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342 Sentences With "go betweens"

How to use go betweens in a sentence? Find typical usage patterns (collocations)/phrases/context for "go betweens" and check conjugation/comparative form for "go betweens". Mastering all the usages of "go betweens" from sentence examples published by news publications.

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In several cases, they have helped facilitate the talks as go-betweens.
Tishman Speyer is opening its own flex offices without go-betweens like WeWork.
Afghan history is replete with tales of women negotiators, peacemakers, and go-betweens.
At the same time, bankers also function as go-betweens with American policymakers.
And the government has been trying to shut down go-betweens like those for years.
Security experts say brokers, messengers and go-betweens are involved at multiple levels, some taking substantial cuts.
In Nepal, agents typically acted as go-betweens for prospective parents and the clinics on the ground.
The orchestra's percussionists (boosted to four here) act as translators, Mr. Lang said, sort of go-betweens.
They helped connect Giuliani with high-level Ukrainian officials and acted at times as translators and go-betweens.
Authorities said Curtsinger often relied on go-betweens to find customers, and the group often made connections through softball tournaments.
In a related effort, Turgenev and Pauline acted as "go-betweens, connecting people in the European music world" with composers in Russia.
And indeed, they're cruder than even the earliest Go-Betweens, who were a university band after all, and somewhat static at their worst.
Agents are the usual go-betweens for the writers and studios, taking a strong hand in matching writers rooms with the appropriate writers.
Russia and European countries, especially those still party to the Iran nuclear deal, are also working as go-betweens to end the standoff.
Intel report says US identifies go-betweens who gave emails to WikiLeaks "The military is not a political prize," he wrote in the letter.
She points out that many immigrants rely on their American-born children to serve as translators and go-betweens from a very young age.
Rarely has such a group of billionaires, hedge-fund barons, mining firms, government officials and go-betweens been snagged in such a woeful saga.
And to the extent that they can occasionally work out deals, it's mostly because lobbyists serve as the expert drafters and bipartisan go-betweens.
Go-betweens on the grass-roots circuit, referred to as street agents, find ways to get cash to the best players and their families.
These are the aides, policy experts, and managers who act as go-betweens for leadership and the civil servants further down the food chain.
The Post's big scoop was that some of Steele's work had been funded by the Clinton campaign and the Democratic National Committee through go-betweens.
It was an era when you could still see designers like Carolina Herrera in person, before an army of handlers and corporate go-betweens intervened.
Foreign NGOs will need the approval of their government go-betweens before they can apply for registration with provincial public security departments, the ministry said.
But prosecutors are also investigating the activities of other operatives and go-betweens working for the prince who tried to insinuate themselves around Mr. Trump.
Investigators' questions to Corsi about his communications with WikiLeaks and Stone indicate they are trying to determine whether Stone had other go-betweens with WikiLeaks.
They have also acted as go-betweens, counseling Trump administration officials on how the trade war is being received both in China and on Wall Street.
The proposal seeks to lower out-of-pocket spending in Medicare by taking aim at the secret deals that drug makers strike with industry go-betweens.
The go-betweens used by the Russians were identified in a classified report presented to President Obama on Thursday, U.S. officials familiar with the report told CNN.
But in reality the line between paying go-betweens to help win concessions and lining officials' pockets is so blurry that it can cause mining firms endless trouble.
Leaks from their analyses, reported by CNN and the Washington Post, indicate that the US has identified the go-betweens used by Russia to hand documents to WikiLeaks.
READ: Intel report says US identifies go-betweens who gave emails to WikiLeaks Included in that new information were intercepted conversations of Russian officials expressing happiness at Trump's win.
Typically, traders act as go-betweens for producers and end-users, investing in logistics and storage to enhance trade, while also providing credit and shouldering risk for their customers.
Like Facebook, the search giant wants to build truly personal assistants that are trained on each individual's data, and that can act as go-betweens with the wider digital world.
Dozens of clothing agents operate in Dandong, acting as go-betweens for Chinese clothing suppliers and buyers from the United States, Europe, Japan, South Korea, Canada and Russia, the businessman said.
At the high end are consignment companies that act as go-betweens for those who want to sell designer clothing, jewelry, and other valuable objects, and those who want to buy them.
With rates particularly low, insurance companies are more susceptible to economic shocks and may not be able to fill their role as financial go-betweens during tough market times, the IMF warned.
The people familiar with the matter say Mr. Kushner last summer accepted a meeting at the White House with one of the go-betweens, knowing only that the topic was North Korea.
On Thursday, US intelligence identified the go-betweens the Russians used to provide stolen emails to WikiLeaks, according to US officials familiar with the classified intelligence report that was presented to President Obama.
So-called protecting power mandates, of which Switzerland currently holds six, allow Swiss good offices to step in as go-betweens, providing consular services or making diplomatic efforts, when countries have broken off ties.
Top of the agenda in this week's hearings will be Facebook's dealings with Cambridge Analytica, a London-based company that counts U.S. President Donald Trump's 2016 campaign among its past clients, or go-betweens.
Pennsylvania began when two French scientists, Herbert Marcovitch and Raymond Aubrac, approached Henry Kissinger, then a Harvard professor, to offer their services as go-betweens to promote negotiations between the United States and North Vietnam.
We've also acted as go-betweens when students get into turf wars, like when a group of second-years confronted a 60-year-old neighbor armed with an ongoing noise complaint and a frying pan.
One potential outgrowth of the Judea and Samaria Chamber of Commerce model is Israeli settlements and sovereignty expanding in the West Bank, while local Palestinian leaders serve as the go-betweens for Palestinian and Israeli business.
Washington (CNN)US intelligence has identified the go-betweens the Russians used to provide stolen emails to WikiLeaks, according to US officials familiar with the classified intelligence report that was presented to President Barack Obama on Thursday.
The journalists described the main factors in keeping the movement out of the news as a combination of direct warnings from military officials or their go-betweens and self-censorship in order to avoid being shut down.
Megagames excel at modeling hierarchy: Instead of one player per faction they have multiple levels of authority, from front line officers up to high commanders through their go-betweens, where everyone reports or delegates to someone else.
Yang has served as one of China's main go-betweens with the Trump administration, with his deep knowledge of the United States coming from previous stints in the Chinese embassy in Washington, including as ambassador from 2000-2004.
But Stone maintained to the House panel in a closed-door session that he had no documentation of his communications with any go-betweens, according to a transcript and audio clips that the prosecution exhibited in court on Thursday.
The Goon Sax: We're Not Talking (Wichita Recordings) Although Louis Forster takes fewer leads on this young threesomes's smoother and trickier follow-up, their unpretentious affect, plain guitar, and flat groove still recall the early years of his dad's Go-Betweens.
Rolling Blackouts C.F.: Talk Tight (Sub Pop) Released mid-2017 U.S. but early-2016 Australia, this sounds more New Zealand—Chills-Clean-Bats, bright young white guys whose trebly guitars purl and mesh, although Go-Betweens recitative enters as well.
The Goon Sax: Up for Anything (Chapter Music) My brilliant wife heard Go-Betweens in this high school band well before I learned that Robert Forster's son Louis was a cofounder or that they were "driven" by a female drummer or even that they were Australian.
Intel report says US identifies go-betweens who gave emails to WikiLeaks "It was not done in the Obama administration, so by funding the authorization that's already happened a decade ago, we could start the process of meeting Mr. Trump's campaign pledge to secure the border," Indiana Republican Rep.
The other is that a year from now, with another brutal antipodal summer behind the planet we hope, you're more likely to choose Forster's The Evangelist or the Go-Betweens' Oceans Apart when craving a taste of this particular artist who's not as famous as he deserves to be.
TP ICAP was formed after Tullett Prebon's buyout of its main rival ICAP's voice-broking business in 2015, and the deal reflected the growing strains on one of London's trademark industries - the phone-toting brokers who acted as go-betweens for major banks and financial firms in currency, energy and interest rate markets.
TP ICAP was formed by Tullett Prebon's buyout of its main rival ICAP's voice broking business, and the deal reflected the growing strains on one of the City of London's trademark industries - the phone-toting brokers who acted as go-betweens for major banks and financial firms in currency, energy and interest rate markets.
He said he was told that undercover operatives in Europe used new converts as go-betweens, or "clean men," who help link up people interested in carrying out attacks with operatives who can pass on instructions on everything from how to make a suicide vest to how to credit their violence to the Islamic State.
In the meantime, Brothers said businesses in California are using ATM cards and small-time payment processors as go-betweens, incurring high fees in the process, or taking the risk of doing business with "open secret" local credit unions in the state that accept cannabis cash, which can easily be shut down by federal regulators at any time.
In THE BLOCKCHAIN AND THE NEW ARCHITECTURE OF TRUST (MIT, $27.95), the legal scholar Kevin Werbach stakes out a position similar to that of De Filippi and Wright, arguing that "like the internet the blockchain is mistakenly viewed as the final answer to the problem of intermediation" — the problem of inefficient, unwanted or unreliable go-betweens.
Some of the band's influences included The Simpletons, Billy Bragg, The Housemartins, The Magnetic Fields, Belle & Sebastian, The Smiths, The Go-Betweens,The Go-Betweens (supported by Sophie Koh), 30 July 2005, The Age (Melbourne, Australia) Aztec Camera, Lloyd Cole, Orange Juice, and The Trash Can Sinatras.
The Go-Betweens reformed during 2000–2006 without Morrison. Morrison has also performed in Silent Figures, Shrew, Xero, The Four Gods, Deep Blue Sea, Cleopatra Wong (with Amanda Brown ex-The Go-Betweens), and Tuff Monks. She played drums in The Rainy Season from 2007 until 2011.
During an interview at the time, Robert Forster and Grant McLennan spoke about Walsh and the "variety of personalities and image" in the Go-Betweens. McLennan said "Walsh is night" and Forster "We are day" with McLennan adding "We’re sun, he’s rain."Nichols, David. The Go-Betweens.
In mid-1997 Forster and McLennan briefly reformed The Go-Betweens for a series of gigs in the UK.
Horsebreaker Star is the third solo album by Grant McLennan, a member of The Go-Betweens. McLennan recorded the album in Athens, Georgia with American musicians. It was also the only ever double album associated with the Go- Betweens. In a 1995 interview he said the album had been "a lot of work".
"Bachelor Kisses" is a song by the Australian alternative rock band The Go- Betweens that was released as the second single from their third album Spring Hill Fair in 1984. The single was issued in the UK and Australia on Sire Records. "Bachelor Kisses" was the Go-Betweens' first real attempt at a commercial single.
In 2009, scenes for the feature film Jucy (2010) were shot in the suburb. Robert Forster (musician), one of the founding members of the musical group, The Go-Betweens, grew up in The Gap and wrote about the suburb in his 2016 memoir, Grant & I.Forster, Robert (2016). Grant & I: Inside and outside the Go-Betweens. Penguin Books Australia. .
Immediately after the release of this album, Sophie Koh and band left The Go-Betweens as their support acts for their final ever Australian tour.
The image depicts her sitting behind her favourite 'Ludwig' drum kit, the actual drum kit used on most of the Go-Betweens recordings and performances.
With 16 Lovers Lane, The Go-Betweens achieved their greatest commercial success to date, both in Australia and internationally. The song 'Streets of Your Town' remains the best known of The Go-Betweens' catalogue. They toured extensively in Australia and overseas in 1988–89 supporting R.E.M. on their Green World Tour. At the end of the tour Willsteed was sacked from the band for unspecified reasons.
Beggars Banquet then went on to release music by Bauhaus, Biffy Clyro, Buffalo Tom, The Charlatans, The Cult, The Go-Betweens, The National, St. Vincent and Tindersticks.
The Go Between Bridge is named after the popular Australian indie rock band The Go-Betweens, which was formed in Brisbane. The bridge is part of Campbell Newman's TransApex transport plan. It extends the Inner City Bypass across the Brisbane River. A charity concert featuring Robert Forster from the Go- Betweens and other singers was held on 25 June, followed by a community open day on 4 July 2010.
In Your Bright Ray is the fourth and final solo album, released in 1997, by Grant McLennan, lead guitarist of The Go-Betweens. The album featured Brett Myers of Died Pretty and Wayne Connolly of Knievel on guitars, Maurice Argiro of Underground Lovers on bass and Tim Powles of The Church on drums. It was well received by critics as well as long-time Go-Betweens and McLennan fans.
Danger in the Past is the debut solo album by Robert Forster, formerly of the Go-Betweens. It was recorded in Germany, where Forster was soon to live.
In 2008, the band's core songwriting duo (Busby and Dale) were the recipients of one of Australia's most prestigious songwriting awards – The Grant McLennan Fellowship. The selection panel included members of the Go-Betweens, the McLennan family and Arts Queensland. 2009 saw the band recruit former Go- Betweens frontman Robert Forster to produce their third album. After months of rehearsal under Forster's guidance, a new LP was recorded, entitled An Outpost of Promise.
The Go-Betweens toured for 18 months following the release of 16 Lovers Lane, ending in Munich, Germany. They broke up in December 1989, after a farewell tour of England.
These women, and women like them, served as go betweens for exiled leaders in France and those on the ground in Spain. They worked with Communist Party leaders to plan attacks.
These women, and women like them, served as go betweens for exiled leaders in France and those on the ground in Spain. They worked with Communist Party leaders to plan attacks.
These women, and women like them, served as go betweens for exiled leaders in France and those on the ground in Spain. They worked with Communist Party leaders to plan attacks.
Following the 1989 break- up of the Go-Betweens, the band he had formed at college in 1978 with his friend Grant McLennan, Robert Forster embarked on a solo career, releasing four albums under his own name between 1990 and 1996. In 2000, the Go-Betweens reunited and went on to record the albums The Friends of Rachel Worth (2000), Bright Yellow Bright Orange (2003) and Oceans Apart (2005). After winning Best Adult Contemporary Album at the 2005 ARIA Music Awards for Oceans Apart, Forster and McLennan began working on the tenth Go-Betweens album and had started writing eight songs together. McLennan died of a heart attack in May 2006, and Forster began work on completing three of the songs they had started writing together.
"Cattle and Cane" was recorded by Australian rock band The Go-Betweens in October 1982 at I.C.C. Studios in Eastbourne, United Kingdom with John Brand producing. Formed in Brisbane in 1977, the band signed with Missing Link Records in 1981 with the line-up of Robert Forster on vocals, lead guitar and rhythm guitar; Grant McLennan on vocals, bass guitar and guitars; and Lindy Morrison on drums and backing vocals.McFarlane 'The Go-Betweens' entry. Retrieved 8 April 2010.
Watershed is the debut solo album by Grant McLennan, founding member of The Go-Betweens released under the name G. W. McLennan. The album was recorded nine months after The Go-Betweens called it quits and was released in 1991. It featured contributions by singer-songwriters Paul Kelly and Dave Dobbyn, ex- Go-Between Amanda Brown (who was now half of Cleopatra Wong with Lindy Morrison) and Phil Kakulas of Blackeyed Susans. Despite this stellar line-up, the album received disappointing sales.
In addition to appearing on many of Forster's solo albums, Thompson played on The Go-Betweens' final two albums, Bright Yellow Bright Orange and Oceans Apart; and toured with the band until McLennan's death in 2006. Thompson then released his first solo album, Brighton Bothways, under the name "Beachfield" in 2007. In 2010, Thompson formed a duo with Adele Pickvance from The Go-Betweens, called Adele & Glenn, and launched a debut album in April 2012. In 2008, Medew was a member of The Purple Hearts.
Katz is a fan of the Australian alternative rock group The Go-Betweens. He named the McLennan-Forster corporation featured in the fourth season of 24 after the group's central members, Robert Forster and Grant McLennan.
At the APRA Music Awards ceremony on 23 June 2014, aside from the host, Brian Nankervis, the presenters were Amanda Brown and Robert Forster (both ex-the Go-Betweens, alongside Morrison) as well as Kate Miller-Heidke.
Verse Chorus Press. ; David Nichols (2005) reformed The Go-Betweens with co-founder Grant McLennan and bassist Adele Pickvance to record The Friends of Rachel Worth in 2000 with Janet Weiss of Sleater Kinney on drums. Thompson replaced German drummer Mathias Strauder when the world tour to promote Rachel Worth reached Australia for the 2001 Big Day Out. Thompson went on to play on the Go-Betweens next two records, Bright Yellow Bright Orange and Oceans Apart, he was a member of the band until its demise in 2006 with the death of Grant McLennan.
"Going Blind" is a song by the Australian indie rock band The Go-Betweens that was released as the lead single from their seventh album The Friends of Rachel Worth. It was released as a CD single by W. Minc Records (the label of their former manager, Steve Miller) in Australia, on the Circus Records label in the United Kingdom and Jetset Records (for whom former band member, Robert Vickers, was the label's publicist) in the United States in September 2000. "Going Blind" was The Go-Betweens' first single since "Love Goes On" in 1989.
Old Bailey Proceedings Online (www.oldbaileyonline.org, 22 November 2015), Searched Old Bailey Proceedings for all offences where offence category is receiving and verdict category is guilty. The 1718 Transportation Act also made a felony of returning goods for a fee, revealing that by then, receiving had already been widely taken to the next stage: returning goods to their owner, for a fee, instead of selling them in the second-hand market. Thieves could act as go-betweens themselves, but go-betweens could raise some suspicions, while relying on receivers added a safety layer against effective prosecution.
I'd wanted it to have more of a grind but it sounded a little ahead of itself". When Serious used the demo version for a scene in Young Einstein Kelly was unable to change its tempo while recording the studio version. The group were "playing along to our demo pumping through the speakers... We even mimicked ... the way the original track sped up and slowed down". Kelly said, "I know the song doesn't sound anything like The Go- Betweens, but somehow in my head, [after] listening to The Go-Betweens, that melody came.
In 1984 she provided backing vocals on the Go-Betweens' "Bachelor Kisses".Go-Betweens article San Francisco Bay Guardian After releasing three albums, the Raincoats split up in 1984, da Silva going on to collaborate with drummer Charles Hayward of This Heat (one of many drummers that had passed through the Raincoats' ranks) as the duo Roseland, although they abandoned the project after recording some demos.Phares, Heather "Ana da Silva Biography", Allmusic. Retrieved 18 March 2017 She went on to write music for choreographer Gaby Agis's productions, subsequently concentrated on painting.
"Surface World", another protest song, is sung by the Jades from Sparta, Michigan. On other tracks the Rogues sing the Byrds-influenced "You Better Look Now" and the Go-Betweens from Queens perform "Have You for My Own".
"Guadi" is a disco song. "Give It Away" was compared to the Go-Betweens. "Fine" is a percussion-led song. "Getting Away with It (All Messed Up)" is a slow-building indie rock track with a psychedelic bridge section.
Amanda Gabrielle Brown (born 17 November 1965) is an Australian composer, classically trained musician, singer and songwriter known for her role as the violinist of the band The Go-Betweens and more recently a session musician and soundtrack composer.
The album was re-released in 1993 on Snap Records with a pair of covers original performed by T. Rex and The Go-Betweens respectively as bonus tracks. The artwork was designed by Hank with photography by Patrick Degerman.
Elements from the same song were sampled in the 2003 single "Just The Way You Are" by the Italian dance group Milky. In the 4th Season of American TV Series 24 a company is named McLennan-Forster—the producer of the series and author, Evan Katz, wanted to express his veneration of the Go-Betweens by this company name. On the eve of the first anniversary of McLennan's death, Triple J & JTV broadcast a tribute concert to The Go-Betweens, recorded in 2006 at Brisbane venue, the Tivoli Theatre. Inspired by this tribute concert, and featuring many of the same artists, a tribute album to The Go-Betweens, Write Your Adventures Down, was released in June 2007 in Australia by The Red Label. In 2008, 16 Lovers Lane was highlighted on SBS TV's The Great Australian Albums series as a classic example of 1980s rock music.
Fireboy is the second solo album by Grant McLennan, a member of The Go- Betweens. It was released in 1993. In the album's liner notes McLennan said the songs were for Gloria Swanson, Kenneth Slessor, Brett Whiteley and Dean Martin.
Allmusic's Stewart Mason described him, as having "a knack for crafty pop songs along with the brooding ballads he contributed to the Go-Betweens' albums, and his solo career has shown a healthy mix of the two styles". From 2000 to 2006, The Go-Betweens reformed and issued three more studio albums before Grant McLennan died on 6 May 2006, of a heart attack. In May 2001 "Cattle and Cane", from The Go-Between's Before Hollywood (1983) was selected by Australasian Performing Right Association (APRA) as one of the Top 30 Australian songs of all time.
In 1986 the Australian band The Go-Betweens lost their bass player Robert Vickers, moved to Sydney from London, and began searching for a replacement. Willsteed had played with two members – Lindy Morrison in Zero and Amanda Brown in Tender Mercies – and through this social connection was invited to join the band. Go-Betweens Background, Triple J J-Files Archive Almost immediately they went into pre-production for their sixth studio album 16 Lovers Lane. Willsteed's work on this album as both guitarist and bass player has been credited with being an important part of the band's increasing musical sophistication.
"Finding You" is a song by Australian indie group The Go-Betweens that was released as the second single from their ninth studio album Oceans Apart. It was released as a promotional CD single on the LO-MAX Records label in the United Kingdom in July 2005 and by Tuition Records in Germany on 25 July 2015. The song peaked at No. 17 on the Austrian Singles chart in December 2005. "Finding You" was the last single released by the Go-Betweens, as the group disbanded following the death of co-bandleader Grant McLennan in 2006.
The theatre, nicknamed The Tiv, retains its art deco features. It has played host to Australian musical groups such as Powderfinger and The Go-Betweens, along with major international artists such as Melanie Martinez, Bob Dylan, Shirley Bassey, Marianne Faithfull and Taylor Swift.
It included guest performances by Amanda Brown of the Go-Betweens and James Cruickshank of the Cruel Sea. The album received positive reviews, and reached number 1 on the Australian Independent Charts. A video was made for the single "Hell for Leather".
The Apartments' first EP The Return of the Hypnotist was recorded for The Go- Betweens' Able Label in May, 1979. The Apartments broke up in October 1979 when Walsh left Brisbane. The Return of the Hypnotist EP was released the same month.
The album was recorded at the Richmond Recorders studio in Melbourne in July 1981. The album was engineered and produced by Tony Cohen (The Birthday Party), together with The Go-Betweens. Forster said that Cohen, although having a signature sound, lacked a producer's instinct and the band had to "choose their own songs and arrange them themselves," resulting in many older songs being jettisoned from the album. In 2002, Circus Records released an expanded CD which included a second disc of twelve bonus tracks of songs recorded by The Go-Betweens around the same time as the album together with a music video for the song, "Your Turn, My Turn".
In November 1987, The Go-Betweens returned to Australia and John Willsteed (ex-Xero with Morrison) replaced Robert Vickers on bass. 16 Lovers Lane (1988), was the group's most commercial offering, providing the alternative radio hit "Streets of Your Town" (1988), which became the band's biggest chart hit in both the UK and Australia peaking in the Top 100. The follow-up single "Was There Anything I Could Do?" was a No. 16 hit on US Modern Rock radio stations. Minimal commercial success were hardly the hoped-for breakthrough for the band, and after recording six albums, Forster and McLennan disbanded The Go-Betweens in December 1989.
Brown's early bands during the early 1980s were Climbing Frame, Tender Mercies (with John Willsteed, also later with The Go- Betweens) and Blood Brothers, in which she played violin, oboe, guitar and keyboards. In 1986, The Go-Betweens – soon after signing a new contract (this time with Beggars Banquet) – discovered Amanda Brown playing live in a café. She later joined the band in London, her addition expanding the line-up to a five-piece, for which she provided backing vocals, violin, oboe, guitar and keyboards and arrangements.Strong, Martin C. (1999) The Great Alternative & Indie Discography, Canongate, Brown played on two studio albums, Tallulah (1987) and 16 Lovers Lane (1988).
Other artists have performed cover versions of "Lee Remick" including the Meanies on the Go-Betweens tribute album, Right Here (1996); Patience Hodgson (of the Grates) on another tribute album, Write Your Adventures Down (2007) disc one; and Darren Hanlon on that same album's second disc.
These minimal successes were hardly the hoped-for commercial breakthrough for the band. After recording six albums, Forster and McLennan decided in December 1989 to disband The Go-Betweens. There were tentative plans to form an acoustic duo together. When McLennan told Brown, she ended their relationship.
Calling from a Country Phone is the second album by former Go-Between Robert Forster, and his first self-produced disc. Drummer Glenn Thompson would later join Forster and Grant McLennan in a reformed Go-Betweens years later. The album also features Custard frontman David McCormack on lead guitar.
Jan Assmann suggests that Spencer was influenced by Maimonides and that Karl Leonhard Reinhold took the same approach.Jan Assmann, "Moses as Go- Between: John Spencer's Theory of Religious Translation", in: Andreas Höfele, Werner von Koppenfels (eds.), Renaissance Go-betweens: cultural exchange in early modern Europe, Walter de Gruyter, 2005, .
Bright Yellow Bright Orange is the eighth album by Australian indie rock group The Go-Betweens, released in February 2003 on the Trifekta Records label. It was nominated at the 2003 ARIA Music Awards for Best Adult Contemporary Album, but lost to John Farnham for The Last Time.
After being moved between the Ifoghas region of northeast Mali and Taoudenni far to the northwest, with the help of go-betweens or negotiators from the Ifoghas Tuareg led by former rebel leader, Iyad Ag Ghali, after five months in captivity the remaining group were released on 17 August.
Hoodoo Gurus, meanwhile, hit it big on the US college circuit—all of their 1980s albums topped the chart. At the same time, a number of Australian bands relocated to the U.K. and particularly London to further their artistic and commercial endeavours, among whom were The Moodists, The Go-Betweens, The Birthday Party, Laughing Clowns, Foetus, SPK, The Triffids, and Tiny Town.Stuart Coupe, for The Sun Herald, 27 January 1985 In the 1980s, numerous innovative Australian rock bands arose. These included Hunters & Collectors, The Church, TISM, Divinyls, Hoodoo Gurus, Mondo Rock, the Sunnyboys, Men at Work, The Go-Betweens, The Triffids, Lime Spiders, Big Pig, The Celibate Rifles, the Cosmic Psychos and the Hard-Ons.
Costa Zouliou (born 1964 in Melbourne) is an Australian radio announcer best known for his work at Triple J. Although born in Melbourne, he was raised, and now lives in Brisbane. He is currently working behind-the-scenes and presenting fill-in shifts at radio station ABC Classic FM. He was recently behind a campaign to change the name of the Go Between Bridge in Brisbane to The Go-Betweens Bridge, to correctly refer to the iconic Brisbane band, The Go-Betweens. He started as the host of a short "What’s Happening" program on Friday, later Saturday nights. He became host of the heavy metal show, Three Hours of Power after Francis Leach moved on.
It issued a tribute album for the Go- Betweens, Right Here a Tribute to the Go-Betweens (1995) by various artists, including cover versions by Frente, The Meanies, Snout and Smudge. He worked on radio station, 3RRR, and presented the shows, Trash on a Platter, Paint the Town Clear Gloss, Vindaloo Cocktail and Breakfasters (2000 and 2001). Between 2002 and 2004 Creep worked on a short music documentary, In the Raw (December 2009), about an underground, noise rock band, Lubricated Goat, and their nude appearance on national TV in Andrew Denton's show, Blah Blah Blah in November 1988. The documentary was written and directed by Creep with Janine Barnes as producer for Happening Films.
The person credited to be the first white-skinned European woman to settle in New Zealand was Charlotte Badger (she later had a daughter known as Catherine).The first woman settler? - go-betweens The first known Australian settlers arrived on the Cocos islands in 1826.Bulletin of the Atomic Scientists, Vol.
It features such iconic Brisbane landmarks as the Story Bridge and the Royal Exchange Hotel, and refers to Brisbane artists such as Powderfinger, Nick Earls, and John Birmingham. The soundtrack includes a cover version of "Streets of Your Town" from Brisbane band The Go-Betweens by Brisbane singer Dave McCormack.
Similarly, after the 1441 attack on Mauretania, the crown again sought after the fact, papal acknowledgement that it was part of a just conflict. Such a determination would then indicate that those captured could legitimately be sold as slaves.Metcalf, Alida c., Go-betweens and the Colonization of Brazil: 1500–1600, p.
Thompson formed Beachfield in 2006 as a vehicle for his songwriting. Brighton Bothways, Beachfield's first album, was released in Europe in 2007. Pickvance, Thompson and Forster reconvened in 2007 to record Forsters fifth solo album The Evangelist. In 2010 he formed a duo with Adele Pickvance from The Go-Betweens, called Adele&Glenn.
Following the wars of 1948, 1956, 1967 and 1973, the functions of the observers changed in the light of changing circumstances, but they remained in the area, acting as go-betweens for the hostile parties and as the means by which isolated incidents could be contained and prevented from escalating into major conflicts.
Mesquite, TX: Ide House, Inc. Once women were purchased, they became their husband's possession and could be traded or sold. The third type was the "arranged marriage," which could be traced back to the Warring States, emphasized the necessity of parental control and matchmaking institutions. Matchmakers acted as go-betweens for both families.
Tallulah is the fifth album by The Go-Betweens. It was released in June 1987 in the UK on Beggars Banquet Records. Prior to the recording of the album, the group had expanded to a five-piece with the addition of multi-instrumentalist Amanda Brown. The original release consisted of ten songs.
Ivy have cited The Go-Betweens, Burt Bacharach, Antônio Carlos Jobim, Orange Juice, The Smiths, The Velvet Underground & Nico, The Beatles and Françoise Hardy as influences, as well as other artists covered on Guestroom. Durand's vocal technique and Parisian pronunciation are often compared by reviewers to another French singer, Lætitia Sadier of Stereolab.
Releases include "Candy" (2002), "Save Dave" DVD (2003), "The Truth About Love" (2004) and "Little Murders" (2009). In 2004, Strong joined The Lost Gospel, alongside Phil Jamieson of Grinspoon. The group released one album. Thompson joined The Go-Betweens in 2001, having previously played with Robert Forster and Grant McLennan in 1995.
These acts include The Bats, The Chills, Straitjacket Fits and JPS Experience. In 1988 he started managing The Go Betweens and Nick Cave and the Bad Seeds. In 1989 he toured Tackhead, Public Image Ltd, Pop Will Eat Itself and began managing bands such as The Hummingbirds and Tall Tales and True.
Armiger joined The Go-Betweens in 1989 to replace John Willsteed on bass guitar; alongside Amanda Brown on violin, oboe, guitar, keyboards, and backing vocals; Robert Forster on vocals and guitar; Grant McLennan on vocals and guitar; and Lindy Morrison on drums and vocals. That group disbanded later in the same year. During 1990 Armiger was briefly a member of three successive groups: Snakey Blake's Bon Ton Experience, Sean Kelly and the Iron Dukes and Mary-Jo Starr and The Drive-in Motel (alongside former bandmate Frawley). He joined fellow ex-The Go-Betweens, Brown and Morrison, in a pop group, Cleopatra Wong, with Colin Bloxsom on percussion and guitar; David Lane on keyboards; and Mark Moffatt on guitar and pedal steel.
Send Me a Lullaby was The Go-Betweens' debut album. It was released in November 1981 in Australia on Missing Link as an eight-track mini-album. It was subsequently released in the UK on Rough Trade Records, an independent music record label (Missing Link's UK distributors) in February 1982, as a 12-track album.
The families competed to maintain a system of checks and balances among equal powers.Jacquemet, Credibility in Court, p. 24 One of the Camorra's strategies to gain social prestige was and remains political patronage. The family clans became the preferred go-betweens of local politicians and public officials because of their grip on the community.
Stories from Loveday's collection "Rock Dreams" appeared in the literary magazine PEN International Volume 59, No.2. The stories were published in Spanish. He has also been published in the literary magazine Barcelona Ink and contributed a piece "C’est le son d'aujourd'hui" to the limited edition box set of The Go- Betweens Anthology, Volume 1.
Custard split in 2000 after years of heavy touring and low CD sales. David McCormack founder and lead singer of Custard went on to form the Titanics with Thompson, journalist Emma Tom, and filmmaker/video artist Tina Havelock-Stevens. The Titanics released Love Is The Devil in 2000 and disbanded in 2001. Robert ForsterThe Go-Betweens.
In 1993 he released an eponymous white label vinyl LP, followed by Perverse Ballads in 1996, The Essence in 2001, and The Castle in 2006. As a record producer under the working title of AF Productions, Fergusson has worked with a list of musicians, including Orange Juice, The Go-Betweens, Dorothy Max Prior (Dorothy) and Gaye Bykers on Acid.
Go!! Go!!!' RR Vol 4 No. 11/12 1981 p. 8 Highlights include live music from the Laughing Clowns, the Go-Betweens' demos for "Send me a Lullabye", Rowland Howard's "Shivers" as performed by The Young Charlatans, Pel Mel's "No Word from China" recorded as a "demo", and interviews with The Fall and The Birthday Party.
Michael William Armiger is an English-born Australian guitarist and teacher. He has been a member of various groups including Paul Kelly Band (1983–84), Paul Kelly and the Coloured Girls (1985–86), John Kennedy's Love Gone Wrong (1987–88), The Johnnys (1988–89, 1991), The Go-Betweens (1989), and Sean Kelly and the Iron Dukes (1990).
Vodou traditions were practiced by Haitians who came from Africa: the religious traditions were handed down. The Vodou religion believes in a creator who cannot be easily reached, so Vodou worshipers contact spirits which act as go-betweens between the creator and the worshiper. Simbi is a loa which represents magic. Simbi is portrayed as a snake.
Added instrumental colour was provided by trumpeter Robert Weaver and Amanda Brown (ex-the Go-Betweens) on violin. The Great Gusto was released in November 1989. It was an ambitious release and closer to the mainstream than their previous albums, but once again sales were disappointing. Tactics disbanded in late 1989 as Dave Studdert departed for the United Kingdom.
Tim Whitten is an Australian record producer, audio engineer, and mixer. He has worked with numerous successful Australian musicians, in a career spanning 1990--present. Whitten's first recording was Boxcar's Vertigo, where he joined Adrian Bolland as engineer. Whitten has produced records for prominent Australian artists, including Powderfinger, The Go-Betweens, Hoodoo Gurus, and Augie March.
It's the sound of Forster starting anew, and the spring in his step is welcome." An AllMusic review stated "these songs are direct and kinetic, full of hooks, rich in metaphors and irony, and a sleight- of-hand confessionalism. Though rock & roll riffs are in your face, the quirky pop spirit of the Go-Betweens is never far away." The review noted the debt owed to The Velvet Underground, and also said, " these spirited, well-crafted songs offer rock & roll in a manner he's never even hinted at before." PopMatters said it "needs to be acknowledged as an album from a unique songwriter who just so happened to catch his sound so damn well that it makes a strong case for Forster’s artistic life beyond the Go-Betweens.
Discography: David Westlake & the Go-Betweens, Janice Long session, BBC Radio One Between 1985 and 1991 David Westlake was in British indie band The Servants. Alternative versions of "The Word Around Town" and "She Grew and She Grew" appear on Hey Hey We're The Manqués, a collection of demos issued by Cherry Red Records in 2012 with the Servants' second album Small Time.
He first came to public prominence when he joined Club Hoy in 1990. He played on that bands Thursday's Fortune album released in 1991 which enjoyed a positive critical response and minor chart success. Grant McLennan of The Go-Betweens produced the band's first single "Da Da Da Da/Green and Blue". Club Hoy later played on one of McLennan's solo albums.
Oceans Apart is the ninth and final studio album by The Go-Betweens, released in 2005. All the songs were written by Grant McLennan and Robert Forster. The album was recorded at the Good Luck Studios in London between November 2004 through to January 2005, except for "Boundary Rider" which was recorded at The White Room Recording Studio in Brisbane.
Nada Surf covered their song "Love Goes On!" on their covers album If I Had a Hi-Fi (2010). Robert Forster continues to perform and also contribute articles to The Monthly magazine. Many Australian bands and artists associated with the dolewave genre cite the Go-Betweens as a major influence, including Dick Diver and singer-songwriter Courtney Barnett.True, Everett (28 March 2014).
With Rough Trade in receivership as the Eighties ended, Walsh left England for Australia. He continued writing and occasional performances as a duet with Amanda Brown of The Go Betweens and as the Apartments with Ed Kuepper. Recordings of both were extensively bootlegged. In 1993, The Apartments recorded Drift, the first Apartments album released in Australia, on Melbourne label Torn & Frayed.
Banks lists among his influences Postcard Records bands Orange Juice and Aztec Camera, The Beatles, The Jam, Everything But The Girl, The Go-Betweens, The Smiths, and The Chills.Banks, Terry "Biography", Bus Stop Records Banks later joined Glo-worm, The Saturday People, and Dot Dash, while Gotschalk joined the Red Hot Lava Men. Duke is now a member of Hotel X.
"Caroline and I" is a song by the Australian indie rock band The Go-Betweens that was released as the lead single from their eighth studio album Bright Yellow Bright Orange. It was released as a promotional CD single on the Circus Records label in the United Kingdom in February 2003 and by Trifekta Records in Australia on 9 June 2003.
He declared that Forster's tracks "are the catchiest and most fetching tracks on the album, taking up surfing dreams, a fond and funny envoi to Patti Smith, and a life- swapping fable that when you think about it may be a love song after all". All Tomorrow's Parties, Mt Buller, Victoria, on 10 January 2009. The Go-Betweens line-up of Forster, McLennan, Pickvance and Thompson (he had rejoined in 2001) issued two more studio albums, Bright Yellow Bright Orange (2003) and Oceans Apart (2005), Allmusic's Stewart Mason described Forster as having "a knack for crafty pop songs along with the brooding ballads he contributed to the Go- Betweens' albums, and his solo career has shown a healthy mix of the two styles". Grant McLennan died on 6 May 2006 of a heart attack, aged 48.
Spring Hill Fair is The Go-Betweens' third album, released on 27 September 1984 in the UK on Sire Records. The LP was recorded during a "very wet May" at Studio Miraval in Le Val, France. Prior to the recording of the album, bass player Robert Vickers had joined the group, enabling Grant McLennan to move to lead guitar. The original release consisted of ten songs.
She has also played for Bright Eyes, Junior High, the Shadow Mortons, the Go Betweens, Sarah Dougher, Elliott Smith, and one Goldcard song. She occasionally performs in the duo Slang, with Drew Grow of Modern Kin. Janet Weiss of Wild Flag On June 4, 2007, she performed with Bright Eyes on the Late Show with David Letterman before joining the band for their summer European tour.
In the late 1970s Grant McLennan, who was working part-time at the Toowong Music Centre, a small independent record store, suggested to the owner, Damien Nelson, that they establish a record label. Note: [online] version has limited functionality. With funding from Nelson, McLennan and Forster they established the Able Label. The first release on the new label was the Go-Betweens' "Lee Remick".
The line-up included John Willsteed and Lindy Morrison, who both went on to the Go Betweens. Another youthful Brisbane punk band was the Young Identities, which mostly consisted of brothers Gavin, Clayton and Rod McLeod. According to McFarlane, the band presented "plenty of youthful energy, belligerent spirit and all-important punk attitude. Young Identities issued two rare EPs of ultra-primitive, snot-nosed punk".
It had been released as a single under the band name, Tuff Monks in 1982 on Au Go Go Records. The Go-Betweens returned to UK and recorded their second album, Before Hollywood (May 1983), with John Brand producing. It established them as cult favourites while "Cattle and Cane" was released as a single and was "[arguably] the band's absolute highlight of its earliest years".
The Tübatulabal were significant participants and go-betweens in the trade networks connecting the Great Basin, the southern deserts, the Central Valley, and the coastal groups. Compared to other tribes in the Sierra Nevada, Tübatulabal had higher status and privilege. Though the tribe followed traditional patriarchy, women had an equal voice in decisions. Marriage had to be mutually consensual, and women could practice birth control.
" Additionally, the song, "Karen" of the Go- Betweens' album Lee Remick (1978), is an ode to a librarian and Velocity Girl's 1993 album Copacetic contains the song titled "Lisa Librarian." In the same vein, Mrs. Phelps in Matilda was a librarian. She worked to help young readers, giving their advice, saying things like "sit back and allow the words to wash around you, like music.
The Friends of Rachel Worth is the seventh album by Brisbane indie band The Go-Betweens, released 12 years after their sixth, 16 Lovers Lane. For this album they were joined by all members of American indie rock bands Sleater- Kinney and Quasi as well as new bassist Adele Pickvance. The album was recorded in Portland, Oregon at Jackpot! Recording Studio by Larry Crane.
"Love Goes On" is a song by the Australian indie rock group The Go-Betweens issued as the third and final single from their 1988 album 16 Lovers Lane. The song was released in January 1989 by Beggars Banquet Records in the UK, with "Clouds" as the B-side. "Love Goes On" was the last single issued by the band before their split in December 1989.
Custard existed for about a decade, with a number of different drummers including Gavin Herrenberg, Danny Plant, John Lowry and Glenn Thompson, (later of The Go-Betweens). The band released five studio albums in the 1990s: Buttercup/Bedford, Wahooti Fandango, Wisenheimer, We Have the Technology and Loverama, a number of EPs and singles and a greatest hits compilation entitled Goodbye Cruel World.Spencer et al, (2007) CUSTARD entry. Retrieved 23 February 2010.
"The trouble was, it had become part of me to do silly things, which is why my drumming is idiosyncratic with the Go-Betweens in many ways. On Send Me A Lullaby there are lots of strange drumbeats, things that a normal drummer wouldn't play," she said. Melbourne artist Jenny Watson painted the cover of the album. The portraits were later purchased by the Australian National Portrait Gallery.
They were among the few Australian bands to record Peel Sessions – others were The Birthday Party, The Triffids, The Go-Betweens and Laughing Clowns. These sessions were released as the album 'Yellow Food: The Peel Sessions' in June 2014. A session was also recorded for Radio France. Wyer formed a pop rock band, Her Name in Lights, which issued their debut album, Into the Light Again, in October 2004.
He envisioned having forts built along the frontier, which Tributary Nations would occupy, to act as buffers and go- betweens for trade with the tribes farther afield. They would also receive Christian instruction and civilization. The Virginia Indian Company was to hold a government monopoly on the thriving fur trade. The first such project, Fort Christanna, was a success in that the Tutelo and Saponi tribes took up residence.
Erikson is on the board of directors of the acclaimed UK independent record label Lo-Max Records, which is home to The Wrens, The Go-Betweens, Kevin Ayers, and Simon Lynge. In 2017 he co-produced and worked extensively on sound restoration for the American Epic series as well as co-producing the music for The American Epic Sessions. Erikson's daughter, Roxy Erickson, is a photographer based in London, England.
The Marriage Law of 1950 guaranteed everyone the freedom to choose his or her marriage partner. Nevertheless, especially in the countryside, there were few opportunities to meet potential mates. Rural China offered little privacy for courtship, and in villages there was little public tolerance for flirting or even extended conversation between unmarried men and women. Introductions and go-betweens continued to play a major role in the arrangement of marriages.
In 2010, the band added John Willsteed (ex-The Go-Betweens) on guitar, and Luke Peacock on keyboards. In February 2014, Halfway released their fourth album, Any Old Love, which was again produced by Forster. At the AIR Awards of 2014, the album won Best Independent Country Album. In 2015, the song "Dulcify" from Any Old Love won "Song of the Year" & "Best Country Song" at the Queensland Music Awards.
In the early days of the Macintosh computer, the primary function of an evangelist was to convince software developers to write software products for the Macintosh. When software developers need help from within Apple, evangelists will often act as go-betweens, helping the developers to find the right people at Apple to talk to. This role is now filled by the Apple Developer program, led by Phil Schiller.
The Panics started writing new material for this album late 2004 whilst they were touring the UK. In February 2005, they flew back to start an Australian tour and they went straight into the studio when the tour ended. The album was produced by Tim Whitten (The Clouds, Powderfinger, Art of Fighting, The Go Betweens, The Necks, 78 Saab and The Smiths) and it was completed within a week.
Strong, Martin C. (2003) The Great Indie Discography, Canongate, , p. 205 The band's name derives from Billy Wilder's 1960 film The Apartment.Stafford, Andrew (2015) "Interview: The Apartments: album's birth so traumatic 'it's a miracle it exists at all'", The Guardian, 7 August 2015. Retrieved 17 December 2018 While in The Apartments, Walsh briefly joined The Go-Betweens as guitarist when they were offered an 8-album contract by Beserkley Records.
His former secretary, Kasan, had been accused of adultery and taken to Yali who was now seen as the chief legal authority in Madang. While the accused parties and their go-betweens were imprisoned at Yabalol, Yali tried to seduce one of the female prisoners, who rejected his advances. Later the girl was raped by one of Yali's policemen. The incident was later reported to the Lutheran mission by Kasan.
Rough Guides, 2003. Simon Reynolds has said that "what we now know as indie music was invented in Scotland," with reference to the emergence of Postcard Records in 1979. However, some have posited that concept of indie music did not crystallise until the late 1980s and early 1990s. Brisbane band "The Go- Betweens" were an early influential indie pop band, releasing their first single "Lee Remick" in 1978.
Spencer et al, (2007) COW/ C.O.W (Country or Western) entry. Retrieved 23 February 2010. COW released Beard in June 1996. In 2006, McCormack and Moore collaborated on a new COW single called "The Chicken Dance" with Rob Hirst of Midnight Oil on drums. McCormack, Moore and Thompson recorded with Robert Forster (ex-The Go-Betweens) for his second solo album, Calling from a Country Phone, released in 1993 and toured with Forster as Silver Backwash.
They shared a similar sound and outlook to that of fellow Perth bands like The Triffids, The Honeys and Chad's Tree. Van Zalm's vocals drew positive comparisons with Patti Smith, Chrissie Hynde and Joni Mitchell. The group had toured nationally supporting Simply Red, INXS, Eurythmics, The Go-Betweens, Paul Kelly, The Triffids, Mental as Anything, The Saints and Weddings, Parties, Anything, before disbanding in 1990. By 1994 Van Zalm had launched her solo career.
She contributed strings and keyboards to albums by Kim Salmon as well as the Wagons. She played on Robert Forster's (Go Betweens) covers CD I Had a New York Girlfriend. She appears with Jane Dust and the Giant Hoopoes, her own band the Dames and with jazz combination Henry Manetta and the Trip. Graney and Moore engineered and mixed the debut albums by the Darling Downs (Salmon and Ron Peno) and the Muddy Spurs.
However, thief-takers were usually hired by crime victims, while bounty hunters were paid by bail bondsmen to catch fugitives who skipped their court appearances and hence forfeited their bail. Both types also collected bounties offered by the authorities. Sometimes, thief-takers would act as go-betweens, negotiating the return of stolen goods for a fee. However, they were often corrupt themselves, for example extorting protection money from the crooks they were supposed to catch.
Their debut album, Send Me a Lullaby, was released as an eight-track in Australia in November. It was expanded with four bonus tracks when released in UK on Rough Trade Records in February 1982. The Go-Betweens released "Cattle and Cane" in late February 1983, ahead of their second album, Before Hollywood, which appeared in May. The single and album were both released in Australia on Stunn, a small label allied with EMI.
222-23Sarti, Italy: a reference guide from the Renaissance to the present, p. 314 Salvemini reproached Giolitti to exploit the backwardness of Southern Italy for short- term political goals, appeasing the landlords while engaging with corrupt political go-betweens with ties to the underworld.De Grand, The hunchback's tailor, p. 4 According to Salvemini, Giolitti exploited "the miserable conditions of the Mezzogiorno in order to link the mass of southern deputies to himself".
The initial contacts to decide on the marriage are sometimes under- taken by the parents themselves, especially if relatives or close friends are being sought. Sometimes contacts are made through family friends. Otherwise, tharagars or go-betweens, also known locally as brokers, are engaged to seek out a suitable partner, and are rewarded, sometimes handsomely, if their choice proves really excellent. The tharagars among Muslims, not as among the Hindus, are typically women.
In 1982 Xero recorded a six-track extended play, Lust in the Dust, at Basement Studios, Brisbane with the line-up of Luckus, Tony Childs on bass guitar; John Willsteed on bass guitar, guitar, casio keyboards and vocals; and Steven Pritchard on drums. Xero split in 1983 when Luckus left Brisbane to relocate to France. Later, Morrison and Willsteed were members of fellow Brisbane group, the Go-Betweens.McFarlane, 'The Go-Betweens' entry.
Skywriting is the second album by The Field Mice. It is often regarded as the most experimental of their three albums: featuring six wildly eclectic tracks ranging from post-acid house electronica (the side-long opener "Triangle"), country and western (side two's opener "Canada"), Go-Betweens-influenced jangle pop ("Clearer") and New Order-type sequencer/guitars ("It Isn't Forever"), to wistful, atmospheric, slow-motion ambience ("Below The Stars") and bizarre sample-strewn noise-collages (final track "Humblebee").
Wives almost always live with their husband's family. Marriage is traditionally arranged by go-betweens who represent the boy's family to the girl's parents. If the union is acceptable, a bride-price is negotiated, typically ranging from three to ten silver bars, worth about US$100 each, a partial artifact from the opium trade. The wedding takes place in two installments, first at the bride's house, followed by a procession to the groom's house where a second ceremony occurs.
The location had to be a place where the opponents could duel without being arrested. It was common for the constables to set aside such places and times and spread the information, so "honest people can avoid unpatrolled places." At the field of honour, each side would bring a doctor and seconds. The seconds would try to reconcile the parties by acting as go-betweens to attempt to settle the dispute with an apology or restitution.
In 1991, Andy Chase placed an ad that attracted fellow multi-instrumentalist Adam Schlesinger. In 1994 they met Dominique Durand, a native of Paris who had moved to New York City to study English, and with whom they shared admiration for The Go-Betweens, The House of Love, The Pastels, Prefab Sprout and The Smiths. Although Durand had never sung in a group, she was persuaded by Chase and Schlesinger to sing on some demos, and Ivy was formed.
By December 1989 the group disbanded; Forster and Morrison had separated as a couple earlier and Forster began his solo music career from 1990. Back in 1982, The Go-Betweens' Forster, McLennan and Morrison had recorded, "After the Fireworks", as a collaboration with The Birthday Party's Nick Cave on vocals, Mick Harvey on piano and Rowland S. Howard on guitar. It was released that year as a single under the band name, Tuff Monks, on Au Go Go Records.
Far Out Corporation were an Australian rock band formed in Brisbane, Queensland in November 1997. They were led by singer-guitarist Grant McLennan, formerly in The Go-Betweens. McLennan started the group with Ross MacLennan (no relation) on drums (ex-Turtlebox), bass player Adele Pickvance (from Davey Graney Band) and Powderfinger's guitarist Ian Haug. It was a side project for most of its members, other than Ross MacLennan, as they were in other bands which were in hiatus.
The album was named after a lyric from the Go-Betweens and was promoted with the single "Abba on the Jukebox" ahead of the album's release, one of the less direct songs on the album, which was greeted with critical acclaim. Similar acclaim met the album when it was released the following month. Melody Maker later named it one of the year's best albums, and LTM Recordings re-released it in a new remastered with bonus tracks in 2006.
The Go-Betweens used "Lee Remick" as a promotional tool, sending copies to magazines and record labels around the world. This resulted in the English arm of US label Beserkley Records, contacting the group and offering them a contract, for "Lee Remick" and "Karen" to be re-issued as separate singles, a further two singles to be recorded, followed by an eight-album deal. Beserkley Records however dissolved before the band were able to finalise the contract.
Girls' attempts to cope with the educational system may increase their risk of violence and sexual abuse. Girl students were some of the main perpetrators of violence against other girls and they could act as go-betweens for boys in the hope that boys would favor them. Violence against girls discourages them from attending school. Sexual or physical violence on the way to and from school or at home reduces girls' ability to concentrate in class.
The song was covered by Maxïmo Park and included on a limited edition compilation album, released in July 2008 to celebrate the launch of Independents Day. In 2010 a cover of the song by The Buzzards, was included on a Go-Betweens tribute album, Right Here. Franz Ferdinand in November 2013 covered the song on Triple J's Like a Version programme. In 2014 a cover of the song by Missy Higgins was included on her album, Oz.
"Cut It Out" is a song by the Australian alternative band The Go-Betweens that was released as the second single their fifth studio album Tallulah. It was released as a 7" and 12" vinyl single on the Beggars Banquet label in the United Kingdom on 11 May 1987, with "Time in the Desert" as the B-side. "Cut It Out", was recorded with producer Craig Leon in London in late December 1986. Note: [online] version has limited functionality.
Most rural Chinese has lived in one of some 900,000 villages, which have an average population of from 1,000 to 2,000 people. Villages have never been self-contained, self-sufficient units, and the social world of Chinese peasants has extended beyond their home villages. Almost all new wives come into a village from other settlements, and daughters marry out. All villagers have close kinship ties with families in other villages, and marriage go-betweens shuttle from village to village.
Terence John Willsteed was born in Brisbane, Australia. In 1978, and with little formal musical training, John became a member of Brisbane feminist punk group Zero (later Xiro and Xero) after a chance meeting with drummer Lindy Morrison and Brisbane visual artist Gary Warner. Willsteed became the bass player, replacing former member Catharine Hunt. John O'Donnell, 'You can go home again', Rolling Stone, at The Go-Betweens Archive He remained a member of the band until 1985.
The film's music was composed by Amanda Brown (formerly a member of The Go-Betweens) and performed by Brown in collaboration with Sydney-based Afghan, Pakistani, and Lebanese musicians. It includes a song sung by Sher Alam Miskeen Ustad Baktiyar, the actor who plays Niaz's father, Sher Alam Afridi. Baktiyar's vocals were taken from footage cut from the film, specifically from a scene in which Afridi visits his wife's grave. The soundtrack was released in September 2008.
Ticket to the hanging of Jonathan Wild. In order to effectively act as go-betweens for compounding, or brokers, fences needed to personally know thieves or have ways to easily interact and bargain with them for a common benefit about compounding: nobody was in a better position to do so than thief-takers. Thief-takers grew increasingly notorious in England as a reward was introduced by the Crown for each successfully condemned criminal.Beattie, J. M. Crime and the Courts in England 1660 - 1800.
Soon after they issued a self-titled five-track cassette, recorded at Northlake Studios in Fremantle with James Hewgill, which was followed with a shared single, "Our Day", with Errol H. Tout's "Sounds of Swimming" on Lizard Records/Monkey Music. "Our Day" was written by Van Zalm. Catherine McAuliffe joined on bass guitar and Parkhill switched to guitar. In the following months the band played support performances for Paul Kelly, Weddings, Parties, Anything, The Go-Betweens and Mental As Anything.
Alida Metcalf, "Go-betweens and the colonization of Brazil, 1500-1600". Austin: University of Texas Press (2005), 102-104 Sardinha also challenged the Jesuit prohibition on waging war against and enslaving the indigenous population, eventually forcing Nóbrega to leave Bahia for the Jesuit mission at São Vicente in late 1552 to return only at the conclusion of the Sardinha's tenure.Kenneth Mills, William B. Taylor, and Sandra Lauderdale Graham, "Colonial Latin America: A Documentary History". Lanham, Md.: SR Books, (2004), 95.
"Cattle and Cane" is a song by the Australian alternative rock band The Go- Betweens, released as the first single from their second album Before Hollywood. It was released as a single in the United Kingdom by Rough Trade Records in February 1983 and reached No. 4 on the UK Independent Chart. The single and album were both released in Australia on Stunn, a small label allied with EMI. The Stunn pressings were of poor quality and their distribution limited.
In 1980, the band renamed themselves as The Birthday Party. They became the flagship of the label, recording three albums and being licensed all around the world, with the single "Release the Bats" reaching #1 on the UK Alternative charts. Other notable local artists released by Missing Link Records include Bleeding Hearts, The Go-Betweens, Whirlywirld, The Laughing Clowns and Dynamic Hepnotics. The label continued to release 1960s retrospectives, local Australian contemporary punk and new wave, and licensed material from overseas.
The Dukes were an Australian rock band active from 1991 to 1994. Initially called Sean Kelly and the Iron Dukes, they were formed by Sean Kelly (ex- Models, Absent Friends) on vocals and keyboards; and Geoffrey Stapleton (GANGgajang, Absent Friends) on keyboards and guitar. They were soon joined by Michael Armiger (Paul Kelly and the Coloured Girls, The Go-Betweens) on bass guitar; Michael King (Absent Friends) on guitar and backing vocals; and John Mackay (Absent Friends) on drums and percussion.
Only the flat production lets them down; something they often had trouble with. But alongside Spring Hill Fair this is their best album." AllMusic noted, "Robert Forster's endearingly fey persona, equal parts Bryan Ferry and gangly bookstore clerk, reaches full flower on the Go-Betweens' fourth album, which tempers the angularity and occasional claustrophobia of the band's previous work with a new airiness and nervous romanticism. The lighter sound can be partly attributed to the growing influence of co-leader Grant McLennan.
Ploog left the group for good following the recording and former Patti Smith Group drummer Jay Dee Daugherty was brought in for the tour. Despite the album's title, Steve Kilbey was not yet using heroin at this point. He only started smoking (not fixing) the drug after the subsequent tour, having been introduced to it by Grant McLennan of the Go-Betweens. The title actually derives from a stock market term relating to the daily price which is set for gold.
Kilbey's next duo, Jack Frost, was formed in 1990 as a collaboration with the late Grant McLennan of Brisbane, Australia band The Go-Betweens. Jack Frost, the debut self-titled album, was released in December 1991, preceded by the single 'Every Hour God Sends' (November), on Red Eye. The duo released another full-length album, Snow Job, in 1996, prior to McLennan's death. Between 2009 and 2017, Kilbey released numerous collaborative albums with Martin Kennedy of All India Radio as Kilbey/Kennedy.
Robert Derwent Garth Forster (born 29 June 1957) is an Australian singer- songwriter, guitarist and music critic. In December 1977 he co-founded an indie rock group, The Go-Betweens, with fellow musician, Grant McLennan. In 1980 Lindy Morrison joined the group on drums and backing vocals and by 1981 Forster and Morrison were also lovers. In 1988, "Streets of Your Town", co- written by McLennan and Forster, became the band's biggest chart hit in both Australia and the United Kingdom.
After the disbandment of The Go- Betweens, Forster relocated to Germany in 1990 and recorded his debut solo album, Danger in the Past, in Berlin. It was produced by Harvey (Anita Lane) and issued on Beggars Banquet Records. Allmusic's Ned Raggett found the album showed "literate, understated rock & roll" with his "gently cracked, high vocals" and "setting and maintaining a variety of moods from sudden energy to soft rumination". In November he issued a single, "Baby Stones", from the album.
Another source was the Radhanite Jewish trade networks of merchants established as go-betweens between Europe and the Muslim world during the time of the Crusader states. Ptolemy's world map (2nd century) in a 15th-century reconstruction by Nicolaus Germanus. In 1154, the Arab geographer Muhammad al-Idrisi created a description of the world and a world map, the Tabula Rogeriana, at the court of King Roger II of Sicily,Houben, 2002, pp. 102–04.Harley & Woodward, 1992, pp. 156–61.
In 2003, Architecture in Helsinki toured Australia supporting The Go-Betweens, then undertook their own east coast tour followed with a support tour for international acts, Yo La Tengo, múm and Arab Strap. The group issued the Kindling EP in October, which included collaborations with Qua (an electronica artist), B(if)tek (electronic duo) and Bogdan Raczynski (braindance artist). As a bonus on the disc, Knowles provided an animated video for "Like a Call". In December they appeared at the Meredith Music Festival.
The band have toured heavily throughout Australia, the United States, and Europe playing festivals such as Coachella, Sasquatch, Sound Relief, Big Day Out, SxSW, Primavera, Groovin the Moo, Pukkelpop and Haldern. Architecture in Helsinki have toured and/or played with: David Byrne, Dr Dog, Death Cab for Cutie, Yacht, The Go-Betweens, Clap Your Hands Say Yeah, Santigold, Glass Candy, The Presets, Black Moth Super Rainbow, Au Revoir Simone, Field Music, Lo-Fi-Fnk, Yo La Tengo, The Polyphonic Spree and Múm.
"Right Here" is a song by the Australian alternative band The Go-Betweens that was released as the lead single from their fifth album Tallulah. It was released as a 7" and 12" vinyl single on the Beggars Banquet label in the United Kingdom on 23 February 1987, with "When People Are Dead" as the B-side. In Australia it was released by True Tone Records, also as a 7" and 12" single. It was also released In Germany by Rebel Rec.
Robert Forster and Grant McLennan met at the University of Queensland where both were taking a theatre arts course. Forster on vocals, song writing, and guitar, and McLennan on vocals, song writing, and bass guitar formed The Go-Betweens in December 1977 in Brisbane, Queensland. The name of the band reflects L.P. Hartley's classic novel The Go-Between. The band made its first public appearance as the support for The Numbers at Baroona Hall in Brisbane in early April 1978.
Despite the consistent critical acclaim their recordings garnered both in Australia and overseas, The Go-Betweens were mostly ignored by Australian commercial pop radio and never gained a broad national audience. Before Hollywood was described as "more world-weary [...] full of deceptively simple yet accomplished songs". Robert Vickers joined on bass guitar in late 1983—freeing McLennan for lead guitar work. Their next album Spring Hill Fair (September 1984) was produced by Brand with Robert Andrews and Colin Fairley, for Sire Records.
"Jack's Dream" was the B-side of "Every Hour God Sends", and was also on the three-track, Thought That I Was Over You extended play, along with the title track and "Dub Threshold (Nightmare Mix)". It is closer to The Church (in mellow mode) than The Go-Betweens in sound and style. Kilbey thought highly enough of one song, "Providence", to include it on his 2000 Acoustic and Intimate solo album. Kilbey and McLennan resumed the Jack Frost project in late 1995.
"Hammer the Hammer" was released as a stand-alone single by Australian indie group The Go-Betweens. It was released as a 7" vinyl record on the Missing Link Records label in Australia in June 1982 and by Rough Trade Records in the United Kingdom in July, with "By Chance" as the B-side. Forster considered that "By Chance" was a personal break-through for him. Pitchfork Media describes "By Chance" as sounding "more than a bit like the early Smiths.
In the late 1970s, as the punk rock phenomenon began overseas, Radio Birdman and the Saints began to be seen as scene leaders such as Shelby Ryan :S. Little River Band gained success in the United States in 1977, with their album Diamantina Cocktail being the first Australian-made American gold record (500,000 sales). (Creswell & Fabinyi, 1999) Melbourne became a haunting ground for many influential although not huge-selling rock acts during this time, including Nick Cave's the Birthday Party, the Go-Betweens and the Triffids.
Liberty Belle and the Black Diamond Express, the fourth album by The Go- Betweens, was released in March 1986 in the UK on Beggars Banquet Records, the record label that would release the remainder of the original group's LPs through their break-up in 1989. The album was recorded at Berry Street Studios in London, England. The original release consisted of ten songs. The UK CD release in 1986 (BEGA 72) had the original ten tracks, plus two bonus tracks: "The Life At Hand" and "Little Joe".
In 1976 Forster met Grant McLennan in drama classes in his second year at the University of Queensland, they were both fans of Bob Dylan and the New York music scene. Forster enjoyed music by Mott the Hoople, Patti Smith, Ry Cooder and The Velvet Underground. In December 1977 the pair co- founded an indie rock group, The Go-Betweens, with Forster on guitar and McLennan on bass guitar, and both as singer-songwriters. Later Forster also provided keyboards and McLennan took up guitar.
The tour provided a double live album, Riptides Resurface, which came out in December. They toured again in February 1988 with Callaghan, Leitch and Hiron; while Bidstrup was replaced by J.J. Harris on drums (ex-Divinyls). Callaghan, Harris and Hiron reformed the Riptides for tours during 1989 and 1990, with Brisbane's John Willsteed on guitar (ex-the Go Betweens). In early 1991 Callaghan, Harris and Hiron entered the studio with a new guitarist, Tony Adams and a session drummer, J. J. Hackett (ex- Mondo Rock).
Several of his novels (After January and 48 Shades of Brown) have been adapted for theatre, and 48 Shades of Brown was adapted into a film entitled 48 Shades, released in August 2006. Earls has also written other novels, including Bachelor Kisses (which borrows its title from a song by Brisbane band The Go-Betweens), Perfect Skin, World of Chickens, The Thompson Gunner, and young adult novels After January, and Making Laws for Clouds.Sunny Garden - The Official Nick Earls Website. Sunny Garden - The Official Nick Earls Website.
Strathfield has made an impact on the indie rock and indie pop scene, producing bands such as Prince Vlad & the Gargoyle Impalers, Lunatic Fringe, The Mexican Spitfires and Women of Troy. It has also inspired pop songs such as The Mexican Spitfires's song "Rookwood" about Rookwood Cemetery and the legendary Blitzkrieg punk rock of Radio Birdman's classic mid-1970s "Murder City Nights". Indie pop legend Grant McLennan of The Go-Betweens also called Carrington Avenue, Strathfield home for a few years in the 1990s.
Note: [online] version has limited functionality. In February 1980 they were approached by Alan Horne and Edwyn Collins, who had recently established a Glasgow-based independent record label, Postcard Records. In March that year Forster and McLennan went to Glasgow and signed with Postcard Records. During their eight-week stay in Glasgow they played three shows, with label stable mates Orange Juice and Josef K. Postcard Records engaged Alex Ferguson (Alternative TV) to produce a number of the label's releases, including The Go-Betweens.
Bands such as The Saints, The Go-Betweens, gerrymander and the boundaries, The Riptides and The Laughing Clowns established an ecosystem for alternative music that continues to flourish. Brisbane's nightlife today is a thriving and varied mix of pubs, clubs, themed bars, and various other venues. There are two main areas of interest: The "city" (CBD) and the "valley" (Fortitude Valley). While the city typically consists of venues catering to those with a more traditional taste in music or atmosphere, the Valley typically offers a drastically different, more cosmopolitan selection of places.
McCormack was one of the two weekly 'mystery' guests on the Australian television show RocKwiz on SBS One in March 2006. He later appeared as the guest host of RocKwiz in January 2009. In November 2006, under the guidance of JJJ, McCormack assembled a band to perform a concert at the Tivoli in Brisbane as a tribute for the late Grant McLennan of The Go- Betweens. Early in 2007, McCormack then went into the studio to produce a tribute album to the band, called Write Your Adventures Down (released on Sony BMG).
By 1933 Pflugk- Harttung was working for German Intelligence in Denmark. As a cover, he worked as correspondent for Berliner Boersen Zeitung, which was a newspaper of the Reich War Ministry. His duties included many covert tasks, one being keeping a close eye on the German exiles in Denmark, with the Danish police co-operating with him by using go-betweens. Along with other postgraduates of Gestapo spy schools, Pflugk-Harttung set up a spy ring that operated secret broadcasting stations and had engaged in nautical and hydrographical research.
Mills determined that there is an "inner core" of the power elite involving individuals that are able to move from one seat of institutional power to another. They, therefore, have a wide range of knowledge and interests in many influential organizations, and are, as Mills describes, "professional go-betweens of economic, political, and military affairs".Mills, Charles W. The Power Elite, p 288. Relentless expansion of capitalism and the globalizing of economic and military power, binds leaders of the power elite into complex relationships with nation states that generate global-scale class divisions.
She signed the acclaimed rock band The Wrens to the label after spotting them at the South by Southwest music festival in Austin, Texas. She also signed The Go-Betweens award-winning album Oceans Apart, Kevin Ayers’ celebrated The Unfairground and posthumous releases by Jeff Buckley. In 2010, McGourty signed the Greenlandic singer-songwriter Simon Lynge, whose debut album, The Future, reached the top of the Amazon UK Rock Charts on the week of its release. McGourty wrote, directed and produced a short film about Lynge which she shot in Greenland.
The Snarskis were born in London, to Polish refugee parents, and grew up on a 36 hectare farm on the outskirts of Perth, Western Australia. Their teenage musical passions were shared – Explosive Hits '77, the Doors, the Velvet Underground, Television. The band relocated to Sydney in 1984, the remainder of the band followed some months later in James Hurst's kombi. In 1985 Amanda Brown (The Go-Betweens) was asked to record with the band (she appears on two tracks on the band's debut album Buckle in the Rail) and was invited to join the band.
The debut, "Be Small Again" was an indie hit, reaching No. 28 on the UK Independent Chart. The follow-up, "Forever Steven", originally released on the band's own Farm Label, was produced by Robert Forster of The Go- Betweens reached No. 16\. They also contributed a track to the various artist compilation Bananas, an album issued to help the Football Supporters Association campaign against the ID card scheme that was being mooted by the UK Government at the time. They gained popularity throughout Europe after a tour in 1989, building a strong fanbase in Spain.
Westlake is a mini- album recorded 18–19 April 1987 at Greenhouse Studios in Islington, London by Paul Gadd (son of Gary Glitter) and Steve Nunn. The record was Luke Haines's first release. The Triffids' rhythm section plays on the record. Alternative versions of three of the songs on Westlake ("The Word Around Town", "Dream Come True" and "Everlasting") feature in a BBC Radio One session recorded in January 1987 for Janice Long by David Westlake with Robert Forster, Robert Vickers and Amanda Brown of The Go-Betweens.
Glasser and Kretske were former Assistant U.S. Attorneys; Roth was a defense attorney representing the bribe payors in the majority of the cases alleged to be fixed; and Horton and Kaplan were "go- betweens" for the bribes. Horton was an African-American bail bondsman; Kaplan was a purveyor of untaxed liquor. The allegations were that the prosecutors either agreed to recommend the dismissal of charges or ensured that the grand jury would not return an indictment. The maximum authorized sentence under the charges was two years imprisonment and a $10,000 fine.
"It remains an odd fact - the one Go-Betweens song Grant and I never played before recording," Forster wrote. Lindy Morrison said, "We were in a park in Glebe when Amanda and Grant played the song to us for the first time, and I guess I was hearing it through Robert’s reaction, because Robert was so shocked. So I was feeling his pain, but that didn’t mean I couldn’t see how magnificent that song was." John Willsteed played the "gorgeous Spanish-inflected acoustic guitar solo" on a nylon-stringed classical guitar that belonged to Brown.
They were responsible for settling disputes, strengthening popular unity, promoting production and order, and conducting propaganda activities. Parties in dispute came voluntarily to the mediation committee; people seemed to feel they should try mediation before proceeding to a lawsuit. Mediators' duties ranged from acting as go-betweens for parties who refused to talk to one another to defining issues, deciding questions of fact, and issuing tentative or advisory decisions. Mediation committees also exerted strong political, economic, social, and moral pressures upon one or both parties to gain "voluntary" compliance with the decisions.
Friend joined the Illinois Bar in 1908, and began the practice of law in Chicago. In 1916, he was appointed a Master in Chancery of the Superior Court of Cook County by Judge Albert C. Barnes. On September 18, 1920, Republican Governor Frank Lowden appointed him to the Cook County Circuit Court. In 1921, Judge Friend was assigned the Chicago "Black Sox" case; eight ex-White Sox players had been suspended from baseball after being indicted for throwing the 1919 World Series, along with several gamblers and go-betweens.
These Japanese, Okinawan, and Korean women got the name picture brides because the men in Hawaii and mainland United States sent pictures back to their home countries in order to find a bride. Family members, often with the help of a go-between (called a nakodo in Japanese and a jungmae jaeng-i in Korean), used these photos to try to find wives for men who sent them.Chai (1988). p. 51. When looking at prospective brides the go-betweens looked at the family background, health, ages and wealth of the women.
The follow-up single, "Was There Anything I Could Do?", was a No. 16 hit on the Billboard Modern Rock Tracks chart in the United States. In December 1989, after recording six albums, The Go-Betweens disbanded. Forster and Morrison had separated as a couple earlier and Forster began his solo music career from 1990. Forster's solo studio albums are Danger in the Past (1990), Calling from a Country Phone (1993), I Had a New York Girlfriend (1995), Warm Nights (1996), The Evangelist (2008) and Songs To Play (2015).
Before Hollywood is the second album by Australian rock band The Go-Betweens, released in May 1983. The album reached No. 2 on the UK Independent Charts and a single, "Cattle and Cane" reached No. 4. In 2001 "Cattle and Cane" was voted as one of the 30 all-time best Australian songs in an Australasian Performing Right Association poll of 100 music industry personalities.APRA AMCOS Top 30 songs The album, recorded in the UK, was the first to have a 50-50 split of songs written by Robert Forster and Grant McLennan.
The Caretaker Race were an indie pop band formed in East London in 1986 when singer/guitarist Andy Strickland (also a part-time music journalist) left The Loft. Strickland recruited Dave Mew (drums), Henry Hersom (bass guitar), and Sally Ward (keyboards). The band's name came from a Star Trek paperback adventure.Foxdude Records Gaining comparisons with The Go-Betweens,Larkin, Colin:"The Guinness Who's Who of Indie and New Wave Music", Guinness, 1992, they initially released a brace of singles on their own Roustabout Records label before signing to the Foundation label in 1989.
Robert Vickers was recruited into the band in February 1982. Following short tours of Switzerland, Britain and Germany, they went to the studio between 4 and 7 May 1983 and recorded "Man O'Sand to Girl O'Sea" and "Newton Told Me" with John Brand producing. The Go-Betweens then returned to Australia to promote Before Hollywood and "Cattle and Cane". Upon returning to England in August 1983 the band went back into the studio with John Brand and re-recorded "Man O'Sand to Girl O'Sea", together with "This Girl, Black Girl".
Amanda Brown joined later in that year. Within a few months, Brown and McLennan were lovers—many of McLennan's new lyrics were about this relationship. Tallulah (June 1987), produced by The Go-Betweens for True Tone and Beggars Banquet contained their "most winsome and hummable songs, 'Right Here' and 'Bye Bye Pride'"; while Brown's contributions "added extra lustre". LO-MAX Records released a 2× CD version of Tallulah in 2004, one of the additional tracks, "Doo Wop in 'A' (Bam Boom)" was co-written by Morrison, Brown, McLennan and Forster.
Dolores returned as the venue's owner in 1984. She ran it until 1986 before the hotel was closed for business in 1987. The Crystal Ballroom was a staging ground for major Melbourne bands such as The Birthday Party, The Moodists, Crime and the City Solution, and Hunters and Collectors, as well as visiting Sydney bands INXS, The Laughing Clowns, and Brisbane's The Go-Betweens. International bands who played there include Simple Minds, The Cure, Magazine, The Members, XTC, The Residents, Snakefinger, PiL, The Gun Club, Iggy Pop, The Fall and Dead Kennedys.
"Right Here" is the first recording by The Go-Betweens that includes Amanda Brown. In the liner notes for the band's compilation album, 1978-1990, McLennan writes that the song is about two friends of his, who worked in a funeral parlour and the constant exposure to the chemicals used in the preparation of the bodies turned them into addicts. Stating "I thought this would be a good subject to write about in a pop song." The song's title is derived from the chorus of Forster's song "You've Never Lived" (Spring Hill Fair 1984).
The Go-Betweens were an Australian indie rock band formed in Brisbane, Queensland, in 1977. The band was co-founded and led by singer-songwriters and guitarists Robert Forster and Grant McLennan, who were its only constant members throughout its existence. Drummer Lindy Morrison joined the band in 1980, and its lineup would later expand to include bass guitarist Robert Vickers and multi-instrumentalist Amanda Brown. Vickers was replaced by John Willsteed in 1987, and the quintet lineup remained in place until the band split two years later.
Forster and McLennan reformed the band in 2000 with a new lineup that did not include any previous personnel aside from them. McLennan died on 6 May 2006 of a heart attack and The Go-Betweens disbanded again. In 2010, a toll bridge in their native Brisbane was renamed the Go Between Bridge after them. In 1988, "Streets of Your Town", the first single from 16 Lovers Lane, entered the Top 100 on both the Kent Music Report chart in Australia and the UK Singles Chart in the United Kingdom.
The band further expanded with the addition of guitarist Peter Milton Walsh. Beserkley offered the band a contract that proposed the re-issue of "Lee Remick" and "Karen" as two singles, followed by an eight-album deal. The band recorded two more songs for Beserkley in November 1978 (including "The Sound of Rain"), however when Beserkley went bust weeks later Walsh left to form The Apartments. The band's second single, "People Say", which was recorded in May 1979, was produced by The Go-Betweens with Mustapha on drums and Malcolm Kelly on piano and organ.
The documentary was later released on DVD. On 29 September 2009, Brisbane City Council announced that a four-lane traffic bridge, previously known as Hale Street Link, would be renamed as Go Between Bridge in the band's honour, following a popularity poll. The Go-Betweens are referenced in the Teenage Fanclub song "When I Still Have Thee" (2010), the Belle and Sebastian song "Shoot the Sexual Athlete" (2001), the song "Don't Want to Be Grant McLennan" (1991) by fellow Australians Smudge, and the song "Kathy" (1993) by Clouds.
Subsequent hits from the album were "Woman's Gotta Have It" (No. 34) and "Let's Kiss (Like Angels Do)" (No. 14). Her touring band included Paul Abrahams on bass guitar, Amanda Brown on oboe and violin (ex-The Go-Betweens), Robbie James on guitar (Ganggajang), King on guitar (Absent Friends), Lisa Maxwell on backing vocals, Mark Meyer on drums (Moving Pictures), Mark O'Connor on keyboards and Valentine on saxophone. On 31 May, she performed at Dallas Brooks Hall, Melbourne which was released as the live album The Way It Has to Be in October.
In July 1990 Steve Kilbey (of the Church) contacted Grant McLennan (of the Go- Betweens), "he's interested in the idea of them writing a song together. Grant says 'Come over and bring your 12-string' and offers to bake some cookies." Kilbey on lead vocals, guitar, bass guitar, keyboards and drums and McLennan on lead vocals, guitar, keyboards and bass guitar formed Jack Frost in Sydney in 1990. The pair wrote enough tracks for a self-titled album, which appeared in 1991, via Red Eye Records/Polydor Records.
The album features guest appearances from Peter Milton Walsh of The Apartments, Audrey Riley (go-to cellist for The Go-Betweens, Nick Cave, Virginia Astley and many more), Josh Hight (Irons) and Oliver Cherer (Dollboy). The band's final concert was at The Lexington, Islington, London in December 2016, exactly 20 years to the day of their first ever concert at The Wag Club, Soho, London. The band's last line-up for recording and concerts was Franck Alba (guitar), Glen Johnson (guitar, voice), Alasdair Steer (bass), Paul Tornbohm (keyboards) and Jerome Tcherneyan (drums).
Being surrounded by low-density residential development, some of the most urgent problems the park faces stem from introduced species such as rabbits, foxes, stray dogs and cats, occupying the park. Stray dogs mutilate Eastern Grey kangaroos and any young they may be carrying, rabbits dig furrows in the soil and entice foxes into the park who compete with stray dogs for territory. Stray cats hunt native bird life and possums. Various weeds from neighbouring properties flow down watercourses into the gullies, this can be seen occurring in Go-betweens Gully.
The track features the vocals of German singer Giuditta, whose lyrical "do-do-do's" make up the song's most memorable chorus line, with an Ibiza-influenced guitar beat, done over a pair of sampled tracks "Streets of Your Town" by the Australian pop group The Go- Betweens, and "Listen to What the Man Said" by Paul McCartney & Wings. McCartney and his late wife Linda both receive writing and production credits on the single because of the use of the song elements from "Listen." As do McLennan Forster because of the sample used.
A double CD/LP/Cassette reissue of the Apartments debut album The Evening Visits... and Stays for Years, including rarities and demos, was released on 31 March 2015 by Brooklyn record label Captured Tracks.Bergstrom, John (2015) "The Apartments: The Evening Visits... and Stays for Years", PopMatters, 8 April 2015. Retrieved 17 December 2018It covers the first seven years of material including the tracks from the first EP The Return of the Hypnotist. Also included are liner notes by Walsh, Steven Schayer (ex-The Chills) and Robert Forster from the Go-Betweens.
Glenn Thompson (born 6 December 1964) is an Australian musician who first came to prominence in Brisbane, Queensland playing in the popular local bands Madam Bones Brothel with Pearly Black and John Rodgers, and COW with Robert Moore and David McCormack. Thompson played drums with Robert Forster of The Go- Betweens on his second solo album Calling from a Country Phone in 1993. He then toured Europe in 1994 with Forster and members of German band Baby You Know, Robert Pöschl and Michael Schott. For Robert Forster's world tour of 1996, Thompson was joined by Adele Pickvance on bass.
The Go-Betweens released their first two singles, "Lee Remick" and "People Say", on the label in 1978 and 1979. It allowed a number of other Brisbane groups, The Numbers (later to become The Riptides), The Apartments and the Four Gods to press their own records using the Able Label logo. Not all bands were permitted to use the Able Label logo, one such band was Razar who were refused permission to use the logo on their seminal 1978 single "Task Force". The band were accused of appropriating the label's name, with the single using the catalogue number AB002.
Indeed, their Christmas balls, held in most major cities, still form a distinctive part of Indian Christian culture. Over time Anglo-Indians were specifically recruited into the Customs and Excise, Post and Telegraphs, Forestry Department, the railways and teaching professions – but they were employed in many other fields as well. The Anglo- Indian community also had a role as go-betweens in the introduction of Western musical styles, harmonies and instruments in post-Independence India. During the colonial era, genres including ragtime and jazz were played by bands for the social elites, and these bands often contained Anglo-Indian members.
Sociologist, Charles Wright Mills determined that there is an "inner core" of the power elite involving individuals that are able to move from one seat of institutional power to another. They therefore have a wide range of knowledge and interests in many influential organizations, and are, as Mills describes, "professional go- betweens of economic, political, and military affairs."Mills, Charles W. The Power Elite, p 288. Relentless expansion of capitalism and the globalizing of economic and military power binds leaders of the power elite into complex relationships with nation states that generate global-scale class divisions.
Robert Christgau gave Talk Tight an A grade, writing that "If you like the [guitar] effect—and why not, it's beautiful—you'll gravitate to it on sound alone. But what I'm loving at least as much is lyrics that suit the bright white male culture the sound implies." He also compared the band's sound to that of the Go-Betweens, a comparison that has also been made by critics like Stephen Deusner. The band has also been aligned with Melbourne's dolewave scene."Best New Music: Odette, Aminé, Aurora, Remi, Haiku Hands" (23 April 2018), Triple J. Retrieved 25 December 2018.
He has co-edited two volumes of essays on Atlantic world science and go-betweens in the history of science. Current projects include The Knowing World, a new global approach to the history of science; The Dark Side of Collecting, on collectors across a range of fields, periods and disciplines; and Divers Things, on the cultural history of underwater exploration, diving and swimming. His most recent scholarly article, "The Knowing World," outlines a new global approach to the history of science that is not centered on the western world. It was published in the journal History of Science in 2019.
The punk movement began in the mid-1970s, and resulted in an explosion of musical activity. Numerous bands formed, as did many independent record labels, often run out of bedrooms. An early band who gained a following in Australia were, The Saints, who grew out of Queensland and who recorded one of the first punk singles, releasing a single on vinyl before the Sex Pistols. Another important band who came out of Brisbane were the post-punk group, The Go-Betweens, who relocated to Britain in the early 1980s and were one of the most acclaimed bands of the decade.
Dolewave is an Australian music genre that emerged in the early 2010s. Initially used online as an in-joke to describe an indie scene in Melbourne involving Twerps, Dick Diver and other groups, the term has since been applied by music critics to a wider range of Australian acts that share a DIY ethic and a "peculiarly and recognisably Australasian sound", such as Courtney Barnett and Rolling Blackouts Coastal Fever. Common influences include the 1980s jangle pop of Australian bands such as the Go-Betweens, as well as the lo-fi "Dunedin sound" of New Zealand's Flying Nun record label.
Trade was carried out on the Europeans' ships, allowing the coastal tribes to set themselves up as go-betweens, finding slaves from the interior and distributing goods obtained from the Europeans. In fact, the Beti-Pahuin migration was still taking place during this time, allowing the Bulu to set themselves in such a position. The British supplanted the Dutch as the pre-eminent traders in the region by the 19th century. This was also the period of abolition, and the British sent elements of the Royal Navy in 1827 to the Cameroonian coast to prevent further slave trading.
On her return to Queensland, she moved into acting believing that "the only salvation lay in art" . She was part of the Popular Theatre Troupe"The Go-Betweens" By David Nichols, Allen and Unwin 1997 p65 which protested against the Bjelke-Petersen led National Party government performing for free in public their sharply satirical political street theatre during a time when life in Queensland was felt to be strongly constrained by the government, select business groups, and political interests."No! No! to Joh" by Pete Thomas published by Building Workers industrial Union (Queensland Branch) dated February 1979.
Tony Martin had replaced Honeybrook on bass. After that, Mental as Anything re-emerged to tour and record, with Dog Trumpet put on the back-burner. In 1996, Reg and Pete revived Dog Trumpet and issued the album Suitcase. Backing the duo in the studio were Tony Martin, Andy Travers (drums; ex-the Happening Thang) and Amanda Brown (violin, backing vocals; ex-The Go-Betweens). "Suitcase" was released as a single on TWA Records in 1996, with "Into the Bible" released by TWA as a radio single in 1997 (the cover picture of a lecturing monster is by Mombassa).
Shepard recounted meeting Teenage Fanclub at a Go-Betweens party and hearing their passion for Ayers' music, and wrote a letter to singer, guitarist Norman Blake. Mojo magazine reported that, within a couple of weeks, Ayers was in a Glasgow studio with Teenage Fanclub and a host of their like-minded colleagues, who had all assembled to work with their hero."Mojo Working by James McNair" (Mojo, July 2007) Bill Wells from the Bill Wells Trio rubbed shoulders with Euros Childs from Gorky's Zygotic Mynci and Francis Reader from the Trash Can Sinatras. Friends and peers from the past also visited the sessions.
The Hot Rock marks a considerable change in the band's sound, veering into a more relaxed and gloomy direction than the raucous punk rock style of its predecessors. As Rolling Stone noted, Sleater- Kinney "delved into more oblique sounds [...] Brownstein's abandoned power chords to slither in abstract patterns, backed by Weiss' increasingly subtle and complex drumming [and] Tucker expanded her vocal range steering from bellow to fragile ululations". Likewise, The Village Voice writer Sara Sherr considered The Hot Rock to be Sleater-Kinney's darkest album. Brownstein remarked that the album's sound and lyrics were heavily influenced by the music of The Go-Betweens.
They were joined in the studio by cellist Gareth Skinner, bassist Andrew Fuller, pedal-steel player Garrett Costigan and vocalist Emma Frichot who would all soon join the group on a permanent basis. Although not a commercial success, A Beginner's Guide to the Sea was met with critical acclaim with Drum Media declaring it "evocative, rousing, brilliant!" Reviewers favourably compared the band to The Triffids, The Go-Betweens, Nick Cave and the Bad Seeds and The Drones. In 2009, The Holy Sea was invited by Nick Cave to perform at the All Tomorrow’s Parties festival at Mount Buller in Victoria, Australia.
The single was released in September. They recorded ten tracks as demos in Brisbane during 1981, which were released as Very Quick on the Eye by Man Made Records in 1982, the tracks showed that Morrison's "drum abilities, always a deeply underrated part of the band's appeal, fit hand in glove with the arrangements". By this time, Forster and Morrison were lovers and Morrison was living in Spring Hill. The band's first official album, Send Me a Lullaby, produced by The Go-Betweens and Tony Cohen, on Missing Link in Australia, was released as an eight-track mini-album in November 1981.
The Go-Betweens returned to the UK and recorded their second album, Before Hollywood (May 1983), with John Brand producing, at the International Christian Communications studio in Eastbourne. It established them as cult favourites while "Cattle and Cane" was released as a single and was "[a]rguably the band's absolute highlight of its earliest years". In Australia the song had exposure on the national broadcaster, Australian Broadcasting Corporation (ABC), pop music TV series, Countdown. Their tracks were played on ABC's alternative rock radio station Triple J—although mainly heard in the Sydney region at that time.
"Bye Bye Pride" is a song by Australian alternative band The Go-Betweens that first appeared on their fifth studio album Tallulah. It was released as a 7" and 12" vinyl single on the Beggars Banquet label in the United Kingdom in August 1987, with "The House That Jack Kerouac Built" as the B-side. In Australia it was released in 1987 by True Tone Records, with "Time In The Desert" as the B-Side. "Time In The Desert" was originally released as the B-side of the band's earlier single, "Cut It Out" (the second single from Tallulah).
Marshall Crenshaw would later cover the title song, as would the Go-Betweens' Robert Forster. After the release of the EP, Hart went further into sobriety, recording and releasing the album Intolerance and the associated EP All of My Senses in 1989 and 1990, respectively. In late 1989, he formed a new band, Nova Mob, with Michael Crego on drums, Tom Merkl on bass, and Hart himself taking guitar duties. The band took their name from the novel Nova Express by William Burroughs; it had previously been used by an unrecorded group featuring the young Julian Cope and Pete Wylie.
Their Red Eye/Polydor label mates were the Cruel Sea, the Clouds, Steve Kilbey, Jack Frost (Steve Kilbey and Grant McLennan of the Go-Betweens), the Bhagavad Guitars, Curious (Yellow) and the Beasts of Bourbon. In 1991 Kilbey and Maher relocated to Melbourne and recruited Darren "Fud" Ryan on drums and Paul Agar on bass and backing vocals as new members. To promote Almost Pure the band toured supporting United Kingdom band, the Wonder Stuff, as well as headlining their own shows in Melbourne, Sydney and Brisbane. However the Crystal Set disbanded at the end of 1991.
Devon Powers of PopMatters said that the music was not easy listening: "the threads among and even within tracks weave an intricate tapestry of genres, influences, and subject matter. The risks they take give their songs a heroic tenor in a literal and figurative sense. Figurative because melodies are cast as brave charges over difficult terrain, and literal because thankfully, they defy categorization and, thankfully, it not only works but it also matters." NMEs Simon Hayes Budgen described the band as "sounding like an offspring of the Go-Betweens and Talking Heads" and that "professionalism doesn't always have to mean workmanlike".
In 1989 Kakulas had formed a side project, The Blackeyed Susans, with David McComb, Alsy MacDonald (members of The Triffids), Rob Snarski (Chad's Tree) and Ross Bolleter. Following the break-up of Martha's Vineyard, Kakulas worked with Grant McLennan (ex-The Go-Betweens) on the latter's solo project before Kakulas rejoined The Blackeyed Susans as that band's bass guitarist. The Blackeyed Susans' have released seven studio albums and a live album, a number of which were produced by Kakulas. By March 1991 Jooste, on guitar, violin, keyboards and backing vocals, had joined The Deadly Nightshades with Ross Buncle (ex-The Victims) and Ian Young (Scant Regarde).
The album was co- produced by Kelly with Alan Thorne (Hoodoo Gurus, The Stems) who, according to music journalist Robert Forster (former The Go-Betweens singer-songwriter), helped the band create "a sound that will not only influence future roots-rock bands but, through its directness, sparkle and dedication to the song, will also come to be seen as particularly Australian. Ultimately, it means the records these people made together are timeless". Due to possible racist connotations the band changed its name for international releases to Paul Kelly and the Messengers. They made a US tour, initially supporting Crowded House and then headlining, travelling across the US by bus.
The band were originally called Sean Kelly and The Iron Dukes, but were renamed shortly after to The Dukes. The band was formed by Sean Kelly (Models) and Geoffrey Stapleton (GANGgajang) following their return to Sydney in 1991 after the completion of a European tour, supporting INXS, with their previous band Absent Friends. The original members of the Iron Dukes were Kelly, Stapleton, Michael Armiger (Paul Kelly and the Coloured Girls, The Go-Betweens), Michael King (Absent Friends) and John Mackay (Absent Friends). Other band members were bass player Peter Willersdorf, drummer Tony Georgeson, Mark Dennison (DD Smash) on saxophone and occasional keyboard and Kevin Dubber (DD Smash) on trumpet.
This would change after the formal colonisation by the Dutch in the 19th century.Blusse, Leonard, Strange company: Chinese settlers, Mestizo women, and the Dutch in VOC Batavia (Dordrecht-Holland; Riverton, U.S.A., Foris Publications, 1986. xiii, 302p.) no.: 959.82 B659Boxer, C. R., Jan Compagnie in war and peace, 1602-1799: a short history of the Dutch East-India Company (Hong Kong, Heinemann Asia, 1979. 115p.) number: 382.060492 B788Masselman, George, The cradle of colonialism (New Haven, Yale University Press, 1963) no.: 382.09492 MAS Eurasian men were recruited by the colonial regime as go-betweens in both the civil administration and the military, where their mastery of two languages was useful.
He also recorded a second album with Dan Rumour in 2004 titled "Virgin & Rumour". Over his live career Virgin has shared the stage with musicians and acts such as Nick Cave, John Cooper Clarke, Jonathan Richman, Mary Black, INXS, The Church, The Triffids, The Go Betweens, Cat Power, Lloyd Cole, Billy Bragg and Tim Freedman. In 2009, Virgin was featured on the front cover of alternative LA publication Punk Globe, the issue contained an interview with Virgin conducted by Joe Dallesandro, actor, model and star of Andy Warhol films including Flesh, Trash and Heat. In 2012, Virgin released a book titled Potato Mashi: The Underground Non-Dualist Sensation.
The first new song that Forster wrote for the Evangelist was its title track, which was written in one day in August 2006. Forster and his former bandmates, bass player Adele Pickvance and drummer Glenn Thompson, travelled to London to record the album with producers Mark Wallis and Dave Ruffy in the same studio they used to record Oceans Apart. In the studio, the band set McLennan's guitar and amplifier up while they were recording. The band used a string quartet that featured three musicians, including Audrey Riley, that had previously played on the Go-Betweens' 1986 album Liberty Belle and the Black Diamond Express.
Late that year Forster and McLennan performed together in Brisbane and the duo were accompanied by Pickvance and Thompson. Forster denied it was a tribute show: "anyone that did the Australian Go-Betweens Show would be tighter ... people that start those [tribute] bands generally play a lot tighter than the bands that they're honouring or copying or whatever". In May the following year the same line-up performed at Les Inrockuptibless 10th anniversary celebration in Paris. Forster's next solo album, Warm Nights, was recorded in London in 1996 and produced by Edwyn Collins (The Proclaimers, Vic Godard, A House) – Collins also provided guitar alongside a five-member brass section.
The title track of Apology Accepted was a cover of a song by The Go-Betweens. Before recording 2011's Fixed Hearts, bass player William Duke, who had previously shared songwriting responsibilities with Skaught, left the band. Skaught stated that writing all of the songs on Fixed Hearts was "liberating" and that the album benefited from his resulting confidence, and from the contributions of new bass player Aaron Rubin and producer Paul Tyler. The title was a reference to drummer Lenny Gill's then-recent heart surgery, as well as to the protagonists of the songs, who emerge from heartbreak with their own hearts repaired.
Belinda "Lindy" Morrison (born 2 November 1951) is an Australian musician originally from Brisbane, Queensland. She was the drummer in indie rock group The Go-Betweens from 1980 to 1989, appearing on all the band's releases from their first LP in 1981 until the band's first break up on 26 December 1989. Their song, "Cattle and Cane" from 1983's Before Hollywood was selected by Australasian Performing Right Association (APRA) as one of the Top 30 Australian songs of all time. In 2008, 16 Lovers Lane was highlighted on Special Broadcasting Service (SBS) TV's The Great Australian Albums series as a classic example of 1980s rock music.
In 1992 Grierson moved the Lost in Music catalogue to Polygram Music Publishing and became managing director of the now defunct Polygram Music Australia, a position he retained until 1997. During his time at the helm of Polygram Music, he signed Pauly Fuemana, The Cruel Sea, David Hirschfelder, the LennOno catalogue, Leonard Cohen, Died Pretty, Nick Cave, Powderfinger, The Fauves and The Go Betweens. In 1998 Grierson replaced the long-serving Alan Hely as Chairman of Festival Records and Festival Music publishing, working closely with James Murdoch. Under Griersons' stewardship, Festival Records acquired Michael Gudinski's 51% share of Mushroom Records to become Festival Mushroom Records in 1999.
The band's music has been described as "shoegazing" and their influences include early-'90s shoegaze movement and Israeli underground acts. Musically, the band has been compared to various acts of this period, such as My Bloody Valentine, Ride, Slowdive, Family and Galaxie 500. AllMusic critic Fred Thomas argued that "Vaadat Charigim have more in common with contemporaries like DIIV and Wild Nothing than their respective influences," while also likening the band's "pop sensibility" to the acts such as the Feelies and The Go-Betweens. The lead singer Yuval Haring's vocals were compared to those of Morrissey of The Smiths and Ian Curtis of Joy Division.
The Australian alternative rock band, The Go-Betweens dedicated a track ("When She Sang About Angels") off their 2000 album, The Friends of Rachel Worth, to Smith's long- time influence. In 2004, Shirley Manson of Garbage spoke of Smith's influence on her in Rolling Stones issue "The Immortals: 100 Greatest Artists of All Time", in which Patti Smith was counted number 47. The Smiths members Morrissey and Johnny Marr share an appreciation for Smith's Horses, and revealed that their song "The Hand That Rocks the Cradle" is a reworking of one of the album's tracks, "Kimberly". In 2004, Sonic Youth released an album called Hidros 3 (to Patti Smith).
According to a dossier prepared by UN investigators for the 9/11 Commission in 2004, Siddiqui, using the alias Fahrem or Feriel Shahin, was one of six alleged al-Qaeda members who bought $19 million worth of blood diamonds in Monrovia, Liberia, immediately prior to the 11 September 2001 attacks. The diamonds were purchased because they were untraceable assets to be used for funding al-Qaeda operations. The identification of Siddiqui was made three years after the incident by one of the go-betweens in the Liberian deal. Alan White, former chief investigator of the UN-backed war crimes tribunal in Liberia, said she was the woman.
Cathy Freeman surrounded by world media and carrying the Aboriginal and Australian flags following her victory in the 400 m final of the Sydney Olympics, 2000. ABC footage and interviews of Australians celebrating Freeman's Olympics win – many noting how it brought the country together "as one". After the arrival of European settlers in New South Wales, some Indigenous Australians became translators and go-betweens; the best-known was Bennelong, who eventually adopted European dress and customs and travelled to England where he was presented to King George III. Others, such as Pemulwuy, Yagan, and Windradyne, became famous for armed resistance to the European settlers.
Sir William Sutherland, KCB, PC (4 March 1880 – 19 September 1949) was a Scottish civil servant, Liberal Party politician and colliery owner. He was closely associated with Prime Minister David Lloyd George serving as his private and press secretary and later as his Parliamentary Private Secretary. He was one of Lloyd George's go-betweens in the sale of honours for the Lloyd George Fund. In his dealings with the press he would certainly have been labelled a spin doctor if that phrase had had currency in the early twentieth century, indeed he has recently been described as "the first of the modern spin doctors".
The inclusion of "through a third party" is intended to prevent the use of go-betweens to avoid committing a crime, although if the written law of the country of the foreign public official allows or requires the official to accept the advantage offered, no crime will be committed.Anwar (2010) p.127 Unlike with general bribery offences, there is no requirement to show that the public official acted improperly as a result; this is a distinction between the Act and the Anti-Bribery Convention. The offence under Section 6 only applies to the briber, and not to the official who receives or agrees to receive such a bribe.
The Sydney Morning Herald said, "Opening with the poppy, yet summery laid-back feel of "The End Times", this self- produced album brings studio whiz and ARIA award-winner Paul McKercher into the mix, elevating frontman/guitarist Sam Cromack's vocals to a new level and highlighting his lyrical strength." The Herald Sun claimed, "The experimentation and attention to sonic detail here (it's a headphones album) makes this their Pet Sounds", and compared "The End Times" to, "a ragged Go- Betweens-style indie gem". The Australian noted, "the affable plain- spokenness, the facility for melodies that can cure a vitamin D deficiency and, yes, the festival-friendly anthems with unabashedly broad appeal" and declared it their best album.
Artists named on the cover of each issue of Garage were: # The Verlaines, The Chills, Tall Dwarfs # Sneaky Feelings, The Puddle, The Orange # The Builders, The Clean, The Rip, The Chills, Look Blue Go Purple # The Doublehappys, the Victor Dimisich Band, The Chills, The Clean, Alex Chilton, Jesus and Mary Chain, The Orange, The Bats, Bird Nest Roys # The Enemy, Toy Love, Tall Dwarfs, Goblin Mix, Dr Rock, The Cramps, 13th Floor Elevators, Jesus and Mary Chain # The Alpaca Brothers, The Bats, The Clean, The Chills, Fetus Productions, Straitjacket Fits Notable international acts like Roky Erickson, Lou Reed, and The Go-Betweens were featured in the magazine without being teased on the cover.
"I was away again, my songwriting driven by the simple logic that if I could write one strong song, I could write another." The song was used as the B-side to the Grant McLennan composition, "Hammer the Hammer," which was released as a single in March 1982. Missing Link label boss Keith Glass, who had funded the recording and distribution of Send Me a Lullaby, told the band he could not finance a second LP, but began shopping the debut album overseas. Geoff Travis, owner of Rough Trade Records in London, agreed to licence both the album and the new single for UK release, then also invited the Go-Betweens to London to record a follow-up album.
Before Hollywood was the first Go-Betweens album to list all songwriter credits as "Forster/McLennan" and marked the point when both writers made a verbal agreement that each would have an equal number of songs on every album. Forster rated the songs on the album as the best set he and McLennan had ever written, most flowing "in a gold rush over a warm English summer". He said his songs were mostly built out of "By Chance" (which Brand re-recorded for the album) and that his improved guitar riffs were the foundations for "Before Hollywood" and "On My Block." He said "As Long As That" was written as an ode to his then partner, drummer Lindy Morrison.
There was a motion from the Georgia Rugby Union just before the 2000 European Nations Cup decider in Tbilisi, to establish a challenge cup along the lines of the Calcutta and Bledisloe Cups to be annually played for between the Oaks and the Lelos. It was decided that the cup should be named after Antimoz Iverieli (Georgian version) – Antim Ivireanul (Romanian version) (c 1650–1716). The Rugby Supporters' League (RML) of Georgia approached the Catholicos-Patriarch of All Georgia, Ilia II through influential go-betweens and received his blessing for the use of the name 'Antim'. The trophy was made by Georgian sculptor and former rugby union footballer Gia Japaridze, who cast the cup in gilded bronze.
The Go-Betweens formed in 1977 in Brisbane, Queensland with Robert Forster and Grant McLennan, the group had a succession of drummers and travelled to the United Kingdom in late 1979. They returned to Brisbane in 1980 and Morrison (ex-Xero) joined on drums and backing vocals. Their first single with Morrison, "Your Turn My Turn" appeared in September 1981 and was followed by "Hammer the Hammer" in March 1982. They recorded ten tracks as demos in Brisbane during 1981, which were released as Very Quick on the Eye by Man Made Records in 1982, the tracks showed that Morrison's "drum abilities, always a deeply underrated part of the band's appeal, fit hand in glove with the arrangements".
Arnold's Loyalist wife Peggy Shippen was one of the go-betweens in the correspondence. Arnold commanded West Point and had agreed to surrender it to the British for £20,000 (approximately $3.65 million in 2018)—a move that would have enabled the British to cut off New England from the rest of the colonies. American General Arnold and British Major John André plotted the surrender of West Point at this spot on the shore pathway south of Haverstraw, New York, in the historic Dutchtown area. Today this is part of Hook Mountain State Park André went up the Hudson River on the British sloop-of-war Vulture on Wednesday, 20 September 1780 to visit Arnold.
Victor Van Vugt is a music producer, mixer and engineer. An Australian based in New York, he has had a long association with the careers of Nick Cave and the Bad Seeds and Beth Orton. He has also worked with the likes of P.J. Harvey, Depeche Mode, Gogol Bordello, The Pogues, The Fall, Einstürzende Neubauten, Billy Bragg, Luna, Athlete, Alison Moyet, The Disposable Heroes of Hiphoprisy and Australian acts such as Sarah Blasko, Clare Bowditch, The Panics, Augie March, Robert Forster, Dave Graney, The Triffids, The Go- Betweens and The Blackeyed Susans . The Nick Cave & Kylie Minogue duet, "Where The Wild Roses Grow", produced by Van Vugt, won the ARIA Award for Song Of The Year in 1996.
According to historian Loretta Fowler, leaders in the Northern Arapaho during the 1860s and 1870s did not rule by fiat or make decisions on an individual level. Instead, leaders were chosen by consensus of the tribe and with the blessing of the Water Pouring Old Men, ceremonial leaders who held the highest authority within the tribe. In this position, intermediary chiefs were expected to serve as go-betweens that could faithfully and powerfully argue for Arapaho interests and communicate Arapaho consensus to outsiders like U.S. Army generals, agency officials, and diplomats of the United States. This strategy helped to maintain Arapaho sovereignty and leadership structures, and also insulated ceremonial leaders from interactions with the United States.
In the first half of the 18th century, they acquired horses and firearms from white traders and their Cree and Assiniboine go-betweens. The Blackfoot used these to expand their territory at the expense of neighboring tribes. Today, three First Nation band governments (the Siksika Nation, Kainai Nation, and Piikani Nation) reside in Canada in the provinces of Saskatchewan, Alberta, and British Columbia, and the Blackfeet Nation is a federally recognized Native American tribe in Montana, United States. Additionally, the Gros Ventre are members of the federally recognized Fort Belknap Indian Community of the Fort Belknap Reservation of Montana in the United States and the Tsuutʼina Nation is a First Nation band government in Alberta, Canada.
Also in Blair's team were a number of strong female aides, who acted as gatekeepers and go-betweens, including Anji Hunter, Kate Garvey, Ruth Turner and Sally Morgan. Blair in Armagh, Northern Ireland, September 1998 A significant achievement of Blair's first term was the signing, on 10 April 1998, of the Belfast Agreement, more commonly referred to as the "Good Friday Agreement". In the Good Friday Agreement, most Northern Irish political parties, together with the UK and Irish Governments, agreed upon an "exclusively peaceful and democratic" framework for the governance of Northern Ireland and a new set of political institutions for the province. In November 1998, Blair became the first UK Prime Minister to address Dáil Éireann.
In November 1987, The Go-Betweens returned to Australia and John Willsteed (ex- Xero with Morrison) replaced Vickers on bass. 16 Lovers Lane (1988), was the group's most commercial offering, providing the alternative radio hit "Streets of Your Town" (1988), which entered the chart singles both the UK and Australia peaking in the Top 100 but not higher than the number 80. The follow-up single "Was There Anything I Could Do?" was a No. 16 hit on US alternative Modern Rock radio stations, and Beggars Banquet, trying to encourage the band's commercial momentum re-released "Streets of Your Town" in the UK in early 1989, where it charted low once again.
For this album the group's core members were Michael Kerin on fiddle, Mercer on electric guitar, mandolin, dobro and backing vocals, Patterson on bass guitar and backing vocals, Ross on drums, Travers on lead vocals, electric, rhythm, and acoustic guitars, and Wearne on backing vocals. They were assisted in the studio by Bluff and Cook; it was co-produced by Rod Coe and the band. After the group disbanded Travers joined Dog Trumpet, in 1995, on drums, alongside that band's founders O'Doherty on guitar, mandolin and bass guitar, and his brother, Reg Mombassa on guitar and lead vocals. They were joined by Amanda Brown on violin and backing vocals (ex-The Go-Betweens).
Nada Surf performing in 2012 In 2010, the band released If I Had a Hi-Fi, an album of covers including songs by the likes of Depeche Mode, Kate Bush, Spoon, and The Go-Betweens. Milwaukee noise rock band IfIHadAHiFi reciprocally titled their next album Nada Surf EP+3. In 2012, Nada Surf released The Stars Are Indifferent to Astronomy, an album which included the single "Waiting for Something" and introduced former Guided by Voices guitarist Doug Gillard as a fourth band member. In 2012, Caws, who had moved to England, recorded acoustic versions of five of the songs from The Stars Are Indifferent to Astronomy as b-sides, in collaboration with record producer Lee Russell.
Skidmore, p. 27. However, the decentralized and unorganized tendencies of the captaincy colonies proved problematic, and in 1549 the Portuguese king restructured them into the Governorate General of Brazil in the city of Salvador, which became the capital of a single and centralized Portuguese colony in South America.Boxer, p. 101. In the first two centuries of colonization, Indigenous and European groups lived in constant war, establishing opportunistic alliances in order to gain advantages against each other.Meuwese, Mark "Brothers in Arms, Partners in Trade: Dutch-Indigenous Alliances in the Atlantic World, 1595–1674" Koninklijke Brill NV 2012 Chapter IIIMetcalf, Alida C. "Go-betweens And the Colonization of Brazil: 1500–1600" University of Texas Press 2005, pp.
In March 1714 he married the daughter of another Bahamian trader and pirate supplier, Richard Thompson, and moved to Eleuthera. He set up business with Thompson on Harbour Island. Cockram and Thompson sailed their own trading vessels such as the Richard and John, buying and selling with the pirates directly, and also acted as go- betweens for merchants from Curacao, Boston, and elsewhere. The pirates operating out of the Bahamas generally left the traders’ ship alone, as they depended on Cockram, Thompson, and others to import ammunition and other provisions. Thompson and Cockram became “the leading black market traders of the Golden Age of Piracy,” despite continuing threats of Royal Navy intervention and Spanish retaliation.
This event was infamous for the non- appearance of Red Head King Pin, whom (it was said by the promoters) refused to come out of the toilet in his hotel to appear. An ad hoc band consisting of members of The Go-Betweens and other musicians reappeared to attempt to quell the crowd. In 2002, the festival attempted a national move and held events in Sydney and Melbourne. Despite the reasonable success of this move, Livid was now in direct competition with Sydney's Homebake festival and the nationwide Big Day Out, and citing a "scarcity of headline acts on this year’s international festival touring circuit", the event's promoters announced that the show would not he held in 2004.
Matthews was also voted 'Best Female Singer' in the 1990 Australian Rolling Stone readers poll. For touring in support of the album, Matthews used Paul Abrahams on bass guitar, Amanda Brown on oboe, violin (ex-The Go- Betweens), Robbie James on guitar (Gang Gajang), King on guitar, Lisa Maxwell on backing vocals, Mark Meyer on drums (Mark Gillespie Band, Moving Pictures), Mark O'Connor on keyboards and Valentine on saxophone. In October 1991, she issued a live mini-album The Way It Has to Be and toured as support to US R&B; group, The Neville Brothers. At the end of 1991, Matthews recorded her second full-length album Lily, which was produced by T-Bone Burnett and released in late 1992.
The initial intention of HD was to explore new concepts of humanitarian innovation by serving as a venue for dialogue on humanitarian issues - where discreet discussions could take place among those who could have a practical impact on humanitarian policy and practice. The organisation evolved this approach to include negotiations in support of humanitarian objectives and aimed to create space for humanitarian activities in conflict environments. It quickly broadened, at the behest of conflicting parties in Aceh,The discreet charms of the international go-betweens to include the resolution of the conflict through mediation and conflict prevention. In July 2015, in recognition of its important role in the mediation of armed conflicts, HD was granted a special status by the Federal Council of Switzerland.
In the last year, the band played some seventy shows including the Perth International Arts Festival and WAMi shows as well as a number of national supports for artists such The Kill Devil Hills, Dirty Three, Augie March, Art of Fighting, the Drones, Ed Kuepper, Tim Rogers and Tex Perkins, The Go Betweens, Kim Salmon, Decoder Ring, Tucker B's, 67 Special, Youth Group, The Devoted Few, Holly Throsby and New Buffalo. In 2007 the band played at the Perth leg of the Big Day Out and in March performed in Toronto at the Canadian Music Week, followed by a number of shows in New York, including a support for Love of Diagrams. In 2008 the band toured nationally in support of the release of their debut album.
Barnet Burns in Māori clothing, image from National Library of Australia Māori kept some Pākehā as slaves, while others - many of them runaway seamen or escaped Australian convicts - settled in Māori communities by choice."Cultural go- betweens, Pākehā–Māori", Te Ara They often found a welcome, took wives and were treated as Māori, particularly in the first two decades of the 19th century. The rarity of Europeans in New Zealand and the importance of trade in European goods (particularly muskets) made Pākehā Māori highly prized for their trading skills. Some achieved a degree of prestige among the Māori and fought in battle with their adopted iwi (tribes) in the New Zealand Wars of 1843 to 1872, sometimes against European soldiers.
Later, high- ranking Nazi officials withdrew their deposits from German banks and transferred large sums to Swiss banks and to the Swedish Consulate at Karlsruhe. Italian and Swiss press reports also stated that many leading Italians banked large sums in Swiss francs in banks in Switzerland. Swiss individuals and financial institutions also acted as third-party go-betweens for transactions by others, such as for contraband shipments of cotton to Italy from the United States via a Portuguese factory, and transactions took place in Zurich which facilitated the trade of mercury between Japan and Spain. During World War II, Zurich industrialist and armaments exporter Emil Georg Bührle began amassing one of the twentieth century's most important private collections of European art.
Robbie Robertson from The Band and Lindsey Buckingham from Fleetwood Mac were also suggested as possible producers. The decision in the end was to go with John Brand, an engineer who had worked with XTC and Magazine and was making the transition from engineer to record producer. Brand had just completed High Land, Hard Rain, the debut album by Aztec Camera, for Rough Trade at International Christian Communications (ICC) Studios in the seaside town of Eastbourne, and its two singles featured catchy, singalong choruses that were directly aimed at the charts. Author David Nichols has speculated that McLennan particularly was keen for Brand to lead the Go-Betweens in a more commercial direction with simpler songs and less complex drumming.
On repeated plays I find it very, very moving." Ned Raggett states in Allmusic that "The Go-Betweens were already a good band well before they made Before Hollywood, but this second album is what proved for many listeners that they were great. For good reason -- both Robert Forster's and Grant McLennan's singing sounds much more honestly theirs, finding their own voices, while collectively the trio create a series of intricate, surprising melodies and songs which balance past and present beautifully." Andrew Stafford, in his book Pig City: From the Saints to Savage Garden, states "Beyond Hollywoods impressionistic lyrics and sparkling blend of acoustic and electric textures recalled earlier folk influences - Simon & Garfunkel, the Byrds, and, especially Bob Dylan's Bringing It All Back Home.
Sometime Anywhere is the ninth album by the Australian alternative rock band The Church, released in May 1994. After the commercially unsuccessful 1992 album Priest=Aura, founding guitarist Peter Koppes had departed, leaving the band down to just two original members, Steve Kilbey and Marty Willson-Piper, plus Priest's drummer Jay Dee Daugherty. With the group's future uncertain, the members took time off to focus on other projects, while Koppes began to establish a solo career with his new group, The Well, which included former band mate Richard Ploog. Kilbey began a Jack Frost collaboration with Grant McLennan (of The Go-Betweens) and Willson-Piper returned to the studio with UK group All About Eve, to record their album Ultraviolet.
In 1991, Half A Cow released the single Don't Want To Be Grant McLennan by Smudge (about Go-Betweens co-founder Grant McLennan), which was an indie hit, and single of the week in music magazine NME In late 1991 Evan Dando asked Dalton to temporarily join The Lemonheads. An offer he initially turned down, but as Dando pointed out that it'd make his label known worldwide, and with persuasion from friends he did indeed join, and as expected in 1992 it gave a huge boost for Half a Cow. Before he left Half A Cow assistant, Dave Chatfield, was appointed to run the label, along with Robyn St Clare. In 1992 the label also signed a deal with Festival Records to distribute the label.
Thorn's first solo work was a mini-album entitled A Distant Shore (1982). A re-recorded version of the track "Plain Sailing" was released as a single, and was included on the Pillows & Prayers Cherry Red records compilation album. In the 1980s, Thorn contributed guest vocals and backing vocals for The Style Council on the track "The Paris Match" (from the album Café Bleu), The Go-Betweens on their track Head Full of Steam, Working Week on the single "Venceremos (We Will Win)" and Lloyd Cole and the Commotions on the track "Big Snake". In the 1990s, she collaborated with Massive Attack on several projects, including the soundtrack for the motion picture Batman Forever where she contributed with "The Hunter Gets Captured by the Game".
The retail store had been run by Glass with his then-wife Helena Glass until they sold it late in 1981 to siblings Nigel and Diane Rennard. In July the following year Baker reported that Glass had been fined $750 for having sold US punk rockers, Dead Kennedys' 1981 single "Too Drunk to Fuck" in his store. The judge, Patrick Street, described the track as "the vilest of trash ... likely to deprave and corrupt" – Glass responded that the store had held some 40 recordings that were similar. In late 1981 and early 1982 Glass was observing Cohen who was working in AAV studio in Richmond with The Birthday Party on their album, Junkyard (May 1982) when they were visited by The Go-Betweens.
"Was There Anything I Could Do?" is a song by the Australian alternative rock band The Go-Betweens that was issued as the second single from their sixth album 16 Lovers Lane. The song was released 3 October 1988 by Beggars Banquet Records in the UK and Mushroom Records in Australia but failed to chart in either region. It was released as a promotional single in the US by Capitol Records and charted on Billboard's Modern Rock Tracks charts in the United States, peaking at No. 16. "Was There Anything I Could Do?" was not necessarily the unanimous choice by all members of the band, with claims by some that they wanted Forster's "Clouds" whilst McLennan pushed for the song as it was more driving and anthemic.
Among Ochs's many admirers were the short story writer Breece D'J Pancake and actor Sean Penn. Meegan Lee Ochs, who worked as Sean Penn's personal assistant from 1983 to 1985, wrote in her Foreword to Farewells & Fantasies that she and Penn discussed "over many years" the possibility of making a movie about her father; the plan has not yet come to fruition, although Penn expressed an interest in the project as recently as February 2009. Author Jim Carroll's autobiography, The Basketball Diaries (1978), was dedicated in memory of Phil Ochs. On the cover of The Go-Betweens' The Lost Album, Grant McLennan wore a shirt with the words "Get outta the car, Ochs", a reference to the limousine incident involving Ochs and Dylan.
"Spring Rain" (February) and "Head Full of Steam" (June) were released as singles with "Spring Rain" reaching the Australian Kent Music Report Singles Chart Top 100. Amanda Brown on violin, oboe, guitar, keyboards and backing vocals joined later in the year. Within a few months, Brown and McLennan were lovers—many of McLennan's new lyrics were about this relationship. Tallulah (June 1987), produced by The Go-Betweens for True Tone and Beggars Banquet contained their "most winsome and hummable songs, "Right Here" and "Bye Bye Pride""; while Brown's contributions "added extra lustre". LO-MAX Records released a 2× CD version of Tallulah in 2004, one of the additional tracks, "Doo Wop in 'A' (Bam Boom)" was co-written by Morrison, Brown, McLennan and Forster.
They garnered glowing reviews in the British music journals, NME and Sounds. They supported international artists touring Australia such as Jonathan Richman and John Cooper Clarke (1983) and The Violent Femmes, as well as the Brisbane band The Go-Betweens (1984). They built up a loyal following whilst performing regularly along the Australian east coast with occasional treks westwards across the Nullabor Plain to Perth. The Lighthouse Keepers undertook a low key tour of Europe in 1985, which included an outdoor festival in Rotterdam headlined by The Triffids and The Woodentops, as well as gigs in Germany, Switzerland, Italy and Austria, returning to England to support The Triffids at Leeds University, the Clarendon Hammersmith and other shows in and around London.
In 1998, the band recorded "Big Big Lights", the first split single (with Cypher in the Snow) in the series of recordings dealing with women's self-defense entitled Free to Fight, and released on Candy Ass Records. In 1999, Carrie Brownstein recorded a four-song EP, The Age of Backwards, with Mary Timony in a duo called The Spells. In 2000, all three members of Sleater-Kinney assisted Robert Forster and Grant McLennan of the now-defunct Brisbane indie band The Go-Betweens to record the album The Friends of Rachel Worth. In 2003, the band recorded the song "Angry Inch" with Fred Schneider of The B-52's for the Hedwig and the Angry Inch charity tribute album Wig in a Box.
True Tone signed Gang Gajang and released the band's first single "Gimme Some Lovin'" in 1984, as well as their first two albums, Gang Gajang (1985) and Gang Again (1987). In 1985 the label signed The Go-Betweens but the band never recorded anything for True Tone and went on to sign with the UK label, Beggars Banquet Records. True Tone did however provide the Australian release of the Go-Between's fifth album, Liberty Belle and the Black Diamond Express (1986), as well as The Able Label Singles (1987). True Tone also signed Rockmelons, releasing the band's first singles, "Time Out (For Serious Fun)" (1985), "Sweat It Out", and "Rhymes" (1987), as well as their debut album, Tales of the City (1988).
Just as the European merchant community used Chinese middlemen in conducting their business, the Straits Settlements government relied on prominent Chinese businessmen to act as go- betweens with the Chinese community. Seah Eu Chin was the go-between with the Teochew community, which originated from the Chaozhou province of Southern China. He rendered service in helping to quell several disturbances in the community, most notably the 1854 Hokkien-Teochew Riots which broke out on 5 May 1854. The incident ostensibly began because of a dispute over the price of rice, between a Hokkien and a Teochew, but that dispute probably was only a trigger for the release of long-held resentment and animosity between the Hokkien (from Fujian province in China) and Teochew (from Chaozhou province) communities.
The press were there, and the energy surprised them. They received outstanding reviews, and were chosen by the NME as one of the eighteen most hopeful bands in Britain and were invited to play at the NME showcase along with Lloyd Cole, The Triffids, The Go-Betweens, The Pogues and others. Jasmine Minks records were played on national radio, and the band began to attract a good reputation as a live act. McGee gave them over £400 to record a six track mini-album, One Two Three Four Five Six Seven, All Good Preachers Go To Heaven (1984, Creation) and some major labels showed an interest in the band, to the extent of booking them sessions in very expensive studios.
Project BNE: Brisbane Independent Electronic Music Production 1979-2014 His move to Sydney in 1985 heralded a period of musical expansion. Over the next three years Willsteed played bass in a number of Sydney bands ranging from country (Tender Mercies) to quirky pop (Machines That Walk). The Go-Betweens Background Triple J J-Files Archive It was also in this period that Willsteed contributed to film soundtracks for the first time. His long relationship with Gary Warner, then with the Sydney Super 8 Film Group, drew him into the work of filmmaker Ross Gibson (Camera Natura, Wild, Dead to the World), and he contributed as a musician to the scores of these films and others.Williams, Deane (1996) Mapping the Imaginary: Ross Gibson’s Camera Natura, Carlton South, Vic.
"Streets Of Your Town" is a song by Australian indie group The Go-Betweens that was released as the lead single from their 1988 album 16 Lovers Lane. Featuring polished production, a prominent backing vocal by Amanda Brown and a guitar solo by bassist John Willsteed, "Streets of Your Town" is one of the band's most recognised songs and is arguably the closest the group had to a mainstream hit. It was released in July 1988 in the UK on Beggars Banquet, where it reached #80 on the singles charts and in Australia in August 1988 on Mushroom, where it reached #68. In New Zealand, the song was issued in November 1988, and was a top 40 hit, peaking at #30-the band's highest-ever placing on any national chart.
Meeting at high school in the mid-1980s in the provincial city of Geelong, Mat Butler and Marc Dorey proposed the formation of what would become Throwaways. Influenced heavily by mid-1960s British Beat acts such as The Kinks and The Who, and US acts such as the Velvet Underground and The Doors, they gravitated toward the then underground Australian scene of the era, where acts as the Hoodoo Gurus, the Stems, Huxton Creepers and the Go Betweens were producing a range of 1960s garage-influenced post-punk tunes. The first musical output at this point was limited to a rough demo of several songs recorded by Dorey and Butler on a portable cassette deck modified by Butler to permit lo-fi multitracking. In 1987 Butler & Dorey moved to Melbourne.
By November 1980 Lindy Morrison (ex-Xero) had joined the group on drums and backing vocals. By 1981 Forster and Morrison were also lovers, she later remembered "Robert never took part in any group discussions ... He would not stay in the house if there were other people present ... he and I would have cups of tea on the verandah and debate the place of politics in art". As a member of The Go-Betweens he contributed to all their studio albums, Send Me a Lullaby (February 1982), Before Hollywood (May 1983), Spring Hill Fair (September 1984), Liberty Belle and the Black Diamond Express (March 1986), Tallulah (June 1987) and 16 Lovers Lane (September 1988). Forster and McLennan wrote most of the tracks for the band's albums and alternated lead vocal duties.
By this time, Forster and Morrison were lovers and Morrison was living in Spring Hill a Brisbane suburb. The band's first official album, Send Me a Lullaby, produced by The Go- Betweens and Tony Cohen, appeared in February on Missing Link in Australia. Morrison provided the album title, in preference to Two Wimps and a Witch, from a Zelda Fitzgerald novel Save Me the Waltz. Forster and McLennan wrote all the tracks, they alternated lead vocal duties, except "People Know" which had Morrison on vocals and James Freud (Models) guesting on saxophone. In 2002, UK label Circus released a 2× CD version of Send Me a Lullaby which included "After the Fireworks" recorded as a collaboration with The Birthday Party's Nick Cave on vocals, Mick Harvey on piano and Rowland S. Howard on guitar.
In May the label issued Ed Kuepper's alternate jazz-rock group, Laughing Clowns's debut eponymous EP, which was also engineered by Cohen. In October that year Australian music journalist, Glenn A. Baker, writing for Billboard described the label which was "recognised for the cornerstone upon which much of Australia's new wave music movement has been built ... [Glass'] understanding and appreciation of the grass roots level of rock music is considered impeccable". In November Missing Link Records promoted a concert at Sydney's Paris Theatre by Laughing Clowns and The Birthday Party – they were supported by Brisbane group, The Go- Betweens. Glass signed them to his label, which issued their fourth single, "Your Turn My Turn", in April 1981 and followed by their first official album, Send Me a Lullaby, in November.
In April 69, Vitellius was recognized as Emperor by the Roman Senate, but his opponents were beginning to rally behind Vespasian, commander of the Roman forces conducting the war in Judea. The loyalties of Alexander, who commanded two legions and had control of the grain shipments from Alexandria to Rome, were of crucial importance. Fortunately for Vespasian, Alexander was willing to correspond with him secretly; go-betweens suspected by modern historians include Berenice (soon to be lover of Vespasian's son Titus), and an Egyptian official named Basilides.Berenice was first proposed by For Basilides: On July 1 Alexander became the first to make a decisive move against Vitellius: on receipt of a letter from Vespasian, he instructed his forces to take the oath of allegiance to Vespasian as Emperor.
Queensland is home to major art galleries including the Queensland Art Gallery and the Queensland Gallery of Modern Art as well as cultural institutions such as the Queensland Ballet, Opera Queensland, Queensland Theatre Company, and Queensland Symphony Orchestra, all based at the Queensland Cultural Centre in Brisbane. The state is the origin of musicians such as the Bee Gees, The Go-Betweens, The Veronicas, The Saints, Savage Garden, and Sheppard as well as writers such as David Malouf, Nick Earls and Li Cunxin. Major annual cultural events include the Royal Queensland Exhibition (known locally as the Ekka), an agricultural exhibition held each August at the Brisbane Showgrounds as well as the Brisbane Festival, which includes one of the nation's largest annual fireworks displays called 'Riverfire', and which is held each September.
United nations High Commission for Refugees, UNHCR, announced since the beginning of 2018, at least 50 migrants have died trying to cross the Mediterranean.Migrants deaths in Mediterranean reach record percentage The reasons that prompt people to undertake the journey are mainly economic, for people in search of better life conditions, but also cultural and symbolic (e.g. in Sub-Saharan Africa the journey is mainly meant as a different way of undergoing the traditional rites of passage). Through the modification of control and repression measures, the Sub-Saharan African migratory process is changing and therefore gradually tracing new maritime and overland routes, soon led by criminal organisations and networks of local go-betweens, which create new collusion between the police and the so-called passeurs within the exploitation of human beings.
The Radhanites functioned as neutral go-betweens, keeping open the lines of communication and trade between the lands of the old Roman Empire and the Far East. As a result of the revenue they brought, Jewish merchants enjoyed significant privileges under the early Carolingian dynasty in France and throughout the Muslim world, a fact that sometimes vexed local Church authorities. While most trade between Europe and East Asia had historically been conducted via Persian and Central Asian intermediaries, the Radhanites were among the first to establish a trade network that stretched from Western Europe to Eastern Asia. More remarkable still, they engaged in this trade regularly and over an extended period of time, centuries before Marco Polo and ibn Battuta brought their tales of travel in the Orient to the Christians and the Muslims, respectively.
In the end she rejected the offer and became a permanent member of The Go-Betweens. Chad's Tree supported not only John Cale in their first year, but also Nico, at the Prince of Wales in St Kilda, shortly after they moved east in the mid-1980s Chad's Tree issued its debut 7-inch single "Crush the Lily"/"Toll for Josephine" in November 1985 on the Hot label. They released subsequent singles, "Sweet Jesus Blue Eyes"/"To the Highest Bidder" in February 1987 and "Stroller in the Attic"/"The Orchard" in March 1988, as well as their debut album Buckle in the Rail in January 1987 on the Nude label. The "Crush the Lily" and "Sweet Jesus Blue Eyes" singles were also combined on the four-track, 12-inch EP Chad's Tree for release in the United Kingdom through Rough Trade Records.
Postcard Records is a Glasgow-based independent record label founded by Alan Horne in 1979, as a vehicle for releases by Orange Juice and Josef K. The label's motto was "The Sound of Young Scotland", a parody/tribute to the Motown motto; its logo featured a cartoon cat beating a drum. Although short- lived, Postcard was a key influence on the C81 and the later C86 indie-pop movements, although possibly more associated with sophisti-pop at the time. The label's first release, in spring 1980, was Orange Juice's, Falling and Laughing, which was jointly financed by Horne and band members Edwyn Collins and bass guitarist David McClymont. The label went on to sign such bands as Aztec Camera and The Go-Betweens, before winding down in 1981 shortly after Orange Juice left to sign a major deal with Polydor.
Calum Malcolm is a Scottish record producer, sound engineer and keyboardist, who is based in Edinburgh, Scotland. He started his career in rock music with the band The Headboys in 1977. From 1974, he has worked with bands and musicians such as The Blue Nile, Capercaillie, Clannad, Emily Barker, Fish, The Go-Betweens, Hue and Cry, Maire Brennan, Nazareth, Orange Juice, Aztec Camera, The Fire Engines, Mark Knopfler, Prefab Sprout, Runrig, Steve Adey, Kris Drever, The Silencers, Simple Minds and Wet Wet Wet; whilst Barb Jungr, Claire Martin, the Scottish Chamber Orchestra, Royal Scottish National Orchestra and Carol Kidd are others whom Malcolm has worked alongside in the recording studio. His working credits also include The Boys of the Lough, Brian McNeill, It's Immaterial, Josef K, Mike Lindup, Stéphane Grappelli, The Happy Family, Tom Anderson, Tommy Smith, William Jackson and on Black's 2015 album, Blind Faith.
After leaving that production, in the early 1970s (with David Pepperell he founded the pioneering Melbourne import record store "Archie & Jughead". In 1977 Glass established a new store and record label, Missing Link, which re-issued Cam- Pact material including a compilation album, Psychedelic Pop 'n' Soul 1967-69 (October 2002) alongside many other notable releases, including the earliest recordings by The Go-Betweens and The Birthday Party. Chris Löfvén became a film maker, creating pioneering Australian "film clips" (music videos) for Daddy Cool and Spectrum; he also directed a feature film, Oz (1976), alongside his continuing music work (often with Keith Glass). Russell Smith co-founded progressive rockers Company Caine (1970–75) and was also (with Arnott) a member of the short-lived Mighty Kong. Stockley was a founding member of early Australian "supergroup" Axiom (1969–71) and The Dingoes (1973–1978, 2009–present).
With the influx of young people into the area there was a resurgence of popularity in the area as an entertainment precinct. The Paddington Tavern became a well known drinking spot for younger people. The Paddington Workers Club has at various times been used as a live band venue as has the Caxton Street Hall while the Paddington Centre upstairs housed the famous night clubs, Café Neon and Viva and the old boot factory on Caxton Street housed the "Spaghetti Emporium" restaurant and then the "Underground" night club before being demolished. The Caxton Street Hall (which since has been the Velvet Cigar strip club and is now Lefty's Old Time Music Hall) was also a notorious live venue which hosted gigs by "The Saints", "The Go- Betweens", "The X-Men", "Died Pretty", "Xero", The Black Assassins, les Bon Bons, Razar and others as did the Lang Park Leagues Club.
An Ijaw mask The Ijaws were one of the first of Nigeria's peoples to have contact with Westerners, and were active as go-betweens in the slave trade between visiting Europeans and the peoples of the interior, particularly in the era before the discovery of quinine, when West Africa was still known as the "White Man's Graveyard" because of the endemic presence of malaria. Some of the kin-based trading lineages that arose among the Ijaws developed into substantial corporations which were known as "houses"; each house had an elected leader as well as a fleet of war canoes for use in protecting trade and fighting rivals. The other main occupation common among the Ijaws has traditionally been fishing and farming. Being a maritime people, many Ijaws were employed in the merchant shipping sector in the early and mid-20th century (pre-Nigerian independence).
Snow began writing gig reviews for the NME in 1982, covering performances at London venues such as the Lyceum, Brixton's Ace Cinema, the Dominion Theatre and Ronnie Scott's. His reviews included pieces on the post-punk bands the Birthday Party, the Go-Betweens, Depeche Mode and Orchestral Manoeuvres in the Dark. Snow was an early champion of the American band R.E.M., about whom he wrote in April 1984: "Reckoning and its predecessor, last year's Murmur, confirm R.E.M. as one of the most beautifully exciting groups on the planet."Mat Snow, "American Paradise Regained: R.E.M.’s Reckoning", NME, 21 April 1984 (retrieved 17 November 2014). In 1986, he was the subject of Nick Cave's anti-journalistic "Scum",Nadia Khomami, "Hell hath no fury like an ego scorned", The Independent, 3 February 2012 (retrieved 17 November 2014).Andrew Dominik, "Nick Cave", Interview, 12 June 2013 (retrieved 26 November 2014).
According to the accounts, he did so still hoping to provide for them or to even soon bring them to the island, but this proved impossible (although for many years he was able to send letters and money to his wife through go-betweens in Hong Kong). Ran became head of the Department of Commerce under Chiang and was later general manager of the Hsinchu Glass Corporation and legal counsel to the government's Ministry of Economic Affairs. Yim Maukun would not see his father again. Yim Maukun attended the Affiliated High School of the Guangzhou (Canton) Academy of Fine Arts and then the Academy itself, graduating in 1963. Because of his background as a member of one of the so-called “black classes,” he had only been barely accepted as a student in the Affiliated School following the intervention of the Dean, Hu Yichuan; in fact, one of the “crimes” Hu would later be charged with during the Cultural Revolution was admitting Yim into the school.
Recording a John Peel Session for BBC radio in the United Kingdom, and gaining regional popularity, the band signed with Blanco y Negro who released the singles "Heart Happy" and "Call Me Blue" in Ireland and the UK. The latter was backed by a video and was relatively successful, receiving appreciable airplay and reaching number 28 in the Irish charts, as well as having some impact in the US. These singles were followed by A House's first album On Our Big Fat Merry- Go-Round in 1988. The band then toured with the Go-Betweens, and "Call Me Blue" reached number 3 in the Billboard College Charts in 1989. A promo version of "Call Me Blue" for the US tour included a track labelled "Some Intense Irish Brogue" which was a short interview with the band. Even in Ireland, however, some listeners found Couse's "yelp of a voice" not quite suited to the slightly quirky but basically mainstream rock style of Merry-Go- Round.
The cover image with the download was a photo of Mitchell, similar to ones used in its accompanying booklet. Writing for the FasterLouder website, Lilbirdy stated that the EP's results are "by and large pleasing" and it "is a superb retrospective of West Australian music". In June 2007 a Go-Betweens tribute album, Write Your Adventures Down, featured a Bob Evans rendition of "Streets of Your Town" (July 1998) Mitchell subsequently performed the song as part of a tribute concert which was recorded by the TV department of Triple J. He performed at a Bob Dylan tribute concert in 2012, where he co-performed "Tambourine Man" and "If Not for You", At a Paul Kelly tribute event, in November 2009, he delivered solo versions of "From St Kilda to Kings Cross" and "Love Never Runs on Time". The event was recorded for Before Too Long: Triple J's Tribute to Paul Kelly (February 2010) in both CD and DVD formats.
In 2000, after both Forster and McLennan had each recorded four solo albums, The Go-Betweens reformed with Pickvance, to create a new studio album, The Friends of Rachel Worth, they were assisted by Janet Weiss (Sleater-Kinney, Quasi) on drums and backing vocals and Sam Coomes (Quasi) on keyboards. It was issued in September with Bäumler credited for string arrangements, and production duties shared by Coomes, Forster, McLennan and Weiss. Allmusic's Hal Horowitz praised their "[p]oetic, languid, spoken/sung vocals similar to Lou Reed weave between lovely melodies whose appeal unfolds with repeated listens"; however it "sounds more like a combination of two solo albums rather than one from a cohesive unit". The Village Voices critic, Robert Christgau, described them as "rather than lyric poets, as I once thought, Forster and McLennan are better conceived as short- story writers, with the concreteness and forward motion of voices and music compensating for imagistic technique and low word count".
A jam session resulted in a single, "After the Fireworks", released by a short-lived super-group, Tuff Monks, which included members of both The Birthday Party and The Go-Betweens. Glass later recalled: Glass worked as a songwriter in Nashville before returning to Australia in 1986. Under the pseudonym, Onie J. Holy, he issued an extended play, God, Guns and Guts, on Au Go Go Records. He followed with country, blues groups: Keith Glass Honky Tonk Band and Keith Glass and the Tumblers. Glass contributed three tracks to the soundtrack for the Nadia Tass-directed film, Rikky and Pete (1988). In 1988 he signed with Virgin Records and issued his solo album, Going Over Old Ground, the following year. In 1990 Glass co- produced the album, Two Roads: Live in Australia by US country rockers, Butch Hancock and Jimmie Dale Gilmore. In 1991 he released another solo album, Living Down My Past.
Lasus credits include albums by Yo La Tengo, Clap Your Hands Say Yeah, Lilys, Helium, Juliana Hatfield, Mark Mulcahy, Dean Ween, Matt Keating, Clem Snide, Amy Ray, Madder Rose, Army Navy, Michael Cerveris, Anders Parker, Chris Harford, Versus, Dumptruck and Gigolo Aunts. Lasus started Studio Red in Philadelphia, Pennsylvania in 1990 and recorded many seminal Indie rock artists there: Helium, Versus, The Lilys, Madder Rose, Space Needle, Varnaline, Joey Sweeney, Matt Keating and many more. In 1997 he moved to Brooklyn and started Fireproof Recording, a recording studio, which became an important part of the indie music scene in Brooklyn and New York City. While there Lasus worked with PJ Harvey, J Mascis, Joan Jett, Clap Your Hands Say Yeah, Mark Mulcahy, Spike Priggen, Violet, Daniel Johnston, As well as Members of Sleater Kinney, Cheap Trick, R.E.M., Guided By Voices, The Breeders, The Posies, Sonic Youth, The Beastie Boys, The Go-Betweens and Ween.
The quartet issued a six-track extended play, In the Nude for Love, in May 2009 which Electric Skeletons reviewer noticed the group "make the kind of dreamy pop music that even your Grandmother would probably appreciate (although they drop the f-bomb in 'Seems Like a Good Idea', so unless you have a really cool granny, perhaps not). It is very easy to see why they’ve been compared to the likes of The Go-Betweens and Augie March." The reviewer listed the EP as one of the best of that year, "Aside from the brilliant title it has some great pop songs and two instrumentals." Two tracks, "Lay Everything on Me" and "Seemed Like a Good Idea", were issued as singles and were used to promote the group on Triple J and Triple R. The four- piece released their debut album, Privileged Woes, on 24 August 2009 on the Casadeldisco label and distributed by Shock with Myles Wootton (of the Panics) producing.
Connolly has balanced his career as a performer with work as a producer and engineer for some of Australia's most successful and respected artists, including Josh Pyke, The Vines, Boy & Bear, Paul Dempsey, Youth Group and You Am I. In the early '90s he took a job managing Paradise Studios for rooART, which put him in touch with emerging artists providing songs for the Youngblood compilation series. Among these were Underground Lovers, Glide, and Custard, all of whom formed working relationships with the producer. Production credits from the 1990s include Wahooti Fandango by Custard, Fill Yourself With Music by Screamfeeder, The Young Need Discipline, Lazy Highways and Future Spa by The Fauves, In Your Bright Ray by The Go-Betweens' Grant McLennan, and Sold by Died Pretty. Since the early 2000s, Connolly has also worked with Neil Finn, Cloud Control, Dallas Crane, Sarah Blasko, Silverchair, Jimmy Barnes, The Living End, Grinspoon, Powderfinger, The Veronicas, Midnight Oil's Jim Moginie, Halfway (band), Dappled Cities, Old Man River, The Grates, Turnstyle and many more.
Zero were formed in Brisbane in 1977 with the initial line-up of Peter Adams on guitar and vocals; Chris Anderson on guitar and vocals; Jude Clarkin on bongos; Barbara Hart on saxophone and flute; John Hunt on bass guitar; Irena Luckus on vocals, keyboard and guitar; and Debbie Penny on drums. By 1978, now including Vic Allen, Deborah Thomas and Lindy Morrison, the band travelled across New South Wales by train, playing gigs in Canberra (in a large, very cold hall) and Newcastle (in a local pub). In 1979 the group settled as a four-piece with Luckus, Morrison, John Willsteed and Michael O'Connell, and among a number of significant gigs, opened for The Cure in support of that group's second album, Seventeen Seconds. The Go-Betweens Robert Forster was an occasional guest, and when Morrison left in September 1980 to join Forster and Grant McLennan, O'Connell also left, moving to Sydney to play in a number of bands. Zero then became Xiro, and decided on the Roland DR-55 as a suitable drummer replacement.
Critically acclaimed acts like The Church, Cosmic Psychos, the darkwave-world music group Dead Can Dance, Hunters & Collectors, Scribble, The Moodists, The Deadly Hume, the Wreckery, the second incarnation of The Saints, Laughing Clowns, The Go- Betweens and a new band formed by Nick Cave and Mick Harvey, Nick Cave and the Bad Seeds, developed consistent followings in Europe and other regions. Nick Cave and the Bad Seeds and the side project Honeymoon in Red were heavy on the pop cultural references to cult favourites like Johnny Cash and Saul Bass and lurid pulp fiction. From the late seventies to the late eighties there was also a lively Australian post-punk scene which was made up of bands that showed obvious influences of bands such as Tangerine Dream, Wire, The Cure, Siouxsie and the Banshees and Suicide. J. G. Thirlwell, whose influential Foetus, began life in Melbourne before moving to London and the US. Of the early Australian electronica scene just a few truly memorable recordings emerged, for example "Lamborghini" by Severed Heads, "Pony Club" by The Limp "The Pilot Reads Crosswords" by Scattered Order and the electronica of Hugo Klang.
Stuart B. Schwartz, "Indian Labor and New World Demands and Indian Response in Northeastern Brazil." American Historical Review 83 (1978) 43-79. While the availability of Amerindians did decrease due to epidemics afflicting the coastal native population and the declaration of King Sebastião I's 1570 law which proclaimed the liberty of Brazilian natives, the enslavement of indigenous people increased after 1570. A new slave trade emerged where indigenous people were brought from the sertões or “inland wilderness frontiers” by mixed-race mameluco under the loophole in the 1570 law that they were captured in just wars against native groups who "customarily" attacked the Portuguese. By 1580, as many as 40 000 natives could have been taken from the interior to toil as slaves on Brazil's interior, and this enslavement of indigenous people continued right throughout the colonial period.Alida Metcalf, "Go-betweens and the colonization of Brazil, 1500-1600". Austin: University of Texas Press (2005), 181-190 Golden Baroque inner decoration of the Franciscan church of Salvador (first half of the 18th century) The period of sugar-based economy (1530 – c. 1700) is known as the sugar age in Brazil.
As an arranger and improvising session cellist she has recorded for two decades with numerous groups including The Style Council (A Stones Throw Away), The Smiths (Stop Me), Nick Cave (on Tender Prey), Dubstar, The Cure, The Go-Betweens, The Sundays, Lush, the Smashing Pumpkins (for whom she conducted the Chicago Symphony Orchestra strings) and Dave Matthews (for whom she conducted the Seattle Symphony Orchestra in eight of her arrangements for the album Some Devil), as well as live and television appearances with many others. Most recently she has contributed her playing and arrangements to new albums by Foo Fighters (Echoes, Silence, Patience & Grace), Coldplay (A Rush of Blood to the Head and X&Y;), Feeder (Yesterday Went Too Soon, Comfort in Sound and Pushing the Senses), Muse (Absolution, Black Holes & Revelations, The Resistance and Drones), Moloko (Statues) and Fightstar (Be Human). She has worked extensively with dance companies including Siobhan Davies, Royal Scottish Ballet and Random Dance. Since 2001 she has toured with the Merce Cunningham Dance Company performing Gavin Bryars 'Bi-ped' and the solo work for cello, 'One 8' by John Cage, in Paris, Mullhouse, Berlin, Dublin, Reykjavik, Bergen, Hong Kong, Brazil and at The Barbican, London.

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