Kanye chides with all-too-familiar self-comparisons with Jobs and Denzel Washington while Desiigners' chaotic well-wishes are reinforced by finger snaps and latter half insertion of African goblet drums, retaining and building on the spirit of the original freestyle.
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Nothing compared, however, to an interview in which Yoaz Hendel, a Blue and White lawmaker, spoke of Israel's melting pot by noting that "some came here with a mentality of Vienna concerts, and some came with a mentality of darbukas," goblet drums popular in Mizrahi music.
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Darabukka from Egypt, 1825~35. From Lane 1836, p. 363 Sound of Darbuka The Eastern and North-African goblet drums are played under the arm or resting on the player's leg, with a much lighter touch and quite different strokes (sometimes including rolls or quick rhythms articulated with the fingertips) to hand drums such as the djembe, found in West Africa. There are two main types of goblet drums.
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Goblet-shaped drums are played in different regions of Asia, Eastern Europe and Africa. Although similarities exist among all goblet drums, the techniques for playing the tombak are different from most other goblet drums. The modern tombak described in this page is most closely associated with the music of Iran. The tombak was not considered a virtuoso solo instrument until the pioneering work of Hossein Tehrani in the 1950s, as well as innovations of Nasser Farhangfar and others.
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"Sister Awake" is a standard three-piece rock composition acoustically based on 12-string guitar, sitar, sarod, harmonium and goblet drums. The song used 58 recording tracks by synching up three machines.Stuart Chatwood, In Tangents The Tea Party Collection 2000, CD, EMI Music Canada, Mississauga. A semi- acoustic version with keyboard, goblet drums, harmonium and oud was recorded in August 1995 at Studio Morin Heights (Morin Heights) for Alhambra and appears on the European Triptych Special Tour Edition 2000 album.
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Goblet drum called skor daey (Khmer: ស្គរដៃ), meaning hand drum. This is the smaller of two Cambodian goblet drums, the larger being called skor chhaiyam (Khmer: ស្គរឆៃយ៉ាំ). Two drums used in both Cambodia and Thailand. Left is the thon (Thai: โทน).
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Cambodian goblet drum from 1892 engraving. Goblet drums this size today are called skor chhaiyam (Khmer: ស្គរឆៃយ៉ាំ) and are dressed in a colorful skirt. The Thai call this type of drum klong yao. Klong yao (, ) is a long drum used in Thailand and Khawng yao in Great Laos.
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2 Sets of instruments 211.26 Instruments in which the body is goblet-shaped (goblet drums) 211.261 Instruments which have only one usable membrane 211.261.1 Instruments in which the end without a membrane is open 211.261.2 Instruments in which the end without a membrane is closed 211.262 Instruments which have two usable membranes 211.262.1 Single instruments 211.262.
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Cambodian goblet drum from 1892 engraving. Goblet drums this size today are called skor chhaiyam (Khmer: ស្គរឆៃយ៉ាំ). The skor chhaiyam (Khmer: ស្គរឆៃយ៉ាំ) is a tall Cambodian goblet drum, slung over the shoulder with a string, so it can be played at waist level while walking. Only the top has skin, leaving a sound-hole at the bottom of a narrowed drum body.
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"The Bazaar" is a standard three-piece rock song with an introduction composed of harmonium and goblet drums. Jeff Burrows described the song as fusing "the exotic with heavier rock side of the band better than any other song".Jeff Burrows, In Tangents The Tea Party Collection 2000, CD, EMI Music Canada, Mississauga. The song has been covered by the symphonic metal band Hollenthon as a bonus track on their 2008 album, Opus Magnum.
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The "split-finger" or "split-hand" technique is a common drumming technique (used mainly on Egyptian style goblet drums and Indian drums like tabla and kanjira) which was made popular by the famous Turkish drummer, Mısırlı Ahmet. Mısırlı Ahmet studied and practiced drumming in Egypt, hence 'Mısırlı' (the Egyptian). There are various ways of implementing the split finger technique, using one hand, or interlacing the hits using both hands. The one hand split finger.
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On the right is the ramama (Thai: รำมะนาa). The skor daey (ស្គរដៃ "hand drum" or "clay drum") is a short goblet drum from Cambodia, approximately 40 centimeters tall and 15 centimeters wide at the top. There are two common goblet drums there, the skor chhaiyam (Khmer: ស្គរឆៃយ៉ាំ), a very long goblet drum, resembling some from Burma, and the skor daey. Alternative spellings in English include skor dai (hand) and skor dei (clay, also alternative in Khmer: ស្គរដី).
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The origin of the term Darbuka probably lies in the Arabic word "daraba" ("to strike"). In Egyptian Arabic it's called "tabla" from the Coptic "ϯⲃⲗⲁ" They have been around for thousands of years, used in Mesopotamian and Ancient Egyptian cultures. Goblet drums were seen in Babylonia and Sumer, from as early as 1100 BCE. On Celebes, one large form serves as a temple instrument, set on the floor when performed, which could be a survival of the ancient use of the drum.
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The more than 100 ethnic groups of Tanzania have developed a large number of specific traditional musical and dance styles with corresponding instruments. The Zaramo people, for instance, perform traditional dance, such as "Mitamba Yalagala Kumchuzi" on tuned goblet drums, tuned cylindrical drums, and tin rattles. The multi- instrumentalist Hukwe Zawose, a member of the Gogo ethnic group, was the 20th century's most prominent exponent of Tanzanian traditional music. He specialized in the ilimba, a large lamellophone similar to the mbira.
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The shape of the zerbghali is derived from Persian forms. In contrast with the Persian tumbak, which has a wooden body, the zerbghali is made of clay throughout Afghanistan. The zerbghali and the tumbak fall into the same family of Oriental goblet drums as the Moroccan darbuka and the doumbek of Azerbaijan. Several drums are common in Afghanistan, including a skin-covered open-ended drum from India, a drum similar to the Indian tabla, and a Pashtun double drum known as the dholak which is played by hand in a sitting position, similar to the dohol, which is hung around the neck with a ribbon and played with sticks.
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