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16 Sentences With "giving the impression of being"

How to use giving the impression of being in a sentence? Find typical usage patterns (collocations)/phrases/context for "giving the impression of being" and check conjugation/comparative form for "giving the impression of being". Mastering all the usages of "giving the impression of being" from sentence examples published by news publications.

This tale of lost innocence is poignantly told, "written" by a self-aware narrator who seamlessly shifts perspectives, giving the impression of being every character as well as the storyteller.
After abandoning oils, and inspired by the Pre-Raphaelite movement, she painted flat compositions in tempera and gesso, her paintings giving the impression of being frescoes on plaster surfaces. She was an Associate of the Royal Society of Painters in Water Colours. Stokes was included in the 2018 exhibit Women in Paris 1850-1900. Marianne Stokes died during 1927.
This species can vary from a uniform grey colour, with few black or orange scales, to rich brown, with a mottled pattern of grey, white, and orange scales. Spines are present along the tail, and long spines are generally present above the eyes, giving the impression of being eye-lashed.Wilson S, Swan G (2008). A Complete Guide to Reptiles of Australia.
The song was included on the setlist for her fourth concert tour, the Love + Fear Tour (2019). An acoustic version of the song appears on Marina's seventh extended play, Love + Fear (Acoustic) (2019). A music video for the acoustic version was released in September 2019 and directed by Nikko LaMere. It depicts Marina dancing and singing in a dimly lit room, while giving the impression of being underwater.
It proposed that the WCC adopt a consensus method of decision making. It proposed that Orthodox members be brought in parity with non-Orthodox members. It further proposed clarification that inter- confessional prayer at WCC events is not worship, particularly "it should avoid giving the impression of being the worship of a church", and confessional and inter-confessional prayer each be specifically identified as such at WCC events.
On another occasion, after the plates had been cleared between the courses of a dinner he was hosting, his butler quietly placed a sugar cube on his bald head. Engaging his guests on a serious subject, his parrot would by then have flown into the dining room and seated itself on the Provost's head to eat the sugar cube, as the Provost continued with his philosophical musings, giving the impression of being completely unfazed.
Dobson was a member of the Linnean Society, and much interested in botany and higher education generally. As a member of parliament he brought in the act which made education compulsory, and he was also responsible for the act abolishing imprisonment for debt. Although not giving the impression of being a brilliant lawyer, he was an exceedingly sound one; it has been stated that during his judicial career he never had a decision reversed by a higher court.
Marshy Landscape is an oil painting created in 1883 by Vincent van Gogh. From 1883–85, van Gogh lived in Drenthe, a remote district of the Netherlands, flat and riven with canals, a landscape of marsh and mist. Throughout 1883, the artist worked on his series of peasants' cottages, exploring the local terrain of marshes and peat fields, ditches and canals. Like much of his work of this period, Marshy Landscape is rendered with subdued earthy tones, giving the impression of being painted with the very soil itself.
The original Tower of Terror ride was themed as an "escape pod" launch from a futuristic skyscraper to a distant building. Earthquakes had supposedly made the building unstable and unexplained nuclear hazards were contaminating the building. Riders took the role of people queuing for the escape pods through the corridors and stairwells of the building, at one point crossing a depth illusion giving the impression of being high above a ruined city. Whilst the optical illusion and decoration of the queuing area remains, the backstory of the ride was no longer given.
All are entirely aquatic, lacking the broad belly-scales found in most other snakes and possessing dorsally located eyes. Their most notable feature is their skin and scales. The skin is loose and baggy, giving the impression of being several sizes too large for the snake, and the scales, rather than overlapping, are tiny pyramidal projections that led to their common names. These snakes are ambush predators, lurking at the bottom of rivers, streams and estuaries, and waiting for fish to approach, which they grip with their coils.
His most significant work was The Senster , a large hydraulically actuated robot that followed the sound and motion of the people around it, giving the impression of being alive. The Senster was the first robotic sculpture to be controlled by a computer. It used an array of four microphones to detect the direction of the sound around it and two Doppler radar arrays to measure the motion of people. A computer program controlled the hydraulic actuators to move the body so that the Senster was attracted by sound and movement but repelled by loud noises and violent motion.
In Irish folklore, Muckie is the name given to the reported mysterious creature said to inhabit the Lakes of Killarney in Ireland. In 2003, scientists conducted a series of sonar scans to determine local fish populations. However, a large solid object in the water was recorded, which has led to the theory that the lake is inhabited by some form of lake monster, similar to the famed "Nessie" of Loch Ness. It has been suggested that witnesses might have seen seals, which when travelling in pairs will dive and rise opposite to each other, giving the impression of being a single larger animal.
Matthew Knight Arena, February 2011 The arena floor is named Kilkenny Floor after former Oregon Athletic Director Pat Kilkenny. Called "Deep in the Woods", the design features repeating silhouettes of Pacific Northwest tree lines, giving the impression of being lost in the forest, gazing toward the sky. The floor was designed by Tinker Hatfield, Nike's VP of Creative Design, who intended to design an "iconic television presence possible for the University of Oregon" and honor the "Tall Firs", the nickname of the 1938–39 Oregon Ducks men's basketball team, winners of the inaugural NCAA basketball championship. The arena also features a , center-hung scoreboard, once the largest in college sports.
This was one of the private rooms used by Maria I during her time at Queluz. It is designed in the form of a bower, with a trellis pattern on the ceiling which is reflected in the design of the marquetry floor (illustrated below), giving the impression of being in a pergola rather than an interior. The marquetry floors of the private rooms distinguish these smaller more intimate rooms from the larger state rooms where such delicate features would have been damaged by more frequent use. The walls of the boudoir are heavily mirrored and contain overdoor and mirror carouches by José Conrado Rosa.
The Churchill Theatre in Bromley, southeast London was built by the London Borough of Bromley to designs by its borough architect's department. The Churchill is an example of a repertory theatre built in the style of European opera houses, with a large stage and sub-stage workshops. Integrated into the central library complex overlooking Church House Gardens and Library Gardens, it was built on the side of a hill, disguising the number and size of the lower levels and giving the impression of being smaller by setting the auditorium below ground level which is entered by descending staircases from the foyer. The theatre was opened on 19 July 1977 by the Prince of Wales, and seats 781.
By comparison, the robot Gort, the menacing "interstellar policeman" from the film The Day the Earth Stood Still (1951) was clearly a man in a robot suit, and its design posed several practical problems for shooting. Because it was made of flexible neoprene overall, similar to a skin diver's wetsuit, the props team had to fabricate two suits that laced up in order to keep the fastenings out of sight while filming Gort moving: One suit opened at the back (for frontal shots), and the second, which opened at the front, was used for the shots in which Gort was seen from behind. The neoprene suit creased at the hips, knees, and elbows when the actor inside moved, giving the impression of being made from a flexible alien metal. The filmmakers diminished the effect by keeping Gort's movements to a minimum or by only shooting his upper body when he walked.

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