How to use gets a line in a sentence? Find typical usage patterns (collocations)/phrases/context for "gets a line" and check conjugation/comparative form for "gets a line". Mastering all the usages of "gets a line" from sentence examples published by news publications.
When he gets a line, it just comes and smacks you right in the face.
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So when Money gets a line on a grieving father who never deposited most of the massive settlement payout from his daughter's fatal car accident, they decide to risk it all.
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Several years later, as rising kingpin Marlo Stanfield gets a line on Spiros "Vondas" Vondopoulos and the Greeks, he has Chris Partlow investigate the port investigation, as well as Sergei's criminal record at the courthouse. Upon learning that Sergei is locked up in Jessup, Marlo arranges a meeting with him. Initially, Marlo's access to Sergei is blocked by Avon Barksdale, who is effectively running the criminal activities within the prison, but after Marlo makes a payment to Avon's sister, Avon grants Marlo access to Sergei. Sergei, despite receiving a great deal of money from Marlo, is disrespectful and states that he does not need Marlo's help or money.
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Afterwards Elbridge "Al" Bryant and Paul Williams swap leads on the first half of the 2nd and 3rd verses; Eddie Kendricks and Melvin Franklin swap leads on the bridge; Otis Williams gets a line near the end ("She's a doll, now hey…"). It mainly showcases the lead vocals of tenor Bryant, as his ad-libs on the choruses made him the most prominent out front, but technically (group baritone) Paul Williams could also be considered the main lead as he portrays the narrator, who's telling his friends about a beautiful unrequited love: :She's the kind of girl all of my life, now. :(That I'd say) I've wanted to be my wife. However…. :Everytime she comes near me….
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Featuring all five Temptations trading lead vocals à la The Family Stone, "Cloud Nine" was a marked departure from the standard Tempts sound: wah-wah guitars and a harder, driving beat propelled the record, as opposed to pianos and strings. The song also features the Cuban percussionist Mongo Santamaria on conga drums. Edwards, Eddie Kendricks and Paul Williams swap leads on the verses, bridges and choruses, such as this example from the first bridge: > Paul Williams: "You can be what you wanna be..." Dennis Edwards: "You ain't > got no responsibility..." Eddie Kendricks: "And every man, in his mind is > free..." Dennis Edwards: "And you're a million miles from reality..." Otis Williams has some brief lead lines on the last half of the song (i.e.: he repeats "Reality…"), and Melvin Franklin also gets a line near the end ("There's no difference between day and night…").
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