 feet 6 3/4 inches; depth, 2 feet 5 inches; width, 5 feet 2 inches. Net weight, 695 lbs. Gross weight, 1015 lbs.
James Barron: Piano - The Making of a Steinway Concert Grand. Times Books, New York 2006, . In subsequent years few changes occurred, though the instrument's length increased slightly (the "rim type" D concert grand pianos from 1884 to about 1895 were only 272 cm long).
Latham, a concert-caliber pianist, arranged music for the four Steinway Grand Pianos and led an evening of inspiration and music for tens of thousands. Latham also composed numerous hymns and choruses, most notably: Only Jesus, and Blessed Calvary. He also authored "The Two Gospels".
Dover Publications; 1st Edition, 1976. .pp164-165. Pictures and brief history of Calvary 1883 and 1929 buildings. Retrieved November 20, 2009. The church's two Steinway grand pianos were donated to the church by pianist Van Cliburn, who attended periodically while living in the hotel.
The instrument collection includes two nine-foot concert Steinway grand pianos, the Waggener Memorial Organ – a tracker two-manual pipe organ, a Richard Kingston harpsichord, and several Steinway grand pianos that are designated for piano majors to practice. The Music department at Tarleton State University currently offers three degrees, which are Bachelor of Arts in Music, Bachelor of Music in Music Education (with all-level certification) and the Bachelor of Music in Performance. It currently offers one online graduate degree, Master of Music in Music Education. The program has over 150 full-time enrolled students with 80% of the majority being instrumental studies and 20% being vocal studies.
LUTV's Charter HD Studio- a tapeless high-definition TV studio with sets for talk shows, news, weather, and Lindenwood Lions athletics that the station airs on local Public-access television and AT&T; U-verse. Performance practice space with Steinway grand pianos and Chorus and orchestra rooms.
An artist performing on an August Förster piano in 2015 August Förster is a piano manufacturing company (also rendered "Foerster," occasionally "Forster," officially "August Förster GmbH Kunsthandwerklicher Flügel-und-Pianobau") that currently has a staff of 40 employees and produces around 120 grand pianos and 150 uprights per year.
The Woman's Club has a notable collection of furnishings and art, including nine grand pianos; the Jarvis Light, a chandelier once owned by Anna Jarvis, the founder of Mother's Day; portraits of prominent members by painter Emily Guthrie Smith, and Pipes of Pan, a bronze sculpture by Frederick MacMonnies.
Duncan uses a variety of traditional and peculiar objects and instruments to create his scores. These objects include; grand pianos, deconstructed pianos, metal brushes, hot rod exhaust pipes, fire extinguishers, trumpet, guitar, pipe organ, a variety of drums, and even objects from junk yards all over Los Angeles.
By the 1820s, the center of piano building innovation had shifted to Paris, where the Pleyel firm manufactured pianos used by Frédéric Chopin and the Érard firm manufactured those used by Franz Liszt. In 1821, Sébastien Érard invented the double escapement action, which incorporated a repetition lever (also called the balancier) that permitted repeating a note even if the key had not yet risen to its maximum vertical position. This facilitated rapid playing of repeated notes, a musical device exploited by Liszt. When the invention became public, as revised by Henri Herz, the double escapement action gradually became standard in grand pianos, and is still incorporated into all grand pianos currently produced.
Upright pianos, grand pianos, stage pianos, harpsichords, pipe organs, Hammond organs and many post-1980s electronic keyboards have some type of rack or stand to hold sheet music and/or scores. On some grand pianos, the music stand can be removed, for example, if the performer is playing a piano solo work or a piano concerto from memory. On some electronic or electric keyboards, the stand can be removed, to facilitate transportation of the instrument to rehearsals and gigs. If the music stands on electronic and electric keyboards were permanently affixed, they would make the instrument harder to load into a van or car, and the stand would be vulnerable to damage.
By the 1820s, the center of piano building innovation had shifted to Paris, where the Pleyel firm manufactured pianos used by Frédéric Chopin and the Érard firm manufactured those used by Franz Liszt. In 1821, Sébastien Érard invented the double escapement action, which incorporated a repetition lever (also called the balancier) that permitted repeating a note even if the key had not yet risen to its maximum vertical position. This facilitated rapid playing of repeated notes, a musical device exploited by Liszt. When the invention became public, as revised by Henri Herz, the double escapement action gradually became standard in grand pianos, and is still incorporated into all grand pianos currently produced.
Capitol Theater marquee The Capitol Theatre opened on December 25, 1920. Builder Henry C. Kahl wanted to provide a 2,500-seat, palace-type theater. Kahl planned a luxurious movie theater larger than any in Davenport or Iowa. When opened, the theater boasted grand pianos, gold leaf decoration, and several chandeliers.
He has also patented a muting device for grand pianos which protects downstairs neighbors. Revenaugh created the Electric Symphony Orchestra.radiomTime; Nov. 13, 1972 In the 1980s he created the Classical Cabaret, which performed solo and chamber works to the accompaniment of jugglers, paddle balls, yo-yos, Indian clubs and fire eaters.
Stuart & Sons 2.9 m 102-note piano Stuart & Sons is an Australian manufacturer of handcrafted grand pianos established in 1990 as Stuart & Sons Terra Australis Pty Limited. The founder is Wayne Stuart. The company later evolved and formed a partnership with Albert Music. Stuart & Sons primarily use Australian timbers for construction.
The room is paneled in unfinished clear-heart redwood, which contributes to an unusually rich and warm, yet bright and clear acoustic quality. There are two grand pianos in the space: a Yamaha S-400, and a Yamaha C7. Maybeck originally designed the space to accommodate an 1898 7-foot Bechstein.
Present Acoustic is a "classical" variant of the band featuring grand piano, percussion and vocals. It premièred at a Rock in Opposition festival in Southern France in April 2007, where they performed as "Present", their regular act, and as "Present Acoustic", where they played two grand pianos, "a lot of percussion" and sang.
Cunningham Piano Company began manufacturing acoustic upright and grand pianos in 1891. The founder, Patrick J. Cunningham, had recently emigrated from Ireland. He was a well trained craftsman and woodworker. Within their first decade of manufacturing, Cunningham Piano Company had gained recognition and had become one of Philadelphia's most respected makers of pianos.
An aerial view of the separate 5000 Town Center residential high-rise resembles a mirrored pair of grand pianos. As a result, many residents have geometric rooms and common hallways, albeit with picturesque views of the surrounding wooded landscape and Civic Center Park. The complex contains ample parking space in adjoining garages.
Blüthner was born in Falkenhain (now Meuselwitz), Thuringia. In 1853 he founded a piano-manufacturing company in Leipzig Germany. Blüthner pianos had an early success at exhibitions, conservatories and the concert stage. Further inventions and innovations lead Blüthner to patent a repetition action, and, in 1873, the aliquot scaling patent for grand pianos.
The Streingraeber-Haus: Steingraeber & Söhne's headquarters in Bayreuth. The piano manufacturer Steingraeber & Söhne is a German maker of upright and grand pianos. This family-owned business has its headquarters in Steingraeber Haus, a historic Rococo palace in Bayreuth. Udo Schmidt-Steingraeber is the sixth generation of Steingraebers to lead the family business.
There is a plush 380-seat Lee Foundation Theatre with a rotating central platform on stage, an adjustable orchestra pit with superb acoustics and two Steinway Model D grand pianos. The school's famous Studio Theatre or "Black Box" is also located here. Other facilities include a Recital Hall, soundproof Music Studios and Dance Studios.
In response, Everett made only small pianos in 1946, leaving the manufacturing of grand pianos. In 1936, Everett subsequently joined the Meridan Corporation, where George H. Stapely, a graduate engineer, innovated Everett's old pianos. One of those innovations was the Balanced Tension Back. It allowed the sound quality to stay sharp in different conditions.
His final gallery exhibition in late 2012 at Gagosian Gallery in Rome featured five laminate sculptures of upright and grand pianos. Utilizing the Formica patterns to make references to early 20th-century artists as diverse as Kazimir Malevich and Henri Matisse, they also made a retrospective nod to his first piano sculpture in 1965.
The much larger factory in Dongbei is not building pianos at this time. Baldwin grand pianos are being built to Baldwin specification by Parsons Music, China. All new pianos are being sold under the Baldwin name and not Wurlitzer, Hamilton or Chickering. Baldwin stopped manufacturing new pianos at its Trumann, Arkansas, factory in December 2008.
Nero is active in many charitable causes, including the funding of school music programs, fundraising for the building of new arts centers across the country, and research on cancer, dystonia and autism. Nero favors Steinway concert grand pianos. He is the father of two children, Beverly and Jedd, and has two grandchildren, Robert and Nicole.
As with Steinway's grand pianos, Upright Grands were sometimes given custom art cases. The most famous of these were the two Rococo art case Model Rs installed in the First Class spaces of the RMS Titanic along with a similarly styled art case Model B, in addition to two standard Model Ks located in the Second Class spaces.
As of 2012, the Grotrian-Steinweg company is owned by the daughters of Erwin Grotrian, with sixth-generation Jobst Grotrian (b. 1969), Knut's son, a shareholder. Annually, the company produces about 500 upright pianos in six sizes and 100 grand pianos in five sizes. Some 20 concert grands are made per year—each one requiring 8 months of manufacture.
It was furnished with two grand pianos, elaborate brocade chairs, gold and glass cabinets and fixtures. Also, there were various art collections displayed on the walls and rooms. From ʻĀinahau, the Cleghorn family would entertain Hawaiʻi's prestigious social circles. Cleghorn collected flowers and trees from all over the world, planted in various gardens on the estate.
The Wellington Piano Case Company Building is an historic building at 54 Green Street in Leominster, Massachusetts. The four story brick building was built in 1895 by Frank E. Wellington, who manufactured piano cases for upright and grand pianos. The building was listed on the National Register of Historic Places in 1984. It underwent conversion to residences in 2002.
Welmar Piano Alfred Knight, Ltd. was a piano manufacturing company founded by Alfred E. Knight in 1936 in England. Knight was a highly respected manufacturer, and were the only make of piano in Steinway Hall alongside Steinway's own pianos. With the exception of a few baby grand pianos, nearly all Knight pianos are modern upright pianos from 100 to 110 cm in height.
The building, which consists of three floors, encompasses an area of nearly 14.500 m2. The concert hall stage includes a stage lift which allows for the formation an orchestra pit used in operas. Two Steinway concert grand pianos are available. The interior walls of the concert hall are coated with movable acoustic panels, which make the concert hall a recording studio as well.
Hall appears four times during her 1931/1932 world tour: February (with Noble Sissle), April, July and November. She was accompanied on stage by two pianists who played white grand pianos. It was during this tour that Hall discovered and employed the blind pianist Art Tatum, whom she brought back to New York with her at the end of the tour.
Acoustic pianos have expression pedals that change the response or tone of the instrument. On small upright pianos, the soft pedal moves the hammers closer to the strings. On grand pianos, the soft pedal moves the hammers sideways so each hammer strikes only part of its string group. The sustain pedal prevents individual key dampers from lifting when the player releases the key.
All brands and instruments made by C. Bechstein now exclusively originate from Europe. Along with the company's economic success, C. Bechstein's concert grand pianos are making their comeback on international concert stages and in recording studios. In 2006, the first international C. Bechstein Piano Competition took place under Vladimir Ashkenazy's patronage. National C. Bechstein competitions regularly foster the musical development of young artists.
Wright was born in Strathroy, Ontario in 1908. His father, James Wright, was a known business man in the area who started the Wright Piano Co., which produced and sold upright and grand pianos. At an early age, Wright began studying the cello and trumpet and quickly started to show talent, winning a national gold medal for trumpet performance at age 14.
"Burning grand pianos on the Scottish border" . The Guardian. > Retrieved 5 November 2015. The work, displayed simultaneously on multiple screens, consists of close-up film of the burning piano from the moment it is set alight until it is reduced to ashes juxtaposed with a second film which is a 360 degree pan of the Scottish Borders landscape surrounding the piano.
In shorter pianos the wire stiffness in the bass register is proportionately high and therefore causes greater stretch; on larger concert grand pianos this effect is reduced. Online sources suggest that the total amount of "stretch" over the full range of a small piano may be on the order of ±35 cents: this also appears in the empirical Railsback curve.
AvantGrand is a brand of digital piano introduced by Yamaha in 2009. The product line consists of a baby grand piano (the N3, replaced by the N3X in 2016), two "vertical" grand pianos (the N2 and the N1 replaced by the N1X in 2019), and an upright piano (the NU1, replaced by the NU1X in 2017). The AvantGrand pianos use samples taken from four locations in a Yamaha CFIIIS (CFX and Bosendorfer Imperial for the N1X, N3X and for the NU1X, CFX for NU1) Concert Grand pianos and attempt to emulate all aspects of conventional piano sound and play, down to the tactile response of keys and pedals. In covering the piano's release, Slate editor Chris Wilson wrote that the AvantGrand piano represents a substantial functional improvement over the conventional piano, while sounding practically indistinguishable from one for 95% of the world's pianists.
At the World Exhibition 1934 in Brussels, the Petrof instruments won the gold medal.NA PETROF HRAJE I PAUL MCCARTNEY - MAPA ÚSPĚCHU At that time, approximately 400 people worked at their factory. In 1948, Petrof was nationalized, though reprivatized between 1991 and 1998. Petrof is currently led by two sisters from the fifth generation of the Petrof family and produces approximately 2.000 grand pianos and 12.000 upright pianos.
In 2006 Present traveled to Portugal to perform at the Gouveia Artrock Festival. In April 2007, the band were the curators of the first Rock In Opposition Festival France event, highlighting two separate performances: The first night was called “Present Acoustic”, as Trigaux's compositions were classically realized for two grand pianos (performed by Chevalier and Ward Devleeschhouwer), while the rest of the group played scored percussion.
Wurlitzer Butterfly Art Deco Deluxe 88 key piano – Model 1411 In the mid thirties, Wurlitzer unveiled a line of symmetrical grand pianos, or "Butterfly" grands. At this point in Wurlitzer history, all piano manufacturing was exclusively in DeKalb, Illinois. Models ranged from the Student Butterfly having 44 keys, to the 88 key Deluxe Art Deco Streamline Model 1411. Model 1411 had many innovative patented features.
In 1987, he formed his own company, Pramberger Piano Ltd., where he and his father Anton worked together in the restoration and rebuilding of pianos. Joseph joined Young Chang in 1995 where he made dramatic innovations in sound and action design to help improve the quality of their affordable grand pianos. That led the company to produce a new line called the Pramberger Series.
Pearl River also manufactures all models for Steinway & Sons' Essex brand piano line, including grand pianos and uprights, in their factory in Guangzhou. On May 1, 2005, Steinway & Sons and Pearl River Piano Group jointly announced an agreement. The companies began developing several new Essex models, which Steinway & Sons designed for affiliate company Boston Piano Co., Inc. The piano line reached the marketplace early in 2006.
Also on stage with the Dickinson consoles were two grand pianos and a third organ which was an Allen Organ. All in all, it was a visually exciting prelude to that which was about to follow. Whether playing together as the Trio or playing individually, their music was clean, crisp and imaginative. As a trio however, we were treated to sounds that were quite special.
Piano History , www.ukpianos.co.uk The first patented use in grand pianos in the United States was by Henry Steinway Jr. in 1859.Alistair Riddell Towards a virtual piano action, NMA Magazine (1988)A Brief History of the Piano, www.shafferpianos.com In the late 19th century, cross-stringing gradually took the place of straight-stringing, in which all the strings are perpendicular to the keyboard and do not overlap.
The Yeager Recital Hall is a theatre seating 335 people. Lastly, the Black Box Theatre is a theatre seating 100 people. The Center for the Arts also includes modular practice rooms and studios, rehearsal rooms, a complete scenery shop and costume shop, computer labs, classrooms and Steinway concert grand pianos. Lastly, this facility contains three dance/rehearsal studios, providing additional space for rehearsal and instruction.
The Viennese makers similarly followed these trends; however the two schools used different piano actions: Broadwoods used a more robust action, whereas Viennese instruments were more sensitive. Erard square action (click for page with legend) By the 1820s, the center of piano innovation had shifted to Paris, where the Pleyel firm manufactured pianos used by Frédéric Chopin and the Érard firm manufactured those used by Franz Liszt. In 1821, Sébastien Érard invented the double escapement action, which incorporated a repetition lever (also called the balancier) that permitted repeating a note even if the key had not yet risen to its maximum vertical position. This facilitated rapid playing of repeated notes, a musical device exploited by Liszt. When the invention became public, as revised by Henri Herz, the double escapement action gradually became standard in grand pianos, and is still incorporated into all grand pianos currently produced in the 2000s.
The Francis Bacon Piano Company was established in New York in 1789 by John Jacob Astor, Robert Stodart, and William Dubois as Dubois & Stodart. They produced player pianos, electric expression players, reproducing pianos, and grand pianos. Some were licensed under the Welte-Mignon patents. The pianos received many awards, including from the Franklin Institute State of Pennsylvania, Merchants Institute Fair of Washington, and the World's Columbian Exposition in Chicago.
Emergent System is an animated film by Frankel synchronized to music by composer Missy Mazzoli and featuring choreography by Faye Driscoll, commissioned by Peak Performances at Montclair State University. The film premiered at Peak Performances in 2020 with music performed live on six grand pianos by Grand Band, a piano sextet. In conjunction with the performances, an exhibition of Frankel's drawings was presented in collaboration with the George Segal Gallery.
Hugo lived with them by 1900. # Wessell (b.January 5, 1877) was son of Otto Wessel and took charge of the Wessell, Nickel & Gross piano action factory, serving as treasurer after his father died in 1899. He copatented an improvement in grand actions in 1909, which was assigned to WNG, and also patented half blow mechanisms for player grand pianos using movable hammer rest rails in 1920 and 1922.
Inside was an immense arched gallery that stretched the full width of the house, a wide curved staircase and baronial fireplace. In the main drawing room there was an Adamesque fireplace, and two grand pianos on a vast carpet. There was a large tapestry frieze of Chaucer's Romaunt of the Rose designed by William Morris and Edward Burne-Jones, and made by Lady Bell and her daughters over several years.Howell, 2008.
By 1917, Schoenhut produced a catalog showing 10 pages of upright and grand pianos of all shapes and sizes, with one page devoted to miniature piano stools alone. The models had nicknames beginning with "P", such as Packer, Padder, Papa and Poet. Keys were made of imitation ivory. By 1935, Schoenhut had produced over 40 styles and sizes of toy piano, with prices ranging from 50 cents to 25 dollars.
Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These concerts were presented in elegant settings with both pianists dressed formally and performing on Yamaha concert grand pianos. The two traded playing each other's compositions, as well as pieces by other composers such as Béla Bartók. In 1982, Corea performed The Meeting, a live duet with the classical pianist Friedrich Gulda.
The Steinway hammers are cut from virgin wool felt, containing no admixture of other materials. In 1962, the Queens Steinway factory introduced the Permafree action for its grand pianos, using Teflon parts in place of cloth bushings. The Teflon was intended to withstand wear and humidity changes better than cloth. The Teflon bushings resulted in certain unforeseen problems mainly during changes in weather; they were discontinued in 1983.
The mansion is home to two Steinway grand pianos used for concerts and to entertain dinner guests. Every holiday season the house is opened for special tours. The mansion is located adjacent to the Susquehanna River and flooding has proven to be a significant hazard. Water intrusion in the basement area is a frequent issue and the mansion has been evacuated three times since its construction due to serious inundation.
This system is now a factory option on Fazioli and Petrof pianos, and can be custom installed on other pianos. The Kawai Piano company of Japan has in recent years created an action out of an ABS styran/carbon composite. There are no independent reviews of this method. The Wessel, Nickel and Gross company makes custom actions for grand pianos (and uprights) that are also epoxy carbon fiber.
From the 1990s to 2000, Generalmusic made a physically modeled, digital half-rack piano module called the RealPiano Expander. It featured realistic, physically modelled grand pianos with continuous damper pedal functionality. The RealPiano Expander has a delicate LCD readout that is prone to failure. This is due to the internal placement of the LCD ribbon wire in proximity to the top front edge of the plastic front bezel.
While there, he was permitted to accompany Franz Liszt on his concert tours, where he looked after the pianos and grand pianos that Liszt "demolished" at his performances. In 1852, Eduard Steingraeber founded the Pianofortefabrik Steingraeber [Steingraeber Piano Factory] in Bayreuth. Steingraeber purchased the Liebhardt Palace on Friedrichstraße in 1871 and made it the head office of the company. And it has borne the name of Steingraeber Haus ever since.
The children's dining room was decorated by Jean de Brunhoff, who covered the walls with Babar the Elephant and his entourage.Maxtone-Graham 1972, p. 372 The interiors were filled with grand perspectives, spectacular entryways, and long, wide staircases. First-class suites were given unique designs by select designers. The most luxurious accommodations were the Deauville and Trouville apartments,Maxtone-Graham 1972, p. 279 featuring dining rooms, baby grand pianos, multiple bedrooms, and private decks.
The high-ceilinged Warwick Building was used as a depository for Whiteleys-sourced furnishings (grand pianos, chaise longues, oriental room dividers, mahogany wardrobes) for the use of customers who were resident in the colonies. Kensington Village now consists of a blend of modernised Victorian buildings, such as the Warwick Building, and modern additions such as the Pembroke Building, built in a similar style with London stock brick and red lintels and full-height glazing.
It quickly expanded to make band organs, orchestrions, player pianos and pipe or theatre organs popular in theatres during the days of silent movies. Wurlitzer is most known for their production of entry level pianos. During the 1960s, they manufactured Spinet, Console, Studio and Grand Pianos. Over time, Wurlitzer acquired a number of other companies which made a variety of loosely related products, including kitchen appliances, carnival rides, player piano rolls and radios.
While Australia no longer mass-produces pianos, there are two Australian manufacturers of very high quality grand pianos- Overs and Stuart and Sons. Their pianos present a showcase for Australian piano manufacturing. Overs pianos are pianos built by other makers which Overs redesigns and improves tonally and sometimes structurally depending on the make, age and client's order and budget. A third maker Mr. Court had built some pianos in Darwin in the last twenty years.
From the Coliseum's peristyles, 85 grand pianos appeared. Followed by the orchestra and over 200 dancers. Followed immediately by The World Stage, a 1940s big band orchestra medley featuring songs mostly from Broadway, the movies and pop charts. Among the songs heard in this segment were "Sing, Sing, Sing", "Steppin' Out with My Baby" from Easter Parade, "One" from A Chorus Line, the theme from Fame, and the Michael Jackson hit "Beat It".
The instrumentation of the original p53 project consisted of two grand pianos, amplified turntables, a homemade electric guitar, percussion, electronics and real time processing. One of the pianists was instructed to play "a few small sections from the classical repertoire", in any way and at any tempo, while the other musicians were free to improvise around them, under certain dramaturgical rules. Glandien periodically played back amplified and distorted live samples of the pianists.
Richard was also a part-time clarinetist and had a dance band to get through med school: Dick Parks and His White Swan Serenaders. Van Dyke's mother was a Hebraic scholar. Growing up, there were two grand pianos nestled in the family living room, and at age 4, Parks began studying the clarinet. He attended the American Boychoir School in Princeton, New Jersey, studying voice and piano, and would sing "Gershwin, Schoenberg, atonal music, everything".
Modern upright and grand pianos attained their present, 2000-era forms by the end of the 19th century. While improvements have been made in manufacturing processes, and many individual details of the instrument continue to receive attention, and a small number of acoustic pianos in the 2010s are produced with MIDI recording and digital sound module- triggering capabilities, the 19th century was the era of the most dramatic innovations and modifications of the instrument.
In addition to the decorative uprights, Ludwig produced grand pianos and player pianos (often under the name Claviola, with a patented Unit Valve Player Action that is also featured in much of their advertising). Although the value of any older instrument depends largely on its upkeep over the years, many Ludwig pianos have been known to hold up well and still take and hold a tune well even over one hundred years later.
Additionally, veterans' meetings are usually held either in a UHG or in a Kasino. As with the UHG, Kasinos have permanent personnel, as a general rule enlisted men, called Ordonnanzen, a military term for waiter or barman. Some Kasinos have grand pianos, and hold recitals, as well as having music played during luncheons or dinners. Official events such as balls and unofficial events such as weddings, informational events and the like, are held here.
The Mike and Thomas Show is a Dutch comedy panel game broadcast on NPO 3 (VARA). It is created and presented by the cabaret performers Mike Boddé and Thomas van Luyn. The television program, presented from behind two grand pianos, is set up as a parody of the game show format, comparable to the BBC show Shooting Stars. The first series was broadcast in 2005, the second in 2006 and the third in 2007.
In 1943 the old Schiller factory was sold to Winter and Company of New York City. The factory remained in operation producing different products through the years, such as talking machines, player pianos, spinnets, baby grand pianos and pianos. Through the late 1960s the factory employed 100 people and produced up to 6,000 pianos per year. In 1971 the plant closed after the company shut down operations and moved them to Memphis, Tennessee.
Keyboard of a Wurlitzer acoustic piano Beginning in about 1880, Wurlitzer built a full line of upright and grand pianos. In 1914, Wurlitzer became the sole distributor of Melville Clark Pianos and in 1919 acquired the Melville Clark company. Wurlitzer continued to manufacture pianos at the Clark factory in DeKalb, Illinois under the Melville Clark name. Other brands which have been manufactured by Wurlitzer are Apollo, De Kalb, Julius Bauer, Farney, Kingston, Kurtzman, Merrium, Schaff Bros.
In 1998, the company moved its headquarters from Loveland to nearby Deerfield Township. Throughout the 1990s, the company's fortunes improved, and by 1998, the company's 270 employees at its Conway, Arkansas facility were building 2,200 grand pianos a year. However, in 2001, Baldwin was again facing difficulties, and filed for bankruptcy once again, when the company was bought by Gibson Guitar Corporation. In 2005, the company laid off some workers from its Trumann, Arkansas manufacturing plant while undergoing restructuring.
Grotrian-Steinweg, known as Grotrian in the US, is a German manufacturer of prestige pianos. The company is based in Braunschweig, Germany, commonly known as Brunswick in English. Grotrian-Steinweg makes premium grand pianos and upright pianos. Grotrian-Steinweg grand piano inner mechanism Grotrian- Steinweg's history dates back to 1835 when the first Steinweg piano factory was built by Heinrich Engelhard Steinweg (later known as Henry Steinway after his emigration to the US where he founded Steinway & Sons).
The college provides four practice grand pianos (including a Steinway Model B), a double-manual harpsichord and two organs. Moreover, all undergraduate music students are provided with a practice piano in their room for the duration of their course. The chapel's organ is a four-manual, crafted by the Swiss firm St. Martin and acquired in 2002. The chapel choir has 28 members and sings Choral Evensong (Sunday) and Compline (Tuesday) in the college chapel every week.
His signature mouse can be seen on the right hand upright. The reredos was placed in the church as a memorial in the early 1920s. Under a capping stone set in the floor near the tower entrance, lies what is believed to be a stone of Romano-British origin. For some years the church housed a pair of Grotrian-Steinweg grand pianos belonging to the Goldstone and Clemmow piano duo, and was used for many of their recordings.
Steingraeber & Söhne even treats the surfaces of the piano case with shellac and wax instead of polyester and synthetic resin varnishes. The company has sought technical solutions to simplify piano playing for wheelchair users and, above all, to provide them with a serviceable alternative to working the pedals with their feet. Steingraeber currently produces some forty uprights and seventy grand pianos per year. Since the company was founded, however, Steingraeber & Söhne has built over 40,000 grand and upright pianos.
Geoffrey Walter Edelsten (born 2 May 1943) is an Australian medical entrepreneur who founded Allied Medical Group. Edelsten was a general practitioner whose unconventional clinics and lifestyle attracted media attention in the 1980s. He owned mansions, helicopters, and a fleet of Rolls- Royces and Lamborghinis with license plates such as Macho, Spunky and Sexy. His multidisciplinary clinics – the forerunners of modern corporate medical practices – were open 24 hours, and were fitted with chandeliers, grand pianos, and mink-covered examination tables.
His achievements brought him many awards at exhibitions, such as one silver medal at the Paris Exposition of 1839, one gold medal at the French Industrial Exposition of 1844 and again at the London Great Exhibition of 1851. The quality of his grand pianos at home granted him a first class medal at the Exposition Universelle (1855), where his products were among the best of France and Spain. Poor financial operations and the Barcelona fire of 1855 put the company in difficulty.
The instrumentation of the p53 project consisted of two grand pianos, amplified turntables, a homemade electric guitar, percussion, electronics and real time processing. Cutler's interest in sampling and turntablism began when it became possible to "play" them as instruments, and not just "run them in". This led to the idea of "real-time montaging", which formed the basis of p53. Cutler established p53 as a free improvisation project within a predetermined structure to investigate the notion of making "improvisation a compositional endeavour".
Experimental efforts to electrify the grand piano began in the late 1920s with the Neo-Bechstein. In 1939, the first commercially available model, the RCA Storytone, was introduced. These instruments featured the traditional hammered-string mechanism with pickups instead of a soundboard. In subsequent decades, other instruments now referred to as electric pianos were developed and saw wider use; these differ from electric grand pianos in that they produce sound by hammers striking metal tuning forks or reeds rather than strings.
The university employs a tiered access system, with larger rooms and rooms with grand pianos being reserved for certain groups of students. In addition the music department also uses their old building, with offices, classrooms, practice rooms, and recital halls. This building has public-access practice rooms with pianos. In 2005, the University of Delaware Chorale, under the direction of Paul D. Head and accompanied by Betsy Kent, were invited to perform at the American Choral Directors Association's International Convention in Los Angeles.
Uncharted is Greenwich House Music School's very own concert series featuring high-profile local artists debuting first-time performances of new work or new collaborations. Uncharted covers a broad selection of genres, from jazz to R&B;, folk to pop, theater to global rock. Concerts are staged in the School's Renee Weiler Concert Hall, an intimate 90-person room featuring excellent acoustics and a pair of Steinway grand pianos. The series is designed to offer a safe place for artists to take risks.
An agraffe is a part used principally on grand pianos. The agraffe is a guide at the tuning-pin end of the string, screwed into the plate, with holes through which the strings pass. It positions the strings vertically and laterally, determines the string's speaking length, and offers a clean termination from which the string can vibrate. Agraffes are used in the bass, tenor, and lower treble, but commonly give way to a capo d'astro bar in the upper treble.
Chickering Piano Works Fire at CelebrateBoston.com Jonas Chickering made several major contributions to the development of piano technology, most notably by introducing a one-piece, cast-iron plate to support the greater string tension of larger grand pianos. He also invented a new deflection of the strings, and in 1845 the first convenient method for over stringing in square pianos. Instead of setting the strings side by side, the company introduced substituting an arrangement of the string in two banks, one over the other.
It is common to find uprights and even grand pianos that lack a middle pedal. Even if a piano has a middle pedal, one cannot assume it is a true sostenuto, for there are many other functions a middle pedal can have other than that of sostenuto. Often an upright's middle pedal is another half-blow pedal, like the one on the left, except that the middle pedal slides into a groove to stay engaged. Sometimes, the middle pedal may only operate the bass dampers.
Drill was described originally as callisthenics, exercises and marching but no one is entirely sure when school drill began. In an extract from the school magazine Machio in 1962, school drill is purported to be a hundred years old. There is a reference to it in an account of prize day 1876 although it is not referred to as drill. It was performed to music on a piano, later 2 grand pianos, and consisted of 180 girls (the number of degrees in a semicircle).
Under the direction of Dr. Bryan Baker, the church continues a tradition of fine music production. Vocal music is performed by "Luminescence" (the main choir), a Youth and Children's Choir, and other ensembles. An Aeolian-Skinner organ, three grand pianos (Yamaha, Chickering and Baldwin), a harpsichord, and a gamelan are among the many musical instruments featured in church services and special events. The church is the home of the Kensington Symphony Orchestra and is frequently used for musical recordings because of its excellent acoustics.
Playing a Nord Stage 88 The Piano section uses samples of acoustic and electromechanical pianos. The Stage's in-built memory allow multiple sample sets to be installed. While additional sampled piano sets are available as free downloads from Clavia's website, the Stage ships with Yamaha C7 and Steinway Concert Model D grand pianos, Svenska Pianofabriken and Yamaha M5J upright pianos, Yamaha CP80 Electric grand piano, Rhodes Piano, Wurlitzer Electronic Piano, and Hohner Clavinet samples. The Clav EQ buttons allow users to adjust the sound of the Clavinet.
Other instruments in recent work include grand pianos, church organs, and a variety of source-recorded objects. One of the biggests differences between Comparative Anatomy and other acts, however is that they never sing. Vocals were replaced early on with source recordings of animals, which the band admitted was due to "the fact that [they] can't play and sing at the same time". This is perhaps the most distinct piece of their music, creating a strange landscape of animal sounds along with their grind-styled riffs.
The European première took place in January the next year in Stuttgart, Germany. Reich's idea was originally for a piece titled "Piano Store" that could be played on all the pianos in a piano store. A friend in New York gave him and his fellow musicians access to the Baldwin Piano and Organ Company's premises during evenings, where they could try out ideas. Reich eventually settled on an ensemble of six upright pianos in close proximity, which would allow very precise timing without being masked by the resonance of grand pianos.
After three years in Los Angeles, California, Edelsten returned to Australia in 1978 to resume his general practice, surgical and obstetric commitments. Following the establishment of Medicare by the Hawke government in February 1984, Edelsten began to run innovative and multi-disciplinary 24-hour medical centres which were the forerunners of modern corporate medical practices. Decorated with chandeliers, white grand pianos and mink-covered examination tables, the clinics attracted considerable media attention. Edelsten's clinics were the first in Australia to bulk-bill patients to Medicare so that they incurred no direct cost.
In concert hall settings, on the other hand, the D-274 is a major presence. An example would be the famous Van Cliburn International Piano Competition, offers contestants a choice of two D-274s owned by the Van Cliburn Foundation, one a mellow-toned instrument made in New York, the other a bright-toned instrument made in Hamburg. These are supplemented with a third Steinway piano brought in for the event. An estimate from 2003 suggested that more than 90 percent of concert grand pianos worldwide are D-274s.
However, in 1936 a soundboard based on a patent of Paul Bilhuber, an "in-law" member of the Steinway family, was introduced. Bilhuber had created a soundboard that tapered evenly from the thickest central point to a thinner perimeter, and it was judged to provide greater response and longevity. Not all Steinway innovations were successful. In 1961, Teflon bushings for the playing mechanism were incorporated into U.S.-built grand pianos – a modification that the piano makers at the Hamburg branch did not adopt despite much pressure from the New York-based company.
Susan Goldenberg: Steinway - From Glory to Controversy - The Family - The Business - The Piano. Mosaic Press, Oakville (Ontario, CDN) 1996, . The Steinway Model 'D' represents about 5 percent of all Steinway grand pianos produced, a significantly larger share of concert-grand output than the 1-2 percent that other manufacturers produce. An explanation is found not only in their exceptional quality but in their sophisticated marketing programs – the Steinway Artists program and the concert grand piano banks in New York City, London, and Hamburg have virtually guaranteed the loyalty of concert artists worldwide.
Double chromatic harp, built ca. 1890 by Henry Greenway, Brooklyn, New York; one of two extant instruments of this type. The NMM is the only place in the world where one can find two 18th-century grand pianos with the specific type of action conceived by the piano's inventor, Bartolomeo Cristofori. One of these built in 1767 by Manuel Antunes of Lisbon, is the earliest signed and dated piano by a maker native to Portugal; the other, built by Louis Bas in Villeneuve-lès-Avignon in 1781, is the earliest extant French grand piano.
Baby grand pianos are located on the second floor of Jester West and on the first floor of Jester East, off the lobby, for the enjoyment of the residents. The Fireplace Lounge in Jester West and the First Floor Lobby in Jester East feature large-screen televisions and comfortable chairs. Residents often use the numerous lounge areas as meeting places or group study areas. At least one lounge is located on each floor, but there is also a 24-hour quiet study lounge across from the Jester West Desk.
Lord Stuart of Wortley married Beatrice, daughter of Thomas and Theodosia Trollopethepeerage.com Charles Beilby Stuart-Wortley, 1st and last Baron Stuart of Wortley, retrieved 21 September 2014 (and niece of the author Anthony Trollope), in 1880. Beatrice died in July 1881 and Stuart married as his second wife Alice Sophia Caroline Millais (1862–1936), daughter of the artist John Everett Millais. Known to her family as Carrie, she and her husband shared an interest in music, playing the Grieg and Schumann concertos on two grand pianos at their home.
Americus Backers, with John Broadwood and Robert Stodart, two of Shudi's workmen, produced a more advanced action than Zumpe's. This English grand action with an escapement and check enabled a louder, more robust sound than the Viennese one, though it required deeper touch and was less sensitive. The early English grand pianos by these builders physically resembled Shudi harpsichords; which is to say, very imposing, with elegant, restrained veneer work on the exterior. Unlike contemporary Viennese instruments, English grand fortepianos had three strings rather than two per note.
To the left, the gallery connected to paintings room, the music room with two Blüthner grand pianos, where Robert Schumann and Pyotr Ilyich Tchaikovsky gave their performances, the tea room, and the yellow dining room. The library contained around 12,000 volumes, of which parts could be traced back to the collection of count Friedrich Hahn. The palace also contained chapels for the three different confessions of the Grand Ducal family: Russian, Roman Catholic and Evangelic. The southern wing of the palace contained the private apartments of the family as well as the stables.
Another example is the tritave of the Bohlen–Pierce scale (3:1). Octave stretching is less apparent on large pianos which have longer strings and hence less curvature for a given displacement; that is one reason why orchestras go to the expense of using very long concert grand pianos rather than shorter, less expensive baby grand, upright, or spinet pianos. Another reason is that long strings under high tension can store more acoustic energy than can short strings, giving larger instruments more volume and better sustain than similar, smaller instruments.
The group's YouTube videos show the musicians performing in a variety of settings. These include locations in the Utah desert, at the edge of a 1,000-foot cliff, atop a speeding train, in an ice cave, and at Iguazu Falls, among others. Anderson's goal was "to put pianos and cellos in places nobody would ever expect to see them", thereby generating marketing buzz for his store. In the videos, Schmidt is seen playing a variety of Yamaha grand and baby grand pianos, while Nelson plays custom acoustic and electric cello.
When all of the other strings on the piano can vibrate, this allows sympathetic vibration of strings that are harmonically related to the sounded pitches. For example, if the pianist plays the 440 Hz "A" note, the higher octave "A" notes will also sound sympathetically. The soft pedal or una corda pedal is placed leftmost in the row of pedals. In grand pianos it shifts the entire action/keyboard assembly to the right (a very few instruments have shifted left) so that the hammers hit two of the three strings for each note.
On grand pianos, the middle pedal is a sostenuto pedal. This pedal keeps raised any damper already raised at the moment the pedal is depressed. This makes it possible to sustain selected notes (by depressing the sostenuto pedal before those notes are released) while the player's hands are free to play additional notes (which don't sustain). This can be useful for musical passages with low bass pedal points, in which a bass note is sustained while a series of chords changes over top of it, and other otherwise tricky parts.
Alfred Nicholson Wornum, An Improvement in the piano forte. No. 1148, 19 April 1862 "Improvements in pianofortes" Abridgments of Specifications relating to Music and Musical Instruments. A. D. 1694-1866 second edition. Office of the Commissioners of Patents for Inventions, London 1871 pp. 370-371 Robert Wornum & Sons exhibited cottage and grand pianos as well as their "folding" square at the 1862 International Exhibition in London,John Timbs The Industry, Science, & Art of the age: Or, The International Exhibition of 1862 Popularly Described from its Origin to its Close Lockwood & Co. London, 1863 p.
Firstly premiered on the Ninth of October on bTV (Slavi's Show), the music video is set in a spacious hall with two grand pianos (black and white) inside intended for Hasan and Ibrahim. With the purpose of improving the video, theatrical smoke was used. Krisia appears in four different dress sets which she frequently changes. This was seen from the humorous point of view by the authors of Wiwibloggs: "The songs competing at Junior Eurovision 2014 are being revealed faster than we can count dress changes in Krisia’s official video".
Steinway Hall in Chicago The in Vienna on the Ringstraße is one of the boutique Steinway showrooms that caters to entertainers in Austria and Central Europe. Besides the showrooms, the Steinway Haus in Vienna has several practice rooms and music classes open for students of all ages to polish their performing skills. The Steinway concert department has a "piano bank" of Hamburg Steinways. The of Vienna has been the main supplier of concert grand pianos to classical venues, as well as other entertainment centers in the capital of Austria.
Father and son toured extensively, the two of them sitting at grand pianos to full scale rock performances with orchestra and choir. At the age of 24, Adam won the Keyboard Magazine Best New Talent award and promptly started a session career of his own in London. In the mid-1990s, Wakeman formed Jeronimo Road with Fraser Thorneycroft-Smith. An album, Live at the Orange, was released after the band broke up on the Explore Multimedia label. In 2000 and 2001, he toured with his father's old band the Strawbs.
Fazioli offers six models of grand pianos, the largest being the Fazioli F308 which, with its 3.08 m (10 ft 2 in), is the longest piano available on the general market. The Fazioli F308 has the "fourth pedal", which brings the hammers closer to the strings, thus reducing sound volume without changing the tone, functioning just like the soft pedal on an upright piano. Camerata Tokyo released a Blu-ray named The Sound of the Concert Grand Fazioli F278: Costantino Catena plays Debussy and Schumann (Camerata Tokyo 2013, CMBD-80005).
As an orchestral soloist, Duchâble has performed with the London Philharmonic, the Berlin Philharmonic, the Rotterdam Philharmonic, the Orchestre de Paris, the Orchestre de la Suisse Romande, and the Montreal Symphony. Among his musical collaborators was Micheline Ostermeyer. In 2003, Duchâble stated that he would end his classical recital career, in protest at what he saw as the elitism of the classical music system. He had planned three concerts where in two of them, he would destroy two grand pianos, and in one, he would burn his formal concert dress.
By the time of Petrof's 1915 death, the company was supplying living rooms, concert halls and royal families across Europe. Its 30,000th piano had been delivered to Archduke Franz Ferdinand, heir to the Austro-Hungarian Empire, two weeks before his assassination.Bauerova, L. M., "Czech Piano Maker Petrof Focuses on China Sales to Survive", Bloomberg, September 20, 2013. In 2008 the company began making luxury furniture, using the same skills and techniques used to build grand pianos, in an effort to branch out and dodge ingravescent effects of the global financial crisis.
At the time of release Ebony reviewer Phyl Garland said "One needn't be a "piano freak" to appreciate a truly new recording. First of all imagine seven gifted and talented pianists sitting down to seven grand pianos (with electric piano, organ, harpsichord, a few tambourines for spice) and proceeding to tear up these instruments - musically, that is. ...the torrrent of sound springing from their 70 fingers is so powerful and majestic as to be unlike anything one has ever heard."Garland, P., Ebony magazine review, June 1973 In his review for AllMusic, Michael G. Nastos simply states "Brilliant".
The son of a carpenter, he studied at the Academy of Fine Arts Vienna and did an apprenticeship with the renowned piano manufacturer (1763–1848), whose workshop he took over in 1828. He received the concession for his business by the Vienna city administration on July 28, commonly regarded as the founding date of the Bösendorfer company. His venture quickly expanded, as grand pianos became an increasingly popular status symbol for home concerts held by the nobility and wealthy bourgeoisie of the Austrian Empire. Bösendorfer could combine his craftmanship skills and experience with a great musical expertise.
The year following the opening of the Tianjin, China factory, in October 1996, Young Chang entered into bankruptcy, emerging in August 1998. Young Chang has more than 2,000 full-time workers, designing and building its upright and grand pianos, and also the electronic Kurzweil Music Systems. In 2004, Samick Musical Instrument Co. acquired a 48.13% stake in Young Chang, gained a controlling interest through a capital increase, and took control over management of the company. However, the Korea Fair Trade Commission blocked the acquisition as it would create a monopoly and ordered Samick to dispose of its shares in Young Chang.
Ethos Gym Sports facilities at Imperial's London campuses include four gyms, including the main Ethos gym at the South Kensington Campus, two swimming pools and two sports halls. Imperial has additional sports facilities at the Heston and Harlington sports grounds. On the South Kensington campus, there are a total of six music practice rooms which consist of upright pianos for usage by people of any grade, and grand pianos which are exclusively for people who have achieved Grade 8 or above. There are two student bars on the South Kensington campus, one at the Imperial College Union and one at Eastside.
In a ranking by The Daily Telegraph of all of the UK's Eurovision Song Contest entries over the last 59 years, "Rock Bottom" came in at no. 9 and a year later they wrote "Not just a fun, honky-tonk tune, but also a rather memorable performance. Moran and de Paul were dressed in fetching Edwardian morning-suits, sat back-to-back playing a pair of duelling grand pianos." In an analysis of all Eurovision Song Contest songs that entered the German singles chart, it was ranked number 20, based on number of weeks on the chart and charts positions achieved.
Among the technical tricks in the piano-writing are three upward octave glissandi—one in the third movement, and two in the finale. Franz Liszt thoroughly revised the solo piano part to take into account the more expansive possibilities of the newer pianos of Liszt's day, as well as some newer limitations (octave glissandos) are pretty much impossible on the heavier pianos Liszt knew (and all concert grand pianos made since) (see S. 367a). Liszt also made a solo piano transcription of the Konzertstück (S. 576a). The Konzertstück has been recorded many times and is a favourite of the piano concerto repertoire.
Music students perform in instrumental and vocal groups, compete and perform locally and internationally and study music theory and history. Historic Hayden Hall houses the music department and features six practice rooms, two large rehearsal rooms, a recital room, music classrooms, five Steinway grand pianos, two harpsichords, drum sets and electronic studio equipment. Performances take place in the Knight Fine Arts Center (KFAC) or in the Chapel, which facilitates the use of a Holtkamp pipe organ. In recent years, ensembles from Reserve have traveled to Austria, Germany, The Czech Republic, China, Italy, and Spain, performing in various places around those countries.
In the summer of 2011, the half-circle driveway at the campus entrance was converted to green space and walking paths. Marlboro College Library The Serkin Performing Arts Center has a 125-seat auditorium, an electronic music lab, practice rooms with baby grand pianos and a 5,000-square foot dance studio. Whittemore Theater is another performing arts space which is used primarily by the Theater department. Attached to Whittemore theater is Drury Gallery, a gallery space often used by fine arts students to display their works, although students from other departments have also used the space to showcase their work.
Inside view of a Yamaha CP-70 The electric grand piano is a stringed musical instrument played using a keyboard, in which the vibration of strings struck by hammers is converted by pickups into electrical signals, analogous to the electric guitar's electrification of the traditional guitar. Since electric amplification eliminates the need for a resonant chamber, electric grand pianos are smaller and lighter (around ), and consequently more portable, than acoustic pianos. Electric amplification also bypasses the difficulty of having to mic a conventional grand piano, and thus makes an electric grand easier to set up with a sound system.
Neo-Bechstein grand piano at the Vienna Technical Museum Neo-Bechstein or Bechstein-Siemens-Nernst-Flügel were a set of electric grand pianos that were primarily built by Walther Nernst in the 1930s. Improvising upon an electrical prototype by Oskar Vierling, the design was executed around 1922, and the first of the set was marketed in 1931 to critical acclaim. The mechanics of the piano were implemented by the C. Bechstein company and the valve electronics were created by Siemens & Halske. The design belonged to a newer generation of electric pianos that eliminated the presence of any sound board.
Sonic Ranch has a collection of over 55 vintage and modern guitars, 50 vintage and mod amps, 4 modern and 3 vintage drum kits, 54 guitar pedals, 1927 Steinway and 1978 K. Kawai grand pianos, and a 1961 B3 organ with 147 Leslie. The mic collection includes 3 Neumann U47 Long Body Chrome Tops, 2 Neumann M249s, 2 Neumann KM 53s and 54s, 2 Steven Paul Audio Modified Neumann U67s, 2 Neumann M269s which are the European version of U67s, 3 Neumann U87s, 3 Telefunken ELAM 251s, 2 Telefunken ELAM 250s, 2 AKG C12s, and 2 Coles 4038s.
Toy pianos come in many shapes, from scale models of upright or grand pianos to toys which only resemble pianos in that they possess keys. Toy pianos are usually no more than 50 cm in width, and made out of wood or plastic. The first toy pianos were made in the mid-19th century and were typically uprights, although many toy pianos made today are models of grands. Rather than hammers hitting strings as on a standard piano, the toy piano sounds by way of hammers hitting metal bars or rods which are fixed at one end.
The trade ships from Manila, which previously had to stop over in Acapulco, now had direct routes to Seville. During part of the 19th century, romanticism took over and Parisian fashions dictated that the shoulders of women should be left uncovered. Spanish women copied the fashion and they found that the Manila shawl was a very good thing to wear with these dresses, as the shawl provided some warmth to the bare shoulders. The Manila shawl was also used to decorate grand pianos in houses, as can be seen in the recently reopened Museo del Romanticismo in Madrid.
A 1920 C. Bechstein advertisement poster Eventually the Bechstein factory resumed full-scale production during the 1920s. At that time, technical innovations and inventions of new materials and tools, as well as improvements in piano design and construction, had allowed Bechstein to become one of the leading piano makers again. The most successful models were the updated "A"-185 and "B"-208 grand pianos. The upright pianos became more popular after the war, and C. Bechstein were successful with its upright pianos Model-8 and Model-9, both of which have been considered the finest upright pianos.
E.J. Thomas Hall on The University of Akron campus Facilities include a 300-seat recital hall, the 3,000-seat Edwin J. Thomas Performing Arts Hall, a music computer center, a music resource center, and an electronic music composition laboratory. Guzzetta Hall, home of the School of Music, combines with the Edwin J. Thomas Performing Arts Hall to form a center for the performing arts. The Nola Guzzetta Recital Hall is equipped with a three manual Moeller pipe organ, a Martin harpsichord, and two Steinway concert grand pianos. There is also a recording studio for the recording of concerts.
The mission was that the systems should be able to reproduce the sound of a Steinway grand piano so precisely that pianists can not tell whether they are listening to a real piano or a recording, and furthermore, that the sound could be compared with the experience of a live symphony or rock concert.Steinway Lyngdorf Official Website. The exterior is inspired by the look of Steinway grand pianos and their traditional lacquered satin-black colour, although it is now possible to select a custom finish."Custom finishes", "Steinway Lyndorf" Steinway Lyngdorf are the world's first systems with digital audio fully integrated.
In all silent systems, engaging the silent function causes a bar to move into place such that it intercepts the hammer shank and stops the hammer from hitting the piano string. Older models detected key movement by using mechanical sensors that affected the touch and produced a clicking sound, whereas newer models use optical sensors that do not affect the feel or sound of the piano. The Silent piano was invented by Yamaha in 1958 and has been through many decades of refinement. In more advanced systems, usually on grand pianos, the piano's action is also altered when the silent function is engaged.
Main workshop in the Dammallee, Bayreuth At the 2008 Frankfurt Music Fair, Steingraeber & Söhne introduced a new grand piano that measures 232 cm in length, as well as a grand piano with a carbon fibre soundboard. This type of construction enhances stability when tuning instruments that are subject to extreme climatic fluctuations. If grand pianos are to be housed in the Tropics or played at outdoor concerts, for example, then carbon fibre soundboards make good sense. The left pedal mechanism has been enhanced: when a pianist depresses the left pedal, this causes the mechanism to shift in the usual way.
In the case of the Steingraeber alternative, bridge agraffes guide the string through a metal roller and press it down onto the bridge from above. In addition, height- adjustable hitch pins allow the string tension to be adjusted. The thinking behind this design feature is twofold: uniform string tension over the bridge improves energy transmission, and when significant string friction at the bridge pins no longer exists, the ability to tune and to hold a tuning is optimized. At the moment, these are not standard features in the production of grand pianos; clients may order them for an additional fee, however.
Designed by Frank Meline and built in 1917 at the behest of J.E. Ransford, the Garden Court Apartments in Los Angeles, California was the last word in Hollywood high-style living. It had two ballrooms, a billiard room, and many suites featuring oriental carpets, oil paintings, and grand pianos. Some of the Garden Court's notable residents include Clara Bow, Louis B. Mayer, Carl Laemmle, Mack Sennett, Stan Laurel, John Gilbert, and Mae Murray. The four- story, 190-room Garden Court was designed in the Beaux Arts style, and its figural corbels on the exterior, supporting the second-story molding, were an integral part of the style.
Each Mason & Hamlin piano includes a Tension Resonator, which is a system of steel rods under moderate tension, anchored to the wooden structure on the opposite side of the sounding board from the strings and iron frame. In grand pianos these rods fan out from one or two central hubs and are attached at intervals around the rim and to the belly rail; the model 50 upright has a rod stretched between the case sides. The manufacturer claims that this adds strength and rigidity to the rim by locking the rim into its permanent shape and which in turn preserves the "crown" of the soundboard. Fine, Larry.
The promotional music video was an excerpt of Ramin Karimloo's live performance at 8 October 2009 London press launch and made viewable the same day, with Karimloo singing in a blue-lit set while Sierra Boggess sits quietly on a throne. The official music video features Karimloo undisguised in a flat with a backdrop of projector images and floating appearance of Boggess. On 26 January 2010 the title song "Love Never Dies" was first publicly performed at The South Bank Show Awards, sung by Sierra Boggess and accompanied by Lloyd Webber and Louise Hunt on two grand pianos. The show was broadcast on ITV1 on 31 January 2010.
Named for the late Goldwyn Girl and businesswoman, Martha Montgomery (1920–2005), the Montgomery Arts House for Music and Architecture, also known as MAHMA, was conceived and designed by architect Eric Lloyd Wright, grandson of Frank Lloyd Wright. Montgomery Arts House for Music and Architecture, in the California craftsman architectural style, is open year-round for classical concerts, and host artists and speakers from around the world in a salon-style environment. The three concert spaces within the house include MAHMA’s Music Room, Great Room, and Indoor/Outdoor Festival Space. Concert grand pianos grace each of the spaces, and acoustics were carefully considered in the construction and design.
All rooms are connected to the same ventilation system used by the recording stages, so the stored instruments are always pre-acclimated for recording. An elevator connects the storage rooms directly with Stage A. Synchron Stage Vienna currently offers three concert grand pianos, a Steinway D-274 and two remotely accessible pianos, a Bösendorfer 290 Imperial with CEUS performance reproducing system and a Yamaha Disklavier CFX EN PRO. The Bösendorfer CEUS technology and the Yamaha Disklavier reproducing system incorporate computer controlled mechanisms to record performances and accurately play them back on the acoustic instrument. With the CEUS system, solenoids activate each key and pedal to mirror the original, recorded performance.
He followed with Witness (1985) and Dead Poets Society (1989), for which he won a British Academy Award. In the 1970s and 1980s, Jarre turned his hand to science fiction, with scores for The Island at the Top of the World (1974), Dreamscape (1984), Enemy Mine (1985), and Mad Max Beyond Thunderdome (1985). The latter is written for full orchestra, augmented by a chorus, four grand pianos, a pipe organ, digeridoo, fujara, a battery of exotic percussion, and three ondes Martenot, which feature in several of Jarre's other scores, including Lawrence of Arabia, Jesus of Nazareth, The Bride and Prancer. The balalaika features prominently in Jarre's score for Doctor Zhivago.
Other valuable instruments on display are the Trasuntino monochord, which was built to tune the cymbal, and the 5-reed flute, which is able to mimic several flutes playing in harmony. There is also the polyphonic flute (displayed in Room 5), which bears the mark of Manfredo Settala (1600–1680), a Milanese rector, who was a great collector and famous personality in the cultural panorama of the 17th century. The origin of the collection of musical instruments in the Civico Museo Bibliografico Musicale is more uncertain. The collection includes some particularly important models, such as eight pianos, five of which are grand pianos and three of which are rectangular.
No pedal, soft pedal and practice pedal on an upright The soft pedal, or una corda pedal, decreases the volume of a piano. In grand pianos, this is done by shifting the hammers so that each hammer misses one of the multiple strings used for each note; in uprights, the soft pedal moves the hammers closer to the strings, making a softer impact. The middle pedal on most pianos is a sostenuto pedal, which does not perform a muting function. On some pianos, however, the middle pedal is a practice pedal, which lowers a piece of felt between the hammers and strings, muffling the sound.
Kaufman continues to circle the globe with performances in Taiwan, Hong Kong, Spain, Poland, France, the Czech Republic, Brazil, Israel and Puerto Rico. His latest multi-cultural works have received overwhelming praise in the press. His Kaminarimon (for Taiko drums and Flamenco dance) has been called "remarkable" and "stunning" and was voted as the number one classical composition of 2002 and "the most imaginative new work of the year" by, music critic, James Roos of The Miami Herald. His recently commissioned work Yin & Yang: A Dialogue for Two Grand Pianos, was launched and lauded by critics in New York and Miami, where it received its world premiere.
Literal dueling pianos can be verified as early as the late 1890s, when ragtime piano players would actually "duel" in an effort to see who could play better and faster. In 1933, when B.H. O'Brien and Charlie Cantrell opened Pat O'Brien's Bar in New Orleans, they included a room where two piano players would entertain the crowd on copper-topped baby grand pianos. Players would take turns singing songs requested by the audience, written on cocktail napkins. In 1986, a piano bar called Dallas Alley (aka "Alley Cats") opened in Dallas, Texas as an attempt to copy the piano bar style of New Orleans.
In 1927 he moved to Zakopane, Poland, where, until the outbreak of World War II in 1939, he conducted summer and early fall sessions and master-classes for selected piano students. From 1929 he made recordings for several labels, including Columbia Records. Petri escaped from Poland the day before the German invasion in September 1939, but he had to leave behind all his books, music and letters, including his correspondence with Busoni (these papers survived and were recovered).According to a letter from Forrest Robinson, a Petri student, Petri and his wife left Poland for England in great haste in 1939, leaving his music books and grand pianos behind.
In 1928 Mowrey convinced the owner of the new Pacific Building, then the tallest building in Portland, to build a piano studio on the rooftop. Students rode the elevator to the roof and took lessons in the glass-walled studio, playing alongside Mowrey on one of two rare 9-foot Chickering grand pianos. According to Dolores Hsu, a student in the early 1940s, the acoustics were spectacular, and the music floated out from the rooftop garden that few below knew existed. An early and influential member of the Oregon Music Teachers Association, Mowrey created music that other teachers valued for developing their students’ technique.
Bösendorfer Imperial Concert Grand pianos, handcrafted in Austria, retail for between US$256,000 and $560,000 in the U.S., depending on finish, design and whether the Disklavier Enspire computer reproducing system is installed. (Bösendorfer's CEUS reproducing system, "Create Emotions with Unique Sound", developed in-house, is more expensive still.) In 1977, the price was reported to be $35,000, $ in current value. While the concert piano market is dominated by Steinway & Sons, which signs prominent artists to a performance agreement and urges them to refrain from playing any other piano brand, performers preferring the Bösendorfer Imperial will often have that piano shipped with them while on tour.
Ernest and William Knabe resigned their positions in 1909, and following a series of business troubles in New York"United Surety Loses License" New York Times May 2, 1910 they incorporated Knabe Brothers in Ohio in 1911, with offices at Cincinnati,"Knabe Bros. Co." The Newark Advocate Newark, OH, May 5, 1911 p.12 manufacturing upright and grand pianos at a former Smith and Nixon factory in nearby Norwood,William N. Osborne Music in Ohio Kent State University Press, Kent Ohio 2004 p.494 "free from the yoke of a commercialism that figured out pianos by square inches of wood and decimal points in the allotment of wires".
In 1950 he offered a place on the Home Fleet's spring cruise to the composer Lennox Berkeley, who was composing Nelson, an opera based on the life of Lord Nelson; the route of the cruise passed through the waters of the Battle of Trafalgar. Lambe, who was an able pianist, had Berkeley's cabin fitted up with a pair of grand pianos so that they could play piano duets during the voyage.Dickinson, p. 131 Promoted to vice admiral on 1 December 1950, Lambe became Flag Officer, Air (Home) at Lee- on-Solent in March 1951 and took part in the funeral of King George VI in February 1952.
They lost thousands of musical scores, ballet costumes and irreplaceable musical instruments, including three Steinway concert grand pianos. In 2004, after Hurricane Ivan, Belfor (UK) and Belfor (Canada) performed thermal vacuum freeze drying to restore more than 4,000 boxes of documents, half of the vital records in the Cayman Islands National Archives. After Hurricane Katrina in 2005, Belfor was called to the scene within days for early reconnaissance, as part of Tulane's campus-wide emergency plan. including the “Landmark Undertaking” of the Tulane Libraries Recovery Center. Chile earthquake – installed more than 753,000 square feet of shrink wrap protection and restored one of South America’s largest data warehouses, including millions of documents and data media.
One of A Winged Victory for the Sullens tracks was written in memory of Sparklehorse frontman Mark Linkous (pictured in 1992) A Winged Victory for the Sullen contains seven tracks and has been classified as ambient, contemporary classical, drone and post-rock. The album's sound was defined by its various writing and recording environments, which included the use of large reverberant spaces. Dustin O'Halloran sought out a selection of nine-foot grand pianos–including a 1950s imperial Bösendorfer piano and a handmade Fazioli–and performed in these spaces to "deliver extreme sonic low end". Adam Wiltzie's "drifting guitar washed melodies" were also noted as juxtaposing the more-traditional instrumentation, such as cello, violin, viola, harp, French horn and bassoon.
Cutler wanted it to question the nature of music and how listening to music has changed. He wanted to "pit acoustic sounds and the classical music tradition", two grand pianos, against "electronic timbres and the contemporary sound world", amplified turntables, electric guitar, computer generated sounds and real-time processing. He also wanted to contrast the difference between "early 20th century concert listening and the channel-hopping aesthetic of the fin de siecle '90's". The pianists were instructed to play "a few small sections from the classical repertoire", in any way and at any tempo, while the other musicians were free to, according to Rick Anderson of AllMusic, "romp around them wreaking gleeful havoc".
With her husband, she hosted a music salon in her renovated atelier. With a vaulted two story ceiling, 12 x 10 m, and housing a Cavaillé-Coll organ and two grand pianos, the room became a haven for Paris's musical and artistic avant-garde. On Tuesdays, her organ evenings were especially sought after and featured the great performers of the day, including Charles-Marie Widor, Eugène Gigout, Louis Vierne, Alexandre Guilmant and Gabriel Fauré. In 1894, Marcel Proust was introduced to the Polignacs through Montesquiou; as of 1895, he was a regular in the Polignac salon, often attending in the company of his current love interest and mutual friend of the Polignacs, composer Reynaldo Hahn.
A duet for two grand pianos with Chick Corea (with whom he shares a birthday) in the large auditorium of the Amsterdam Concertgebouw resulted in a performance in trio setting there on 16 April 2005. The success of the trio's first Dutch theatre tour From Bach to Blues (2003) led to a return in the theaters in 2005 with the program Chopin Meets the Blues, followed by Porgy and Bess (2006), presenting his arrangements of the Gershwin opera. In Autumn 2007 he returned with the program The Blues Goes Latin, highlighting Latin American rhythms. After touring extensively abroad throughout 2008 Beets' trio returned to the Dutch stage in 2009 with a tribute to Oscar Peterson.
The young woman pushes him away as he drifts off and she attempts to escape by running to the other side of the room. The young man corners her as she reaches for a racquet in self-defense, but he suddenly picks up two ropes and drags two grand pianos containing dead and rotting donkeys, stone tablets containing the Ten Commandments, two pumpkins, and two rather bewildered priests (played by Jaime Miravilles and Salvador Dalí) who are attached by the ropes. As he is unable to pursue, the young woman escapes the room. The young man chases after her, but she traps his hand, which is infested with ants, in the door.
161; Google Books. There had been upright grand pianos as well as upright harpsichords, the horizontal instrument being turned up on its wider end and a keyboard and action adapted to it. William Southwell, an Irish piano-maker, had in 1798 tried a similar experiment with a square piano, to be repeated in later years by William Frederick Collard of London; but Hawkins was the first to make a piano, or pianino, with the strings descending to the floor, the keyboard being raised. His instrument was in a complete iron frame, independent of the case; and in this frame, strengthened by a system of iron resistance rods combined with an iron upper bridge, his sound-board was entirely suspended.
Bennet Woodcroft Subject-matter Index of Patentees and Applications for Patents of Invention for the Year 1870 George Edward Eyre and William Spottiswoode, London 1872 p. 291 Earlier that year Robert Wornum & Sons had advertised that their "new patent construction" allowed a reduction of over 100 guineas in the price of their grand pianos, as well as insuring "a full, sweet tone and an elastic touch",advertisement The Times 27 June 1870 p. 18 and by 1871 the firm offered four sizes between 5 feet 6 inches (168 cm) and 8 feet 6 inches (259 cm) on the new plan, priced between 56 and 96 guineas ($260 to $450).advertisement The Times 28 July 1871 p.
Some valuable paintings were showcased throughout Steinway Hall, by such renowned artists as Rockwell Kent, N. C. Wyeth, Leopold Seyffert and Charles Chambers. The next gallery celebrates five generations of Steinway memorabilia, including design innovations, awards, and "fan mail" from luminaries like Thomas Edison. In the basement of Steinway Hall was a concert grand piano bank: an exclusive collection of Steinway concert grand pianos, maintained for the use in live concerts as well as for studio recordings by performing artists. Steinway & Sons sales and marketing departments saw business benefits in having their piano showrooms near Carnegie Hall. Steinway pianos were played at both the intimate New Steinway Hall and the cavernous Carnegie Hall across 57th Street.
Most notably, he enlisted Fred Mandel (a Canadian musician who also worked for Pink Floyd, Elton John, and Supertramp) for his first solo project. From 1982 Mercury collaborated with Morgan Fisher (who performed with Queen in concert during the Hot Space leg), and from 1985 onward Mercury collaborated with Mike Moran (in the studio) and Spike Edney (in concert). Mercury played the piano in many of Queen's most popular songs, including "Killer Queen", "Bohemian Rhapsody", "Good Old-Fashioned Lover Boy", "We Are the Champions", "Somebody to Love", and "Don't Stop Me Now". He used concert grand pianos (such as a Bechstein on "Bohemian Rhapsody") and, occasionally, other keyboard instruments such as the harpsichord.
He built the Savoy during the next five years, after razing the school to ground. As the road up from Dehradun wasn't ready yet, massive amount of Edwardian furniture, grand pianos, billiard-tables, barrels of cider, crates of champagne and other materials were all carried uphill by bullock cart, this also included the oak pieces that were later joined to make its dining hall floor that is renowned for its size. The Savoy opened in the summer of 1902 and rivalled The Cecil at Simla and The Carlton at Lucknow. It soon became popular amongst the British upper echelons of the Raj, such as the civil servants and military officers who wanted to avoid the stiff official environment of Simla, the summer capital.
Unfortunately, several months later the Soviet ruble was devalued and Tjeknavorian was compelled to seek additional money from private sources. Tjeknavorian took over the huge communist party headquarters, which had been destroyed, and in seven years transformed it into the first Academy of Music and Arts in Gyumri. During this time, his fundraising led to the founding of a symphony orchestra, wind ensemble, choir and dance ensemble, the renovation of the theater and restarting of the Gyumri TV station, and purchasing musical instruments for the orchestra and band, whose instruments had all been destroyed in the earthquake, as well as ten grand pianos for the Arts and Music Academy. Tjeknavorian was also instrumental in the 1991 campaign for Armenian independence.
Berkeley began work on Nelson in 1949. In 1950 he was invited by Rear-Admiral Charles Lambe to be a guest of the Royal Navy Home Fleet on its spring cruise through the waters where the Battle of Trafalgar, (Nelson's final battle) had been fought. Berkeley was provided with two grand pianos in his cabin (enabling the composer and Lambe, who was an accomplished pianist, to play duets), and the fleet slowed down between Cape St. Vincent and Cape Trafalgar to enable the composer to drink in the scene of Nelson's final moments.Brttien-Pears Foundation website The opera had a partial performance, to piano accompaniment, at the Wigmore Hall in London in 1953, when the part of Nelson was sung by Peter Pears.
Two of his former pupils, Josef Hofmann and Bernhard Pollack came to his aid. Through the intervention of Pollack, who sent new piano arrangements of Moszkowski's opera Boabdil to Peters Publishing House in Leipzig, he collected an extra 10,000 francs camouflaged as royalties besides a gift of 10,000 marks and personal donations of 10,000 marks from Hofmann and 5,000 marks from himself. On 21 December 1924, when he was ill and heavily in debt, his friends and admirers arranged a grand testimonial concert on his behalf at Carnegie Hall, involving 15 grand pianos on stage. Ossip Gabrilowitsch, Percy Grainger, Josef Lhévinne, Elly Ney, Wilhelm Backhaus and Harold Bauer were among the performers, and Frank Damrosch conducted (Paderewski telegrammed his apologies).
And I question why studio recordings would have so many synthesizers replicating strings and grand pianos when surely, with this band as successful as it is, they could have used real musicians. According to the liner notes, they did, but it’s hard to pick out the real players from the synthesized sections. The best performance on the record comes from Halestorm lead singer Lzzy Hale, who sings on a version of “Forget About the Blame.” Unfortunately, her talents are wasted on an extremely repetitive metal ballad. Your enjoyment of this album will probably depend on your overall enjoyment of the band in general...If you dig their rock opera style and hair metal music, you’ll be into this...But don’t buy this looking for another Christmas favorite.
Over-stringing was invented by Pape during the 1820s, and first patented for use in grand pianos in the United States by Henry Steinway Jr. in 1859. Duplex scaling of an 1883 Steinway Model 'A'. From lower left to upper right: main sounding length of strings, treble bridge, duplex string length, duplex bar (nickel-plated bar parallel to bridge), hitchpins, plate strut with bearing bolt, plate hole Some piano makers added variations to enhance the tone of each note, such as Pascal Taskin (1788), Collard & Collard (1821), and Julius Blüthner, who developed Aliquot stringing in 1893. These systems were used to strengthen the tone of the highest register of notes on the piano, which up until this time were viewed as being too weak-sounding.
Piano pedals from left to right: una corda, sostenuto and sustain pedal Pianos have had pedals, or some close equivalent, since the earliest days. (In the 18th century, some pianos used levers pressed upward by the player's knee instead of pedals.) Most grand pianos in the US have three pedals: the soft pedal (una corda), sostenuto, and sustain pedal (from left to right, respectively), while in Europe, the standard is two pedals: the soft pedal and the sustain pedal. Most modern upright pianos also have three pedals: soft pedal, practice pedal and sustain pedal, though older or cheaper models may lack the practice pedal. In Europe the standard for upright pianos is two pedals: the soft and the sustain pedals.
1847 p.448. By 1852 they had expanded to 4, 6, 8, 9 and 11 Eutaw streets.advertisement Baltimore Wholesale Business Directory and Business Circular, for the Year 1852 I. Hartman, Baltimore, 1852 p.21 Knabe & Gaehle won first premiums for square pianos from the Maryland Institute for the Promotion of Mechanic Arts in 1848, 1849 and 1850, as well as for grand pianos in 1849. In 1852, the company reorganized as Knabe, Gaehle & Co. with the admission of Edward Betts as partner,advertisement Adams Sentinel and General Advertiser Gettysburg, Pennsylvania March 29, 1852 and by 1853 advertised their establishment was the largest in the South, employing over 100 workmen.advertisement Baltimore Wholesale Business Directory and Business Circular, for the Year 1853 I. Hartman, Baltimore, 1853 p.
C.F. Theodore Steinway was one of the most innovative inventors and patent holders in the history of the piano: more than 45 patents originate from his development work. The most important development is considered to be the single key mechanism fitted to the newly invented tubular frame built with tubes of brass which contain wooden sticks inside to allow accuracy and a simple screwing, patent gained 1871 for Steinway. Since the Vienna mechanism disappeared at the beginning of the 20th century, all grand pianos have been built using the single key principle, mainly developed by C.F. Theodore Steinway and his younger brothers. With this system it is possible to replace the hammer and also the wippen of a single defective key without either disturbing the neighbouring keys or disassembling any non-defective elements.
The Fabulous Baker Boys, Jack and Frank, are brothers living in Seattle, making a living in lounges and music bars, their gimmick being that they play intricate jazz and pop-flavored duets on matching grand pianos. Frank handles the business aspect while Jack, single, attractive, and more talented as a player, feels disillusioned and bored with the often hackneyed material they use. Nonetheless, he is able to live a comfortable and responsibility-free existence because of Frank's management, sleeping where and with whom he pleases. Frank has a wife and family he adores, but Jack has no personal connections in his private life, other than Eddie, his soulful but aging Black Labrador, and Nina, the lonely child of a single mother living in his building, who walks Eddie and takes piano lessons from Jack.
Paolo Fazioli joined the company as well; however, he never gave up on pursuing his dream of building the world's finest grand pianos. Thus, at the end of the 1970s, the Fazioli Piano Factory was realized within the furniture plant in Sacile, about 40 miles north of Venice. A Fazioli F308 in the Milan Showroom In 1979, Fazioli started designing the first prototype for a baby grand piano. He was assisted by a small team consisting of Professor Pietro Righini, an expert in musical acoustics, and Professor Guglielmo Giordano, a wood technologist, as well as Virgilio Fazioli and Lino Tiveron. The prototype of the F183 model was completed in June 1980, followed at the end of the year by the prototypes of two other models, the F156 and the F278.
In the score of Antigonae, six grand pianos and a group of xylophones, which were mostly given only marginal tasks in the traditional orchestra, take on the role that the group of strings had in the orchestration of Viennese classical music. Jürgen Maehder: Die Dramaturgie der Instrumente in den Antikenopern von Carl Orff. In: Thomas Rösch (ed.): Text, Musik, Szene – Das Musiktheater von Carl Orff. Schott, Mainz 2015, pp. 197–229. On the other hand, traditional instruments of the European orchestral tradition – such as flutes, oboes, trumpets and double basses – become entrusted in Antigonae and Oedipus der Tyrann with functions that had been reserved to rare percussion instruments in the orchestra of the 19th century: As special timbres with an almost exotic sound appeal, they appear reserved for the turning points of the work’s dramaturgical structure.
After a serious car accident in Hamburg in 1954 Gösta Schwarck focused on classical music. A dedicated concert management organisation was established and the profits from his cosmetics company was funneled directly into making it possible for some of the greatest classical contemporary musicians to come to a small country like Denmark. Alexander Borovsky, Nikita Magaloff, Shura Cherkassky, Yury Boukoff, Walter Klien, Jakob Gimpel, Sviatoslav Richter, Adam Harasiewicz, Grigory Sokolov and others sat at the grand pianos in Danish concert halls and Victor Schiøler wrote a long, open letter where he praised the actions by Gösta Schwarck with the introductory words "The Danish music scene owes much to you." At the age of 40 years he refined his piano skills with an education at The Royal Danish Academy of Music and graduated as a concert pianist under the supervision of Herman D. Koppel.
A Treatise on the Principal Trades and Manufactures of the United States. Edward Young, Philadelphia 1856 p.440-441 The 1848 article also stated the firm employed about sixty workers, and had manufactured between 3,000 and 4,000 pianos, upwards 500 of them with the Aeolian attachment. In 1847 Gilbert patented a cast iron frame for grand pianos with the ordinary resisting bars combined with bars perpendicular to the strings—one of which was to be connected with the front edge of the sounding board—in order to prevent the case sides from twisting,Timothy Gilbert "Metallic Frame for Pianofortes" United States Patent no. 5,202 July 24, 1847 as well as a double action for horizontal pianos with springs meant to support the weight of the hammers and dampers in order to lighten the touch of the keys.
On April 23, 1925 the S-29-A completed its first revenue flight from New York to Washington D.C. The cargo consisted of two Baby Grand pianos, one of which was delivered to the first lady Mrs. Calvin Coolidge. On May 8, 1925 a regular passenger service between New York and Yorktown Virginia began and the S-29-A was officially christened the Yorktown at Bolling Field in Washing D.C. The aircraft made over 300 successful flights, but with the airline industry only just emerging in the United States at that time, the S-29 failed to attract the customers that Sikorsky had hoped. Eventually Sikorsky sold the S-29-A to Roscoe Turner in 1927 (some sources state 1926) and it had a varied career in merchandising (Curlee Clothing) and acting as a flying cigar store (among other roles).
Pearl River has produced the H&D; Signature Series, exclusively since 2015. The "Heritage" H&D; Series is an entry level piano group, made by Beiijing HsingHai Musical Instruments Corporation, and the more ornate "Imperial" H&D; Series is made by Parsons Music. The Signature Series grand pianos are usually chosen by professionals and advanced amateurs for their leading value in materials, and uses the same materials as the Steinway and Sons Boston line (made in Japan), but makes the series at the same location as the Steinway and Sons Essex line (lower cost than Boston) at the Pearl River site. The largest Signature Series grand piano in regular production is 6 ft 2 in, with only 20 made per year for the U.S. (a 7-foot Signature Series Grand Piano is available upon special order).
Yamaha Piano Salon pictured in 2005 Located in the 1927-opened Aeolian building at 689 Fifth Avenue,City Review Article on Aeolian Building the third floor piano salon, an acoustically isolated space originally occupied by a showroom of the Aeolian Piano Company,American Guild of Organists NYC Chapter which made its reputation in organs, reproducing organs, pianos and most particularly piano roll mechanisms and rolls themselves from 1887 until 1985. Encompassing the entire third floor, the piano saloon features a performance venue seating up to 150 and houses a selection of concert grand pianos and "disklavier" performance reproducing pianos. The Aeolian Building itself was designated a NYC Landmark in December 2002.NY Times on Aeolian Building History The program maintains relationships with classical piano performing artistsBeth Levin NY Times Review – 6/2005 and the performing arts world in general, by extension.
"Don't Stop (Funkin' 4 Jamaica)" received mixed reviews from music critics. Harry Guerin from Raidió Teilifís Éireann wrote that Carey "works better on raunch not regrets and her duets" like on the song, which perfectly captured the film's 1980's vibe, also complimenting its "clinical" production which "you wonder whether the engineers work masks and gowns at the mixing desk", proving that Carey should "spend more time around DJs and decks and less with grand pianos". A writer from BET network included the track on their list of "Mariah Carey Singles That Deserved to Be No. 1 (But Didn't Get There)", stating that "not even Mystikal could help a track that was cursed by simply being part of the Glitter soundtrack". Its "catchiness" was also praised, while also commenting that it should have receive more attention.
In 1843, he patented a piano equipped with sympathetic strings sounding an octave above, an idea that would eventually lead to Blüthner's 1873 aliquot scaling patent for grand pianos and at the Paris Exposition the following year, where he presented another piano with a "pedal tone" which preceded the "sostenuto mechanism" that Steinway re- introduced in 1874. He succeeded his father Jean-Louis Boisselot in the manufacture of pianos in 1847, a business continued by successive generations of his family until the late nineteenth century. The collections of the Klassik Stiftung Weimar include around fifty historical musical instruments. A highlight is the grand piano from the Boisselot & Fils workshop (Marseille 1846), which was given to Franz Liszt as a gift and on which the compositions of the Weimar years were created. Paul McNulty was chosen by Klassik Stiftung Weimar to make a copy of Liszt’s personal Boisselot 1846 piano.
One innovation that helped create the powerful sound of the modern piano was the use of a massive, strong, cast iron frame. Also called the "plate", the iron frame sits atop the soundboard, and serves as the primary bulwark against the force of string tension that can exceed 20 tons () in a modern grand piano. The single piece cast iron frame was patented in 1825 in Boston by Alpheus Babcock,Isacoff (2012, 74) combining the metal hitch pin plate (1821, claimed by Broadwood on behalf of Samuel Hervé) and resisting bars (Thom and Allen, 1820, but also claimed by Broadwood and Érard). Babcock later worked for the Chickering & Mackays firm who patented the first full iron frame for grand pianos in 1843. Composite forged metal frames were preferred by many European makers until the American system was fully adopted by the early 20th century.
This is the first pedal mechanism seen on any keyboard instrument. The overall dimensions of the instrument – a case length of around 7 feet - allow for long enough strings to give true bass pitch and tone and long enough keys to allow for a delicacy of leverage that offers the player a wide dynamic range (optimum key and string lengths are the reasons for the great length of modern performance quality grand pianos - 275–301 cm). The instrument's harpsichord pedigree is evident in the shallow 1/4 in key dip one is used to in the harpsichord action instead of the modern piano's 3/8 in. It has a lightness of tone from the narrow-gauge stringing and the duration of string vibration decreases gradually as you progress up the keyboard so that the treble section notes fade quickly, not having the longevity we expect from later pianos.
He intended to build a world class resort, envisioning it as "the eighth wonder of the world". For the construction of the lobby, white marble was imported from Carrera, Italy. Landscape craftsmen from Tonga were brought to Scottsdale to create the tropical landscape surrounding the hotel. The Phoenician was built at a cost of over $300 million. The resort opened for business on October 1, 1988, The hotel initially had 604 rooms, 132 casitas, a VIP suite and a presidential suite. The dome in the hotel's lobby was covered with 24 karat gold, and the cactus garden, which contained over 250 varieties of cacti, was the second largest in the state when it was completed. In addition, the hotel had 9 Steinway grand pianos, which was the largest order in the company's history. Keating's ownership of the resort was short-lived, however, as it was seized when he was indicted in 1989 for his role in the savings and loan crisis.
They leased the theatre for three years, with an option for six more, and promoted live concerts. Heart played there as part of the "Catch a Rising Star" series (which included Tom Petty and Elvis Costello, among others), for the admission price of 92 cents (promoted by local radio station KGON, 92.3 FM). John Haviland still owned it and claimed that the rent was "1/10 of what it should be for such a theatre": $4000 per month. In December 1972, Haviland proposed a state-run gambling casino on the property, claiming he was losing more than he could afford on the Paramount.The Oregonian December 3, 1972 In March 1975, Haviland conducted an auction during which he sold off all the statuary, pipe organ, antique furniture, 16th century suit of armor, mirrors, China, Oriental rugs, original oil paintings, lighted gold-leaf music stands, and pianos (there were 3 grand pianos); basically everything that was not attached to the walls or floors.
The Music Department (Steinway School Status from January 2020) is housed in a purpose-built Music School and consists of a 60 seater Recital Room with a Model B Steinway Grand Piano, state of the art, fully soundproofed Professional Recording Studios with 2 Model AS Steinway Grand Pianos, 10 soundproofed practice rooms each containing upright Steinway pianos, Apple Mac Suite, main teaching room, Green Room, reception area, offices and instrumental storage facilities. Ensembles consist of Vocalise (Year 7-9 choir), V20 (Show and Pop choir), Chamber Choir, The Sixth Sense (6th Form Choir), Orchestra, Concert Band, Jazz Band, Brass Ensemble, Sax Ensemble, Percussion Ensemble, Pop & Rock Bands. The department produces 35-40 concerts during the academic year, both internally and externally and a whole-school production every Summer Term. International tours take place every two years and there are opportunities for all student to learn any musical instrument, provided by a dedicated team of 18 professional visiting instrumental staff.
Upright pianos are also widely used in elementary and secondary schools, music school practice rooms, and in smaller churches. During the 1800s, influenced by the musical trends of the Romantic music era, innovations such as the cast iron frame (which allowed much greater string tensions) and aliquot stringing gave grand pianos a more powerful sound, with a longer sustain and richer tone. In the nineteenth century, a family's piano played the same role that a radio or phonograph played in the twentieth century; when a nineteenth-century family wanted to hear a newly published musical piece or symphony, they could hear it by having a family member play a simplified version on the piano. During the nineteenth century, music publishers produced many types of musical works (symphonies, opera overtures, waltzes, etc.) in arrangements for piano, so that music lovers could play and hear the popular pieces of the day in their home.
Wm. Knabe & Co. pianos are manufactured by Samick Musical Instruments, Ltd., which acquired the name from PianoDisc, owners of Mason & Hamlin, in 2001."Samick Acquires Wm. Knabe & Co." Music Trades March 1, 2001 As of 2007, Knabes are offered in three sizes of vertical pianos – a 119 cm (47 inches) in three furniture case styles, as well as 121 cm (48 inches) and 131 cm (52 inches) models – and four sizes of grand pianos – three case styles each of 158 cm (5 feet 3 inches) the WKG53, 173 cm (5 feet 8 inches) the WKG58, 193 cm (6 feet 4 inches) the WKG64, and 215 cm (7 ft) WKG70 models. In early 2006, Samick Music Corporation, distributor for Samick in the United States and Canada announced they had started building a distribution center and factory in Gallatin, Tennessee where they plan to manufacture Knabe as well as J. P. Pramberger lines beginning late 2006 or early 2007.
Jones’ national debut with the RCMH Rockettes was on Sunday, January 31, 1988 during the National Football League Super Bowl XXII halftime show at Jack Murphy Stadium in San Diego, in a game between the Washington Redskins and the Denver Broncos. Produced by Radio City Music Hall, the theme was "Something Grand", and was intended to break from the "traditional baton-twirling approach" of past halftime shows, as explained by Barnett Lipton, Radio City Music Hall's special events coordinator. He added that the theme was a spinoff of the year 1988. “We've come up with a show that's all 88 – 88 pianos, each with 88 keys, and the 88 greatest legs in show business.” The 12-minute spectacle showcased 1,200 performers, which included 44 Rockettes, 400 swing band members, 300 Jazzercisers, 88 tuxedoed pianists simultaneously playing on 88 Kimball grand pianos, and two college marching bands (San Diego State and USC). R&B; singer Chubby Checker sang his hit song, “The Twist.” The pianists performed an adapted version of Edvard Grieg's Piano Concerto in A minor, Op. 16, accompanied by the Radio City Music Hall Rockettes.
Philip Glass in 1993 Les Enfants Terribles is a danced chamber opera for four voices and three pianos (grand pianos or electronic), composed in 1996 by Philip Glass, to a libretto (in French) by the composer, in collaboration with the American choreographer Susan Marshall, after Jean Cocteau's eponymous novel published in 1929 and Jean-Pierre Melville's film directed in 1950. Commissioned by the "Steps" dance festival organized by the in several Swiss cities, this is the last part of a trilogy in homage to the French poet after Orphée (1993) and La Belle et la Bête (1994). The world premiere of the work took place on 18 May 1996 in Zug conducted by Karen Kamensek. The work was then performed at the on 17 October 1996 I terribili ragazzi di Glass Article from the daily newspaper Corriere della Sera dated 8 October 1996. at the Brooklyn Academy of Music of New York on 20 November 1996 for the American premiere A Fusion Inspired By Cocteau by Anna Kisselgoff in The New York Times dated 22 November 1996. at the Alexander Theatre of Helsinki for the Finnish premiere for seven days from 23 September 2005 Ooppera Skaala tuo esiin Glassin oopperabaletin by Matti Lehtonen in the Finish newspaper Turun Sanomat dated 26 September 2005.

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