64 Sentences With "gormless" | Random Sentence Generator

To hell with him and his gormless squid face. Dickhead. You.

"He's a bit gormless first thing in the morning," she says.

It turns Olaf's henchmen, who are meant to be fearsome, into gormless assistants.

And Mooney's performance is perfectly pitched between gormless hilarity and a disarming sweetness.

In every case, we see Rachel through the gormless eyes of the young man.

But giving the bird to millions of strangers as you stand topless & gormless probably isn't the best way.

The gormless relatability of content farms is contrasted with critically acclaimed shows like HBO's "Insecure," created by and starring Issa Rae.

Just look at this Chris Pine-shaped Captain Kirk doll below and tell me you don't want put it out of its gormless misery.

The skit was Baldwin's first return to screen since the election, and he portrayed Trump as gormless and dumbfounded by his new presidential duties.

Yet, as Mr Lynskey relates, by the 1970s it had become so proverbial as to be colonised by gormless television shows and indifferent pop-music albums.

His official remarks about the missiles at last year's grand unveiling are worth reading: They sound like something out of a Silicon Valley product pitch to gormless investors.

It was astonishing, both the straight-faced audacity of Republicans feigning outrage over profanity, and the gormless clucking of pundits comparing Tlaib's swearword to Trump's violent misogyny and racist demagogy.

Vinyl, the new HBO phantasmagoria of hard drugs and gormless sideburns, brought to us by Martin Scorsese and Mick "Marianne Faithfull's Ex-Boyfriend" Jagger, is way better than it should be.

If anyone can build a bridge between those Labour members who still care about winning elections and those Corbynites who are having doubts about their gormless Svengali it is Mr Smith.

One of Nathan Fielder's spiritual predecessors in cringe humor is Karl Pilkington, an ill-tempered, gormless producer and writer; he makes his friend and collaborator Ricky Gervais crack up with every gripe.

Mr Guest and his co-stars, Michael McKean and Harry Shearer, wanted to make an ad-libbed spoof documentary about a gormless British heavy metal band, but studios were baffled by the concept.

It was a weekend night, and in a stunning display of audacity I had invited ten equally gormless friends over to drink and smoke weed—mere metres away from my poor, unwitting parents.

But he emphasizes that the eradication of New York as it once was is the fault of the gormless politicians who failed to protect its less-wealthy residents, neighborhoods, and businesses—and in fact acted against their interests whenever that translated into more money.

Twenty-seven years after its release, "Beethoven" is still the quintessential example, as the sight of the adorably gormless St. Bernard repeatedly enraging Charles Grodin led to a resounding worldwide gross of $2500 million (via Box Office Mojo), which is $2875.6 million adjusted for inflation.

Especially because you have to worry about the constant patrols (the gormless Steve, an American security guard whose thespian ambitions are the game's comic relief, searches the hallways and offices for signs of disturbance) that can catch you red-handed while you're busy with a computer terminal or listening to an audio log.

But the kind of deep house I'm referring to here is akin to the kind of pulled pork you get served at a festival where some gormless deep house duo are plodding through an hour of shoulder-shrugs-in-the-air to a disinterested audience of punters more interested in pulled pork than deep house.

And while he's a bit gormless, Toad doesn't deserve to be a part of this discourse: He is a perfectly fine playable character in Mario Kart, he runs Mario Party, and he generally tries to help out in every other Mario franchise game, going all the way back to 1985's Super Mario Bros.

In the heat of the EU referendum campaign I have attended a series of events (for the Leave side, it must be said) at which placid, middle-class Middle England types have parroted not just the usual gormless claims about MPs ("They're all the same", "They're all in it for themselves") but have tipped into outright conspiracy theorising.

It would dishonour the wishes of 221m of us stupid, brainless, moronic, uneducated, gormless halfwits, who want our government back, who want to control our own borders, make our own laws, spend our own money, and who do not wish to be ruled by France and Germany and their back-scratching bureaucrats, manipulating a hopeless crony capitalism.

Sporting his trademark gormless grin and a haircut that looks like something he got in a high-street barber some time after his FC Köln debut in 2003 – and then just went with over and over again, every few weeks for the next decade and a half – Podolski was allegedly once described by a youth coach as "not exactly the brightest in the head", a remark which it should be said caused considerable indignation in Germany.

This tends to happen fast, because that's how things happen #online, and when it does the whole thing is retroactively and forever emptied of whatever life it once had; all the headlines, written in the gormless rictus YAAAASSSS at which this sort of internet discourse is generally pitched, are not just hollow but actively sad and even a little insulting—to the reader, definitely, but also to the fleeting and authentic joy of the experience that made everything else come tumbling so thirstily after.

It's also hard to overlook the fact that mobile VR's pinnacle moment of PR exposure managed to deliver the single most dystopian tech image of 2016 (IMO) — as Facebook founder Mark Zuckerberg was photographed striding down a conference aisle wearing a rictus grin, while, alongside him, a roomful of men were apparently oblivious to his presence because they were all headsetted and wired in… Facebook's CEO Mark Zuckerberg arriving at a Samsung mobile VR event in early 2016 Facebook's CEO Mark Zuckerberg arriving at a Samsung mobile VR event in early 2016 The stereotypically downturned slack mouth of the VR headset wearer, mobile or otherwise, most often appears as a gormless gape in photographs.

Reviews have been mainly negative. The Guardian TV critic Grace Dent was scathing about the show, calling it "the worst TV programme ever made". Daily Mirror columnist Kevin O'Sullivan called it "gormless garbage" and "mind-numbingly banal".

Forces' Sweetheart is a 1953 British comedy film directed by Maclean Rogers and starring Hy Hazell, Harry Secombe and Michael Bentine. The plot revolves around two gormless soldiers, played Secombe and Bentine who become infatuated with a female entertainer called Judy (Hazell).

NME writer Tony Parsons commented: "tuneless, gormless, gutless... I like them a lot". The EP was praised in a less contradictory manner by other critics, including Mick Mercer. A second album, Close Up, was released in 1979. This received better, but still cautious, reviews from the press.

Close Up received a lukewarm response from critics, who were more enthusiastically about it than the band's previous album, Calling on Youth. NME reviewer John Hamblett assessed the album as "patchy, but promising", calling the Outsiders "a band with a future". Tony Parsons, on the other hand, reviewing for the same magazine, described it as "tuneless, gormless, gutless".

302, 369. Dendrochronological evidence dates the building up of the north mound and the creation of the new burial chamber within it to 958-59 CE, coinciding with Gorm's death that winter,Birgit and Peter Sawyer, "A Gormless History? The Jelling dynasty revisited", Runica-Germanica Mediaevalia 37 (2003) 689-706, p. 691. and the creation of the south mound to approximately 970.

Trevor Archer is a gormless young man who owns Midbourne Pier with his father Ron. He was born in 1927 and is 19-years- old. His mother ran out on Ron and Trevor for a publican the following year. In 1940, the air raids began; Trevor's school was bombed and when at home, Ron would take the young Trevor down to the air raid shelter.

" A Taste of Honey, first performed on 27 May 1958, is set in her native Salford. "I had strong ideas about what I wanted to see in the theatre. We used to object to plays where the factory workers came cap in hand and call the boss 'sir'. Usually North Country people are shown as gormless, whereas in actual fact, they are very alive and cynical.

A sequel to Porridge, Going Straight, was aired between 24 February and 7 April 1978. Beginning with Fletcher's release from prison on parole, it follows his attempts to "go straight" and readjust to a law-abiding life. Richard Beckinsale reprised his role as Godber, now the fiancé of Fletcher's daughter Ingrid (Patricia Brake), and the couple married in the final episode. Nicholas Lyndhurst also featured as Fletcher's gormless son, Raymond.

Trevor is a gormless man who sometimes has flights of ingenuity. On more than one occasion, he is seen to hatch plans and create schemes to help out with the restoration of Midbourne Pier, saving money in the process. He had the idea to start a voluntary service to mend the pier, called FOMPA. Trevor works at the local Woolworths as a Trainee Deputy Assistant Undermanager in Ironmongery.

For his portrayal of Kirk, Whyment was awarded "Best Comedy Performance" at the 2003 British Soap Awards. He won the award for the funniest character at 2004 Inside Soap Awards. Laura Morgan of All About Soap wrote that she "simply could not imagine" Coronation Street without Kirk and his "gormless grin". In 2004, Ian Hyland of the Sunday Mirror questioned whether there was a "better comic actor in Britain today than Andrew Whyment".

He is sometimes easy to fool, gormless and passive; sometimes even believing Jay's lies, though he often manages to see through these comments. He occasionally even takes Jay's useless sex advice which almost always backfires. Simon has had a crush on his childhood friend Carli D'Amato since she was eight, an interest which becomes more apparent throughout the series. Despite many pathetic attempts to show her his feelings, he does not give up on her.

He also played a major role in the third series of The Bridge.Adam Pålsson om att spela Ted Gärdestad Aftonbladet Retrieved 27 February 2018 Pålsson used to be the lead singer in an indie rock group, ÅR&DAR.; He played Mads in Armando Iannucci’s space sitcom Avenue 5 who was a gormless but good- looking crew-member. Initially he was supposed to be an extra, but was given a part and a name.

Similarly shallow, Mr. Wormwood—a used-car salesman and television addict—dismisses the child when he realizes she is a girl ("Miracle"). Five years later, Matilda is an avid reader and lives unhappily with her parents and her older, gormless brother Michael. The Wormwoods are oblivious to her genius and frequently mock and verbally abuse her. Matilda adds some of her mother's hydrogen peroxide to her father's hair oil, leaving Mr. Wormwood with bright green hair ("Naughty").

Franky's response makes it clear that she does not want to talk about it. Then Alo's parents return, to find the teenagers fleeing the scene (Alo had mentioned that his father carried guns). Alo, drunkenly confronts his aghast family and berates his father for allowing his mother to henpeck him all the time, calling him "gormless and old." To his and his mother's horror, his father collapses and his mother immediately orders him to call an ambulance.

The first E.1/44 to fly was the second prototype. On 9 March 1948, it performed its maiden flight at RAF Boscombe Down, flown by Gloster Chief Test Pilot Bill Waterton. Reportedly, Waterton was not impressed with the aircraft, commenting on its lack of power and its unfavourable flying characteristics, unflatteringly referring to it as the "Gormless". While this unofficial name never stuck, the prototype never received an official name, although "Ace" was proposed at one point.Waterton 1956, p. 12.

George Formby again plays his working class underdog, gormless, gullible, indefatigable and triumphant hero. A weakling, Formby's character overcomes obstacles to beat a corrupt rival in the boxing ring. He plays a scrawny barber's assistant who, in response to the keep fit fad sweeping through Britain at the time, dreams of a better physique, and sings of it in the catchy "Biceps, Muscle and Brawn". He falls in love with a beautiful manicurist, and competes for her affections with a muscle bound thug.

Their debut LP, Calling on Youth, was self-released on their Raw Edge label, and became the first UK self-released punk album. and won them their first unfavourable reviews: "apple-cheeked Ade has a complexion that would turn a Devon milkmaid green with envy", reported the NME. A single released that November, One to Infinity, was labelled as "tuneless, gormless, gutless" (again by the NME), but was praised elsewhere. It was followed by a second album, Close Up in 1978.

At the same time, Claire, who clearly wants to see herself as socially responsible and philanthropic, is doggedly determined to further her own career. Other recurring characters include Nathan's idiot flatmate Toby (Rhys Thomas) and the staff at Dan Ashcroft's magazine, Sugar Ape: asinine chief editor Jonatton Yeah? (Charlie Condou), Ned Smanks (Richard Ayoade) and Rufus Onslatt (Spencer Brown), a pair of gormless graphic designers, and receptionist Sasha (Nina Sosanya). Barley has an inoffensive young assistant called Pingu (Ben Whishaw).

Retrieved 27 August 2013 In appearance, Mike was slightly built and sharply dressed, whilst Bernie was larger and displayed his slightly protruding front teeth to produce a mildly gormless and 'goofy' look. The brothers were rewarded with their own show that ran from 1965 to 1973. On Mothering Sunday, 24 March 1974, they again appeared on Sunday Night at the London Palladium. The following year they appeared as guest stars on The Peters and Lee Story on ATV on 27 December 1975.

In 2007, Ben's abuse by Stella won Best Storyline at the Inside Soap Awards, and was nominated as the Best Soap Storyline at the TV Quick and TV Choice Awards. Ben as played by Jones received generally negative reviews from critics. The Guardian Grace Dent called him a "spooky little git", and her fellow Guardian writer Daniel Martin deemed him "gormless". As part of an EastEnders-themed drinking game, Digital Spy Alex Fletcher instructed players to drink beer every time Ben "is spotted whimpering on the stairs".

Eddie, the more popular of the two, enjoys drinking regularly, and often secretly steals family heirlooms and cash from Richie, although he occasionally has inventive moments, like building a cash forger, an electric toilet, and a time machine. Eddie's friends the gormless Spudgun and Dave Hedgehog both fear Richie, believing him to be psychotic. Although the four of them sometimes venture out, usually to the local pub, the Lamb and Flag, most of the episodes are set within the confines of the squalid flat.

To earn money he would sing for pennies on street corners, before he joined a singing duo in his teens. He began to develop his own act during the 1890s and built up a following in Lancashire. He also developed a series of stage characters, including that of "John Willie", which is described by the cultural historian Jeffrey Richards as "the archetypal gormless Lancashire lad ... hen-pecked, accident-prone, but muddling through." Formby also had a successful recording career and made the transition from music hall to revue in 1916.

Jonah was a British comic strip series, published in the magazine The Beano, drawn by Ken Reid. It first appeared in issue 817, dated 15 March 1958. The title character- a sailor and a skinny, gormless, chinless wonder- was feared by all other mariners because he would (accidentally) sink every ship he sailed on (and often all other vessels in the neighbourhood to boot). His name is a direct reference to the long-established sailor's superstition (which is in turn based on the Biblical prophet Jonah whose ship nearly sank in a storm).

Smiler also owned a big, but rather beaten up and poorly maintained, white convertible 1972 Chevrolet Impala, in which he sometimes drove around with Tom, and which on occasion has been used in various promotions for Auntie Wainwright. The trio would often cross paths with Smiler and use him for whatever scheme or activity they were doing (largely because of his tall height and gormless nature). Smiler was last seen in the series 28 episode "Sinclair and the Wormley Witches". Lewis left the show at the end of series 28 because of ill health.

It received mixed reviews: The Daily Telegraph found Moore's "cuddly appeal" appropriate to the character, but others thought Moore failed to capture the specifically "neurotic" image of "Jewish-American manhood" that the play required,Jeff Lenburg, Dudley Moore: An Informal Biography (iUniverse, 2001), , pp. 43-44. Excerpts available at Google Books. while The Spectator's Hilary Spurling found Moore to be "trapped with a fairly measly supply of jokes in a glum, transatlantic no-man's-land" and "sadly unconvincing as a gormless twit".Hilary Spurling, "ARTS: Nut-and-apple case", The Spectator, September 19, 1969.

The year is 1929 and in the opening episode Jeremiah Unsworth (Freddie Jones), the proprietor of the undertakers, dies. This leaves his widow Ivy (Thora Hird) and gormless nephew Billy (Christopher Beeny) to take over the business. As might be expected, the accident-prone Ivy and Billy have numerous mishaps, and hardly a funeral goes by without something untoward occurring. A running subplot is Billy's pursuit of romance, often at the encouragement of Ernie Hadfield; this later ends with Billy's marriage to old schoolfriend Mary Braithwaite - who had originally been set to marry Ernie.

Harris' best known creation, Orville the duck, came about after he saw some green fur lying around backstage at a performance of The Black and White Minstrel Show in Bristol. Orville, recalled Simon Farquhar in his Independent obituary of Harris, was "a huge, gormless, falsetto-voiced green duckling sporting a nappy fastened by a giant safety pin".Simon Farquhar, "Keith Harris: Children's entertainer whose act with his dummies Orville and Cuddles was one of the last triumphs of the variety age", The Independent, 28 April 2015. Harris recorded "Orville's song", written by Bobby Crush.

Hugo Darracott, an enormous figure of a young man, arrives at Darracott Place in Sussex to find his family waiting: his grandfather, Lord Darracott; his uncle, Matthew, a politician, his wife, Lady Aurelia and their sons Vincent and Claud; and his uncle Rupert's widow Elvira and her children Anthea and Richmond. They are, it is immediately apparent, expecting "a fellow who eats off his knife": that is, a working- or at best lower middle-class man. Hugo obligingly applies a Yorkshire accent and looks gormless. Lord Darracott puts pressure on his older grandchildren, Vincent, Anthea and Claud, to educate Hugo.

The media historian Brian McFarlane writes that on film, Formby portrayed gormless Lancastrian innocents who would win through against some form of villainy, gaining the affection of an attractive middle-class girl in the process. During the Second World War Formby worked extensively for the Entertainments National Service Association (ENSA), and entertained civilians and troops, and by 1946 it was estimated that he had performed in front of three million service personnel. After the war his career declined, although he toured the Commonwealth, and continued to appear in variety and pantomime. His last television appearance was in December 1960, two weeks before the death of Beryl.

Reluctant Heroes, the first Whitehall farce, was by Colin Morris, later known for his dramatised television documentaries. During the four-year run of Reluctant Heroes at the Whitehall, Rix also sent out national tours of the play, generally with John Slater playing the dread Sergeant Bell, and always playing to packed houses. To give some sense of its popularity, at one time Rix had the play running at the Whitehall, three tours on the road and the film on release. Rix himself played the gormless north-country recruit, Horace Gregory, in both film and throughout the four-year run at the Whitehall, where his reputation for losing his trousers began.

Nick's exit in 2005 was celebrated by Frances Grant, who labelled the character "gormless" and "boring", comparing him unfavorably to the Coronation Street character Ken Barlow. However following Burnett's appearance on the weight loss show Downsize Me in 2008, Grant criticised the shows writers for axing the character and suggested Burnett's weight loss could have been a potential storyline for Nick. The Edge broadcaster Dom Harvey had been an avid viewer of the soap but following the axing of Nick, refused to watch another episode until he was reinstated, ultimately campaigning for his return 9 years later. In 2006 Galvin campaigned for the return of Nick and named him as a "comic gift" and his favourite character.

One of the earliest characters Formby developed was "John Willie". Baz Kershaw, the professor of theatre, described the character as Formby's "onstage alter ego", while the cultural historian Jeffrey Richards describes Willie as "the archetypal gormless Lancashire lad in baggy trousers, tight jacket, and bowler hat, slow-talking, hen-pecked, accident-prone, but muddling through." His costume included ill-fitting clothes, large boots worn on the wrong feet, and a variety of hats; he would often carry a cane. In 1908 he lent one of his costumes to a young Charlie Chaplin when the latter was touring with Fred Karno's troupe; Chaplin also incorporated Formby's cane twirl and duck-like walk into his act.

" Jane Murphy, for Orange, disagreed with the late airing time, saying that "surely this is the kind of please-everyone programme that would fit neatly into the just-past- Sunday-teatime slot." For CultBox, David Lewis gave a three star review, saying that the balance between comedy and drama "doesn't quite work" and "while the dialogue sparkles, the action does not." In the Radio Times, Alison Graham was extremely negative, stating "After ten minutes of this gormless show you’ll feel as if you’re caught up in a dreadful theme-park ride that hurls you through dank tunnels of cliché." She later summarized her feelings on her Radio Times blog with the simple statement, "It made me want to die.

The King is amused by Kom's attitude and impressed by the various cries his people use to communicate, although Gina doesn't like it when he tries too hard for popularity, and briefly forgets her. However, there is also evil afoot. The chancellor Sebastian, the governess and their dim-witted side-kick, Gerard the Gormless, are up to evil plans: they intend to find a way to kill the King and they are slowly poisoning his daughter, Princess Ida. During a cold spell, the lake which the Lankoos believed to be cursed, freezes over, and the King leads his army to cross it to reach the "promised land" on the other side of the lake.

Richards considers that Formby "had been able to embody simultaneously Lancashire, the working classes, the people, and the nation"; Geoff King, in his examination of film comedy, also sees Formby as an icon, and writes that "[Gracie] Fields and Formby gained the status of national as well as regional figures, without sacrificing their distinctive regional personality traits". While the national aspect was important for success outside the north, "the Lancashire accent remained to enhance his homely comic appeal". The media historian Brian McFarlane writes that, on film, Formby portrayed "essentially gormless incompetents, aspiring to various kinds of professional success ... and even more improbably to a middle-class girlfriend, usually in the clutches of some caddish type with a moustache. Invariably he scored on both counts".

" He also commented that despite the toned-down atmosphere, the speeches and tributes provided several heartfelt and memorable moments desperately needed in uncertain times. Some media outlets were more critical of the show. Television critic Ken Tucker of Entertainment Weekly bemoaned, "A wonderful, intelligent Oscar host two years ago, Martin on this night looked as though he'd thrown in the towel backstage and let comedy writer Bruce Vilanch come up with a batch of gormless ain't-Hollywood-goofy lines to absolve him of responsibility for being hilarious." Chicago Tribune columnist Steve Johnson lamented, "Martin in his second turn hosting Hollywood's big night was, especially in the early going, slightly off-key, his attempt to keep a jovial face on things understandable but eventually coming to seem a touch disrespectful.

His involvement with the NSDAP and his adoration of Adolf Hitler made August Wilhelm often the subject of mockery by the left-wing press (who gave him the nickname , or "Auwi the Little Brown Shirt"), politicians (the French Ambassador André François-Poncet called him , i.e. "Hans the Brown Sausage"), and from National Socialists themselves (Joseph Goebbels referred to him as a "good-natured, but slightly gormless boy"). As a representative of the erstwhile Hohenzollern Dynasty, August Wilhelm was deliberately used by the Nazis to gain votes in elections such as the lead candidate of the NSDAP for election to the Prussian parliament in April 1932 or as an election speaker alongside Hitler, whom he accompanied on flights across Germany at the same time. Through his appearances at mass rallies of the NSDAP, he addressed himself to sections of the population that were lukewarm towards National Socialism and convinced them "that Hitler was not a threat, but a benefactor of the German people and the German Empire".