The CEO carousel goes round and round (and painted ponies go up and down).
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As the elaborate set goes round and round, various scenarios repeat in a loop.
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It goes round and round, which is more or less they way people understood light to work.
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The conversation goes round and round, and the question that arises is: can language be visual art?
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At some you end up getting slowly digested by an unfamiliar sofa, as the same mix tape goes round and round, sat in a room full of ashen-faced strangers determinedly chewing their own faces off.
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As the ride goes round and round, both of those scenes, the stuffed bear and the fair, begin to fall into chaos — the bear gets increasingly ruined and the environment in the background of the fair burns in flames.
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"The Music Goes Round and Round" is a popular song written in 1935.
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"The Elephant Now Goes Round and Round", The Tennessean (June 22, 1888), p. 1.
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Music Goes Round and Round is a Tommy Dorsey album of Dixieland recordings from 1935–1947, that predated the New Orleans revival in 1940.
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Mike Riley (January 5, 1904 – September 2, 1984) was an American jazz trombonist and songwriter. He is best known for co-writing the 1935 song "The Music Goes Round and Round", one of the biggest hits of that year.
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Cody's Cosmetics, Inc., 353 Mass. 385, 231 N.E.2d 912 (1967) (refusing to enforce servitude). See also Z. Chafee, Equitable Servitudes on Chattels, 41 945 (1928); Z. Chafee,Comment: The Music Goes Round and Round: Equitable Servitudes and Chattels, 69 1250 (1956).
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He also featured singers Keller Sisters and Lynch, Betty Hutton, and Marion Hutton. Lopez's longtime drummer was the irreverent Mike Riley, who popularized the novelty hit "The Music Goes Round and Round". Lopez's flamboyant style of piano playing influenced such later musicians as Eddy Duchin and Liberace. In 1941 Lopez's Orchestra began a residency at the Taft Hotel in Manhattan that would last 20 years.
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Roto Records was a record label based in Lincoln, Nebraska. The name "Roto" was chosen simply because "it [a record] goes round and round."Rockabilly Hall of Fame The label's first releases were in 1956 by local artists Bobby Lowell and The Rock-a-Boogie Boys."Encyclopedia of Lincoln Bands""Bobby Lowell," Nebraska Music Hall of Fame The label continued releasing recordings by Lowell and other local artists through the mid-1980s.
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His music career began in Boston in 1926 where he played in local ballrooms, restaurants and in radio stations WNAC and WEEI. Carl married Alice Nazian Gonyer (1909–1992) of Orono, Maine in 1929. They moved to Queens, New York where he played with the Jimmy Durante band, played vaudeville and toured the southern circuit with Al Wohlman & Company. He played 52nd street "jazz joints" and worked with Mike Riley and Ed Farley, the writers of The Music Goes Round and Round.
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Katz, David (2000) People Funny Boy: The Genius of Lee "Scratch" Perry, Payback Press, , p. 244 It was described by Mark Perry in a review in his Sniffin' Glue magazine as "a plastic Bible that goes round and round".Perry, Mark "Prince Far I - Psalms For I", Sniffin' Glue The album gives: "Special thanks to Lee Perry, Bunny Lee and Roger Campbell who helped to make it happen." The album was reissued on CD in 1994 on the German Fotofon label,:de:Fotofon and in 2002 by Pressure Sounds with one bonus track.
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The short can be seen on disc 4 of the Looney Tunes Golden Collection: Volume 2 DVD set and also appears in the documentary Bugs Bunny: Superstar. It can also be found on The Golden Age of Looney Tunes Vol. 1 laserdisc, the Looney Tunes Collectors Edition: Musical Masterpieces VHS, and Looney Tunes Spotlight Collection: Volume 2. Since most of this cartoon has fallen into public domain (with the exception of the brief quotation of “The Music Goes Round and Round”), it has made frequent appearances on many gray-market VHS and DVD cartoon releases.
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These ideas recur throughout Finnegans Wake, informing the book's four-part structure. Vico's name appears a number of times throughout the Wake, indicating the work's debt to his theories, such as "The Vico road goes round and round to meet where terms begin".'Joyce 1939, p.452.21–22 That a reference to Vico's cyclical theory of history is to be found in the opening sentence which is a continuation of the book's closing sentence – thus making the work cyclical in itself – creates the relevance of such an allusion.
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Riley's date and place of birth have been the subject of some debate. He played both trumpet and trombone, and by 1927 was working in New York City, playing trumpet in Jimmy Durante's band at the Parody Club. He soon found work in several local bands as a trombonist, then co-led an ensemble with Eddie Farley, with whom he held a regular gig at the Onyx Club and wrote several songs including "The Music Goes Round and Round". He worked in New York and regionally through the 1940s, then worked in Chicago in the 1950s.
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He discovered Clarence "Frogman" Henry and produced his first hit, "Ain't Got No Home", in 1956, later going on to co-write and produce his biggest hit, "But I Do", in 1961. At Chess, Gayten produced Bobby Charles' "Later Alligator" and played piano on Chuck Berry’s "Carol". In 1956 he also had one of the biggest hits of his own career with "The Music Goes Round and Round", followed up by "Nervous Boogie" in 1957, "Windy" in 1958, and "The Hunch" in 1959. In 1960 he moved to Los Angeles with his wife, Odile, to run the Chess operations there.
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Elrick turned professional and moved to London where he became friends with the crooner Al Bowlly, and began singing himself. He joined the Henry Hall Orchestra as a vocalist and drummer and their 1936 recording of The Music goes Round and Round made Elrick a star. In 1937, he left Hall to form his own band, and in 1939 began a solo career, which was moderately successful through the years of World War II. Piccadixie (featuring George Elrick) at the Finsbury Park Empire, London, 28 July 1941 In 1948, he took a touring revue round Britain, and was asked by the BBC to stand in for two weeks as disc-jockey on the morning record request show Housewives' Choice. The 'temporary' job lasted almost twenty years, as Elrick's Scottish accent and liberal use of catchphrases became highly popular.
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In a letter to William Saroyan, dated 14 February 1940, O'Nolan explained the strange plot of The Third Policeman: > When you get to the end of this book you realize that my hero or main > character (he's a heel and a killer) has been dead throughout the book and > that all the queer ghastly things which have been happening to him are > happening in a sort of hell which he earned for the killing ... It is made > clear that this sort of thing goes on for ever ... When you are writing > about the world of the dead – and the damned – where none of the rules and > laws (not even the law of gravity) holds good, there is any amount of scope > for back-chat and funny cracks. In a passage that was omitted from the published novel, O'Nolan wrote: > Joe had been explaining things in the meantime. He said it was again the > beginning of the unfinished, the re-discovery of the familiar, the re- > experience of the already suffered, the fresh-forgetting of the > unremembered. Hell goes round and round.
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For the 1961 Verve LP album, Verve V-4053 (Mono) & V6-4053 (Stereo) Side One: #"A Night in Tunisia" (Dizzy Gillespie, Frank Paparelli) – 4:06 #"You're My Thrill" (Sidney Clare, Jay Gorney) – 3:35 #"My Reverie" (Larry Clinton, Claude Debussy) – 3:16 #"Stella by Starlight" (Ned Washington, Victor Young) – 3:17 #"'Round Midnight" (Bernie Hanighen, Thelonious Monk, Cootie Williams) – 3:28 #"Jersey Bounce" (Tiny Bradshaw, Buddy Feyne, Edward Johnson, Bobby Plater) – 3:33 #"Signing Off" (Leonard Feather, Jessyca Russell) – 3:45 Side Two: #"Cry Me a River" (Arthur Hamilton) – 4:13 #"This Year's Kisses" (Irving Berlin) – 2:14 #"Good Morning Heartache" (Ervin Drake, Dan Fisher, Irene Higginbotham) – 4:17 #"(I Was) Born to Be Blue" (Mel Tormé, Bob Wells) – 2:42 #"Clap Hands! Here Comes Charlie!" (Ballard MacDonald, Joseph Meyer, Billy Rose) – 2:41 #"Spring Can Really Hang You Up the Most" (Fran Landesman, Tommy Wolf) – 6:13 #"The Music Goes Round and Round" (Eddie Farley, Red Hodgson, Mike Riley) – 2:27 Bonus Tracks; Issued on the 1989 Verve-PolyGram CD Reissue, Verve-PolyGram 835 646-2 and DAT W.L.S.T. 1994 835 646 - 4 15\. "The One I Love (Belongs to Somebody Else)" (Previously unreleased) (Isham Jones, Gus Kahn) – 2:12 16\.
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