Mr Swafford also thinks a lot of Haydn and, being American himself, gives prominence to a number of American composers.
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A recent renovation of the ground floor gives prominence to contemporary writers, while another space houses a web team for online orders.
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Mr. Ratmansky — the most remarkable ballet choreographer of our day — here gives prominence to the all-female corps de ballet, which wafts atmospheric fragrance all around, and three contrasting muses.
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The diminutive, knurled crown on the right side of the face also gives prominence to the face, and the closeness of the hour markers to the outer edge of the face also help give it a larger look than you might expect.
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In Hinduism and Sikhism, Bhagats (, from Sanskrit ) were originally holy men of various sects. Members of a community that gives prominence to the religious teachings of Kabir are also known as Bhagats, and the Hindu and Sikh religions both have numerous Bhagat communities in Punjab.
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Instead, it gives prominence to melody and voice. All arias are da capo arias with stylistic borrowings from opera arias. Grauner's recitative settings are highly expressive, culminating in the moving simplicity of the bass's recitative no. 23 on the death of Jesus, "" (He is no more!).
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They tell of sacrifices by martyrs to freedom, especially the men who committed suicide. While he places no value on the Stoic theory of suicide and views suicides as ostentatious and politically useless, Tacitus often gives prominence to speeches made by those about to commit suicide, for example Cremutius Cordus' speech in Ann. IV, 34–35.
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The Jerusalem Post asserted that Ginsburgh had called the massacre a mitzvah.Probe of rabbi who called Hebron massacre a 'mitzva'. Jerusalem Post – 5 September 1994. Retrieved 2 September 2015 Motti Inbari commented on this: > In his writings, Ginzburg (sic) gives prominence to Halachic and kabbalistic > approaches that emphasize the distinction between Jew and non-Jew (Gentile), > imposing a clear separation and hierarchy in this respect.
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There are two different editions of the site: a UK edition, which gives prominence to UK stories, and an international edition, which prioritises international news. Internet users with IP addresses originating from the UK are served the UK edition, all others receive the international edition. The international version contains advertising and an "Advertise With Us" link at the bottom."UK content on BBC online – Outside the UK", BBC.co.
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In 2005, Times of India brought out a dedicated Mumbai tabloid newspaper Mumbai Mirror which gives prominence to Mumbai-related stories and issues. Tehelka started off as a news portal in 2000. It broke the story about match-fixing in Indian and International Cricket and the sting operation on defence deals in the Indian Army. In 2007, it closed shop and reappeared in tabloid form, and has been appreciated for its brand of investigative journalism.
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Hei Tiki was released in 1935, with a NY Times review describing the plot as being about a "chieftain's daughter who is declared tabu and destined to be the bride of the war god", attributing the title to mean "love charm" (a Hei-tiki pendant interpretation). The crime writer Ngaio Marsh gives prominence to an amuletic hei-tiki (which she calls simply a tiki) in her 1937 novel Vintage Murder. She emphasises its aspect as a promoter of fertility.
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Comitative case encodes a relationship of "accompaniment" between two participants in an event, called the "accompanier" and the "companion". In addition, there is a "relator" (which can be of multiple lexical categories, but is most commonly an affix or adposition). Use of Comitative case gives prominence to the accompanier. This Italian sentence is an example: :[il professore]accompanier entra nell'aula [con]relator [i suoi studenti]companion :'the professor enters the lecture-hall (together) with his students'.
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Todas las horas mueren (literally, All the hours die), is a short fiction novel based on a story begun by her mother. She has also written an essay about the pop singer Tino Casal. Although her work often gives prominence to women (usually lesbians), she rejects the label of lesbian novels since her books are not exclusive to LGTBI people. In the words of the author: Among her influences are Fannie Flagg, Virginia Woolf, Carmen Laforet, Rosa Montero and Ana María Matute.
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In his introduction to the third edition of Mediaeval Hymns and Sequences in 1867 Neale noted that "Jerusalem the Golden" had already been published in twenty hymnals. As well as being adopted for Church of England services, it had become popular with English Dissenters and was being used in Roman Catholic churches. He remarked that "for the last two years it has hardly been possible to read any newspaper which gives prominence to ecclesiastical news, without seeing its employment chronicled at some dedication or other festival".
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The DULBEA also gives prominence to recommendations in the field of economic policy. ECARES, founded in 1991, began as a joint political initiative of the ULB Institute of European Studies and the Centre for Economic Policy Research (CEPR), a network of some 500 researchers in Europe. CERMi (Centre Européen de Recherche en Microfinance / Center for European Research in Microfinance), draws together researchers, involved in microfinance activities in developing countries, from CEB and from the Research Centre Warocque (Université Mons- Hainaut). The CERMi also collabores with the European Microfinance Programme.
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"Chinese salvationist religions" ( jiùdù zōngjiào) is a contemporary neologism coined as a sociological category and gives prominence to folk religious sects' central pursuit that is the salvation of the individual and the society, in other words the moral fulfillment of individuals in reconstructed communities of sense. Chinese scholars traditionally describe them as "folk religious sects" ( mínjiān zōngjiào, mínjiān jiàomén or mínjiān jiàopài) or "folk beliefs" ( mínjiān xìnyǎng).: "Chinese sectarianism, millennialism and heterodoxy, called "popular religious sects" (minjian zongjiao , minjian jiaomen , minjian jiaopai ) in the Chinese scholarship, often inextricable from debates on the exact nature of the so-called "White Lotus" tradition."; p.
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Guru Chenganoor Raman Pillai, also spelt Chengannur Raman Pillai (1886–1980), was a celebrated Kathakali artist from Kerala in south India. He was known for his brilliant portrayal of the anti-heroic Kathi roles on stage, and was the head of palace kathakali yogam to the Travancore Maharaja in a career spanning almost 65 years. Raman Pillai, born in Chenganoor on 16 January 1886, was a specialist in the Kathakali southern style called Kapplingad, which gives prominence to abhinaya (acting). He wrote Thekkan Chittayilulla Abhyasa Kramangal, considered one of the major training manuals on southern-style Kathakali.
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The sensitive bill means that willets can hunt at night as well as during the day. They are territorial both on the breeding grounds and on the wintering areas but form loose breeding colonies or wintering groups. When displaying the wings are held stiffly and downcurved in flight while on the ground the display gives prominence to the distinctive pattern of the underwings. They are normally nervous birds, with the birds closer to the landward edge of a saltmarsh being the first to utter their alarm calls, in a manner reminiscent of the common redshank in Europe, although some individuals may be approachable.
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BMF also gives prominence to music education and community engagement offering free children's concerts and students' concerts, as well as master classes which draw about 6,000 music students, teachers, and spectators. It prides itself in presenting both Western and Chinese music alike. According to Chinaculture.org notable performers that have appeared at the festival include Martha Argerich, Pinchas Zukerman, Jean Yves Thibaudet, Emmanuel Ax, Murray Perahia, Maxim Vengerov, Christoph Eschenbach, Tan Dun, Kathleen Battle, Du Yun, Jose Carreras, Sarah Chang, Augustin Dumay, Valery Gergiev, Mischa Maisky, Krzysztof Penderecki, Issac Stern, Melvyn Tan, Fou Ts'ong, the Kodály Quartet, and the New London Consort.
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William Shakespeare gives prominence to the Battle of Bosworth in his play, Richard III. It is the "one big battle"; no other fighting scene distracts the audience from this action, represented by a one-on-one sword fight between Henry Tudor and Richard III. Shakespeare uses their duel to bring a climactic end to the play and the Wars of the Roses; he also uses it to champion morality, portraying the "unequivocal triumph of good over evil". Richard, the villainous lead character, has been built up in the battles of Shakespeare's earlier play, Henry VI, Part 3, as a "formidable swordsman and a courageous military leader"—in contrast to the dastardly means by which he becomes king in Richard III.
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1169-1170 online The book concludes that the conventional conclusion of historical analyses – that the Imperial household was largely powerless and not culpable or particularly supportive of the imperial adventures, blame for which is assigned to military elites – is mistaken. Instead, it asserts that the internal political fighting necessary to gain support for imperialism was a long-premeditated plan supported by all sectors of the elite and especially by members of the imperial family. The reason given as to why the American occupiers allowed the continuation of the institution of the Emperor is that its support was sought for the purposes of fighting Communism and the nearby Soviet Russia. Bergamini draws his conclusion from a variety of sources but gives prominence to his interpretation of various diaries kept by involved figures.
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In 1979, Gordon became co-chair of a commission on economic problems set up by the Progressive Alliance—a political coalition of more than 200 organizations representing labor, citizens, civil rights and women's organizations. He felt that a new and overarching analysis of the U.S. economy was needed in order to understand the macroeconomic travails of the time and to guide proposals for change. This led to more than a decade of collaboration with Samuel Bowles and Thomas Weisskopf in which they first analyzed the post-World War II boom of the U.S. economy as well as its subsequent unraveling and then formulated policy proposals to develop a more democratic, egalitarian and successful U.S. economy in the future. Gordon, Bowles and Weisskopf's account of the unraveling of the postwar boom gives prominence to the institutional and political impact of sustained full employment during the middle-to-late 1960s, the erosion of U.S. world hegemony and the rise of environmental and other citizen movements.
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