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"garderobe" Definitions
  1. a wardrobe or its contents
  2. a private room : BEDROOM
  3. PRIVY

127 Sentences With "garderobe"

How to use garderobe in a sentence? Find typical usage patterns (collocations)/phrases/context for "garderobe" and check conjugation/comparative form for "garderobe". Mastering all the usages of "garderobe" from sentence examples published by news publications.

Audra McDonald is Garderobe, the singing wardrobe; Emma Thompson is teapot Mrs.
The only part that we didn't really show is the wardrobe part, Le Garderobe.
Ask a knight where the bathroom is, and they'll point you in the direction of the nearest public garderobe.
Spoiler: He's one of a trio of angry, brutish villagers who get dolled up in dresses and makeup by Madame Garderobe.
Beauty and the Beast also stars Dan Stevens as the Beast, Luke Evans as Gaston, Audra McDonald as Garderobe, Emma Thompson as Mrs.
"This floor still has the authentic 'garderobe,' a built-in toilet seat straight above the moat — currently out of use," Mr. Andriessen said.
The Bill Condon-directed live action adaptation also stars: Ewan McGregor as Lumiere, Ian McKellen as Cogsworth, Audra McDonald as Garderobe and Emma Thompson as Mrs. Potts.
Beauty and the Beast star Audra McDonald – who voices Madame Garderobe – tells PEOPLE Now that she totally freaked out after spotting the singer at the film's Hollywood premiere.
Secondary characters, like Plumette the feather duster (Gugu Mbatha-Raw) and Garderobe the wardrobe (Audra McDonald), are played by actresses of color and have bigger roles than they did in the animated film.
Lumière's feather-duster girlfriend Plumette (voiced by Gugu Mbatha-Raw) and the living wardrobe Madame Garderobe (Audra McDonald) get slightly larger roles, giving the story a place for actors of color, even if they're mostly offscreen voices matched to animated objects.
"I think in the movie, it's difficult to see some of the detail, but the idea that Madame Garderobe (Audra McDonald) gets the gold pattern from the ceiling and puts it around the dress, meant that we had to print a gold print on the dress," says Durran.
And in addition to Belle and Beast, there are two more love stories: Lumière, played by Ewan McGregor, and Plumette, played by Gugu Mbatha-Raw, as well as a new couple: Audra McDonald is Garderobe (who appeared briefly in the original just as "Wardrobe"), and her love Cadenza, depicted by the ever-amusing Stanley Tucci.
In 1690, the Great Parlour Chamber was occupied by John Batt. It has a garderobe in the outer wall.
On 25 September 1968, three explosives were detonated in the Belgrade rail station garderobe, leaving 9-13 people injured.
Interior of a late 13th- century garderobe at Chirk Castle in Wales. The term is also used to refer to a medieval or Renaissance toilet or a close stool. In a medieval castle, a garderobe was usually a simple hole discharging to the outside into a cesspit (akin to a pit latrine) or the moat (like a fish pond toilet), depending on the structure of the building. Such toilets were often placed inside a small chamber, leading by association to the use of the term garderobe to describe the rooms.
There are some two-light windows with window-seats, and slopstones. There is a fireplace and garderobe on the upper floors.
It is over a vaulted basement comprising two poorly lit chambers. There is an unusual double garderobe chute at the north gable.
Castle exterior Castle interior The main living room was at that first floor level with access to the bartizans and the garderobe.
The garderobe at Peveril Castle, Derbyshire, England Garderobe is a historic term for a room in a medieval castle. The Oxford English Dictionary gives as its first meaning a store-room for valuables, but also acknowledges "by extension, a private room, a bed-chamber; also a privy". Its most common use now is as a term for a castle toilet.
The series follows Arika's progress as a student at Garderobe Academy and the machinations of those desiring the destructive power of the old technology for themselves.
The overall floor area is measured . at The house is surrounded by a bawn and a tower in the southeast corner had stairs and a garderobe.
Garderobe and arrowslit Arched doorway The tower is and four storeys high, with a stair turret continuing up to the battlements. The base has a pronounced batter.
There is a fireplace on the second floor. The third floor contains a fireplace, garderobe and separate stairs to the roof. There are single-light, round and cross- shaped loopholes.
Potts' story about last Christmas. In the live-action film, Sultan is renamed Frou-Frou and portrayed by Gizmo. He is apparently the Yorkshire Terrier of Madame Garderobe and Maestro Cadenza.
The larger one had a fireplace and a garderobe, and was likely the baron's bedroom; the smaller room was either the chaplain's quarters or a family room. Both were connected via a lobby at the top of the private staircase. The room on the south side (separated by the other rooms due to the hall's height) was accessed via the main staircase. This room also had a fireplace and a garderobe, and was probably used by guests.
The main building was entered from higher ground on the southern land side of the building. A projection at the south-east corner contains the shute that served a garderobe or privy.
The only remaining features of the original 15th century construction are a garderobe and fireplace on the original first floor. The tower is closed to the public but access is available to view it from nearby.
Ground-floor plan. Key: 1: Great Hall, 2: Parlour, 3: Garderobe, 4: Private staircase, 5: Withdrawing Room, 6: Exhibition Room, 7: Chapel, 8: Chancel, 9: Corn Store, 10: Gatehouse, 11: Bridge, 12: Garderobe, 13: Brew-house (now public toilets), 14: Shop, 15: Restaurant, 16: Screens passage, 17: Hall porch, 18: Courtyard, 19: Kennel. Shaded areas are not open to the public. The Great Hall at the centre of the north range is entered through a porch and screens passage, a feature common in houses of the period, designed to protect the occupants from draughts.
The tower was at least four stories high and may have had an additional upper wooden level. On the second floor there are remains of a garderobe and a doorway that once led out to a wooden balcony.
They became obsolete with the introduction of indoor plumbing. A description of the garderobe at Donegal Castle indicates that while it was in use, it was believed that ammonia would protect visitors' coats and cloaks from moths or fleas.
As in the film, she is Belle's closest confidante in the castle after Lumiere. In the 2017 live- action remake, the Wardrobe is portrayed by Audra McDonald and is known as Madame de Garderobe, wife of court composer, Maestro Cadenza, and also a well- respected opera singer. The Enchantress' curse separated her from her husband, and as the rose withered, she was prone to dozing off more often as she became more inanimate. After the Enchantress lifts the curse and restores everyone to human form, Garderobe is reunited with her husband and sings at the celebratory ball at the end of the film.
The position is surprising as it would have been almost above the quarters of the châtelain and it is possible that the structure was originally a bartizan which was converted into a garderobe when the upper floors were used as a prison.
The walls of the castle are nearly 6 feet thick.Rait Castle - Archeological Notes rcahms.gov.uk. Retrieved 18 September 2014. A tower projects from one corner of the castle and there is a garderobe tower on the west side that projects nearly 13 feet.
The outer walls of the castle have full-height slender turrets at the changes in direction. Corbel tables support part of the battlements. The walls contain arrow slots, and in the gatehouse is a garderobe. The flat roof has a crenellated parapet.
Sam Rogers, "Anna Dello Russo befreit ihre Garderobe von Pelz – und spendet die Looks der PETA," Vogue 22 February 2018. After her contributions to PETA, she donated several of her clothes to be auctioned off for charity. Her contribution raised €147,000 for the Swarovski Foundation's scholarship program.
The upper floor accessed by steps outside and an internal staircase contained the main hall. It is in size. As well as the chimney, another notable feature is the garderobe tower which extends over the mill stream added in the early 13thcentury to provide sanitary arrangements.
Portrait of Gustav I of Sweden, 1542 (possibly a later copy). Now in the Uppsala University's art collection. All his known paintings are portraits. In the Garderobe at Königsberg are those of 'Prince Albrecht' and his 'First Wife,' and his own portrait is in the Belvedere, Vienna.
5 "John Acland of Wooleigh"; Acland, Anne. A Devon Family: The Story of the Aclands. London and Chichester: Phillimore, 1981, p. 13 The present farmhouse incorporates part of the mediaeval manor house, a garderobe with its original doorPevsner, Nikolaus & Cherry, Bridget, The Buildings of England: Devon, London, 2004, p.
Interior of the ruins The abbey church is a long house divided into choir and nave with triple sedilia; the collapsed square tower was over the choir arch. The thirty windows are pointed and of cut limestone. A two-storey building contained refectory and dormitory. To the northeast is the garderobe.
It has axes north and south and is built of local limestone rubble, with angle quoins. The walls are thick at their base. There is a projecting garderobe, about square, at the south-west corner, where there is a spiral staircase. There was originally an entrance at the north-west corner.
In European public places, a garderobe denotes a cloakroom, wardrobe, alcove, or armoire used to temporarily store the coats and other possessions of visitors. In Danish, Dutch, Estonian, German, Norwegian, Russian, Spanish, Swedish and Ukrainian, the word can mean a cloakroom. In Polish, it means "wardrobe" and in Latvian, it means "checkroom".
From the north-east angle of the cellar a turnpike stair leads to all storeys of the tower. The hall has a wide fireplace and four windows. There are two aumbries in the jambs while a third aumbry has an ogival lintel. The bedroom, on the second floor, has a wall press and a garderobe.
The sparse arrangement, with little provision for lighting, has led to suggestions that it was used as stables, however there are no drains which are usually associated with stables. The tower in the northwest corner of the castle had a garderobe and fireplace on each of the three above-ground floors, and there was a basement underneath.
In the center of the site is a large tower house which covers about and has thick walls. North-west of the tower is a long section of the curtain wall. A double garderobe or bathroom is built into the curtain wall. On the north end of the complex was a residential tract with a kitchen.
All the floors have fireplaces installed; on the north facing wall for the first and second stories, sharing the same chimney flue inside the wall that ends in a nearly complete chimney. The fireplace for the third storey is on the east wall; all three have stone bressummers. The garderobe is in the east wall of the first storey.
The cost in time and lives to gain the outer bailey had been high, but Philip was prepared for this. He decided to attack the last position; the second bailey. Philip's men climbed up a garderobe (toilet chute) and entered the chapel above. They then let their fellow soldiers into the central bailey, which was captured.
Less romantically, it may, alternatively, have been a garderobe or privy. This room became associated with sightings of ghosts in the 19th century, and legends of a secret passage that led from the room outside or to the Chapel arose, though no such passages exist.Dean, p.9 alt=A large room with an elaborate textured ceiling.
The second floor, probably the lord's chamber, has a hooded chimneypiece, mural passage, garderobe and a small bedroom. It was originally painted blue and one wall has a Crucifixion mural. The floor above, contains a secret chamber. The top floor chamber is the largest and best-lit room in the castle, used for general family living.
A fireplace and garderobe survive on the second level. The three ground-floor rooms cannot be entered from the living quarters above and may have been used as warehouses. The hall is two storeys tall, with entrance protected by a murder-hole. There is a large fireplace at the west end and an oubliette in the south wall.
Those with arrowslits were blocked when the tower was used as a prison and have not been reopened. The arches of the niches differ from those on the lower floors; they have an ogive shape rather than a semi-circular form. The fireplace is set into the north wall. There is an entrance to a garderobe in the southwest corner of the room.
As was common practice in those days, prisoners were treated differently according to their class and wealth. The poorest were placed at the bottom, being confined perhaps twenty or more to a cell in windowless dungeons under the castle. However, the wealthiest inmates were able to pay for their own private cells (or pistoles) higher up, with windows, a garderobe and a fireplace.
In the western area of the third floor were the living quarters, as can be seen from the remains of weathered windows with their niches for seating and from the fireplace. An exit leads out to a small balcony or garderobe. Nothing is known about the shape of the roof. The kitchen was in the eastern, less well lit area.
Originally the building would have had a great hall and courtyard, only two wings remain, with an entry porch into the old hall which now includes a ceiling. The north wing is two storeys high, with a basement and attic. The windows are modified 16th century mullion windows. To the right of the main entrance is a previous garderobe tower.
The ground floor has a large room opening onto the courtyard and another, smaller room. The first floor consists of three rooms: two small rooms and a garderobe. During the eighteenth century, it was recorded that the top floor had two chambres de bonne. The west wing's design is known only from archival records, since it was almost totally destroyed between the seventeenth and nineteenth centuries.
A garderobe on the west side fourth story was bricked up, but is still visible from the exterior. The tower is surrounded with a rectangular ring wall that is from the tower and is about thick. The north wall is missing and was probably destroyed when that side of the hill collapsed. On the east end of the ring wall is another stone building, of unknown function.
Mitsou is the name of a French war-time novella that was published by Colette in 1919. It was later made into a 1956 film Mitsou. The eponymous protagonist, a 24-year-old star in a show at the Montmartre in Paris in 1917, hides briefly two lieutenants in her garderobe to help her friend Petite Chose. One of the men is the educated "blue lieutenant".
One of the main surviving elements is the northern range of Stone Court. The upper floors contain a series of high- status apartments, and these are demonstrated by a number of structural features, such as the series of large garderobe towers protruding on the north side and the cellars below, which contain some late-15th-century wall paintings.Forde, pp.3;8–9. In 2013, Knole was granted £7.75m.
The roughly 22-metre-high tower is made of rusticated ashlar and has two-metre-thick walls at the base, reducing to 50 centimetres thickness by the 4th storey. Judging by its windows and garderobe (of which some of the medieval wooden elements have survived), it was designed as a relatively comfortable residence. Access was via an elevated entrance. It was restored in 1989.
Abbot's Tower is a L-plan tower house, originally measuring with a short staircase wing extending north . Its rubbled walls were about thick with only one room per storey. Each has a fireplace at one end and there was a garderobe in the south corner. By 1892, it was in a ruinous state, with the portions of the walls still surviving to a height of .
Three bays were blind. The doorways were round-headed with rusticated long-and-short surrounds. The 20-bay west range had segmental- headed windows with raised sills, and loading doors on most floors, the octagonal chimney was in the south-west corner. The rear of the main range had a garderobe turret (privy tower) to the right and a semi-octagonal turret in the centre.
The castle is a three-storey structure, built from rubble and slate. The east section, which was the bishop’s residence, has crow-stepped gables. On the north are a projecting garderobe, with sanitary flues. On the east gable, at the level of the floors, there is a double row of corbels, and corbels which appear to have been for the purpose of supporting a roofed gallery.
Godesburg, a fortress a few kilometers from the Elector's capital city of Bonn, was taken by storm in late 1583 after a brutal month- long siege; when Bavarian cannonades failed to break the bastions, sappers tunneled under the thick walls and blew up the fortifications from below. The Catholic Archbishop's forces still could not break through the remains of the fortifications, so they crawled through the garderobe sluices Ernst Weyden.
The first room encountered was the great hall, which rose three floors. To the viewer's immediate left was a kitchen (with clerestory lighting), and further on to the left was a butlery and pantry with a garderobe. To the viewer's back right was a small passage containing a private staircase and the entrance to the oratory (its roof vaulted with an east window) in the east tower.Huggill, p.
In March 2015, Dan Stevens, Luke Evans, Emma Thompson, Josh Gad, Audra McDonald, and Kevin Kline joined the film as the Beast, Gaston, Mrs. Potts, Lefou, Garderobe, and Maurice, respectively. The following month, Ian McKellen, Ewan McGregor, Stanley Tucci, and Gugu Mbatha-Raw joined the cast, as Cogsworth, Lumière, Cadenza, and Plumette, respectively. Composer Alan Menken returned to score the film's music, with new material written by Menken and Tim Rice.
131, 307. In October 1582 he met Walter Keyre at Leith, a messenger from the Duke of Lennox who was staying at Rothesay Castle, displaced from his favour at court by the Gowrie Regime. James VI spoke to Gibb privately about the meeting in the "stole" or garderobe at Holyrood Palace. The English ambassador Robert Bowes heard the king advise Gibb that the Duke and Keyre ought not to endanger themselves by sending messages.
In the second half of the century, Wales saw a renewal of fighting, and the castle was attacked again in 1251. The decision was taken to improve the castle's defences and, as part of this, a square, stone tower was added to the castle to provide living accommodation, with three chambers, the first floor containing a garderobe and a fireplace.; . A gateway was constructed through the curtain wall just to the south of the tower.
The south-west range contains a set of medieval rooms, which Newman describes as "on an oddly miniature scale". Cadw suggests that these were "monastic dormitories (each) with its own secure closet and garderobe" and notes "it is very remarkable that such an arrangement should have survived so completely". The house, which is currently for sale, remains privately owned. Its Cadw listing record describes Church Farmhouse as "an exceptionally rare and interesting monastic building".
A projecting garderobe was also added on the west wall in the 19th century. Within the outer face of the north gable is a dovecot, formerly accessed via a timber walkway from a high-level door. The chimney runs behind the pigeon holes, ensuring the birds were kept warm in winter. To the south of the castle, a barmkin or courtyard, approximately 30 m by 13 m, was originally surrounded by a stone wall.
The pedestrian arches through the bridge also differ in design, the northern being pointed and the southern having a flat "Caernarvon" head. Internally, the gate has a single room and a garderobe. The original internal access was by way of a stone spiral staircase, but this was subsequently destroyed and a wooden replacement was inserted. The room in the tower measures long and wide and has an attic and an 18th-century roof.
There is a row of weeper openings at roof level. The tower look as if it may have been part of a larger tower house, possibly housing the stairs or the garderobe. The ruins now form part of the garden wall of a modern house. Given the unstable nature of Ireland in the seventeenth century, and particularly raids by the Byrnes on this part of Dublin, such constructions offered their owners security.
The original entrance was at first-floor level and was reached by an external wooden stairs. Heat was probably provided by a brazier in the centre of the hall, with the smoke exiting through a louver or opening in the roof directly above. The garderobe is diagonally across from the main entrance. There is fine carving on the exterior of the doorway and on the inner side of two of the window openings.
Excavations and building surveys by Ben Murtagh in the 1990s revealed traces of an earlier castle, exposed a postern gate (side entrance) and section of the castle ditch facing on to the Parade (now visible), and also partly uncovered the lost south-east side of the castle. The entrance was through the (now missing) east wall. Various other features of the original castle have also been excavated, including original stone buttressing and a garderobe.
Below the gate tower is a basement prison which was accessible by trapdoor. In the 17th century, a second floor living area was added to the building including a pointed groined vault, three bays, lancet windows, a garderobe, a chimney stack, a large hooded dog-tooth capital fireplace on the southern wall, and crow-stepped gables. The drawbridge was operated from this floor. A spiral staircase in the eastern corner of the building gives access to the upper floors.
The house is built of local hamstone with Welsh slate roofs. The core the house consists of a screens passage with a gallery above it. When the house was built, there was a projecting garderobe turret; however, this has since been removed. Dendochronology of the wood forming the tie-beam and collar-beam trusses of the roof has shown that a construction date of 1585 is more likely than the previous estimates, which suggested an earlier date.
On and off stage, Wally usually wore flashy, shiny, expensive outfits, characterized by a camp and kitsch style reminiscent of Liberace. In 2004, Eddy Wally's wardrobe was acquired by the Stedelijk Modemuseum van Hasselt, and was displayed under the title "Eddy Wally's Geweldige Garderobe". The exhibition comprised 115 custom made outfits, valued at up to $5,300 apiece. In October 2009, famed Belgian artist Kamagurka proclaimed: It's still discussed whether or not Eddy Wally was a stereotype.
The main tower - northern facade It is a two floor object located in the north part of the castle with a cross vault on the ground floor and with the wooden ceiling on the second. It is inconsiderately ceiled with monolithic reinforced concrete desk in presence. On both floors, there was an entrance to the wooden matroneums in the chapel. On the second floor, the palace was equipped with a medieval toilet (Garderobe) placed outside, nowadays partly preserved.
The room nearest the entrance on the right was a guardroom or the porter's room, which housed a well; the back-right room, with a garderobe located in the south west turret (accessed via a passage running along the south wall), was for an official.Emery, p.108 The other two rooms to the left were used to house staff or storage. The first was floor was accessed via the main staircase, situated in the east tower.
A yellow dye can be extracted from the branches of the plant, for use with wool. Its dried leaves are used to keep moths away from wardrobes. The volatile oil in the leaves is responsible for the strong, sharp, scent which repels moths and other insects. It was customary to lay sprays of the herb amongst clothes, or hang them in closets, and this is the origin of one of the southernwood's French names, "garderobe" ("clothes-preserver").
The two staircases would have given separate access from the hall below to each of these two rooms. The third floor had, like the second floor, been divided into two apartments, with a garderobe for each and separate access from the hall as on the floor below. Closets are formed in the thickness of the walls. The plan of the battlements shows the common arrangement for the protection of the walls before lead came into use.
The chamber at the eastern end has two splayed recesses, tentatively identified as a wash baison and a privy within a screened off garderobe. Scattered floor tiles have been found and it is probable that the upper floor was tiled prior to the departure of the Templars. At the western end there appears to have been a form of serving hatch from a now lost and unrecorded western extension. A later oven or still is of unknown purpose.
In the course of the archaeological educational dig, several pits that had been opened by grave robbers were filled and part of the high medieval enceinte of the inner bailey were exposed. This brought to light the remains of a floor of stone flags and a toilet. The garderobe opening was in the wall, the partially preserved waste pipe led into the moat before the construction of the zwinger system. Safety work has not yet finished.
The oldest part of the building, which was probably built in the early 15th century, is the stone pele tower which measures 45 feet in length from north to south and is 28 feet in width. It is about 35 feet in height with walls four feet thick. In the north-west corner of the tower the shaft of a garderobe projects from the main structure. The tower had three low storeys as evidenced by the blocked window openings.
The Encyclopædia Britannica, volume 24 She is described as "fresh, white, well made, strong and intoxicating".Le Carnet, Volume 19 She married Henri François, comte de Ségur (1689–1751) at Gagny or Paris on 10 or 12 September 1718. He was the son Henri Joseph, comte de Ségur and Claude Élisabeth Binet. Called le beau Ségur ("the handsome Ségur"), her husband had been "master of the wardrobe" of the Regent (maître de la garderobe du Régent).
The first floor hall has a garderobe and three windows. There is a vaulted basement, lit only by three gun-loops. An oak door from the tower, fashioned by a local craftsman, is on display in Edinburgh at the National Museum of Scotland. It depicts Samson tearing open the jaws of a lion, and with a shield bearing the Arms of Charteris and Herries and dated 1600. Hubert Fenwick described Amisfield as “simply marvellous”, saying that it “displays almost every Jacobean baronial conceit”.
The dansker at Kwidzyn Castle A dansker (also danzker) is a toilet facility, belonging to a castle, that is housed in a tower over a river or stream. The tower, a type of garderobe tower, is linked to the castle over a bridge, which has a covered or enclosed walkway. The dansker is frequently found on German ordensburgen and is an architectural feature of the 13th and 14th centuries. The origin of the word, first used in 1393, is probably the town of Danzig.
The rest of the principal cast, including Josh Gad, Emma Thompson, Kevin Kline, Audra McDonald, Ian McKellen, Gugu Mbatha-Raw, Ewan McGregor, and Stanley Tucci were announced between March and April to play LeFou, Mrs. Potts, Maurice, Madame de Garderobe, Cogsworth, Plumette, Lumière, and Cadenza, respectively. Susan Egan, who originated the role of Belle on Broadway, commented on the casting of Watson as "perfect". Paige O'Hara, who voiced Belle in the original animated film and its sequels, offered to help Watson with her singing lessons.
Cesspools were cleaned out by tradesmen, known in English as gong farmers, who pumped out liquid waste, then shovelled out the solid waste and collected it during the night. This solid waste, euphemistically known as nightsoil, was sold as fertilizer for agricultural production (similarly to the closing-the-loop approach of ecological sanitation). The garderobe was replaced by the privy midden and pail closet in early industrial Europe. In the early 19th century, public officials and public hygiene experts studied and debated sanitation for several decades.
A second, leading into the ceiling, is reputed to hold six people. A third is hidden in an old privy. Fugitives were able to slide down a rope from the first floor through the old garderobe shaft into the house's sewers, which run the length of the building, which could probably hold a dozen people. These priest holes are said to have been built by Saint Nicholas Owen, a lay-brother of the Jesuits who constructed many masterful hides, notably at nearby Harvington Hall.
At least one stone was moved to the Mitford churchyard with others removed or vandalised. Remains of a 12–13th century east curtain wall of squared stone include a gateway to a barmkin, mural chambers, garderobe, and a round arch. This east curtain wall area is flanked by a semicircular breastwork; the strongest part of the building. The west curtain wall and structures are also of the 12–13th century and squared stone, with different builds and masonry types found across three different sections.
The surviving fabric includes a slot for a portcullis for the barbican's north gate, although there are no hinges for gates. The base of a garderobe demonstrates that the second story would have provided space for habitation, probably a guard room. Drawings from the late 18th century show the ground floor of the barbican still standing and includes detail such as vaulting inside the passageway. 378x378px The gatehouse in the castle's north wall is three storeys high; now reached by a static bridge, it was originally connected to the barbican by a drawbridge.
The house being dismantledBayleaf farmhouse is a timber-framed Wealden hall house with a peg tile roof, dating from the early 15th century. The building has four rooms on the ground floor and two on the first floor. The house has vertical shutters to some of the windows, and a garderobe on the first floor. It was originally built at Ide Hill, Kent, and was donated to the museum in 1968 by the East Surrey Water Company as it was threatened with destruction by the creation of Bough Beech Reservoir.
The conservation and repair of the ruin, funded principally by The Heritage Lottery Fund and English Heritage was the culmination of many years of campaigning and fund raising on the part of the new owners, The Hopton Castle Preservation Trust. The works entailed significant structural stabilisation and rebuilding of the masonry and conservation of surviving medieval plaster. During this time a sophisticated and possibly unique garderobe chamber was revealed. As a result of evidence discovered within this chamber it is now believed that a siege breach may have taken place here.
Dryslwyn Castle The castle of limestone walls was built in the 1220s, and was systematically demolished in the early 15th Century, presumably in an attempt to stop Welsh rebels using it again. The polygonal inner ward contains principal remains to the south west, with traces of middle and outer wards to the north east. The early 13th Century curtain wall to the inner ward only stands 1m high. There is a garderobe to the east side, and a remodelled 13th Century gatehouse to the north east, surviving at foundation level only.
The interior of the Spur, showing the access passage leading from the main gate The five-storey Central Tower, or "main mast", was built in the 15th century and heightened in the 16th. It measures around , and the walls are thick at the base. Each storey contains a single large room with a fireplace, a garderobe or privy, and numerous chambers within the walls. The storeys were originally linked by a narrow spiral stair, until a larger stair tower was constructed at the east corner in the 17th century.
It is not known with any certainty when Burg Dill was built, but it is assumed that this happened in the 11th century, and that it might have been built on the ruins of an earlier Roman or Celtic complex. At the complex's highest point, in the north, is the Oberburg (“upper castle”). Not much of the four-floor residential tower, whose sides measured 18 × 12 m, is left other than three outside walls; the east wall is missing. On the north wall's outer side is a garderobe.
These garderobe, which were attached to the outer wall of the house above the moat and could be reached from the rooms through narrow door openings, were removed during the reconstruction work in 1705. The walled wall surfaces of the formerly 50 centimetre wide door openings reappeared in 1963 when the house was replastered. After the reconstruction in 1708, the Hegemeister was assigned the rooms in the eastern area. The royal chambers included the divided court room and the room in the western corner wing, which Friedrich I used as a bedroom.
Parts of Wolfeton House date back to the south side of an early quadrangular courtyard house, dating from the 16th century. The house has a three floored tower on the south side, with the topmost stage build in approximately 1862. West of the tower the wall was built in 16th century and leads to the octagonal garderobe tower. Inside the house is oak panelled and includes an extensive collection of Elizabethan and Jacobean carvings, including those of Roman Soldiers and a figure of a Briton brandishing a club.
Her husband, Gerald, fled through a garderobe. Nest is said by some to have borne Owain two sons, Llywelyn and Einion, before eventually being returned to her husband, but this is probably a mistaken identification. Owain's actions led to his father being confronted with an invasion, as the justiciar of Shropshire, Richard de Beaumais, promised the members of the cadet branches of the ruling house of Powys extensive lands if they would attack Cadwgan and Owain. Owain fled to Ireland while Cadwgan surrendered to King Henry I of England and lost all his lands.
The roof is slate ending in coped verges. The front of the building has a number of bays ending in the chapel wing to the north, which includes tall lancet arch windows as well as an ogee-headed moulded stone door frame. The main entrance to the house is in one of the bays, with a studded door, in a similar ogee-headed moulded stone door frame. On the south side of the house there is a garderobe, also two storeys high, with a turret to the rear.
59 The oratory was entered via a five-and-a-half high pointed-arch doorway and contained an altar and piscina, of which only an ornamental niche remains. There was a fireplace on the north wall of the great hall and behind the north wall was the great chamber containing a fireplace, garderobe and a window seat on the east wall. To the west of the hall was the head of the west window. The portcullis is believed to have been raised into the hall in front of this window.
The kitchen, oratory and great chamber rose two floors, therefore only the minstrels' gallery was accessed via the main staircase on the second floor. However, the butlery and pantry was single-storeyed, but held the butler's chamber (with a garderobe) above it, accessed either via a staircase in that room or via the gallery. The rooms on the north and east sides of the third floor were accessed via the private staircase. The rooms were two family rooms, one above the oratory and a larger one above the great chamber.
Many can still be seen in Norman and medieval castles and fortifications, for example at Bürresheim Castle in Germany, where three garderobes are still visible.Bürresheim Castle in the Rhineland-Palatinate state of Germany has three garderobes: "...the rectangular castle keep dating from the 12th century, and raised in height to five storeys in the 15th century ...Only the fifth floor added in the late gothic period has rectangular windows and can be recognized as the dwelling for the tower watchman through its chimney and garderobe." Burgen, Schlösser, Altertümer. Burresheim Castle Koblenz, 2000. p. 22.
The ashlars had to be set in place using the old lifting device, the three-legged lewis, however, so that the front face had no lifting marks. The raised entrance was on the south side facing the castle courtyard. At the foot of the tower a garderobe shaft indicates that the original neck ditch was located immediately in front of the bergfried. The main entrance of the Romanesque castle was probably in the vicinity of the present gate - a reconstruction by Joachim Zeune, a German medieval archaeologist - but was later moved to the south side.
When the villagers raid the castle, Cadenza takes part in the fight where he bodyslams LeFou and fires his remaining keys as a form of hailing bullets at the villagers but not long before Lumière scares the villagers off by lighting one of the gunpowder puddles on the castle floor causing it to spark and forcing the villagers to retreat in humiliation. When the spell is broken, Cadenza is finally reunited with Garderobe and gets his lost teeth replaced. He performs his music at the ball at the end of the movie.
Both the main tower and the extension have a pitched roof and crow-stepped gables, and the original tower has a restored parapet which is crenellated. There is a machicolated projection at the east end of the north wall, at parapet level, although its defensive value would have been limited, as it was not placed above the entrance. It is, however, more likely that this feature is a Garderobe. A turnpike stair leads from the north entrance to the parapet, where there is a cap-house from which the attic may be entered.
What today appears to be another doorway next to this, leading by a right-angled passage into the keep, was actually a barrel vaulted mural chamber, which seems to have had an arrowslit in the wall at this end, now breached. This chamber may have been a garderobe, but this is debated. The walls above show no signs of any wall openings even to the staircase. The re-building work may have removed any evidence of a doorway to what was possibly a second floor of sleeping accommodation, or the walls may have concealed a pitched roof, similar to the keep at Peveril.
The castle lies on a roof-shaped, west-facing muschelkalk ridge immediately south of the village of Saaleck, at a height of about 172 metres above sea level and is just under 23 metres high. The characteristic picture of the castle is dominated by its two bergfrieds, which have wall thicknesses of about 2 metres and are visible from a long way off. In the masonry of the west tower is a medieval garderobe and a stove that indicate where the residential level was. The centre of the castle was once surrounded by inner and outer defensive walls.
A service wing to the west, built at the same time but subsequently replaced, gave the early house an H-shaped floor plan. The east range was extended to the south in about 1508 to provide additional living quarters, as well as housing the Chapel and the Withdrawing Room. In 1546 William Moreton's son, also called William (c. 1510–63), replaced the original west wing with a new range housing service rooms on the ground floor as well as a porch, gallery, and three interconnected rooms on the first floor, one of which had access to a garderobe.
The west tower is across externally and internally, made of simple patterned brickwork, with three floors and two, slightly taller, turrets on the inside corners.; ; Each floor had a single chamber, with a fireplace and an adjacent garderobe, which would have formed lodgings for senior members of the household.; ; The castle was primarily built from bricks, with stone used for the detailing, such as doorways. The brickwork was decorated with patterns of darker bricks, called diapering, which was used to show symbols associated with Lord Hastings, as well as objects such as a jug and a ship.
Exclusive to the 2017 live-action film, Maestro Cadenza is the husband to the opera singer Madame de Garderobe and is the castle's court composer. At the time of his servitude to the Prince, Cadenza was suffering from dental problems. Cadenza is turned into a harpsichord by the Enchantress' spell on the castle while his wife is turned into a wardrobe. As a result when he tries to play, he makes the occasional sour note due to the cavities in his teeth, but struggles through the pain in hopes of returning to his human form and reuniting with his wife.
The buildings were repaired and the gatehouse was possibly added at this time. From the late 15th century, the castle was held by the Musgrave family, until Bewcastle Castle was reputedly destroyed by Cromwell in 1641. The castle was in a state of ruin by the 17th century, and although much of the stone was removed for nearby buildings, much of the gatehouse with its internal garderobe still remains. The element "castle" in the place-name Bewcastle probably refers to the Roman fort within which it was built,Armstrong, A.M., Mawer, A., Stenton, F.M. & Dickins, B. 1950.
Pendragon Castle, ca 1740 Despite legend (and the discovery of a Roman coin) there is no evidence of any pre-Norman use of this site. The castle was built in the 12th century by Ranulph de Meschines, during the reign of King William Rufus. It has the remains of a Norman keep, with the later addition of a 14th- century garderobe turret, and some further additions in the 17th century. One of its most notable owners was Sir Hugh de Morville, Lord of Westmorland, one of the four knights who murdered St Thomas Becket in 1170.
Lusignan at its height, just as it was in the early 15th century, is illustrated in the Très Riches Heures of Jean, duc de Berri, for whom it was a favourite residence until his death in 1416. It rises in the background of the miniature for the month of March (see illustration), clearly shown in perspective, with its barbican tower at the left, the clock tower — with the exterior chute of the garderobe to its right — and the Tour Poitevine on the right, above which the gilded dragon flies, the protective spirit of Melusine.Pognon, Edmond (1979/1983). Les très riches heures du Duc du Berry, p. 20.
Amidst the flames and rubble, Arenberg's and Ferdinand's troops tried to storm the castle, but found their way blocked by masses of debris created by their own explosives. Potthoff 2006, p. 202; Floß, p. 126. Furthermore, although close to half of the garrison had perished in the explosion and subsequent collapse of the fortifications, those who remained offered staunch resistance by throwing rocks on the approaching attackers, causing a large number of casualties. In frustration, 40 or 50 of the attackers tied together two ladders and crawled through the sluice-ways of the garderobe (latrines) that emptied on the hillside, thus gaining access to the interior of the castle.
Construction probably began in around 1176, instigated by Henry II. Its plan is square, measuring less than , and the parapet is above the keep's base; as the ground is uneven, on the other side it rises above ground level. It is smaller than contemporary royal keeps such as those at Dover and Scarborough Castles. Today the exterior is coarse, but originally the facing would have been smooth; the south-east side, where the steep natural slope prevented removal of the facing stone, gives an idea of how it may once have appeared. A projection in the south-east face of the keep housed a garderobe.
Ground plan of the castle from 1853; A - entrance; B - vaulted chamber; C - garderobe tower; F - fireplaces It was built in the middle of the 14th century by Sir Thomas de Lucy as a great H plan H-shaped tower of four storeys. Before this the site was the seat of the Barons of Tynedale in the 12th century, from whom descend the Tyndall family. It was attacked and severely damaged in 1405 by the forces of Henry IV in the campaign against the Percys and Archbishop Scrope. It remained as a ruin until it was bought and restored by a local historian, Cadwallader Bates, in 1882.
They can be accessed either through a doorway from the adjacent Prayer Room or via a staircase at the south end of the courtyard leading to the Long Gallery on the floor above. The first-floor landing leads to a passageway between the Guests' Hall and the Guests' Parlour, and to the garderobe tower visible from the front of the house. A doorway near the entrance to the Guests' Parlour allows access to the Brew-house Chamber, which is above the Brew-house. The Brew-house Chamber was probably built as servants' quarters, and originally accessed via a hatch in the ceiling of the Brew-house below.
It was largely demolished in or before the 18th century, but two walls survived, incorporated in later buildings. In 1939, demolition of later buildings revealed the two surviving walls of the house, and also the bases of the pillars of the undercroft, and the base of a garderobe shaft. The shaft and pillars were three-and-a-half feet below the current ground level, and so were covered over, but the walls were preserved, and the former interior of the building made into a small courtyard, so that the remains can be viewed from the inside. They are accessed by a snickelway, running between numbers 50 and 52 Stonegate.
The library also serves as the nave of the palace's very small chapel. The grand appartement is composed of the Salle des évêques (Bishops' Hall) – the former Antichambre du roi – the Chambre du roi (Bedchamber of the King), the Cabinet du roi (Cabinet of the King), also known as the Salon d'assemblée (Assembly Room) and the Garde-robe du roi (Cloakroom of the King). The "petit appartement" is composed of the Antichambre du prince-évêque, the Chambre du prince-évêque, the Cabinet du prince-évêque (turned into Napoleon's bedchamber after 1800) and the Garde- robe du prince-évêque. The castle's garderobe (Cabinet de commodités) is situated next to the cloakroom of the prince-bishop.
My-Otome Zwei takes place one year after the events of My-Otome. Arika is now a full- fledged Otome (though still under the tutelage of Miss Maria as she has not yet received enough credits to graduate) and Nagi is incarcerated in a prison somewhere in Aries. The various nations are at peace with one another and plan to hold S.O.L.T. (Strategic Otome Limitation Talks) to discuss limiting the numbers of Otome. A mission to destroy a meteor threatening to collide with Earl sets into motion a chain of events which result in a mysterious shadowy figure attacking Garderobe and several Otome as well as a new, more powerful version of Slave appearing across the planet.
Façade of the reredorter (communal latrine), with the windows of the Tudor long gallery on the left Another large building lies crosswise at the south end of the east range. Its lower level consists of a vaulted hall equipped with a grand thirteenth-century hooded fireplace and its own garderobe. It is not clear what this chamber was used for, but it may have been the monastic infirmary—if so, it was a most unusual, perhaps unique, arrangement. Normally in a medieval Cistercian monastery an infirmary with its own kitchens, chapel and ancillary buildings would have been located east of the main buildings around a second, smaller cloister, but at Netley these seem to be absent.
The masonry of the 14th century is of dressed stone of ashlar quality, the 13th century stone is roughly squared; this difference is visible in the north wall and remnants of the original south wall. The south wall was replaced by a three-bay arcade to the south aisle. A distant view of the church from the south-west In the north wall, the westernmost of the two decorated windows has glass from the 15th century. The north transverse chapel, occupying the north transept, was probably created in the late 13th century; above it, accessed by a spiral staircase from the chancel, is a Priest's Room, with medieval details including fireplace and garderobe.
In 2016 she was nominated for the Primetime Emmy Award for Outstanding Lead Actress in a Limited Series or Movie and a Screen Actors Guild Award for her performance in Lady Day at Emerson's Bar and Grill for HBO in which McDonald portrayed jazz legend Billie Holiday. She won the Primetime Emmy Award for Outstanding Special Class Program in 2015 for her work hosting the program Live from Lincoln Center. On film she is best known for her portrayals of Maureen in Ricki and the Flash (2015) opposite Meryl Streep and Madame de Garderobe in the 2017 film version of Disney's Beauty and the Beast. She has been nominated five times for the NAACP Image Awards for her work in television and film.
The My-Otome manga follows an alternate storyline; in it, Mashiro Blanc de Windbloom is actually a male imposter attending classes at Garderobe as a replacement for the real Mashiro after she was "killed" but later it is revealed that he is Mashiro's twin brother and the true heir. The manga was serialized in Shōnen Champion. A spin-off manga titled , set 100 years into the past of the My-Otome anime, was serialized in MediaWorks' Dengeki G's Magazine between February 2007 and July 30, 2007, containing five chapters. The manga is accompanied by a novel based on the same premise and characters but with a different title, , which is being published by Tokuma Shoten under their Tokuma Dual Bunko label.
The postern gate at the rear would have been connected to the moat's south bank by a drawbridge and a long timber bridge. The main entrance on the north side of the castle is today connected to the north bank by a wooden bridge, but the original route would have included two bridges: one from the main entrance to an island in the moat, and another connecting the island to the west bank. For the most part the bridge was static, apart from the section closest to the west bank, which would have been a drawbridge. The island in the moat is called the Octagon, and excavations on it have uncovered a garderobe (toilet), suggesting that there may have been a guard on the island, although it is unclear to what extent it was fortified.
The first floor would have formed a high-status set of chambers for the use of the captain, and included large windows, fireplaces and a private garderobe, but most of this storey has been destroyed. A special German cocklestove was probably fitted into the chambers for the use of Philip Chute, the first captain of the castle, and was illustrated with pictures of Landsknecht soldiers and Protestant German leaders; only fragments of the stove have survived. In the centre of the fortification was the keep, built up from the round tower of 1512–14, and of the original building's walls were incorporated into the new design. The original tower had ten gunports embedded at ground level in its walls, but these were blocked up in the second phase of building.
Corr Castle as seen from the Howth Road East side of Corr Castle showing machicolations The castle is recorded on the Fingal County Council Record of Protected Structures (RPS 0551) with the description - Remains of 16th century castle of St. Lawrence family in open space at centre of apartment development. The castle is also recorded on the Record of Monuments and Places (RMP DU015-025) which notes the architectural detailing and archaeological significance of the building. Among the identifiable features include the remains of a bawn wall, turrets, garderobe chutes - which could have had various uses over time, battlements and machicolations and a chamber with a corbelled roof. Although the tower has various defensive features, it is not clear that defense was the primary purpose of the building and rather functioned as a look-out tower and more as accommodation over time.

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