Within the central space are forms bisected by bands of gradated color.
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" Jesus' love was "undiscriminating and inclusive," according to the writer Garry Wills, "not gradated and exclusive.
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Bokashi is a well-known woodblock technique used by 19th-century Japanese artists to create a gradated color.
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Even our most low-brow friends have gradated from those little corner-store cans of The Club piña colada.
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Footprints — the artist's own — of gradated hues are leftovers from Ward dancing across the surface in patina-doused shoes.
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Its bubbly, gradated icons aren't going to win any design awards, but most of the menus are easy to read and navigate.
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These metronome-like projections signify coastal ridges or dunes that disrupt otherwise serene views on to vacant planes of sea and gradated sky.
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Jio undid the tyranny of flatness by introducing gradated tones into his bands, thereby melding two seemingly incommensurable vocabularies: volumetric surfaces with flat ones.
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Essentially, he has taken the primary ingredients of Op (large forms and rhythmic visual repetitions) and turned them into smaller sections and interrupted, gradated patterns.
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Inspired by mosaics, Hamanaka prints each cut sheet of paper in a different gradated color, darker on the outer edge and lighter as it extends inward.
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At Freshmax, color-gradated stickers placed on avocados' skin hope to take the guesswork out of produce-picking so you can get on with your dinner plans.
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With this deviation, the artist achieves a constant, gradated shift, which he further enhances through chromatic and tonal variations, as well as a continuous flipping of the figure-ground relationship.
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In the Democratic Party, where politicians could once straddle the abortion divide by airing personal misgivings while also promoting supportive policies, holding a gradated view is no longer the norm.
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Together, the gradated bands, which seem be reflecting light off the surface, and the flat, solidly colored bands juxtaposed against them form the "nucleus" or most central, irreducible part of each painting.
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Cohen, an American historian at Harvard, reminds the reader, as any first-rate historian would, that what look, in the retrospective cartooning of polemical history, like obvious choices and clear moral lessons are usually gradated and surprising.
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Gala night, which raises lots of cash for the Henry Street Settlement, is a major event with a finely gradated social hierarchy: How early you get in is determined by your charitable contribution, or your hunger to buy.
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By the time the reader reaches the last sentence of this extraordinarily precise, subtly gradated paragraph — exemplary of the writer's close, sympathetic reading — you know that what is going to follow will be revelatory and important, which it is.
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In another design, a segment of a stamp once used to create the Order of St. Gregory, awarded for service to the Roman Catholic Church, has been reimagined as tassel earrings of precisely gradated diamonds that easily move with the wearer.
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Evertz's two recent paintings are done in her signature vertical lines and bands of color interwoven with vertical clusters of gradated gray bands, which taper in a calculated way from the painting's bottom edge to its top, and vice versa.
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The "Trees" are painted on Dibond, a smooth aluminum composite familiar from road signs, and gradated rectangles of magenta — which, like black, is one of the four inks used in commercial printing — invest these hand-painted compositions with a technological edge.
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The optical effects are unsettling as the paint shifts from gradated bands (or volumetric presences) to flat bands of color, which appear ghostly, as if they are beginning to dissipate along their outer edges, as in "Nucleus 213-49" (1984) and "Nucleus 85-1" (1985).
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Driven by Hokusai's series Thirty-Six Views of Mt Fuji (1830-18903), he experiments with parallel and incongruent diagonals in "Seascape near Les Saintes-Maries-de-la-Mer" (1888), in which the horizon buckles as if bending under the weight of the serene, subtly gradated color fields across the expansive sky.
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In "Untitled (Baum 19833)," done in 2014, a black shape composed of climbing tendrils and descending bulbs hovers in front of a gradated scarlet rectangle on a white ground, while in "Baum 18," from the same year, a cyan rectangle overlaps and partially obscures an animated black line that spans the height of the canvas, preening and stretching its limbs.
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Its discontinued colours include cobalt (gradated blue-violet), black onyx (solid black), kiwi (gradated light green), as well as slate, granite, cactus, and citron.
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The company was purchased by Paul Van Zuydam in 1988. Le Creuset offers a variety of colours, from bright (e.g. cherry, a gradated red) to muted (e.g. dune, a gradated off- white).
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Red Dawn Foster gradated with a Bachelor of Arts in political science from the University of Colorado Denver and a Master of Business Administration from the University of Notre Dame. She is a member of the Oglala Sioux and Navajo tribes.
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Michael J. Sullivan was born 1943/1944. He graduated from Louisiana University with a bachelor's degree in business and gradated from the University of Northern Colorado with a master's degree in business. He served in the United States Air Force and retired as a colonel.
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The gradated tail is black and orange-red. The chin and throat are glossy black, and the rest of the underparts is orange-red. The eyes are dark brown, and the beak and feet are black. The female has a grey head, with orange lores and eye-rims.
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The apex is exserted. The whorls of the spire are sloping, nearly straight, gradated, angled at junction of posterior and middle fourth. Behind this the whorl is bevelled to the suture, which is distinct and impressed. The whorls are sculptured with spiral lirae, four to six in front of the angle, two behind it, flatly rounded, equidistant, wider than the interspaces.
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Thinkers have produced several theories concerning how learners use their internal L2 knowledge structures to comprehend L2 input and produce L2 output. One idea is that learners acquire proficiency in an L2 in the same way that people acquire other complex cognitive skills. Automaticity is the performance of a skill without conscious control. It results from the gradated process of proceduralization.
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The spire is gradated, the whorls straight-sided in the anterior three-fourths, and bevelled at an angle of 45° to the posterior suture, which is distinct and simple. The sculpture consists of five longitudinal ribs, continuous, narrow, erect and prominent. The interspaces are nearly flat, giving a pentagonal section. The spiral sculpture consists of Sublenticular inconspicuous longitudinal and spiral striae, which cross the ribs.
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There are 19 Foreign Archaeological Institutes in Greece, also known as "schools," all based in Athens. Seventeen of them are officially accredited. In addition to conducting their share of government-authorized research projects, they issue reports and other publications, support specialised archaeological/Classical libraries, conduct regular lecture programmes, award scholarships/bursaries and provide accommodation for a fee. They do not offer degrees, nor are their courses part of any regular, gradated curriculum.
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In 1898 she began to study classical philology at the University of Copenhagen, where she was inspired by the work of Professor J L Heiberg and H G Zeuthen to research the scientific writings of classical writers. Her first article was published in 1902 in the Nordic Journal of Classical Philology. In 1905 she graduated with an MA in Classical Philology. Hammer-Jensen continued her research and in 1908 gradated with a D.Phil.
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This period is distinguished by the affirmation of new means of expressions and forming of the repertory. The theatre began performing on tours abroad: Germany, Georgia, Egypt, Iran, Libya, etc. In order to make professional mimes and always have good actors in the theatre, in 1999 an adjacent mime studio was formed, led by an actor of the theatre Hamlet Chobanyan. Today the gradated students are included in the main staff of the theatre and participate in the repertory performances of the theatre.
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Richard Lee Bond was born on September 18, 1935, in Kansas City, Kansas, to Ivy and Florine Bond. He gradated from Shawnee Mission High School, and then from the University of Kansas with a bachelor's degree in political science in 1957, and a Juris Doctor in 1960. In 1958, he married Suzanne Sedgwich and had two children with her. After graduating from law school he served as a lawyer in Mission, Kansas, and later served as the first city attorney of Overland Park, Kansas.
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The expense of an Aesculapium must have been defrayed in the same way as all temple expenses: individuals vowed to perform certain actions or contribute a certain amount if certain events happened, some of which were healings. Such a system amounts to gradated contributions by income, as the contributor could only vow what he could provide. The building of a temple and its facilities on the other hand was the responsibility of the magistrates. The funds came from the state treasury or from taxes.
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From the philatelic point of view, the "Machins" are far more complex than the simple design might at first suggest, with well over five thousand varieties of colour, value, gum, phosphor banding, iridescent overprints, perforations, printing methods (Photogravure, Intaglio (Engraved), Typography, Electro- Mechanical Engraving (EME Gravure), Embossing) etc., known. Since the first stamps were issued pre-decimalisation, they exist in both old and new currencies. As postal rates changed, new denominations became necessary; the design has been adjusted periodically, for instance to use a gradated shade in the background; perforations have been changed; and so forth.
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With focal-plane shutters, a flash begins shortly after the shutter curtain has fully opened and must extinguish before the curtain begins to close. Selecting any shutter speed faster than the camera's rated Xsync speed, which is often between and of a second (from as long as 16.7 milliseconds to as little as 5.0 milliseconds) causes the shutter curtain to begin wiping closed across the film or sensor before the flash has extinguished. When this happens, an underexposed, gradated band appears along an edge of the image—often trailing off darker towards the left or bottom, as seen in the photo at top right. Conversely, longer exposures also have no effect on guide number.
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British duo, the husband and wife team Rob and Nick Carter make artworks in a range of media that are concerned with visual perception. These include photograms, some made directly from stained-glass windows in-situ, and also luminograms in the form of Harmonograms, achieved with a technique similar to Heidersberger's 'rhythmogrammes' (above). Their series entitled Luminograms from around 2007 to 2011, are harmonograms of colours arranged in a concentric 'target' pattern and others made by illuminating direct-positive photographic paper to produce an edge-to-edge gradated tone. The one-metre-square prints are then presented under the continuously-changing illumination of C-200s LED light sources scrolling through the spectrum.
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Because of the nature of the production process, the final work was usually the result of a collaboration in which the painter generally did not participate in the production of the prints. The design uses only a small number of different color blocks. The water is rendered with three shades of blue; the boats are yellow; a dark grey for the sky behind Fuji and on the boat immediately below; a pale grey in the sky above Fuji and on the foreground boat; pink clouds at the top of the image. "The block for these pink clouds seems to have been slightly abraded along parts of the edge to give a subtle gradated effect (ita-bokashi)".
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Asaf and Yo'ah at the Time Warner Center in New York City Beginning in 1985, Vaadia turned his efforts toward figurative motifs executed solely in stone. Retained from previous efforts was the utilization of gravity as a force in maintaining stability. For these body-based forms, his methodology entailed stacking gradated rock sheets in a formation suggestive of individual stones modified by chisel- marked surfaces.Dr. Judy Collischan, "Human – Nature," Boaz Vaadia – Stone Sculpture. 1992 Vaadia says, "It was quite an exciting moment for me when I realized that I actually could go back to figurative work and still have the respect for the way the bluestone and slate are formed in nature…" By chipping away unwanted rock, Vaadia took advantage of the way nature layers sediment.
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He oversaw the transformation of former mechanics' institutes into more than 300 public libraries, the expansion of the kindergarten system, and the creation of a provincial School of Pedagogy for the training of school inspectors and masters. Ross increased grants to the education system, expanded the authority of the provincial Department of Education, and oversaw the expansion of the university system and the federation of a number of smaller colleges with the University of Toronto. He also, controversially, established an oligopoly for the supply of textbooks to Ontario schools that was in effect from 1885 to 1907. It was Ross who implemented a system of gradated education from kindergarten (a new innovation that Ross was the first to recognise as part of the provincial school system) to university, unifying what had been separately organised systems.
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The term ablaut (from German ab- in the sense "down, reducing, gradated" + Laut "sound", thus literally meaning "sound gradation") was coined in the early nineteenth century by linguist Jacob Grimm. However, the phenomenon of the Indo-European ablaut itself was first recorded more than 2000 years earlier by the Sanskrit grammarians and was codified by Pāṇini in his Ashtadhyayi, where the terms ' and ' were used to describe the phenomena now known respectively as the full grade and lengthened grade. In the context of European languages, the phenomenon was first described in the early 18th century by the Dutch linguist Lambert ten Kate, in his book Gemeenschap tussen de Gottische spraeke en de Nederduytsche ("Common aspects of the Gothic language and Dutch", 1710).Cornelis Dekker, The Origins of Old Germanic Studies in the Low Countries, p.342ff.
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In the book's introduction, Bauer raises several questions which are examined in subsequent chapters. These questions are about the distinction between “productivity” and “creativity” (commonly understood as word-formation via, respectively, unconscious or semiconscious application of rules, and deliberate coining), the possibility of developing measures for productivity, the relationship between productivity and frequency or semantic coherence, and the causal relationship between unproductive processes and ungrammaticality. In the next chapter, Bauer provides a historical overview of studies on productivity and examines such issues as whether productivity is an either/or matter or gradated, and the concepts of restricted and semi-productivity. He argues that frequency, semantic coherence, and the production of a new word appear to be prerequisites for productivity rather than productivity itself. In chapter 3, Bauer tries to provide a “provisional” definition of productivity; and in chapter 4, he considers the psycholinguistic evidence about productivity.
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The subject of "Twenty Sangha" (vimsatiprabhedasamgha, dge 'dun nyi shu) aims at schematizing the various spiritual levels through which one might pass on the way to enlightenment. Here "Sangha" refers not so much to actual monks and nuns (the term's most common meaning), but to an idealized, gradated schema of all the types of accomplished Buddhist. The AA explains that it is the latter sense of "Sangha" which constitutes the object of Buddhist Refuge, and in an especially cryptic verse, offers the following subdivision into twenty types: :There are Twenty [categories]: those with dull and sharp faculties, those who have attained faith and vision, those who are born from family to family, those born with one interval, those who are born in the intermediate state, those who are born, with effort and effortlessly, those who go to Akanistha, three who leap, those who go to the upper limit of the world, those who destroy attachment to the form [realm], those who pacify visual phenomena, the bodily witness, and the rhinoceros. [AA verses 1.23-24, James Apple translation]Apple, "Twenty Varieties of the Sangha" pt.
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