With more licenses in Phoenix, the company potentially gets faster access to people in Western states.
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One surprising addition to the Windows 10 Creators Update is the fact that Windows Hello gets faster.
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Keep time with your pedal strokes, and adjust your speed when the song gets faster or slower.
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She gets faster every time she gets in, and her times are becoming good for a guy.
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As the league gets faster and faster, Brooklyn has embraced the tepid tempo LeVert seems to favor.
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After them, the ballerina's footwork gets faster and more intricate, with phrases of the most intoxicating brio.
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After several spacey, unaccompanied solo guitar albums, he recruits a full band and gets faster, louder, harsher, more jaunty.
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There are now two USB-C connectors that support Thunderbolt 27, and the whole line gets faster Radeon Pro graphics.
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" And medical experts say it's steadily going to get worse as technology gets faster and smarter, fueling the need for this "digital heroin.
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"There are climate benefits to e-commerce, but those disappear as delivery gets faster and faster," says Miguel Jaller, a professor at UC Davis.
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This is even more interesting, because the expansion rate of the Universe gets faster in the future (instead of slowing down in the past).
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As mobile technology gets faster and cheaper, devices will turn to cell networks to access the internet directly, rather than through owners' WiFi networks.
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The sheer speed with which he does absolutely everything is stunning—hockey players are supposed to slow down with the puck, but McDavid somehow gets faster.
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But I know this: As the world gets faster and more interdependent, the quality of your governing institutions will matter more than ever, and ours are still pretty good.
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In France, Iceland's fans seized the public imagination with the unlikeliness of their existence, while intimidating opponents with their trademark Viking thunderclap, a wordless, drum-led clapping chant that starts out slow and gets faster and faster until its powerful climax.
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Basketball gets faster all the time, with more passes and more shots; with only so much time to log each action and stat crews that can consist of as few as two people, it's easy to see how things may be missed.
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Rambo was well received. Your Sinclair described it as "a thinking man's Commando. That game starts fast and gets faster until you end up like a one-man whirlwind. Rambo develops into a solid shoot'em up".
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The tropopause is a layer which separates two very different types of air. Beneath it, the air gets colder and the wind gets faster with height. Above it, the air warms and wind velocity decreases with height. These changes in temperature and velocity can produce fluctuation in the altitude of the tropopause, called gravity waves.
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The second subject is a fine example of Romantic lyricism, a slower melody which cuts into the movement several times, before the dance theme returns with its fireworks. The piece ends with a huge accelerando, leading to a fiery finish that gets higher as it gets faster and louder and eventually concludes with two short, yet grand, chords.
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The running speed starts slowly but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line, and run as long as possible. The second time you fail to complete a lap before the sound, your test is over.
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Platelet clotting demonstrates positive feedback. The damaged blood vessel wall releases chemicals that initiate the formation of a blood clot through platelet congregation. As more platelets gather, more chemicals are released that speed up the process. The process gets faster and faster until the blood vessel wall is completely sealed and the positive feedback loop has ended.
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BBC Four Goes Slow is a series of slow television programmes made for BBC Four, each without narration or underscore. The channel's editor, Cassian Harrison, stated that the series is an "antidote ... to the conventional grammar of television in which everything gets faster and faster". Similarities have been drawn between the series and the Norwegian trend of slow TV programmes.
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The I/O bound state is considered undesirable because it means that the CPU must stall its operation while waiting for data to be loaded or unloaded from main memory or secondary storage. With faster computation speed being the primary goal of new computer designs and components such as the CPU and memory being expensive, there is a strong imperative to avoid I/O bound states and eliminating them can yield a more economic improvement in performance than upgrading the CPU or memory. As CPU gets faster, processes tend to get more I/O-bound Or in simpler terms: As CPU gets faster, processes tend to not increase in speed in proportion to CPU speed because they get more I/O-bound. This means that I/O bound processes are slower than non-I/O bound processes, not faster.
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Adana () is a traditional Macedonian Oro, folk dance, from the town of Veles. It is a man dance with medium fast movements. The dance in the beginning is danced with balancing and later when it in becomes faster is danced with jumping, kneeling down and turning around. The dancers in the beginning are holding shoulders and later when the dance gets faster they hold hands.
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The Odzemek (in slovak Odzemok) is a Slovak solo traditional dance for men which always has an improvised character. The dance starts out slow and gets faster as the dance goes on, and is traditionally danced in Slovakia and also Moravian Wallachia. The name Odzemok comes from the words 'od zeme,' which means 'from the ground.' Composers such as Antonín Dvořák composed these dances.
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The song portrays a fictional account of the incident played in the form of a country song. With each verse, the song gets faster to, as Chapin explained in the live recording, "build up intensity and excitement." During the chorus, Chapin sings the phrase "thirty-thousand pounds" followed by Big John Wallace singing the bass line "of bananas." During concerts, the audience was encouraged to shout this refrain.
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The music video of "O Canto da Cidade" was directed by Patrícia Prata. It begins with Mercury singing the song while she walks through the streets of her native Salvador. As the beat of the song gets faster, Mercury starts to dance. There are also some other scenes of Mercury (wearing a dress similar to the one on the album's cover) and others dancing in yellow, black and white backgrounds.
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The Mad Capsule Markets 1997–2004 is third compilation album by The Mad Capsule Markets. This album features a collection of hits from Digidogheadlock to Cistm Konfliqt.... Songs were re-mastered by Takeshi Ueda for the release. Changes include extended intros to Asphalt-Beach and Bit Crusherrrr and an added scream to Scary as the song gets faster. In the UK edition the DVD was included with the disc instead of the two being sold separately as they are in Japan.
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The grackle's song is particularly harsh, especially when these birds, in a flock, are calling. Songs vary from year-round chewink chewink to a more complex breeding season ooo whew, whew, whew, whew, whew call that gets faster and faster and ends with a loud crewhewwhew! It also occasionally sounds like a power line buzzing. The grackle can also mimic the sounds of other birds or even humans, though not as precisely as the mockingbird, which is known to share its habitat in the Southeastern United States.
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The music video for "Don't Wait" was directed by Rich Lee. It features lead singer Chris Carrabba first in a bedroom, his suspected girlfriend leaves and soon time starts going faster and faster. Chris, now in the city walks oblivious to the fact that time is speeding ahead, Time gets faster, days and nights, seasons, Chris witnesses billboards changing and buildings being constructed. Finally so far ahead it seems civilization has ended, greenery takes over the city and eventually all the skyscrapers have been worn down.
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''''' (, abbreviated as ', ) is one of Yatsuhashi Kengyō’s famous pieces. It was originally a ' (), a kind of chamber music with the koto playing the leading part, but nowadays the part of the koto is more widely known than the original. The music is made from six columns, hence the name, and there are exactly fifty-two beats in each column, except for the first row, which has four beats more. Each column first begins slowly, and then gets faster and faster, but slows down to the original tempo at the end.
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The game's primary similarity to the film is the theme music that plays when the killer appears onscreen. The player obtains points in two ways: by rescuing children and bringing them to "safe rooms" located at both ends of each floor of the house, and by stabbing the killer with the knife (if it can be located). The player advances a level either by rescuing five children or stabbing the killer twice. The killer gets faster with each level increase, and the game continues until all of the player's three lives are lost.
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Acrobats and dancers depicted a tomb chamber in Chengdu dating to the Eastern Han dynasty. The dancer held in each hand long pieces of silk on rod. Other dances of the period included the Drum Dance (鞞舞), Bell Dance (鐸舞), Sabre Dance, and mixed couple dance (對舞). Fu Yi's (傅毅) Lyric Essay on Dance describes the Seven Tray Dance (七盤舞, also called Tray Drum Dance 盤鼓舞), a fusion of acrobatics and dance in which the dancer leaps gracefully between trays and drums on the trays, which gets faster as the dance progresses.
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Due to the lower ESL of this face-down construction the resonance of the capacitor is shifted to higher frequencies, which take into account the faster load changes of digital circuits with ever-higher switching frequencies. In the "face-down" construction of tantalum chip capacitors, the internal current path is constructively reduced, which reduce the parasitic impedance (ESL) with the result, that the resonance shifts to higher frequencies. Simply said, the capacitor gets "faster" Polymer tantalum chip capacitors with these new design enhancements, that both the ESR and the ESL decreased reaching properties, approaching ever closer to those of MLCC capacitors.
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Single Swing (also called single-time swing) is a fast dance rhythm in the larger swing family of dances. Swing or Jive is danced to popular rock-and- roll or jitterbug music that has 4 beats per measure and a tempo of 35 - 46 measures per minute. Most figures are written to span a measure and a half of music with a rock, recover, and two triples at the slower tempos: eight steps over six beats of music. When the tempo gets faster, it becomes more difficult to fit those triples in, and "single swing" is more comfortable.
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The conductor is evasive at first, but eventually leads the student to the locomotive, which is empty. The conductor tells the student that the engineer already jumped when he realized what was happening to the train. After a failed attempt to pull the emergency brake, the train gets faster and faster, tipping into an abyss. Finally, the train is heading completely vertically and the falling student lands on the front glass of the still falling locomotive, where he greedily stares into the oncoming darkness. The train conductor, ever concerned with duty, asks what they should do, but the student answers: “Nothing (...) God let us fall.
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Crowd participation is often noted in the Fantasia performance during the Last Night of the Proms. Mock tears were shed by the audience during "Tom Bowling", feet were stamped in time to the introduction of "Jack's the Lad", a familiar tune which gets faster and faster, being followed by the honking of hooters and a clapping crescendo during the climax. Occasionally the orchestra have been known to deliberately perform this part out of tune in response to the audience. The frantic pace was then juxtaposed with solemn humming in "Home, Sweet Home" and then the whistling of the melody of "See, The Conquering Hero Comes".
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In the next stage, the player must guide the avatar through a maze of neurons that pulse with electricity. Touching any of these neurons while electrified instantly kills the player, and various colored enemies also float around the stage (the damage they incur increases as the game progresses). The player must travel through the maze trying to find a pyramid object (sound can be used as a cue here, it gets faster as the player gets closer). Once the pyramid is obtained the player must backtrack to their starting point, and exit the level (the exit is surrounded with neurons, one must determine the pattern of the electrical pulses and cross while they are inactive).
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