It closes with this summation of the life of the book's only real character, Robert Grainier: Grainier himself lived more than eighty years, well into the 1960s.
|
|
Low-light photos are blurrier and grainier than I hoped for.
|
|
As a result, the Huawei P9's photo is darker, blurrier and grainier.
|
|
Film enthusiasts will also appreciate the grain effect mode, which gives photos a grainier look.
|
|
An afterword, credited only to McDarrah's estate, fills in the grainier details of the photographer's legacy.
|
|
In low light, that can result in photos that appear grainier than they really need to be.
|
|
By comparison, the same footage from the Hero 27 Black is grainier for sure, but it's not as soft.
|
|
I grew up in proximity to a great number of people who reminded me at least vaguely of Robert Grainier.
|
|
Maybe your coworker's face froze in a Zoom meeting, or you watched a YouTube video that seemed grainier than normal.
|
|
These photos were taken seconds apart, but the one on the right is significantly grainier, blurrier and has more blown out highlights.
|
|
But when he looked at an older, grainier photographic plate from the 1954 survey, amazingly, a point of light shone at its location.
|
|
But your photos won't make any great impressions, and so-so low-light performance means your images will be grainier than you'd like.
|
|
You'll want to use the main camera for darker shots, as they'll be much grainier if you shoot with the wide lens sensor.
|
|
It's grainier than its two big competitors, which still look a little fuzzy in their own right, and dark colors can appear muddy.
|
|
The OnePlus 6 does a good job of not blowing out highlights, but its photo is a little grainier if you look real close.
|
|
The same problem extended to all of our experiments in making vegan sausages and hot dogs, which come out grainier and softer than meat sausages.
|
|
Text, book covers, and comics all look better on the Kindle Oasis compared to the grainier and lower resolution 6-inch screen on the Kindle.
|
|
The SE also has a lower-quality front-facing camera (meaning your selfies will come out grainier) and a slower fingerprint sensor compared with the 6S.
|
|
The adolescent angst in their vocals suit ABBA's sentiment, and the whole affair is grainier, whinier, crunchier (in part, granted, because the production isn't half as polished).
|
|
Two years later, Watt went bigger, starring in another, grainier cell phone video where he jumps from ground level to the top of a 59.5-inch box.
|
|
In general, picture quality is a smidge grainier on the regular Portal compared to the Portal+, but both are better and more stable than FaceTime on your phone.
|
|
The PH-1's camera is a bit disappointing: The colors are much darker in most shots, and the picture quality is grainier than photos taken with the iPhone 8 Plus.
|
|
He began singing on these albums, nursing a bashful falsetto that's hazier than Eddie Holman's and grainier than André 3000's; it's among the most arresting modern pop has to offer.
|
|
The chocolate is also stone-ground, which offers a grittier, grainier feel than more heavily processed chocolate, and reminds you that what your eating came from something of the natural world.
|
|
With a f/1.8 aperture, the Pixel 2 XL just wasn't able to pull in as much light, which resulted in a noticeably grainier and softer shot than what the S9+ produced.
|
|
At the time, I wrote: In several weeks of testing both cameras, I found their photos to be far grainier and less satisfying than regular photos… the cameras' optics are primitive… pictures often had badly overexposed and underexposed areas.
|
|
Princess Shaw (this is her stage name), who was working in a nursing home when the film was made, has cherry-red hair, braces on her teeth and a seriously soulful voice reminiscent, in its grainier textures, of Macy Gray's.
|
|
Photos from the Hydrogen One's dual 12-megapixel cameras look okay at first, but blow them up and compare them to shots taken with an iPhone XR, XS, Pixel 3, or even a OnePlus 6T and you'll find they lack dynamic range, contrast, HDR stinks, and images are usually grainier.
|
|
Click to see photos at full-resolutionPhoto: Sam Rutherford (Gizmodo)And in low-light, while the U2128+'s pic does look slightly grainier than the S28+'s pic, it doesn't have any of the greenish cast on the yellow warning track at the bottom of the shot, there's better detail on the pavers in the road, and clean, bright colors throughout.
|
|
Grainier never saw her again. Robert Grainier dies in his sleep in November 1968, over the age of 80. His body is only discovered next year, during the spring by a pair of hikers. In a memory from 1935, Grainier attends a sideshow to see a "wolf-boy".
|
|
He is the first person Grainier himself ever saw die. Shortly after he buys the Pinkham's horses and wagon to run errands for others. Around this time, Grainier hears rumors of a wolf-girl. Grainier is visited by a figure of his wife Gladys, who tells him she died after she fell and broke her back on rocks down at the river.
|
|
Robert Grainier is a railroad laborer. In the summer of 1917, a Chinese laborer has been accused of stealing from the company stores of the Spokane International Railway in the Idaho Panhandle. Grainier and the other white laborers attempt to throw him over the bridge they are constructing, but he escapes. While hiking back home, Grainier stops in Meadow Creek and buys a bottle of sarsaparilla for his wife, Gladys, and their four- month-old daughter, Kate.
|
|
In 1962 or 1963, an older Grainier watches young ironworkers build a new highway and considers how much he has seen the world around him change. In the mid-1950s, he sees the World's Fattest Man. Grainier confuses the chronology of his memories, but remembers seeing Elvis Presley's private train in Troy, Montana. He also remembers flying in a biplane in 1927.
|
|
Affected by the man's death, Grainier begins working frequently for the railroad and entrepreneurial families from the area. He worked in town through his twenties. At thirty-one years of age, he met Gladys Olding at the Methodist church and later married her. In the summer of 1920, Grainier returns to Idaho from working on the Robinson Gorge to find a massive wildfire has consumed the valley.
|
|
He left for Meadow Creek, with the dog vanishing and Grainier taking a train to Bonners Ferry, where he stayed through the winter. He returned to his land in the Moyea Valley in March and eventually rebuilds his cabin. The red dog returned in June, this time with four puppies. Grainier befriends a Kootenai Indian named Bob, who later dies after drunkenly laying on train tracks and being ran over by trains.
|
|
All through his walk home he believes he sees the Chinaman and when he gets home to his cabin he believes the Chinaman has cursed him and that something bad will happen. In 1920, after the bridge is completed, Grainier leaves for northwestern Washington to help repair the Robinson Gorge Bridge. He then works on cutting down and transporting timber for the Simpson Company. Grainier, then thirty-five years old, begins missing his wife and daughter.
|
|
Later, he travels on the Great Northern to Spokane, Washington and takes a ride on the plane of two men from Alberta. He then meets his childhood friend Eddie Sauer and the two travel to Meadow Creek, where Eddie begins working on a "rail-and-ties" crew. A month later, Eddie pays Grainier to help him move a widow named Claire Thompson from Noxon, Montana to Sandpoint, Idaho. Grainier continues to live in his cabin, despite having arthritis and rheumatism.
|
|
They also define "granularity", a measurement of grain using an RMS measurement of density fluctuations in uniformly exposed film, measured with a microdensitometer with 48 micrometre aperture. Granularity varies with exposure — underexposed film looks grainier than overexposed film.
|
|
Grainier was born in 1886 in either Utah or Canada. In 1893, he arrived by himself as an orphan in Fry, Idaho on a train on the Great Northern Railway. He is taken in by a family. His first memory is witnessing the mass deportation of Chinese families from the town.
|
|
In 1899, the towns of Fry and Eatonville were combined to form Bonners Ferry, Idaho, on the Kootenai River. Grainier quit school in his early teens and began fishing for himself. One day he comes across a dying man named William Coswell Haley. He brings him a drink of water from his boot and leaves him to die alone.
|
|
The weight can vary from 2.5 to 5 kg, the diameter from 25 to 30 cm, and height from 5 to 8 cm. The curing also brings changes to the consistency of the dough which becomes grainier depending on its maturity. The cheese said "bastard" is of a yellow pale to a light straw color, which can also vary according to its seasoning.
|
|
This may, however, not have the same characteristics as traditionally made khoa. Khoa is normally white or pale yellow. If prepared in the winter, it may be saved for use in the summer, and may acquire a green tinge and grainier texture from a harmless surface mould. This is called hariyali (green khoa) and is used in recipes where the khoya is thoroughly cooked, e.g.
|
|
Before she drowned, she unknotted her boddice to allow Kate to crawl away and escape. He asked Gladys how Kate could have escaped unbeknownst to anybody, but he no longer sensed Gladys. Thereafter, Grainier lived in his cabin, even through the winters. To pay for lodging for his horses during the winter, he worked in the Washington woods one summer, his last time doing so.
|
|
In mid-November, he can hear the wolves and coyotes howling at night. When a pack of wolves comes upon his cabin one night, Grainier sees a wolf-girl and is convinced it is his lost daughter Kate. She growls and barks at him, but lets him splint her broken leg. The wolf-girl slept through the night and, upon morning, quickly leaped out the window.
|
|
Caboc is a Scottish cream cheese, made with double cream or cream-enriched milk. This rennet-free cheese is formed into a log shape and rolled in toasted pinhead oatmeal, to be served with oatcakes or dry toast. The texture is smooth, slightly thicker and grainier than clotted cream, while the colour is a pale primrose yellow. The fat content is typically 67-69%, which is comparable with rich continental cream cheeses such as mascarpone.
|
|
Train Dreams is a 2011 novella by Denis Johnson. It was published by Farrar, Straus and Giroux on August 30, 2011. It was originally published, in slightly different form, in the Summer 2002 issue of The Paris Review. The novella details the life of Robert Grainier, an American railroad laborer, who lives a life of hermitage until he marries and has a daughter, only to lose both wife and child in a forest fire, and sink into isolation again.
|
|
For many years, the original three-color Technicolor version of the film was not available for viewing, though a 16 millimeter version was available. This version had been printed (poorly) on two-color Cinecolor stock which did not accurately reproduce the colors of the original film. The smaller film stock also resulted in a grainier, inferior image. In the 1980s, the UCLA Film and Television Archive restored the film, under the supervision of archivist Robert Gitt.
|
|
In both digital and film photography, the reduction of exposure corresponding to use of higher sensitivities generally leads to reduced image quality (via coarser film grain or higher image noise of other types). In short, the higher the sensitivity, the grainier the image will be. Ultimately sensitivity is limited by the quantum efficiency of the film or sensor. This film container denotes its speed as ISO 100/21°, including both arithmetic (100 ASA) and logarithmic (21 DIN) components.
|
|
Four years into living in his cabin and beginning to feel the effects of aging, Grainier realizes he cannot continue to move out of his cabin every summer to Washington and every winter to Bonners Ferry. By April 1925, he stayed and worked in town instead of leaving for Washington. In one job, he loads sacks of cornmeal aboard the wagon of the Pinkhams, who run a machine shop. He works with their grandson Henry, who dies while they are working together.
|
|
As Bengali kitchens as a principle would not let anything go to waste, the coarse pulp left behind after sieving the mustard was finely ground again and mixed with more mustard to make what is know as phool kasundi. This was also regarded as a part of the rites of making kasundi. With phool kasundi, more chilli, turmeric, green mango and salt were added to make a grainier, bolder, fuller-bodied and spicier sauce. The rest of the process was similar to regular kasundi, except in households where Brahmins made the kasundi the women of the household would make phool kasundi.
|
|
On 29 August 2013, Billboard exclusively announced that the new album, Loved Me Back to Life will be issued in North America on 5 November 2013 and that the lead single, "Loved Me Back to Life" will be released on 3 September 2013. Billboard wrote that the album will be Dion's "edgiest record to date -- just not in the ways you might think". For example, "Water and a Flame", originally recorded by Daniel Merriweather and Adele, finds Dion utilizing the lower, grainier register of her voice. "Even more unexpected" is the lead single, "Loved Me Back to Life", the album's title track penned by Sia and produced by Sham and Motesart.
|
|
Screenshot illustrating the film's use of a Classical Hollywood visual style, including black-and-white photography and a 1.33:1 aspect ratio The film imitates the appearance of films from Classical Hollywood studio-era. Most of the scenes were shot on soundstages and on Universal Studios' backlot, and were then edited with archival Russian footage and archived film from Corbis. Although the finished film is in black and white, it was shot in color because this allowed the use of faster film than available black-and-white film stocks, and afforded the ability to use 'green screen' techniques. The color was then reduced in post-production through the use of a digital intermediate to a grainier black and white, in order to blend with the carefully restored archival material.
|
|
On 8 August 2012, Le Journal de Montréal wrote that Dion's upcoming English-language studio album will contain songs written and produced by Eg White, who worked with Adele on 19 and 21. The fragment of the first song, "Water and a Flame" premiered on The Katie Couric Show on 25 April 2013 and a behind-the-scenes look at Dion and White recording the song was posted on singer's official website the next day. On 29 August 2013, Billboard wrote that Dion's upcoming album Loved Me Back to Life is her edgiest record to date and it includes "Water and a Flame", which finds Dion utilizing the lower, grainier register of her voice. The video titled "Making of Water and a Flame" was released onto Dion's Vevo channel on 30 October 2013 and the official audio of the song premiered there on 5 November 2013.
|
|