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15 Sentences With "gives the feeling of"

How to use gives the feeling of in a sentence? Find typical usage patterns (collocations)/phrases/context for "gives the feeling of" and check conjugation/comparative form for "gives the feeling of". Mastering all the usages of "gives the feeling of" from sentence examples published by news publications.

Shot on 35mm film with rounded corner – which gives the feeling of thumbing through a family photo album – Two for Joy is a harrowingly honest portrait of a trauma-stricken family.
INDOORS The main house has two parallel wings branching diagonally off a central kitchen and a three-story tower with two bedrooms that gives the feeling of being in a treehouse.
On top of the method of exposure therapy being totally safe, it also allows the individual to be fully immersed into the environment, which gives the feeling of a real-life situation.
The forms of marijuana Sister Kate and Sister Darcy grow contain large amounts of cannabidiols (CBD), and the duo claims that their products are virtually free of THC, which gives the feeling of being high.
Mike del Mundo's work looks like a story. He gives the feeling of action with blurred lines. Mike draws in a bright colors. He provides a many details.
The book is bound in paper that gives the feeling of wood. The album was also released as just an LP packaged with Elverum self-portraits drawn from the reflection of a window in the cabin in Norway.
Star Shower (별빛이 내린다) was a song that really pulled Annyeongbada into the spotlight. Being performed and featured in many TV programs, the song is still used today on variety shows and CFs for its unique melody that gives the feeling of being star struck.
The E8 was released in July 2008. It features a new keypad interface called ModeShift, which automatically changes the context of the keypad depending on the current function of the device. It also features a localized touch feedback system with haptic technology that gives the feeling of real buttons, though the keyboard surface is smooth. It will sync with Microsoft Outlook, but not with Web or Mac based calendars.
Designed by the noted San Francisco architectural firm of Reid & Reid, the Golden State Theatre is a "budget" atmospheric movie palace. The interior features walls inspired by a Castillian castle and the ceiling has a fresco of a "canopy" with slight borders of "sky" showing around the perimeter. This gives the feeling of sitting in an open-air courtyard. The theater was originally equipped with lighting to simulate sunrises and sunsets.
This brings about many implications on its own. First, living in the employers home gives the feeling of being at work 24 hours a day, 7 days a week. This means that their employer may ask them to do tasks very early or late in the day, even after working a full day. Other issues are vulnerability to sexual abuse and difficulties in challenging their employer due to the fact that their employer is not only providing them a job, but also their shelter.
It can be used to influence the behavior of consumers and evoke different reactions. Each color can make consumers feel a different emotion, and therefore, retailers will use colors selectively to help consumers make associations about their products on display. Bright and warm colors such as red and yellow can be used to attract attention as well as excite the viewer. Cooler colors such a blue and green gives a calm and tranquil response to the viewer while purple gives the feeling of sophistication and elegance.
It starts out playful in a fantasy-like world until later the ending gives the feeling of an "Uncanny Valley" effect. All songs debuted within the top ten of the Gaon Chart, with "Re-Bye" becoming a chart- topper. Billboard named Spring the fourth best K-pop album of the year, where the record "boast a more theatrical feel to them to show the young duo is growing an exciting pace." To promote Spring, the duo performed at the Seoul Forest park in front of 10,000 people.
The key is F-sharp minor with the dominant chords inflections being largely based on an Aeolian mode. The tempo gives the feeling of a romantic dance piece. The alto-soloist is singing about how they would "rather stay warm in bed while everyone else is out enjoying May-time celebrations" while the other three voices mimic the percussion sound of a tambourin. The speaker in the poem is presumably male, so there is a mystery in the differences of the published edition assigning the solo to a contralto, whereas the manuscript designates it for tenor.
In an article written for The Japan Times, Robert Yellin wrote of the Sodeisha philosophy that: > "They had as their unwritten laws that they would not submit work to > official exhibitions, to avoid being judged on others criteria, and not to > copy antique wares of the past. That was the basic credo, quite bold and > naive. A major hurdle in the beginning, believe it or not, was whether or > not the mouth of a work should be closed or not-if left open it gives the > feeling of a common vessel, and thus to close it was the only way to have it > taken seriously as ceramic sculptural art".
Jeong Jidon’s characteristic is that he creates a world by cleverly fabricating based on literary facts. Also, another characteristic is that he references sentences from the countless books that he has read, and then his sentences overlap on top of them, creating an atmosphere of déjàvu and fantasy. Therefore, his work gives the feeling of reading nonfiction. On Jeong Jidon’s work “Geonchuk-inya hyeokmyeong-inya” (건축이냐 혁명이냐 Architecture? Or Revolution?), writer Jung Young Moon has said that it is “an exemplary model of intelligent fiction that skillfully combines facts and fiction”. Critic Hwang Jongyeon has highly praised the book as a “monstrosity of a work” that “depicts brilliant acrobatics in the gap between history and fiction.” In contrast, Writer Ku Hyoseo, who was among the judges, has called this work a “cruel joke”. Critic Kwon Huicheol has said “I have not been able to thoroughly figure out the true value of this work”. Writer Shin Kyung-sook has written in her commentary that she is not able to readily agree with the appraisal of others“Prize Commentary”, Munhakdongne, Spring 2015: 44 – 66. .

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