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25 Sentences With "gentle sex"

How to use gentle sex in a sentence? Find typical usage patterns (collocations)/phrases/context for "gentle sex" and check conjugation/comparative form for "gentle sex". Mastering all the usages of "gentle sex" from sentence examples published by news publications.

For example, slow or gentle sex is going to elicit a very different bodily response than, say, standing sex.
To me, it means that I'm open to experimenting with partners — I have, and I enjoy it — but most of the time, I want gentle sex in a bed with only one other person.
The most appealing sex acts—for both women and men—were romantic, affectionate kinds of sex: saying sweet/romantic things (81 percent), kissing more often (86 percent), having gentle sex (87 percent), cuddling more often (88 percent), and giving/receiving a massage before sex (79 percent).
More than 200 years before the wedding of Blanche of Lancaster, Matilda, the only surviving legitimate child of the 12th-century king Henry I, sought to claim the throne for herself; she was accused of putting on "an extremely arrogant demeanor instead of the modest gait and bearing proper to the gentle sex," and two decades of civil war were the result.
The Gentle Sex is a 1943 British black-and-white romantic comedy-drama war film, directed and narrated by Leslie Howard. It was produced by Concanen Productions, Two Cities Films, and Derrick de Marney. The Gentle Sex was Howard's last film before his death.
He appeared in The Day Will Dawn (1942), Talk About Jacqueline (1942), The Gentle Sex (1943), The Halfway House (1944), They Were Sisters (1945), Nightbeat (1947). In addition, he also wrote Jeannie (1941), Breach of Promise (1942) (which he also directed), Talk About Jacqueline (1942), The Gentle Sex (1943), The Lamp Still Burns (1943), The Night Invader (1943) and The Halfway House (1944).
Kinematograph Weekly listed a series of films that were "runners up" in its survey of the most popular films in Britain in 1943: The Gentle Sex, The Lamp Still Burns, Dear Octopus and The Adventures of Tartu.
Kinematograph Weekly listed a series of films that were "runners up" in its survey of the most popular films in Britain in 1943: The Gentle Sex, The Lamp Still Burns, Dear Octopus and The Adventures of Tartu.
Japanese singer Aska from rock band Chage and Aska, covered Yokan in his second solo album Scene II in 1988. Japanese composer and singer, Toshiki Kadomatsu covered "Unsteady Love" on his studio album Gentle Sex in 2000.
Kinematograph Weekly listed a series of films that were "runners up" in its survey of the most popular films in Britain in 1943: The Gentle Sex, The Lamp Still Burns, Dear Octopus and The Adventures of Tartu.
Stella F. Simon (born Stella Furchgott, February 8, 1878 – March 15, 1973) was an American photographer, director and cinematographer who worked in both Germany and the United States. In 1928, she finished her only film, Hands: The Life and Love of a Gentle Sex, which is an avant-garde feminist film with imagery drawn from Europe and North America.
His first film as a director of photography was The Gentle Sex (1943), directed by Leslie Howard. Krasker's work was strongly influenced by film noir and German Expressionism. He received an Academy Award for his work on The Third Man (1949), directed by Carol Reed, having previously worked with Reed on Odd Man Out (1947). He also worked on Brief Encounter for David Lean and Another Man's Poison for Irving Rapper.
Valentin Krasnogorov (20 December 1934, Leningrad, now St. Petersburg, Russia) is one of the best known modern Russian dramatists. Krasnogorov's first play, An Ideal Man, was written in 1976. His plays, The Dog, Small Tragedies, The Delights of Adultery, Somebody Must Leave, Now or Never, Love Medicine, Let's Have Sex!, Several Hours From The Life of a Man and a Woman, That Weak Gentle Sex, The Bride's Room, A Cruel Lesson, etc.
Hands: The Life and Love of a Gentle Sex (1927–1928) was the first and only film directed by Simon. Completed in 1928, the film was a collaboration with Miklo Bándy and became famous as an experimental film typical of avant-garde ideology. The narratives in the film emerge from the actions and movements of human hands. Simon employed a Hollywood-style narrative and divided her film into three clear sections: Prelude, Variations and Finale.
The Second World War broke out during the film's production. After completing the picture, Justin joined the Royal Air Force, serving as a test pilot and flying instructor. He was injured in a crash. He was given leave to work on two films, The Gentle Sex (1943) with Leslie Howard, and Journey Together (1944), an RAF feature film with a cast led by Richard Attenborough, Jack Watling, David Tomlinson and Edward G. Robinson.
Her school's freestyle movements were pictured at the Berlin Stadium. In 1927 she appeared in the only film made by the American Stella Simon. The avant-garde film entitled Hands: The Life and Love of a Gentle Sex had its own score by Marc Blitzstein and it tells of an eternal triangle story using just the hands and forearms of the dancers. In 1928, Feist toured with the Novembergruppe, presenting her Der Berufung in Germany, Poland, Switzerland and England.
In most front line countries, women volunteered or were conscripted for various duties in support of the national war effort. In Britain, women were drafted and assigned to industrial jobs or to non-combat military service. The British services enrolled 460,000 women. The largest service, Auxiliary Territorial Service, had a maximum of 213,000 women enrolled, many of whom served in anti-aircraft gun combat roles.Lucy Noakes, Women in the British Army: war and the gentle sex, 1907-1948 (2006), p. 138.
He had a popular radio segment Home Town. Shiner's film parts remained small in They Flew Alone (1942), Those Kids from Town (1942), The Big Blockade (1942), The Black Sheep of Whitehall (1941) with Will Hay, Unpublished Story (1942), Sabotage at Sea (1942), The Young Mr. Pitt (1942), King Arthur Was a Gentleman (1942) with Arthur Askey, The Balloon Goes Up (1943) and The Gentle Sex (1943). Shiner was fourth billed in Formby's Get Cracking (1943). He had smaller roles in Miss London Ltd.
A confusion of identities ensues, as at one point, Logan is led to mistakenly believe that Leslie is actually Lord Mere's wife (played by Binnie Barnes). But after a weekend fox hunt at the lord's manor, all conflicts are satisfactorily explained away, and the two lovers are reconciled. In fact, by the story's end, Leslie has successfully transformed Everard from the inhumane, hostile, woman-browbeating counselor she witnessed earlier in the film into a more empathetic, understanding, sensitive courtroom-interrogator of "the gentle sex".
He toured as Captain Hook in Peter Pan, in which The Manchester Guardian found him less villainous than his predecessors in the role, but "melodious" with "a certain dash and attractiveness"."The Opera House", The Manchester Guardian, 12 February 1936, p. 6 In the 1930s and 40s Welchman appeared in more than a dozen feature films, some musical and others straight drama. Among the former were A Southern Maid (1933) and Lisbon Story (1946); the latter include The Gentle Sex and The Life and Death of Colonel Blimp (1943).
With his brother, the actor Terence De Marney, he formed Concanen Productions and produced a number of wartime documentaries on the Polish Air Force, including The White Eagle and Diary of a Polish Airman (both 1942), as well as Leslie Howard's film The Gentle Sex (1943). He also produced and starred in the thrillers Latin Quarter (1945), She Shall Have Murder (1950), and Meet Mr. Callaghan (1954), a role he had created on stage. He also produced and wrote No Way Back (1949), which starred his brother Terence. He directed the documentary shorts Malta G.C. and London Scrapbook in 1942.
Film appearances included Peter Farrar in Frail Women (1932), Kenneth Bailey in The Scotland Yard Mystery (1934), Jimmy Andrews in The Secret of the Loch (1934), Jackson in Freedom of the Seas (1934), Guy Carfax in Gentlemen's Agreement (1935), Jimmie in Murder at the Cabaret (1936), Fred Coggins in The Lonely Road (1936), Michael Elwood in Full Speed Ahead (1936), 2nd Soldier in The Gentle Sex (1943), Lewis in The Angry Silence (1960), Mossie in The Marked One (1963), Cottrell in Hide and Seek (1964) and Tramp in Subterfuge (1968).Peisley on the Internet Movie Database"Frederick Peisley", on the British Film Institute website.
As was the norm with quota quickie directors, Brunel's films in this period encompassed a range of genres from comedy and musicals, through drama, to thrillers and crime. However, few of these films are known to survive. Brunel's last two feature films The Rebel Son (1938) and The Lion Has Wings (1939) – the latter a three-way directorial venture with Michael Powell and Brian Desmond Hurst – were more visible productions and do survive. Following a propaganda short The Girl Who Forgot in 1940, Brunel drew a line under his directorial career, although he did continue for a time to offer uncredited help as a favour, most notably to his old friend Leslie Howard on The First of the Few (1942) and The Gentle Sex (1943).
Gillie made no films in 1941 or 1942, but returned to the screen in 1943 in a straight dramatic role as one of the lead players in Leslie Howard's wartime propaganda piece The Gentle Sex. This was followed by The Saint Meets the Tiger, notable as the only time her character Patricia Holm (the love interest of Simon Templar aka The Saint) was ever featured on screen in any film adaptation of a novel from the Leslie Charteris The Saint canon. 1944 saw Gillie starring in the whimsical propaganda drama Tawny Pipit, while her last British film Flight from Folly (1945) marked a return to comedy. During the war, Gillie met American film director Jack Bernhard while he was on military service and stationed in Britain. The couple married on 5 May 1944, and after the end of the war went to live in the United States.
Female service in the Royal Navy restarted 1884 when the Naval Nursing Service was formed. It became the Queen Alexandra's Royal Naval Nursing Service in 1902 and is still in operation. Women have had active roles in the British Army since 1902, when the Queen Alexandra's Royal Army Nursing Corps was founded. The Princess Mary's Royal Air Force Nursing Service was formed in 1918. During the Second World War, about 600,000 women served in the three British women's auxiliary services: the Auxiliary Territorial Service, the Women's Auxiliary Air Force, and the Women's Royal Naval Service, as well as the nursing corps.Lucy Milks, Women in the British Army: War and the Gentle Sex, 1907–1948 (2006) In 1917, the Queen Mary's Army Auxiliary Corps was formed; 47,000 women served until it was disbanded in 1921. The Women's Royal Naval Service (WRNS) was formed in 1917 as well. Before it disbanded in 1919, it provided catering and administrative support, communications and electrician personnel.

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