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202 Sentences With "gazes at"

How to use gazes at in a sentence? Find typical usage patterns (collocations)/phrases/context for "gazes at" and check conjugation/comparative form for "gazes at". Mastering all the usages of "gazes at" from sentence examples published by news publications.

type: All Declarative Interrogative Exclamative

structure: All Simple Compound Complex Compound-Complex

length: All <=10 words 10-20 words 20-30 words 30-50 words

He gazes at 225 players he trusts in the huddle.
" He always gazes at me with a saddened, sympathetic expression. "No.
He gazes at something out of frame, seemingly forgetting Freedman's camera.
Mr. McConaughey gazes at the paradise he has won for himself.
A D.J. gazes at a glowing laptop on Thursday through Saturday nights.
Often it's the man who gazes at, and pursues, the elusive woman.
A woman with sad eyes gazes at her reflection in a shattered mirror.
Adora gazes at her daughter portraying a rape victim with pride, not with empathetic horror.
The next morning, as he leaves, she gazes at the Oscar on her bedside table.
She gazes at men, imagining their bedroom personas; she flirts; she makes the first move.
Out her bedroom window, she gazes at Thornhill, boarded up and graffitied, and sees … something.
A ranger named Tomasi leans down and gazes at the beast's mutilated head, swarming with flies.
Like the man standing on the rock, he gazes at the moon, at once lifeless and glowing.
RUSTY BELL climbs a roadside platform and gazes at the sweeping, flower-strewn landscape of northern Wyoming.
Now she has a kitchenette full of utensils and an electric fan she gazes at with pride.
Bisecting the screen from the chest up, she gazes at the ceiling — and out onto the viewer.
In another, against a backdrop of millennial pink and macrame, the woman gazes at her phone and grins.
Her husband puts his arm around her shoulders and gazes at her; the pose is formal but tender.
Her character, Irisz Leiter, gazes at many grand and grave things in this film set in 1913 Budapest.
In this image, Nsala of Wala gazes at the severed hand and foot of his five year-old daughter.
From her living room, she gazes at the Empire State Building, with its crown of ever-changing colored lights.
She poses with her foot on the table and gazes at the camera with a half-eaten slice in hand.
IN THE CONTROL room of Scatec Solar in Cape Town Johan Badenhorst gazes at the six monitors on the wall.
He gazes at a black, hockey-­puck-shaped object—an Amazon Echo—on a small table in front of him.
Sitting casually on her back porch, the elderly woman gazes at two men in trench coats slightly obfuscated by foliage.
The princess holds a goat whose head rests on her left shoulder, and she gazes at us over her right.
He gazes at her, and then, as the understanding of his own ruin washes over him, something softens behind his eyes.
The camera longingly and lovingly gazes at breasts and buttocks, to the point where even faces are nothing more than mere accessories.
News shortly after their big news broke, showing the mom-to-be tearing up as she gazes at her baby boy's ultrasound.
One painting shows a chief with a feather in his hair and one eye blacked out; his other gazes at the viewer.
Levin, who was gay, surrounds himself with handsome young men and leeringly gazes at Joe throughout their first meeting at his mansion.
In the snap, a dolled-up Jenner, wearing a dress with lace sleeves, smiles for the camera as her mom gazes at her.
"I'm unsafe … I think you know that I don't need you," she tells him, matter-of-factly, as he gazes at her adoringly.
Her son whispers in her ear, making her turn away from the musician in her bedchamber — who indiscreetly gazes at her uncovered genitals.
Davidson's face is obscured from the camera by the hood of his plaid jacket; Grande, licking a lollipop, gazes at him with adoration.
When Sam gazes at Angelica, choral music plays and Angelica doesn't walk, she glides, a vision in face jewels and a velvet cape.
In the image, Chicago smiles while looking down towards her toes as True's face lights up while she gazes at her slightly older cousin.
As he works in his office, he stops and gazes at Cooks, the dejected freshman, as if he&aposs seeing him with fresh eyes.
It's vitally important for Ken to recruit Will to his cause, but in their heart-to-heart, Ken basically gazes at his own reflection.
His eyes squint, and he gazes at us with a cool determination, asking how we choose to identify him first: poet, performer, or Chicano?
" At least we have Panos, our own personal Greek chorus, who gazes at Lindsay from across the bar and says, in quiet awe, "She's amazing.
When he steps back in the room and gazes at the consoles, Kranz says he can hear the voices that used to fill the room.
The Scrabble game gets offered like a gift—like a connection—and as the wash of letters overwhelms her, he gazes at her and smiles.
As we see a montage of the other couples cuddling and making out, Nicole gazes at fireworks alone, a bucket of champagne sitting beside her.
In the first of two snaps, the couple stands side-by-side with their arms wrapped around each other as Lauren lovingly gazes at Josiah, 22.
On Tuesday, American Pharoah stood like a medieval knight awaiting his armor from his valet as a tour group aimed cameras and admiring gazes at him.
Bing, Ryder and Fujikawa, 33, are all looking at the camera for the photo op, while baby Rani gazes at something off-camera and Hudson smiles.
In "Red Rover III" (2015) he gazes at us in fear as two boys apprehend him, with a long line of impassive Leopold Segedins in the background.
In one scene, she's framed in a diaphanous gown against soft pastel backlighting, while he gazes at her lovingly and then tells her how beautiful she is.
When he is done, he stands at the edge of the platform and gazes at the world around him, at the shapes and textures of the sky.
Their neighbor, the puppyish Theodore "Laurie" Laurence, still pines for Jo while he gazes at her through a windowpane that acts like his own private proscenium arch.
On the cover of September's Intercepted by Alexa Martin, a book about NFL girlfriends, a woman in sunglasses gazes at the reader like she's ready for game time.
Consumers will largely do this themselves: When someone gazes at a scene through a device, particularly wearable glasses, tiny embedded cameras looking out will map what they see.
As she gazes at the giant bin of bananas, I'm certain she'd like to swim in them, like the way Scrooge McDuck wades in his pool of gold coins.
Everything is thought through: every movement of his hands, the way he gazes at people with a slight forward tilt of the head as if to indicate his attention.
Sure, he spent nine months of post-employment with self-improvement books, sports psychology, life coaching, executive coaching, and all sorts of other precision-guided gazes at his own navel.
Poussey watches Wall Street suits offering a flask to two girls, then gazes at an older black woman reading Michael Chabon, an interracial couple kissing, a pregnant woman, some jocks.
This was another fine example of Emily Cox and Henry Rathvon's fine work and I really enjoyed finding out that I'm not the only one who gazes at maps and daydreams.
We are living in an era when some advertising executive gazes at the moon and sees not beauty, or a humbling reminder of his insignificance, but the Earth's most unignorable billboard.
And in a group photo from Louis' July 2018 christening, the proud big sister is focused only on her brother as she lovingly gazes at Louis and adorably holds his hand. 16.
She smokes a cigarette and gazes at a white woman in the nude, who, unlike Manet's stiff Olympia, is languidly splayed onto the bed; both of them are on equal playing fields.
In the six-and-a-half-minute interview, Stodden gazes at her new husband in what appears to be her best attempt at seduction, which ends up looking like her face is spasming.
In the shot, the mother-to-be sports a wet-hair look as she gazes at the camera from a kneeling position, wearing an off-the-shoulder navy ensemble that bares her belly.
He gazes at the E-Tran frame, a transparent plastic board with letters and a color-coding system, and indicates with the movement of his eyes which letter he wants to use next.
In the shot, the mother-to-be sports a wet-hair look as she gazes at the camera from a kneeling position, wearing an off-the-shoulder navy ensemble that bares her belly.
In Wrapped in My Own Existence, a blonde female subject resembling Betty from Archie comics seductively gazes at the viewer, enveloped in a radiant neon palette capped off with a hint of sparkle.
When Dr Dietze and Dr Knowles correlated the coders' conclusions with the data from the questionnaires, they found that the number of gazes at strangers did not vary with social class, but their duration did.
MEYRIN, Switzerland — Fabiola Gianotti is one of the most important physicists in the world, and when she gazes at the heavens after dark, she sees more than the moon, the stars and the Milky Way.
As the softly lit face of Nusch Éluard gazes at the viewer — her lacquered nails delicately framing her mouth — a superimposed spiderweb consumes everything but her eyes, a white spider listing on the bridge of her nose.
After no one is in a pool anymore, they exchange meaningful, long-distance gazes at one another over ice cream cones, which is appropriate foodstuff for this scene because of how very cloying this whole situation is.
When its new owner gazes at "Salvator Mundi" over the mantelpiece (or, more likely, visits it in a climate-controlled, tax-free storage facility) he or she may have cause to reflect on the Gospel of Luke.
That's a switch from what the movie tries to do up to this point, framing the story mostly through Max's eyes as he gazes at Marianne, wondering whether she's real or a fraud, and letting us wonder.
Bing, Ryder and Fujikawa, 33, are all looking at the camera for the photo op, while baby Rani gazes at something off camera and Hudson, 40, looks blissful, pressing her nose up against the side of Bing's head.
STANDING on the banks of the Yellowstone river in southern Montana on the last afternoon in June, Dan Vermillion gazes at the clear, sun-dappled waters, checks the river temperature on his smartphone, and pronounces the conditions "great fishing".
Stu Broce climbs into a spacesuit, spends an hour breathing pure oxygen to ward off decompression sickness, and thinks about the flavored goop he'll suck through a straw as he gazes at the curvature of the Earth from 70,000 feet up.
The dancing meme comes from a moment when Elio gazes at Oliver dancing with Chiara (Victoire Du Bois), one of the background women characters, who is simply there to confirm their sexual fluidity and keep them apart in their homosocial triangle.
There's a picture of Secretary Hillary Clinton at her desk, featuring a decorative paperweight that says, "Never Never Never Give Up." Malala Yousafzai gazes at us alongside Joan Didion, Lena Dunham, Serena and Venus Williams, and many other amazing human beings.
The pair then seemingly jet off to their honeymoon (if you can fly private, you do fly private) where Ana longingly gazes at her hot-as-hell hubby walking along the sand on what seems to be a public beach.
The scenes depicted are equal parts fantastical and existentialist: a woman carries a heavy child up stairs; a couple gazes at invisible forces in the distance; a man and woman are mobilized by mechanical gears; skeletons and skulls join the feast.
SEOUL (Reuters) - A prim, young woman with a high forehead and hair half swept back quietly gazes at the throngs of people pushing for a glimpse of her, a faint smile on her lips and eyelids low as four bodyguards jostle around her.
Now my vision board, covered with images that represent my desire for a satisfying and soulful marriage, a smooth transition into motherhood and to make good money while doing good in the world, gazes at me when I enter from a busy day.
In the image, shot by the photographer Cade Martin in collaboration with Jamin Hoyle, a freelance art director, Ms. Mizell portrays a water-drenched and windblown woman screaming (or is she laughing?) as she gazes at a lit candle in her hands.
"The thought of sitting still and smiling while he gazes at me, taking my photograph, adjusting my posture or the tilt of my head, makes me want to peel off my skin, climb out of it, and run screaming from the building," she says.
There's a gorgeous God's-eye shot of a woman in a one-piece, sprawled in a bright-pink flotation device, head thrown back, drifting in the pool—and then a long closeup of Annie as she gazes at the woman, contradictory emotions crossing her face.
What Ally does is real, daring to look the audience in the eye as she pauses her performance of "La Vie en Rose" to gaze at Jackson, who gazes at her, because, unlike the other women performing that night, she has truth in her.
In one, Geldzahler alone gazes at reproductions of paintings, including Piero's "Baptism of Christ," pinned to a folding screen; in another Mr. Hockney's parents sit as if parachuted in from their Yorkshire sitting room, the same Piero reproduction reflected in an antique shaving mirror.
They may feel safe, confident even, until they encounter the stranger in the street who crudely catcalls them, or the male co-worker who stands too close and gazes at their body too long, or the man who gets what he desires through force.
While everyone else looks at the camera and smiles (including a wide grin from Prince George, who is perched on dad Prince William's lap), the proud big sister is focused only on Louis as she lovingly gazes at her baby brother and adorably holds his hand.
The remaining three pieces, digitized during the library's restoration, offer quieter views of reservation life: a gray-haired couple gazes at a distant point in the unseen sky; an Apache Indian poses in profile, showcasing his magnificent costume; and a drummer sits beside his instrument, facing away from us.
In the group shot with all the royal family members, including uncle Prince Harry and aunt Meghan Markle, the typically shy and reserved George flashes a huge smile as he sits on dad Prince William's lap, while Charlotte sits next to mom Kate Middleton and sweetly gazes at her baby brother and adorably holds his hand.
Like their first two albums, the cover for I See You features a distinctive blocky 'X' set on a monochromatic background (xx featured white text on black, Coexist was the inverse, with an oily swirl of color in the middle), but this time it's a reflective, nearly luminescent object that turns the focus back on whoever gazes at it.
In the group shot with all the royal family members, including uncle Prince Harry and aunt Meghan Markle, the typically shy and reserved George flashes a huge smile as he sits on dad Prince William's lap, while Charlotte sits next to mom Kate Middleton and sweetly gazes at her baby brother and adorably holds his hand.
Papatakis' extensive work posing for Fini is represented in this exhibition by the its standout double portrait, "The Alcove/Self-Portrait with Nico Papatakis" (1941) in which a satyr-like female bearing an unmistakable resemblance to Fini with laurels in her hair, gazes at a sleeping semi-nude Papatakis, gleaming like polished marble on the white bedding.
We look at Emily (Emma Bell), and the camera begins a patient rotation, through three hundred and sixty degrees, noting each family member in turn: stern Aunt Elizabeth (Annette Badland), half nodding off to sleep; Emily's bewhiskered father, Edward (Keith Carradine), reading; her brother, Austin (Benjamin Wainwright), also reading, in a recess of the shadows; her adored sister, Lavinia (Rose Williams), known as Vinnie, sewing; and their mother, another Emily (Joanna Bacon), who gazes at the fire.
Galifard dies. As the Marquise is led away to stand trial, she gazes at him in triumph and vengeance.
Detail of Iaso, the goddess of healing, from a scene depicting a group of goddesses. Iaso gazes at herself in a mirror, presumably as a sign of good health.
She scans the diners and sees Carol at a table. Therese hesitates, before walking towards Carol. Their eyes meet. Carol gazes at Therese with a smile that slowly grows.
He returns to his bedroom and dreams of Angela. He wakes as Monica enters. He gazes at her, they kiss, then he takes her outside back into the crowd and slips away from her.
In response, Hermann Göring changes clothes. His lederhosen is replaced by a long brown loincloth. He wears a horned-type Viking helmet. The horns grow in size as if erect, as he lustfully gazes at "Brünnhilde".
One day, he decides to go home in the middle of his job to work on the boat. He gazes at the boat, wondering why he's building it. As it starts raining, he finally realizes why.
She stands over him showing her pigtails, glasses and braces and gazes at him, clearly besotted. The man awakes and asks the girls name. She tells him she is called Kate. He bids her farewell and cycles off, she follows behind.
Adam gazes at God. God looks directly at Adam. And under God's protective arm, Eve turns her eyes sideways in a look of admiration for her husband-to-be. Again and again, Michelangelo painted telling gazes into the faces of his characters.
At its top, he is attacked by four airplanes. Kong destroys one, but finally succumbs to their gunfire. He gazes at Ann one last time before falling to his death. Jack takes an elevator to the top of the building and reunites with Ann.
Sally runs up to her room, heartbroken. The episode ends with various partners ushering employees into their offices to be terminated. Don gazes at those who are crying and forlorn in the same way he had stared at Midge's painting, before writing the New York Times letter.
Later that evening, Lily enters Cullen's caboose. They kiss, then make love. Carl signs the saloon over to Mickey and Sean. Later, Sean watches Ruth beaming as she preaches in front of her new church. By the river, Elam gazes at Eva’s wedding photo, covering Toole's face.
She wants Diamond's soul but, since she finds him full of sin when she gazes at him, he pleads with her to leave and find another soul before sunrise ("The Girl in the Bloody Dress"). The girl decides to come to "THIS house" (implying a visit at the listener's home) ("Moving On").
Months pass and, with Walter beside her, Amanda gives birth to a baby girl. The newborn infant gazes at her mother with love, and Amanda dies, having earned a place in Heaven. There is still one hitch, however. They must decide whether to spend eternity as a man or as a woman.
Robert quietly sings a few of the song's lines to Giselle. The couples dance in quadruple meter. Nancy eventually interrupts them, reuniting with Robert as Edward prepares to leave the ball (and New York) with Giselle. While Edward retrieves Giselle's wrap, she gazes at Robert completing their dance with Nancy as the song concludes.
As the gang hang out at MacLaren's, Future Ted relays Lily's advice on someone getting hurt when two exes try to be friends with benefits, but notes that it was not him or Robin. Barney gazes at Robin while she is laughing, and looks to Ted, who is okay with Barney's feelings for Robin.
Emperor Xuanzong of Tang (Masayuki Mori) retired from the throne of the Tang dynasty, gazes at a statue of the woman he loved who has died. He sadly reminisces about their relationship. Recently widowed, a depressed Xuanzong is uninterested in governing or affairs of state. He spends his days playing his lute, composing music, and enjoying life's pleasures.
While performing her duties on a bicycle, Yuko often interacts with the player and willingly takes pictures of him when they tour all the interesting places he wishes to visit. ; ; :Megumi is a 15-year-old junior high student. She loves to collect postcards, gazes at the stars and studies animals. A cute yet very clumsy girl.
Leo is serious and studious. However, she cannot see beyond her concerns about them being gay. Both Kim-Chui and Sabine eventually help Jen to accept them for what they are, and the film, although comic, strikes a poignant note as well. An example is the longing expression in Jen's eyes as she gazes at a friend's grandson.
Sunil decides to reunite the two and get them married. On their wedding day, as Chris and Anna are about to exchange rings, Chris drops his ring and it rolls out of sight. Sunil spots the ring but feigns ignorance, even as his younger sister gazes at him with a heavy heart. Eventually, Chris locates the ring and the couple gets married.
Chase has replaced House as head of diagnostics medicine, with Adams and Park working with him. Taub is at a restaurant spending time with Rachel, Ruby and his daughters. Cameron returns to work as the head of the emergency room in a Chicago hospital. She gazes at a photo of the old team before leaving to join her husband and child.
This is an unusual and unique late 16th-century painting of a man with a physical disability. In typical portrait-style he gazes at the viewer, while the top of his head is covered by a hat. A fashionable neck piece separates his head from his naked body, which lies chest-down on a dark green sheet. His limbs appear withered and useless.
He replies that he does not want Jamie's actions to define his legacy as mayor. Former mayor Lesley Adams (Tom Butler) later speaks with Richmond in the City Council chambers and offers his condolences about Jamie. He also tells him that he has the makings of a great leader. As Stan packs in the garage, he gazes at Belko's name on a locker.
When she sees Adonis, she falls in love with him, and comes down to earth, where she encounters him setting out on a hunt. She desires him to get off his horse, and speak to her. Adonis doesn't want to talk to any woman, not even a goddess. So she forces him, and then lies down beside him, gazes at him, and talks of love.
The two guys continue until they drop onto the stage. When the song ends, it appears the girl cockapoo belongs to a boy hedgehog who escorts her out of the stage, much to the surprise of Krazy and the hippo. They are even further surprised when the audience gazes at them before laughing. The hippo tries to entertain the crowd by doing a little ballet.
He tells the owner, Mr. Brown (Billy Gilbert), that Pete killed the bird. Mr. Brown then tries to shoot Pete, but Wheezer, Dorothy, and finally a policeman (Harry Bernard), stop him. Nevertheless, Pete is sent to the pound because he is unlicensed. At the pound, Wheezer gazes at Pete through the fence and cries until a kind lady (Lyle Tayo) asks what's the matter.
Paul's sister and brother, Pauline and Eduard, visit the neighboring town of Simmern. While Pauline gazes at the window of a jewelry shop, stones are thrown at the apartment above it, which is owned by a Jew. A shard of glass pierces Pauline's hand, and the jeweler-watchmaker, Robert Kröber, who has been watching from inside, extracts it. That evening, Pauline's hand becomes dangerously infected.
A gap-toothed old woman gazes at a goat on a tight rope; her eyes are wide with curiosity. For three days the circus makes small ripples in the life of this village. Municipal permits are required. At a toddy shop, a soldier befriends the circus strongman; a pump attendant sits on a rock each day watching a village girl bathe and dry her hair.
The Ill-Matched Lovers is an oil painting by the early Netherlandish master Quentin Massys, usually dated between 1520 and 1525. This painting depicts the trope that old age can make one foolish. Massys depicts this theme by showing an older man besotted by a younger, beautiful woman. He gazes at her adoringly, not noticing that with the aid of an accomplice, she is stealing his purse.
The other is to the right of Ariadne, looking over her shoulder. In the center a satyr lifts an edge of Ariadne's mantle and gestures to her exposed body. Cupid is depicted in the lower right corner with his hands clasped around his right leg as he gazes at Ariadne. In the left hand corner are a red and blue tambourine and two small gold cymbals.
As the angry search mob closes in, the devastated Phantom huddles on his throne beneath his cloak. Meg is first to reach the lair and finds no one there. She approaches the throne with curiosity and quickly pulls away the Phantom's cloak, but finds only his mask. She lifts the mask up into the light and gazes at it in wonder as the curtain falls ("Finale").
He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon that has flown in through the window. In the letter Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house.
In the video, the band members are shown in different locations. Benaissa is simply seen performing on the rooftop terrace of a finca where she gazes at the Mediterranean Sea. Mölling is walking along the rocky coast of Arrecife de las Sirenas, sitting down by the water. Wahls is sitting down by a swimming pool; on occasion she is seen belly dancing next to it.
Enid and Geraint come to an inn, and he asks for a feast with the innkeeper's friends. An Earl who attends the feast gazes at Enid, and finds her very beautiful. He gives Enid two options: she may willingly become his mistress and have Geraint go off safely, or she may unwillingly become his mistress and have Geraint die. Enid tells the Earl to pretend to carry her off unwillingly.
As they shower, Gabriel gazes at Leo's naked body and consequently becomes aroused. He quickly retreats to cover his erection with a towel and sits feeling embarrassed. That night, Giovana and Leo make up and get drunk together, with Leo eventually admitting that he is in love with Gabriel. Giovana is skeptical at first, but gives her support when they arrive home from the trip, urging Gabriel to go see Leo.
She simply gazes at the iridescent beauty of the figurines in her loneliness. Margret, Neil's mother hates his care-free attitude towards life and his late-night movies. She is a very possessive mother and she is always worried about the future of her daughter. She doesn't allow her daughter to do household chores and talks about the tenderness of Rose's age, which must not be doomed by working at home.
Dresden Triptych. Oil on oak panel, 1437. Gemäldegalerie Alte Meister, Dresden Except the 'Ghent Altarpiece,' Van Eyck's religious works feature the Virgin Mary as the central figure. She is typically seated, wearing a jewel-studded crown, cradling a playful child Christ who gazes at her and grips the hem of her dress in a manner that recalls the 13th-century Byzantine tradition of the Eleusa icon (Virgin of Tenderness).
Her figures are ... Not that every viewer who gazes at a painting attaches these symbols to it, but they are too powerful for Nhi to ignore. She prefers to have a "neutral" gaze on her paintings. Colors are, to her, gendered. Painting in black and white and various shades of gray gives her the freedom to transcend gender categories, to be just herself rather than of a particular sexual identity.
She met Tatsumi Hijikata in 1956, and they started to perform on stage together, searching for a new way of expression using ballet and Neue Tanz techniques. This was the basis of Butoh, an original expression which gazes at body and soul severely. Later they got married. She went back to the stage in 1992, performing the piece "Together with Tatsumi Hijikata", and after that made great works, one after another.
Umka, sad that his friend is gone, asks his mother to relocate somewhere else; she complies. As they set off on an ice floe, the mother sings the second part of the lullaby. Later that night, someplace else, the boy gazes at the stars and sees Ursa Major and Ursa Minor, with latter imagining as his friend Umka waving at him. The film ends as the boy calls out for Umka.
Beletsky, also wounded, but enraged, leads the final push to the summit. A bleeding and weak Frantz also makes it to the top and rests by a stump alongside Beletsky and Washburn as the battlefield finally goes silent. The final image is the now battle-aged, tear-streaked and haunted face of Beletsky as he gazes at the carnage below. Constant radio chatter is overheard, but there is no reply.
When the sun sets, everyone wanders off. Millie draws a sketch of Hal and tells him she secretly writes poetry, growing fond of him despite his lack of interest. Madge is named the town's annual Queen of Neewollah ("Halloween" spelled backward), and Hal longingly gazes at her while she is brought down the river in a swan-shaped paddle-boat. They shyly say "Hi" to each other as she glides by.
Benkei kills Gantino while he gazes at the fake and leaves the original in a museum. ;"Sword Fish": Benkei is invited to Sicily by Troia, a former leading figure of La Cosa Nostra, to forge his collection of European paintings. Sorchi, one of Troia's men, works with Gantino's brother to attack Benkei's car and kidnap Maria. In the resulting negotiation, Sorchi reveals that he wants Troia's paintings and tries to kill them.
" What the woman gazes at in horror is always first seen by the audience and then, seconds later, by the woman on the screen. This sequence "ensures the voyeur's pleasure of looking" and punishes the woman by "the horror that her look reveals". The monster and the woman's gazes are similar. There is not "much difference between an object of desire and an object of horror as far as the male look is concerned.
Radha (Jaya Prada) an extraordinary dancer is one among them, currently, Gopi falls for her. During the time of the wedding, Gopi aspires Radha to dance for his music when she insults him. Parallelly, Viswanatha Sastry gazes at the art of Gopi and offers to join as his disciple to which Gopi refuses. But after learning Radha's ambition is to marry a person who is the potential to sing for her dance.
Above these is a frieze band of anthemion and vines, with a cornice above that. The bronze statue is about in height, with Longfellow seated in a chair whose arms end in lion's heads, and a stack of books underneath. Longfellow wears an overcoat, and a cape is draped over his lap and one shoulder. One hand holds a manuscript, while the other is propped on the chair back, while Longfellow gazes at passersby.
Teorema means theorem in Italian. Its Greek root is theorema (θεώρημα), meaning simultaneously "spectacle", "intuition", and "theorem". Viano suggests that the film should be considered as "spectatorship" because each family member gazes at the guest and his loins , although this seems unlikely: the Greek word denotes the object of spectatorship, rather than the actual act of spectatorship, which would be theoresis (θεώρησις). As a term, theorem is also often considered as mathematical or formulaic.
Captain and Mrs Walker embrace but soon realise what Tommy has witnessed, and violently shake him, telling him he did not see or hear anything ("What About the Boy"). The police arrive; Tommy simply gazes at the mirror in silence. A narrator—Tommy's older self—appears to the audience, introducing and framing the story of his exceptional childhood ("Amazing Journey"). Captain Walker is tried for murder but found not guilty by reasons of self-defense.
Just as on all the other tapestries, the unicorn is to the lady's left and the lion to her right - a common denominator to all the tapestries. ;Sight The lady is seated, holding a mirror up in her right hand. The unicorn kneels on the ground, with his front legs in the lady's lap, from which he gazes at his reflection in the mirror. The lion on the left holds up a pennant.
Before delivering the final death stab, Xavier arrives with his men and holds Danny at gunpoint. He contemplates letting Danny finish the job, and gazes at Carlos who is too disrespectful and unappreciative, as well as cheap with Xavier's pay. Xavier tells his guys to stand down and let Danny kill him. Danny succeeds in tracking down Xavier, who is impressed with his determination and asks him to become their new boss.
As of July 2020, it has over sixty one million views on YouTube, while its dance practice version has surpassed four million views. Rolling Stone included (G)I-dle's music video "Lion" in their '10 Best K-pop Music Videos of 2019' and called the video "a victorious celebration of female power" and further praised (G)I-dle's Soyeon involvement in the production, their threatening gazes at the camera "absolutely bold and fearless", choreography and camera works.
The Immaculate Conception with Saint Lawrence and Saint Francis of Paola is an oil on canvas altarpiece by the Italian Rococo painter Giovanni Domenico Tiepolo. It is on display in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 435. The painting depicts Mary, mother of Jesus as the Immaculata, appearing to Saint Lawrence, who gazes at her, and to Francis of Paola, who looks at the viewer while pointing his left hand towards the apparition.
Her legs are extended to the left and her torso twists towards the viewer. Her left hand touches the red cloth while her right hand is raised to her mouth as she gazes at the retreating ship to the left. Cupid stands behind Ariadne and places his left hand on her left shoulder, pointing with his right hand towards the shop in the left hand section of the scene. The ship is manned by three figures.
The video portrays the love story between a young man played by actor Craig Roberts and Ryder's wax mannequin. In the beginning, Roberts is seen purchasing a ticket to see Ryder's performance. Ryder is seen autographing and taking pictures with fans, while Roberts gazes at both Ryder and her wax mannequin. As the song lyrics state, "Don't want your picture on my cell phone, I want you here with me," Roberts remains desolate with just a mobile picture.
He and Bai Wu Xia kneel and bow before the shrine of the fallen previous Abbot, to whom they have offered many baskets of fruit and other foods. Jue Yuan speaks aloud to the Abbot of how he is determined to enter Buddha. Bai Wu Xia gazes at him with tears in her eyes, knowing what this means. Jue Yuan vows to defend Shaolin and uphold justice, quoting the last words of his fallen Sifu, Bai Wu Xia’s father.
The Man on a Balcony leans nonchalantly against a balustrade occupying the foreground of the composition. At first glance he appears bathed in natural light. But upon close examination there is no clear light source or direction from which the light emanates, giving the overall work the theatrical feeling of a stage set. Aimed at a wide audience, the models monumental three-dimensional presence 'gazes' at the spectator, while the spectator contemplates the painting in return.
He was impressed with the beauty of the Kootenays and sent a telegram to his brother Reg, encouraging him to come west and try his hand at apple growing. Coningsby's father purchased 40 acres and Reg cleared the land, built a cabin and planted trees. The ranch, as it was called, became a summer destination for the family. In his wartime letters home Con fondly recalls the time spent at the ranch as he gazes at the moon from the battlefield trenches.
The film begins with the Dreamer, a restless and disappointed dreamer who has a wife and child. He gazes at his hands and dreams of becoming a great conqueror, but laments that no opportunities ever come to him, and so he continues to dream. The Dreamer becomes the subject of ridicule and his wife becomes the subject of pity by the community. The Dreamer decides to enter the world of men and abandons his wife, leaving her to seek refuge from her father.
That energy > transforms the state of loneliness into an action verb. > Melancholy > Compared to the word loneliness, “melancholy” reacts more to the environment > outside the self than to the inner self. More precisely, it is a reaction to > the relationship between the mind and the environment outside the self. If > loneliness gazes at its surroundings, melancholy investigates those > surroundings. After investigating what surrounds the heart, the drop in the > heart’s temperature as it absorbs the environment’s own low temperature—that > is melancholy.
The girl gives up on waiting and leaves to visit the boy and they talk. As the boy makes tea, the girl gets a phone call (presumably from the person she was waiting for in the club) and leaves after saying goodbye to the boy. The girl is next seen in a wedding shop and gazes at her wedding dress. Meanwhile, the boy is at home looking at an invitation to the girl's wedding and starts to think back to their earlier days.
Great sugi (right) Emperor Hirohito gazes at Kayano Osugi on 27, October 1947 The is a Cryptomeria (Sugi) tree at Yamanaka Onsen in Kaga, Ishikawa Prefecture, Japan. One of the four trees believed to be sacred in the precincts of the Sugawara Shrine, it has received the distinction of designation as a Special Natural Monument from the Agency for Cultural Affairs of Japan. The tree stands 54.8 m tall. At the base, it measures 11.5 m in circumference and 3.41 m across.
As Nancy gazes at the amulet, Branding hypnotizes her and instructs her to always obey her. Later, Eddie and two local boys, Tab (Jerry Blaine) and Joe (Jimmy Hayes), climb up into the girls' room as they are having Nancy’s initiation party. In a nearby building, Branding hears the noise and, despite the distance, is able to re-hypnotize Nancy, turning her into a vampire. The party is broken up by the disciplinarian Miss Rivers (Edna Holland), who then sends Nola to the basement to fetch supplies.
"The Small House of Uncle Thomas" The wives are dressed in their new European-style gowns, which they find confining ("Western People Funny"). In the rush to prepare, the question of undergarments has been overlooked, and the wives have practically nothing on underneath their gowns. When the British envoy, Sir Edward Ramsay, arrives and gazes at them through a monocle, they are panicked by the "evil eye" and lift their skirts over their heads as they flee. Sir Edward is diplomatic about the incident.
An elegant young woman carries a suitcase through the rain to wait in an ornate gazebo on a lotus swamp. She gazes at a photo of the man for whom she waits. The young man, whose name is Dum, is with another gunman named Mahesuan, who defies Yoi, an enemy of their boss Fai, to come out of a house. Dressed all in black and wearing a cowboy hat, Dum charges through a hail of bullets into the house and out-shoots eight of Yoi's men.
A parent and child engage in joint attention Joint attention or shared attention is the shared focus of two individuals on an object. It is achieved when one individual alerts another to an object by means of eye-gazing, pointing or other verbal or non-verbal indications. An individual gazes at another individual, points to an object and then returns their gaze to the individual. Scaife and Bruner were the first researchers to present a cross- sectional description of children's ability to follow eye gaze in 1975.
Michael Kraus and Dacher Keltner, in their study published in the December 2008 issue of Psychological Science, found that children of parents with a high SES tended to express more disengagement behaviors than their peers of low SES. In this context, disengagement behaviors included self-grooming, fidgeting with nearby objects, and doodling while being addressed. In contrast, engagement behaviors included head nods, eyebrow raises, laughter and gazes at one's partner. These cues indicated an interest in one's partner and the desire to deepen and enhance the relationship.
He hands it to Morton, who has lost the duel. A record producer, having heard of 1900's prowess, brings a primitive recording apparatus aboard and cuts a demo record of a 1900 original composition. The recorded music is created by 1900 as he gazes at a woman (The Girl) who has just boarded and whom he finds attractive. When 1900 hears the recording, he takes the master disc, offended at the prospect of anyone hearing the music without his having performed it live.
Such illustrations were influential too on those who created designs for crockery. That on a Spode serving dish from 1831 is also related to the Barlow design, although the action takes place outside the barn. A Staffordshire nursery dish of 1835, however, has more in common with Howitt's design. The fable also figured on the popular alphabet plates from Brownhills Pottery later in the 19th century, although in this case only the ox's head is featured as it gazes at the dog reared up and barking.
He managed to cut off all influences that the first and second worlds had with the third and prevents the third world's deus from dying. Yukiteru gazes at his diary, mourning that he will never see the first world Yuno, the only one he will ever love, ever again. However, the interdimensional walls are broken down by the third world Yuno, who possesses the first world's memories courtesy of an atoning Muru Muru. Yukiteru and Yuno reunite as gods of the second world and eternal lovers.
Masterpiece is regarded as a tongue in cheek joke that reflects upon Lichtenstein's own career. In retrospect, the joke is considered "witty and yet eerily prescient" because it portended some of the future turmoil that the artist would endure. In the painting, the blonde female's speech bubble, "Why, Brad darling, This painting is a masterpiece! My, soon you'll have all of New York clamoring for your work!" conveys her remark as she gazes at the painting, of which a corner of the back is shown.
Barbe-bleue is free and silently gazes at Ariane. She bids him "Farewell". He makes a feeble attempt to stop her then relents. Ariane asks the other wives if they are going to follow her: La forêt et la mer nous appellent de loin et l'aurore se penche aux voûtes de l'azur, pour nous montrer un monde inondé d'espérance... ("The forest and the sea are beckoning from afar and dawn is spreading over the azure heavens and will reveal a world filled with hope...").
Dracula, feeling confused, gazes at the mirror as well and learns who Trevor was all along. Remorseful for killing his own son who had been unknown to him the entire time, Dracula tries to bring him back to life by making him drink his blood, which seems to be in vain. Dracula mourns over his loss, and places Trevor in a coffin with the name Alucard, since he never learned his son's real name. Many years later, Alucard awakens, with pale white skin, white hair, and glowing orange eyes.
Ensconced in her mother Salíng's arms, Elsa takes her last breath as she gazes at the sky as Orly and the media film her final moments. Baldo announces Elsa's death, eliciting wailing and weeping from the people who then rush towards the makeshift stage. To convey Elsa's corpse into a waiting ambulance, her followers lifted her lifeless body–lying as though she was crucified–above the heads of the crowd clambering to touch her. People scamper all over the hill to follow Elsa's ambulance as it speeds away.
Lily developed her Dark Clown work (exercises and theory) over many years of practical research, seeking to create clown characters and ensembles with more edge and relevance and a way to make a more exciting and demanding rapport with audiences. She writes: : While the Red Nose Clown has no past and a cartoon-like ability to bounce back from pratfalls, slaps and accidents. The Dark Clown has seen it all, feels it all and has no choice but to ‘sell’ his own pain for our entertainment. One experiences wonder, the other gazes at the abyss.
Benath the waistcoat he is wearing a white shirt, with what looks like a high starched collar, wrapped with what may be a broad bow tie, the same dark color as his uniform. He is bald, with tufts of black hair above his ears, and a mostly grey beard and moustache. He gazes at the camera with a steady and composed look. Three days later, De Soto stood up the Chesapeake Bay and the Potomac River to the Washington Navy Yard, where she picked up letters for the West Indies.
Additionally, this might point to the beginnings of vernacularization of literature at this time, a precursor to humanist ideas. In Maestà, Lorenzetti followed the artistic tradition set by other Sienese painters like Simone Martini but adds an intense maternal bonding scene to Maestà, which was unusual in contemporary Sienese art. In the painting, the Virgin gazes at her child with intense emotion as he grasps her dress, returning her gaze. By personalizing the Virgin Mary in this way, Lorenzetti has made her seem more human, thus creating a profound psychological effect on the viewer.
Tony sends Christopher and Benny to Feech's house, where they trick him into hiding a truckload of flatscreen TVs in his garage in return for payment, plus a TV for himself. The following day, a parole officer visits Feech and asks about the flatscreen in his living room, then asks to see his garage; Feech has to comply. On the bus back to prison, he gazes at the outside world. Dr. Melfi finds that Tony has left a basket of expensive toiletries and a bathrobe in her waiting room.
Returning to simplicity, Wile E. uses a wedge to throw a large rock, but it results in self-squashing. 4\. This time, Wile E. lays out Acme iron pellets covered with Ajax (Disney) bird seed for the Road Runner to eat, while lying in wait on a high cliff with a magnet on a fishing line. However, the magnet attaches itself to a power line, electrocuting the Coyote twice and causing his nose to flash like a light bulb. The Coyote unscrews his nose and gazes at its flashing, looking amused. 5\.
An attractive man sporting a fancy outfit that consists of an overcoat and a fedora gazes at the scene with interest. The man, a well representation of the song's topic, seemingly has designs on Underwood and as the video progresses the dancers become dressed in revealing clothing, consisting of garters and corsets. Eventually Underwood, along with her empowered entourage, have a showdown with the man in a back- alley and defiantly spurn his advances, leading him to give up and walk away. The video also became Underwood's first choreographed video.
Alfie interrupts them as he returns home, and storms up to his room. As he gazes at himself in the mirror, he sees Oscar Wilde in a dream, and admits that he loves Robbie ("Man in the Mirror"). After a rehearsal of 'Salome', Lily invites Adele for Sunday dinner, saying that Alfie is hesitant to speak for himself ("Burden of Life" – Reprise). As Alfie is walking her home, Adele tells him that in her home town she has a boyfriend, John, and starts crying when she can't explain why he isn't here with her.
Later that same night, the two engage in a heated confrontation after Jo pours Tom's whiskey down the sink in an attempt to prevent him from drinking. Tom pleads for her to leave, but is shocked when Jo firmly shuts down the suggestion and kisses him. Though initially hesitant, Tom eventually succumbs to Jo and they have passionate sex. At one point during the lovemaking, Jo gazes at Tom in amazement as he lies on top of her, both unaware that they are being watched by someone outside of Tom's houseboat.
The underdrawings of both paintings show similar experimental changes made to the composition (or pentimenti), suggesting that both evolved concurrently in Leonardo's workshop. The composition shows the Virgin Mary seated in a landscape with the Christ child, who gazes at a yarnwinder used to collect spun yarn. The yarn winder serves both as a symbol of Mary's domesticity and as a foreshadowing of the Cross on which Christ was crucified. The painting's dynamic composition and the implied narrative were highly influential on later High Renaissance depictions of the Madonna and Child by artists such as Raphael and Andrea del Sarto.
After infiltrating the castle, Trevor successfully fights his way to the throne room, where he confronts Dracula without letting on that he is his son, or telling Dracula his name. Although Trevor puts up a valiant effort, in the end he is defeated and stabbed in the heart with his own Combat Cross. Dying and gazing at the Mirror of Fate he finally realizes the truth of what really happened to Gabriel and feels sorry for him, calling him his father. Dracula, confused, gazes at the mirror as well and learns who Trevor was all along.
Holder distracts the security guards by causing a commotion on the casino floor, finally leaving when Roberta Drays (Patti Kim) shows up. Linden gains access to the tenth floor construction site and calls Holder to describe what she sees. She turns on a generator and opens a sliding glass door, causing sounds identical to the background noises heard in Rosie's voice mail to Alexi. She gazes at the Seattle skyline from a balcony, deducing that Rosie was leaving town that night, came to the tenth floor to say goodbye to the city, and must have seen Michael Ames meeting with someone.
It is a large quadruped with a feline or ovine body, a shaggy mane, and is either depicted with hooves or feline paws (the latter often to stress its difference from the Qilin). It has a single, unbranching horn in the center of its head, like a western unicorn. The Sin- you’s eyes are said to be very intense and imposing, figuratively burning into whomever it gazes at in a predatory fashion. The Sin-you is highly symbolic of justice, and is believed to have the power to know if a person is lying or know if they are guilty with a glance.
The panel's detail is so densely packed, that according to Ridderbos it requires the Book of Revelations.Ridderbos (2005), 139 Weale writes of the panel that it is perhaps the "earliest example of so many of the incidents being included in one picture".Weale (1901), 38 John the Evangelist on Patmos and visions of the apocalypse The Evangelist sits on a rocky cliff in the foreground; he gazes at two concentric rainbows in the top left corner, in which God is enthroned, surrounded by four multi-winged beasts and 24 elders. The inner rainbow, with God's throne, flashes with lightning; above are seven lamps.
Lucy's lifeless body lies on her modest bed as Battling has a drink in the other room. As Cheng gazes at Lucy's youthful face which, in spite of the circumstances, beams with innocence and even the slightest hint of a smile, Battling enters the room to make his escape. The two stand for a long while, exchanging spiteful glances, until Battling lunges for Cheng with a hatchet, and Cheng retaliates by shooting Burrows repeatedly with his handgun. After returning to his home with Lucy's body, Cheng builds a shrine to Buddha and takes his own life with a knife to the chest.
Lynn Blodgett, an artist with coulrophobia, has a nightmare in which she is a young girl and encounters a clown with a decomposing face after a car crash at a carnival. Lynn's nightmares have been getting worse since she filed for divorce from her husband, Doctor Bert Tokyo, who hit her upon getting the news, and is fighting for full custody of their son, Nicholas. One night, a shirtless clown ("Shivers") with black eyes and a battle axe gazes at Lynn's house, then walks away. In the morning, Lynn is told that a family living near where she was house sitting was massacred.
Rosy is introduced as the heroine of an erotic pulp fiction novel titled Lipstick Dreams. Throughout the film, her story is narrated by a 55-year-old widow, Usha Parmar (Ratna Pathak), as she reads the novel in secrecy. In a small neighborhood in Bhopal, Usha serves as the old matriarch and has gotten used to being addressed as "Buaji" (Aunty); she has all but forgotten her own name and routinely gazes at a self-portrait from her youth. Rehana Abidi (Plabita Borthakur), a fresher in college, lives in the same neighborhood and sews burkhas for her family's store.
As all the members of the resistance group are forced to their knees while the executioners take out their pistols, a sad Kuang gazes at her. Meanwhile, Yee sits on Chia Chi's empty bed in the family guest room while his wife asks him what is going on, since his secretary and two men had taken Chia Chi's belongings and some papers from his office. Yee tells her to keep quiet and to continue playing downstairs, to avoid letting anyone know that something is amiss. If anyone asks, he says, Chia Chi has returned to Hong Kong.
During Hilda's speech, Daniel gazes at Betty, indicating that he has realized that he's in love with her. Betty decides to accept the London job and Justin takes a big step too, when he leads Austin to the dance floor and all of his family smile. Marc tells Spencer that he is looking for a proper relationship and Spencer tell him that he only came to the wedding to please Amanda, Marc then spots Spencer's Tweety Bird tattoo, a feature matching one of the known details about Amanda's biological father. Wilhelmina realizes that Tyler has taken her gun and goes to warn Claire, but she is too late and Tyler arrives.
Caravaggio's friend, the poet Giambattista Marino, wrote a description of Narcissus. The story of Narcissus was particularly appealing to artists according to the Renaissance theorist Leon Battista Alberti: "the inventor of painting ... was Narcissus ... What is painting but the act of embracing by means of art the surface of the pool?" Caravaggio painted an adolescent page wearing an elegant brocade doublet, leaning with both hands over the water, as he gazes at this own distorted reflection. The painting conveys an air of brooding melancholy: the figure of Narcissus is locked in a circle with his reflection, surrounded by darkness, so that the only reality is inside this self-regarding loop.
In the visual system, such cells are often referred to as grandmother cells because they would respond in very specific circumstances—such as when a person gazes at a photo of their grandmother. Neuroscientists have indeed found that some neurons provide better information than the others, and a population of such expert neurons has an improved signal to noise ratio . However, the basic principle of ensemble encoding holds: large neuronal populations do better than single neurons. The emergence of specific neural assemblies is thought to provide the functional elements of brain activity that execute the basic operations of informational processing (see Fingelkurts An.A. and Fingelkurts Al.A., 2004; 2005).
Narcissus gazes at the spring. From a 14th Century copy of Roman de la Rose Narcissus by Gyula Benczúr In Stendhal's novel Le Rouge et le Noir (1830), there is a classic narcissist in the character of Mathilde. Says Prince Korasoff to Julien Sorel, the protagonist, with respect to his beloved girl: > She looks at herself instead of looking at you, and so doesn't know you. > During the two or three little outbursts of passion she has allowed herself > in your favor, she has, by a great effort of imagination, seen in you the > hero of her dreams, and not yourself as you really are.
1438–40, it depicts the Virgin Mary holding the Child Jesus in a Gothic cathedral. Mary is presented as Queen of Heaven wearing a jewel-studded crown, cradling a playful child Christ who gazes at her and grips the neckline of her red dress in a manner that recalls the 13th-century Byzantine tradition of the Eleusa icon (Virgin of Tenderness). Tracery in the arch at the rear of the nave contains wooden carvings depicting episodes from Mary's life, while a faux bois sculpture in a niche shows her holding the child in a similar pose. Erwin Panofsky sees the painting composed as if the main figures in the panel are intended to be the sculptures come to life.
Dirse looks at the female gaze through her cinematography work in the documentary film genre, analyzing aspects of pleasure and viewer identification. She analyzes the gaze at the points of production (not reception), and "perception" being where sexual difference happens. She notes that if "the bearer of the look is female, the subject is female, and the subject subverts the gaze and gazes at herself". Dirse argues that having a female cinematographer alters the experience for both female and male subjects, and the perception of the film changes, citing her experiences of being shoved while filming in a crowd of men, and going by nearly unnoticed when filming intimate moments between women.
She eventually joins a group of countryside locals who are clearing the area of the undead, and awakens the next day surrounded by the safety of the media and townspeople, led by Sheriff McClelland. Noticing hillbillies playing around with a few zombies, she comments on the similarities between the living and the undead. She returns to the farmhouse to find Ben, who died of his wounds and has been reanimated; he gazes at Barbara before being shot by McClelland. When Harry emerges from the attic alive, Barbara kills him in a fit of rage for causing Ben's death, and turns to leave the house, telling the vigilantes they have "another one for the fire".
Blum believes "one may search in vain in other Netherlandish Annunciation panels of the fifteenth century of a Virgin positioned as she is here".Blum (1992), 43 Art historian Penny Jolly suggests the painting shows a birthing position, a motif van der Weyden experimented with in the Seven Sacraments Altarpiece, where the Virgin's collapse results in a childbirth-like posture, and with the Descent from the Cross, in which Mary Magdalen bends and crouches – similar to the position Memling's Magdalen assumes in his Lamentation.Jolly (2014), 40, 57 Flanking the Virgin, and holding her, are two attendant angels. The one to the left lifts the Virgin's robe while the other gazes at the viewer, "soliciting our response", according to Ainsworth.
Episode 19: The picture Bumble hangs in the workhouse is of Josiah Bounderby, one of the major characters in Hard Times. One of the school trustees is Mrs Tisher, a character from The Mystery of Edwin Drood. Amelia Havisham gazes at her wedding dress in the mirror—the same dress she will remain in throughout Great Expectations, in a mad, obsessive reminder of Compeyson's betrayal of her; one day, the dress catches fire, Miss Havisham suffers severe burns, and she dies some weeks later. Episode 20: In an echo of his line in Episode 1, Silas Wegg tells his barmaid, "Daisy, up and get the empties from Mister Pickwick" (of The Pickwick Papers).
The picture has been compared to, and may have been influenced by, Christ Appointing Saint Roch as Patron Saint of Plague Victims, a 1623-1626 altarpiece by Peter Paul Rubens. In Rubens's picture, the plague victims are hopeful, seeing Saint Roch and Christ above them as their saviours, about to cure them. David's victims on the other hand are apathetic, they see themselves as doomed; one gazes at the viewer in silent reproach, another makes a frantic movement that seems to lack purpose, and a third looks up at Saint Roch and the Virgin Mary with closed eyes. Even Saint Roch and the Virgin Mary appear unconnected as if separated by a glass screen.
Bader observes that Look Mickey is concerned both with the artistic process and Lichtenstein's new painting techniques. He believes it can be considered a self-portrait in the sense that it "explicitly situates the painting's maker himself within the self-enclosed narcissistic circuit at its center". The painting shows Donald looking into the reflective water at Lichtenstein's blue 'rfl' signature "as a kind of surrogate for the image's creator", in a manner that is reminiscent of Caravaggio's Narcissus, in which the subject gazes at his own reflection on the water. This is viewed as an allegory of Lichtenstein's position as an artist trained to develop his realist instincts despite the prominence of abstract expressionism.
Jim Harrington of the San Jose Mercury News called the plot "as ludicrous as it is fun". Rod Lott of the Oklahoma Gazette called it "proof that bargain-basement zombie flicks, which are dime-a-dozen these days, shouldn't be made". Gareth Jones of Dread Central rated it 1.5/5 stars and wrote, "With too little plot and too little visual imagination to justify a feature runtime, we're left with plodding scenes of predictable exposition, poorly executed action and lingering gazes at bare breasts peppered with occasional minutes of something approaching genuine entertainment." Ben Bussey of Brutal as Hell wrote that despite its amateurishness the film "remains a reasonable bit of fun so long as your expectations aren't too high".
Moses ben Jacob Cordovero, in The Palm Tree of Devorah, discusses ethical behaviour that man should follow, related to the qualities of the Sephirot, in order that man might emulate his Creator. Humility is the first, because although Keter is the highest, it is ashamed to look at its cause, and instead gazes at those below it.Moses ben Jacob Cordovero, The Palm Tree of Devorah. One's thoughts should be pure, one's forehead should display no harshness, one's ears should always turn to hear good, one's eyes should distance themselves from noticing evil, always looking at the good, one's nose should be free from the breath of anger, one's face should always shine, and his mouth should express nothing except good.
According to Susanne Kord and Elisabeth Krimmer, "Bad Blood" explores the dynamics of the relationship between Mulder and Scully by "develop[ing] the dysfunctional potential of [their] routine interactions." In "Scully Hits the Glass Ceiling: Postmodernism, Postfeminism, Posthumanism and The X-Files", Linda Badley suggests that The X-Files often subverts the concept of the male gaze through the whole series and "Bad Blood" includes an example of this, allowing Scully to be the one that gazes at Sheriff Hartwell. Michelle Bush, in her book Myth-X, described the episode as allowing the viewer "a peek inside [Mulder and Scully's] heads" by showing how they see themselves and each other, as well as "their insecurities about their attractiveness to the other".Bush, p.
After Britain's declaration of World War II, Roy Cronin (Robert Taylor), an army colonel, is being driven to London's Waterloo station en route to France, and briefly alights on Waterloo Bridge to reminisce about events which occurred during the First World War when he met Myra Lester (Vivien Leigh) whom he had planned to marry. While Roy gazes at a good luck charm, a billiken that she had given him, the story unfolds. Roy, a captain in the Rendleshire Fusiliers on his way to the front, and Myra, a ballerina, serendipitously meet crossing Waterloo Bridge during an air raid, striking up an immediate rapport while taking shelter. Myra invites Roy to attend that evening's ballet performance and an enamored Roy ignores an obligatory dinner with his colonel to do so.
Maximilian Carver is delighted by his family's reactions, and visibly enthused about their new lives on the coast. Max gazes at the ocean, which is covered by a light mist, and thinks he sees the silhouette of a ship sailing on the horizon. But it quickly disappears. On the way to their new home, Mr. Carver tells them the history of the house. It was built in 1923 by Dr. Richard Fleischmann, and he lived there with his wife, Eva. They had a son, Jacob, on June 23, 1925. The family lived happily until the tragedy of 1932, when Jacob drowned playing on the beach near his home. After that, Dr. Fleischmann's health deteriorated, and after he had died, his widow, Eva, left the house to her lawyers to sell, and fled elsewhere.
In his essay "Horror as Critique in Tell Me Something and Sympathy for Mr. Vengeance," Kyu Hyun Kim writes that Tell Me Something plays with the idea of scopophilia in order to comment on both male gaze and the horror genre. He cites Laura Mulvey as asserting of the horror genre that "the female body tends to be objectified by the male viewer... resulting in 'fetishistic scopophilia', the pleasure derived from looking at the female body, idealized as a beautiful and perfect object, and sadistic voyeurism, which stems from the fear of castration" (Kim, 107). Soo- yeon's father derives fetishistic pleasure from making the young Soo-yeon stand for painting and photographing her. Her college acquaintance and stalker also photographs her to build a shrine, and Detective Jo repeatedly gazes at her via surveillance camera.
Scottie reluctantly agrees and follows Madeleine to a florist where she buys a bouquet of flowers, to the Mission San Francisco de Asís and the grave of one Carlotta Valdes (1831–1857), and to the Legion of Honor art museum where she gazes at the Portrait of Carlotta. He watches her enter the McKittrick Hotel, but upon investigation, she does not seem to be there. A local historian explains that Carlotta Valdes committed suicide: she had been the mistress of a wealthy married man and bore his child; the otherwise childless man kept the child and cast Carlotta aside. Gavin reveals that Carlotta (who he fears is possessing Madeleine) is Madeleine's great-grandmother, although Madeleine has no knowledge of this, and does not remember the places she has visited.
Lord Krishna assumes the role of Arjuna's chariot driver and aids him in the battle and reveals to Arjuna several divine truths about human existence in the material plane, the true nature of the supreme personality of God, and the method of eternal progression and release from the earthly cycles of death and rebirth through the practice of bhakti yoga. The narrative teaches that achieving Krishna consciousness and attaining the inner realization that all life is a manifestation of the eternal energy of Krishna will release an individual soul from the cycles of reincarnation and death and rebirth. The narrative culminates with Krishna revealing to Arjuna his universal form which encompasses all life and material existence. One notable event in the narrative is when Arjuna gazes at the opposing army of demons and sees his relatives fighting for the demonic army, he is filled with grief and remorse that he must kill his own flesh and blood.

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