How to use gospelized in a sentence? Find typical usage patterns (collocations)/phrases/context for "gospelized" and check conjugation/comparative form for "gospelized". Mastering all the usages of "gospelized" from sentence examples published by news publications.
When Sam Cooke sang "Blowin' in the Wind" for the genteel audience at the Copacabana, he added his signature gospelized yodel, but also clipped his phrases with all the irony of a lost Rat Pack member, resulting in a song that would sound as natural at the altar as in the night club.
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In the 1960s, it was located along South Michigan Avenue. Rhythm and blues continued to thrive after Record Row became the hub of gospelized rhythm and blues, known as soul. Chicago continues as a prominent musical city. Many other artists have left their mark on Chicago's South Side.
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Gilchrist's 2008 New Volcanoes album Soul Progressin' received a four-star review from Down Beat, which commented that "Gilchrist's sanguine melodies, vulnerable and gospelized, distinguish the music from M-Base's cool austerity."Margasak, Peter (December 2008) "Lafayette Gilchrist: Soul Progressin'". Down Beat. p. 75. A 2012 recording of the same group also contained a mix of styles: one reviewer described one track from It Came from Baltimore: Live at the Windup Space Vol.
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The Winans became the best selling act on their record label, Light Records, and this enabled husband Marvin to secure her a recording contract. Her solo album, Be Encouraged was released in 1987 and became a major gospel hit. The LP included a cover of Dottie Rambo's, "We Shall Behold Him", as well as "First Trumpet Sound," a gospelized remake of Gladys Knight & The Pips' "Midnight Train To Georgia." Be Encouraged netted a Grammy nomination for Best Contemporary Soul Gospel Album, a Stellar Award for Album of the Year, and an Excellence Award for Best Female Contemporary Artist.
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Radio edits of the live tracks "We Acknowledge You" and "We Are Not Ashamed (featuring Mary Mary)" were the album's lead singles. Leaning more toward embracing a contemporary worship audience, Sheard covers two previously popularized songs written by Israel Houghton and Martha Munizzi. In a nod to the mainstream[R&B; audience that the previous album's style catered to, Sheard brings her daughter Kierra in on a gospelized live cover version of Jill Scott's signature song, "He Loves Me (Lyzel In E Flat)". It is also on this song that Sheard first commits to recording the self- echoing ad-libs that have become her signature.
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During the writing sessions, Minaj had to rewrite the lyrics until she got the sentiment Madonna wanted. "Hold Tight" consists of an "arresting" chorus and a drum beat sound, described by Sam C. Mac of Slant Magazine as: "innocuous, lyrically platitudinous pop that briefly works itself up into something exciting when it threatens to become a gospelized stomp." Track eight, "Joan of Arc", is a ballad where Madonna sings about the media scrutiny of her life, singing: "Each time they take a photograph, I lose a part of me I can't get back." It also references the Roman Catholic saint of the same name.
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