35 Sentences With "good time girl" | Random Sentence Generator

I go out a lot, I'm a good time girl, I like to have fun.

I go out a lot, I'm a good time girl I like to have fun.

From sentences such as "she let off steam by having a good whinge" to "she's a wild, promiscuous, good-time girl" — these examples are undoubtedly unpleasant.

Or do you become a good-time girl who laughs along with him and hopes that becoming a cool girl that gets it will help you advance?

A tale of a swaggering good-time girl in whom compassion and combativeness seem continually at odds, "Iphigenia in Splott" has been seen previously in Cardiff and Edinburgh.

The track "Batshit" was used in Marvel's Runaways in the episode, "Big Shot"."Good Time Girl" was used as the theme song for HBO's The New Pope.

Good-Time Girl is a 1948 British film-noir crime, drama film directed by David MacDonald. The film was based on Arthur La Bern's novel Night Darkens the Street.

"The Good-Time Girl" aka "The V.D. Polka" is a song from the musical Over Here!, which opened on Broadway at the Shubert Theatre (Broadway) on March 6, 1974. It was sung by Patty Andrews in a U.S.O. style parody similar to Rodgers and Hammerstein's "Honey Bun" from South Pacific. In the song Andrews warns the GIs to beware of the "Good Time Girl" because: The song was written by Robert B. Sherman and Richard M. Sherman.

Deane-Johns played the part of Sharon Taylor, a blonde good time girl who made a living as a hairdresser. Chances was discontinued in 1992 after a run of 127 hour-long episodes.

In the next house Kitty and Steve live with their good-time girl daughter, Maureen. Maureen works in a cafe with young Charlie (John Hurt). She is having an affair with a rich dentist, Mark. One day Cindy goes missing and Harry helps Marge search.

Noose, by Richard Llewellyn. (Seville). The Spectator, 26 June 1947, p. 13. Two other roles occurred that year: as Maxim de Winter in a television adaption of Daphne du Maurier's novel Rebecca,Rebecca (1947), British Film Institute, accessed 22 July 2015. followed by the part of a detective in Good-Time Girl, alongside Dennis Price and Jean Kent.

The film was directed by Ken Annakin, who had made a number of documentaries for producer Sydney Box. When Box took over Gainsborough Pictures he hired Annakin to make Holiday Camp. It was part of Box's initial slate of pictures for the company, others including Jassy and Good Time Girl. The original story was by magazine writer Godfrey Winn.

The song is sung by "Spokesman", "Rankin" and "Father" who symbolically represent the veterans of the last war, in this case World War I. In the song they sing fondly about a "good time girl" named Yvette whom they met in France during the war. Suddenly and poignantly they recall all the other infantrymen who died in "no man's land".

Two Cities Films used him in one of its melodramas, Hungry Hill (1947). Gainsborough used him in villainous roles in Dear Murderer, Holiday Camp, Jassy and Master of Bankdam (all 1947). He made two for Bernard Knowles, supporting Margaret Lockwood in The White Unicorn and a comedy, Easy Money (both 1948). He followed this with a thriller, Snowbound, and a crime melodrama Good-Time Girl (both 1948).

Bondi Road reached No. 18 on the Australian albums charts and the single "Young Years" written by Alan Mansfield and Sharon O'Neill also reach No. 18. The pair had written two other tracks: "Ice in this Town" and "Good Time Girl". Dragon continued to record and tour with varying line-ups centered around the Hunter brothers and Mansfield. They also supported Elton John for his 1990 Australian tour.

McCulloch helped Stone the Crows to complete their Ontinuous Performance album by playing on the tracks "Sunset Cowboy" and "Good Time Girl". Stone the Crows disbanded in June 1973. In 1973, McCulloch played guitar on John Keen's album, Previous Convictions, had a brief stint in Blue and he played guitar on Brian Joseph Friel's debut album under the pseudonym 'The Phantom'.The New Rolling Stone Encyclopedia of Rock & Roll. . p. 1005.

She played the role of a Goth. In 2009, Norton portrayed the role of Dara, a "20 something good time girl" in the Live Theatre's production of Jump.Live Theater Official Press Release Video In 2010, Norton also booked a role as Carol, a businesswoman, in Canoeing For Beginners. Carol was in a desperate search for her father Frank, who faked his own death and subsequently tracks him down in Cuba to find out the truth.

Windsor came to prominence with her portrayals of a "good time girl" in nine Carry On films. Her first was Carry On Spying in 1964 and her final Carry On... film acting role was in Carry On Dick in 1974. She also appeared in several Carry On... television and compilation specials between 1964 and 1977. One of her most iconic scenes was in Carry On Camping in 1969, where her bikini top flew off during outdoor aerobic exercises.

When MacDonald got out of the army he went to work for producer Sydney Box. He made the Scottish melodrama The Brothers (1947) with Patricia Roc, partly shot on location on the Isle of Skye. MacDonald then made Snowbound (1948), an Alpine-set thriller based on a novel by Hammond Innes; and Good-Time Girl (1948) with Jean Kent. MacDonald directed two flops for Box, both biopics: The Bad Lord Byron (1949) with Dennis Price, and Christopher Columbus (1949), with Fredric March].

Good Time Girl, (1947), British Film Institute, accessed 22 July 2015. The following year he took part in three plays: Peter Ustinov's The Indifferent Shepherd, which appeared at the newly opened Q Theatre in Brentford, West London; Ibsen's Ghosts; and an adaptation of The Wind in the Willows at the Shakespeare Memorial Theatre in Stratford-upon-Avon in which he portrayed the part of the blustery, eccentric Mr Toad.Hordern, p. 86."Wind in the Willows: Costume design", Victoria and Albert Museum, accessed 22 January 2016.

Audrey was very unlike Maggie and Renee for she was an unashamed good-time girl, her heart as big as a man's wallet. When Alf needed someone to watch his shop while away on holiday, he asked Audrey to do it. When he got back, he found she had set herself up in the back of the shop as a hair stylist. Alf was impressed by her initiative and kept her on, later causing controversy when he painted Renee's name out of the shop sign.

Maxine Peacock (also Heavey) first appears in May 1995 as a college friend of Fiona Middleton's (Angela Griffin), working in Denise Osbourne's (Denise Black) salon. She is very much a good-time girl and has relationships, often one-night stands, with several men, including Steve McDonald (Simon Gregson), to get back at Fiona as he is Fiona's ex-boyfriend, and Curly Watts (Kevin Kennedy) when she is drunk. Maxine then embarks on a relationship with Ashley Peacock (Steven Arnold). Seeking security, Maxine marries Ashley in September 1999.

The Mayor has a daughter named Clementina, who is secretly in love with the priest. After some little time God enables Don Silvestre to perform a miracle in order to convince everyone in town about the second universal flood and God's will. Good-time girl Consolazione arrives at the village—and with this things get complicated. Consolazione distracts every male in the village, thereby avoiding God's planned procreation one night before the flood, so God boosts the manhood of the village idiot, Toto, in order to distract Consolazione.

Throughout the series, Angela Montenegro is described as a "free spirit", "good-time girl" and "wild child". She is shown to be more socially "normal" than her coworkers at the Jeffersonian, and seems to not consider herself a scientist like the other "squints", instead on multiple occasions referencing facial reconstruction as an "art". In one episode, the character Jack Hodgins calls Angela "the heart of the operation." Angela's more typical social skills are often used by the writers as a balancing point and audience surrogate; she demonstrates a need to interact with other people in a way her more awkward colleagues do not.

" Entertainment Weekly reviewed it as a "lonely- at-the-top, lovesick-victim song." Alfred Soto of Stylus Magazine praised the "sophistication" of the song, stating that it "puts the lie to those fools who (still) think Madonna has no input on her records." Soto goes on to say that the track is Madonna's most "cogent response to the wages of fame," adding that when Madonna "insists that she doesn’t want to cause you any pain, you believe it." J.D. Considine of The Baltimore Sun gave the song a positive review, writing that it "shows the other side of the stereotypical good-time girl.

Soap opera reporting website Holy Soap stated that up until India's murder Texas had been "a good-time girl and, some might say, something of an airhead." During the grief storyline, a columnist for TV Times said that Texas had the "what the hell have I done?" look on her face from downing "bucketfulls of booze and snorting several lines of coke". They added that having sex with Doug was not a bad result, because it could have been with someone like Duncan Button (Dean Aspen). When Texas finds out Jodie slept with Dodger, a columnist for Soaplife said that they could not blame her for being jealous.

Her first film under contract to Rank was Streets Paved with Water where she was the fourth lead; filming started in July 1947 but was cancelled after a month.Dors 1960 p 18 a small role as a maid in Gainsborough's The Calendar (1948), and a good part in Good-Time Girl (1948), as a troubled teen being warned at the beginning and end of the film. She then played the role of Charlotte in Rank's adaptation of Oliver Twist (1948), directed by David Lean. Dors had a bigger part in a B, Penny and the Pownall Case (1948), a 50-minute movie for Highland Productions.

Balcon and Day-Lewis began a relationship that year, complicated by his marriage to Mary Day-Lewis, who lived with their two teenage boys in Dorset, and his public affair with Rosamond Lehmann, a noted novelist of the day, who lived in Oxfordshire. Day- Lewis eventually broke with both his wife and his mistress in order to be with Balcon. (Reputedly he was no more faithful to her than he had been to his first wife or Lehmann.) She was quite active in film, starring opposite Stewart Granger in Saraband for Dead Lovers (1948), with Jean Kent in Good Time Girl (1948), and The Lost People (1950). But her first love was the stage.

Linda Cheveski (also Tanner) is played by actress Anne Cunningham between 1960 and 1984. The character was created by series creator Tony Warren as part of the original cast, and she appears in the first episode along with family members including her mother, aging 'good-time girl' Elsie Tanner and her 'lovable rogue' brother Dennis. She is later joined by her Polish husband Ivan, and the young couple are central to early storylines as they cope with Linda's pregnancy affecting their marriage. Cunningham was written out after a year due to a strike at the actor's union Equity preventing new contracts being signed, and the actress chose not to return when the strike ended.

However, the film gives screen credits to Chester Hale for the choreography. Whether Hale worked alone or if Hecht had any input in the film is unknown. Following Horse Feathers, Hecht worked on Lady and Gent (at the time known under the title The Challenge), directed by Stephen Roberts and starring George Bancroft and Wynne Gibson, and Devil and the Deep, directed by Marion Gering and starring Tallulah Bankhead, Gary Cooper, Charles Laughton and Cary Grant."A Little from Lots", The Film Daily, May 5, 1932, p7The Pittsburgh Press, July 13 1932, p14 In June and July 1932, Hecht was loaned out from Paramount to M-G-M for the Marion Davies film Blondie of the Follies (then known under the title Good Time Girl).

She was nominated for the Academy Award for Best Supporting Actress for her role as Angelique Buiton, a servant, in Saratoga Trunk (1945). The same year, audiences in the U.K. and the U.S. watched her hypnotic performance as Ftatateeta, the nursemaid and royal confidante and murderess-upon-command to Vivien Leigh's Queen Cleopatra in the screen adaptation of George Bernard Shaw's Caesar and Cleopatra (1945). After the Second World War, demonstrating her range, she appeared in Holiday Camp (1947), the first of a series of films which featured the very ordinary Huggett family; as Sister Philippa in Black Narcissus (1947); as a magistrate in Good-Time Girl (1948); as a prospective Labour MP in Frieda (1947); and in the costume melodrama Saraband for Dead Lovers (1948).

Angela Lansbury (left) as Helen with Joan Plowright (right) as Jo in the Original Broadway production of A Taste of Honey In the first scene, Helen and her teenage daughter, Jo, are moving into a shabby flat. Within a few minutes the audience learns that they have little money, living off Helen's immoral earnings—money given to her by her lovers, although she is not a true prostitute, being more of a "good time girl." Helen is a regular drinker, and she and Jo have a confrontational and ambiguously interdependent relationship. As they settle in, Helen's surprise at some of Jo's drawings both suggests Jo's talent and originality and shows Helen's lack of interest in and knowledge about her daughter.

Set in the fictional northwestern Louisiana parish of Chinquapin, the play opens at Truvy's in-home beauty parlour where a group of women regularly gather. They discuss Shelby's upcoming wedding to her fiancé, Jackson. The plot covers events over the next three years relating to Shelby's Type 1 diabetes, and with how the women cope with their conflicts, while remaining friends: Shelby's decision to have a child despite jeopardizing her health, Clairee's friendship with the curmudgeon Ouiser; Annelle's transformation from a shy, anxious newcomer in town to a good-time girl then repentant revival- tent Christian; and Truvy's relationships with the men in her family. Although the main storyline involves Shelby, her mother M'Lynn, and Shelby's medical battles, the group's underlying friendship is prominent throughout the drama.

Bank clerk John Ross (Jack Watling) falls for good-time girl Irene (Pat Kirkwood), and, although at first she tries to discourage him, they are quickly married. They soon find that Irene does not get along with John's middle-class parents and friends, and when he finally insists on meeting Irene's mother he is taken aback by her hostility towards her own daughter, but he learns that Irene has a child by her former lover, Jimmy (Sidney Tafler). When John tells her it's over between them, Irene reluctantly goes back to Jimmy and they move to London. A few weeks later, when John's father gives him his letters from Irene which his mother had tried to hide from him, John realises he still wants Irene and he sets off to find her.

Eddie Chapman – British spy and Lahlum's lover In April 1943, when British double agent Eddie Chapman was drinking with German officers in The Ritz bar at Skillebekk, which was also popular with members of the Norwegian national socialist party, his eye fell on the attractive Dagmar, who – complete with a décolletage and high heels – was smoking Craven A's with an ivory mouthpiece. When he first chatted her up, he thought that she was either a prostitute or just another good time girl; whilst on the other hand Lahlum thought that he worked for the Germans, or was in fact a German – albeit one with an odd accent. From 1943 onwards, she became his girlfriend and later his fiancée. Troubled by the fact that she was being labelled a German whore by the locals, Chapman compromised his security during a boating trip on the fjord, when they had shared a bottle of cognac over lunch.