A pamphlet, handed to festival goers on arrival explains the project in detail, along with period illustrations of Milanese nobility enjoying the "garden of delights," and extensive catalogues of the flora and fauna on display.
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"His depictions of plants and animals constitute a garden of delights in which memory and imagination work equally to uphold his Paraguayan identity," said Aimé Iglesias Lukin, Director and Chief Curator of Visual Arts at Americas Society.
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Escape Maker is the fourth studio album by Azalia Snail, released in 1995 by Garden of Delights.
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Originally released on Hansa Records, the album was re-packaged and re-released in 2000 on the Garden of Delights label.
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"Shadow Dancing: the Work of Iñigo Manglano–Ovalle," Iñigo Manglano–Ovalle: The Garden of Delights, Winston–Salem, NC: Southeastern Center for Contemporary Art, 1998.
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Herrad of Landsberg (; 1130 – July 25, 1195) was a 12th-century Alsatian nun and abbess of Hohenburg Abbey in the Vosges mountains. She was known as the author of the pictorial encyclopedia Hortus deliciarum (The Garden of Delights).
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When the gladiator spares Encolpius's life because of his well-spoken words of mercy, the festival rewards the young man with Ariadne, a sensual woman with whom he must copulate as the crowd looks on. Impotent, Encolpius is publicly humiliated by Ariadne. Eumolpus offers to take him to the Garden of Delights where prostitutes are said to effect a cure for his impotence but the treatment—gentle whipping of the buttocks—fails miserably. In the second of the stories within a story in the film, the owner of the Garden of Delights narrates the tale of Oenothea to Encolpius.
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El jardín de las delicias, also known as The Garden of Delights in English language cinema, is a 1970 Spanish drama film co-written and directed by Carlos Saura. The film was censured by contemporary Spanish Censorship because of its Franco bourgeois satire and Spanish Civil War references.
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Venus is unable to tear herself away from Adonis, and they reveal their mutual desire. Venus enters her garden of delights and Adonis follows her, welcomed by Celfa, Chato, and the nymphs. The next scene finds Marte, Belona, Dragón and Belona's soldiers at the foot of a mountain. Marte is still jealous and distracted.
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"A New Clue to Bosch's Garden of Delights". The Art Bulletin, Volume 64, No. 4, December 1982. 636–638: 637 Writer Peter Glum, in contrast, sees the figures as intrinsically connected with whoredom and lust.Glum 2007, 253–256 In a cave to their lower right, a male figure points towards a reclining female who is also covered in hair.
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He engaged in a controversy with Wenrich of Trier, taking the papal side in the era of the Investiture Controversy. He also attacked Wolfhelm of Brauweiler. Towards the end of his life (1094) he was a reformer at the religious community at Marbach.Fiona J. Griffiths, The Garden of Delights: Reform and Renaissance for Women in the Twelfth Century 92007), p. 33.
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Garden of Delights, Selected Poems by Gianfranco Palmery, with a critical introduction, Gradiva Publications, SUNY at Stony Brook, New York, May 2010. Altre contingenze Other Contingencies: Poetry Anthology by Rodolfo Di Biasio, translation with a critical postface, Gradiva Publications, New York/ Caramanica Editore (Italy), May 2002, pp. 300\. Patmos by Rodolfo Di Biasio. Editor of bilingual Italian/English volume, translation with critical introduction, Gradiva Publications, May 1998.
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Malesch is the debut album by German rock group Agitation Free. It was released in 1972 on the Music Factory label, and later on the Vertigo Records label. It was reissued on CD in 1992 by the Spalax label and in 2001 by the Garden of delights label and again in 2008 by Revisited Records. The album was inspired by the group's travels through Lebanon, Egypt, Greece, and Cyprus.
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Jacob van Eyck composed the Der Fluyten Lust-hof (The Flute's Garden of Delights, or The Flute's Pleasure Garden). Editions of this work appeared in 1644, 1646, 1649, 1654, and 1656. Der Fluyten Lust-hof is a very extensive collection of about 140 melodies, each with a number of diminutions or variations, for solo soprano recorder. The themes include folk songs, dance tunes, church works, Psalms, and songs of the day.
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Liz and Lisa was a band formed by Lisa Loeb and Elizabeth Mitchell while both were enrolled at Brown University in the late 1980s. Both women were in the class of 1990 at Brown. Loeb wrote most of the lyrics and music, and was the principal musician, with Mitchell often taking lead vocals. They recorded a popular tape, with songs such as "Notes and Daisies" "Garden of Delights" and "Hadrian's Wall".
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Philosophia et septem artes liberales (Philosophy and the Seven Liberal Arts), as illustrated in Hortus deliciarum. (Description of the illumination) Hell, as illustrated in Hortus deliciarum. __NOTOC__ Hortus deliciarum (Latin for Garden of Delights) is a medieval manuscript compiled by Herrad of Landsberg at the Hohenburg Abbey in Alsace, better known today as Mont Sainte-Odile. It was an illuminated encyclopedia, begun in 1167 as a pedagogical tool for young novices at the convent.
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At left is the Paradise, where the blessed souls are being shipped to Eden on a boat with a pink tent. The tower is a symbol of the Fountain of Eternal Youth, a more articulate version of which appears in the Garden of Delights. The central panel is mostly occupied by insect-like demons who torture the men, punishments including burning, eating impure food (the gluttonous) etc., all inspired by Netherlandish Proverbs.
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The Romans were the first to have the aesthetic concern of nature, for them, the garden was the counterpart of architecture. In the Middle Ages, the garden also played a very important role, but in another sense: it was walled, protected from the outside. It was the secret garden, the garden of delights, allegory and theatre of love. The large classical gardens of the monarchy at Vaux-le- Vicomte and Versailles, the gardens à la française.
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2004: Alpenrock Hüttenkracher – Koch Universal 2002: Segn und Sagn – Riff Records 2001: Psychedelic Underground – Garden of Delights 2001: Power der Berge – Koch Universal 2000: Alpen-Rock im Doppelpack III – Koch Int. 1999: Der Berg ruft – Junge Klänge – Verlag Das Beste 1999: Bayern Power – Zyx Music 1999: Alpenrock presented by M&M; – BGM Ariola 1999: Alpen-Rock im Doppelpack II – Koch Int. 1998: Alpen-Rock – Koch Int. 1998: Almenrock – Koch Int. 1997: Best of Alpenrock–Hits der 80er u.
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Der Fluyten Lust-Hof, title page of the first part, 1649 Der Fluyten Lust-hof (The Flute's Pleasure Garden, or Garden of Delights) is a two-volume collection of music for recorder by Jacob van Eyck. It is the largest collection of music for a single wind instrument ever published by a single composer. It was first published in 1644 with further editions in 1646, 1649, 1654, and 1656. The pieces include folk songs, dance tunes, church works, Psalms, and songs of the day, including material adapted from van Eyck's own carillon music.
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Since 1994 it has been managed by the Junta de Extremadura. In 1982 she published her first book El enigma Vostell in which she invited friends and acquaintances to write about Wolf Vostell as a tribute to the artist on his 50th birthday. She participated as artistic director, together with José Iges as musical director, in the staging of the opera FluxusThe garden of delights (El jardín de las delicias) composed by Wolf Vostell in 1982, performed at the Museo Vostell Malpartida during the art fair Forosur in 2012.
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In later episodes, while endowing Mumm-Ra with his powers, the statues of the Ancient Spirits of Evil come down from their perches, and extend their arms over him. He uses his magic to create disguises and deceive the ThunderCats on various occasions. Among these are: Diamondfly (in the episode "Queen of Eight Legs"), Gregory Gregion ("All That Glitters"), Silky ("The Garden of Delights"), The Netherwitch ("The Astral Prison"), and Pumm-Ra (in the episode "Pumm-Ra"). He once took the form of King Arthur to acquire the legendary magic sword Excalibur, using it against the Sword of Omens.
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Along with songwriting and scoring, Haack appeared on TV shows like I've Got a Secret and The Tonight Show starring Johnny Carson, usually with Pandel in tow. The duo often played the Dermatron, a touch- and heat-sensitive synthesizer, on the foreheads of guests; 1966's appearance on I've Got a Secret featured them playing 12 "chromatically pitched" young women. Meanwhile, Haack wrote serious compositions as well, such as 1962's "Mass for Solo Piano", which Pandel performed at Carnegie Hall, and a song for Rocky Mountain House's 50th anniversary. One of his most futuristic pieces, 1963's "Garden of Delights", mixed Gregorian chants and electronic music.
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She formed a film company through Cartridge Television properties (Cartridge TV or CTV). During this time she produced several stop animation films (then called “Analog Animation”) titled “Garden of Delights for Kids No. 1″, and included her musical score for “Hush Little Baby”, “Hickory Dickory Dock”, “Space Trip” and “Adventures in Underland”. In 1971 her video “Steel” received an Atlanta Film Festival award.Billboard Jul 17, 1971 page 21 Also in the early 1970s she founded (with Paul Beaver) The Electronic Music Association. The Electronic Music Association gave concerts “to introduce audiences to new electroacoustic works.” ("Women composers and music technology in the United States: crossing the line" page 37) This love of music eventually led White back to education.
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Among these are Diamondfly (in the episode "Queen of Eight Legs"), Gregory Gregion ("All That Glitters"), Silky ("The Garden of Delights"), The Netherwitch ("The Astral Prison"), and Pumm-Ra (in the episode "Pumm-Ra"). He once took the form of King Arthur to acquire the legendary magic sword Excalibur, using it against the Sword of Omens. In a few episodes, Mumm-Ra has an even more powerful form beyond "Mumm-Ra the Ever-Living" called "Mumm-Ra the All-Powerful". In this manifestation, Mumm-Ra absorbs the entire power of the Ancient Spirits of Evil to become grander in size and strength, and the design pattern on his loincloth changes, as does his voice.
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Hau-RUK is a live album by the German band Xhol Caravan, an influential member of the krautrock music movement. By the time of this release, they were known simply as Xhol. The album was recorded in 1970 and released in 1971. The original release contained only two tracks, recorded live on July 1 and 2, 1970 in Göttingen, Germany. / Discogs Entry A re-release of the album on CD in 2002 by the Garden of Delights label contains an additional track, “Süden Twi Westen,” recorded in the studio / Discogs Entry at some point subsequent to the band’s initial breakup in 1972. As with most of Xhol Caravan’s work, particularly their live performances, the music consists of extended progressive rock, free jazz, fusion, and improvisational forays.
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Rocketship is an American indie pop band formed in Sacramento, California, United States, in 1993. Led by singer-songwriter and guitarist Dustin Reske with bassist Verna Brock, keyboardist Heidi Barney and drummer Jim Rivas, the group released the single "Hey, Hey, Girl" in 1994 and the album A Certain Smile, a Certain Sadness in 1996. After the album's release, the original line-up dissolved and Reske continued Rocketship essentially as a solo project, releasing the singles "Honey, I Need You" and "Get on the Floor (And Move It)" in 1997 and the albums Garden of Delights in 1999, Here Comes... Rocketship in 2006, and Thanks to You in 2019. Rocketship's sound can be described as 1960s-style twee pop, characterized by ringing guitars, droning organs and shoegazing influences; although, as a solo project, Reske has taken the sound in an ambient direction.
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According to the critic, Olos imagines a planetary erotic scenario of the pagan ritual of the picking of mandragora in a stream-fresco of violent blue bodies on the green blaze of the grass, recreating a Walpurgis night blended with a Garden of Delights. She sees in these paintings a "dialogue" between the Pollockian intricacies of the winding lines and the simplicity of human figuration. All these paintings had a small image of his module as the artist's signature. Moreover, as some of the witnesses who saw the pieces of the paintings arranged on the floor of the artist's studio like the pieces of a completed puzzle, with the white lines covering the background images like laser beams crossing each other and drawing the outline of a sketch of the Universal City, the whole should be viewed from above.
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As such, while Plato and Aristotle enjoyed a privileged place in Christian philosophy throughout the Middle Ages, Epicurus was not held in such esteem. Information about Epicurus's teachings was available, through Lucretius's On the Nature of Things, quotations of it found in medieval Latin grammars and florilegia, and encyclopedias, such as Isidore of Seville's Etymologiae (seventh century) and Hrabanus Maurus's De universo (ninth century), but there is little evidence that these teachings were systematically studied or comprehended. During the Middle Ages, Epicurus was remembered by the educated as a philosopher, but he frequently appeared in popular culture as a gatekeeper to the Garden of Delights, the "proprietor of the kitchen, the tavern, and the brothel." He appears in this guise in Martianus Capella's Marriage of Mercury and Philology (fifth century), John of Salisbury's Policraticus (1159), John Gower's Mirour de l'Omme, and Geoffrey Chaucer's Canterbury Tales.
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Assurnasirpal II (883–859 BCE) lists pines of different kinds, cypresses and junipers of different kinds, almonds, dates, ebony, rosewood, olive, oak, tamarisk, walnut, terebinth and ash, fir pomegranate, pear, quince, fig and grapevines: "The canal water gushes from above into the gardens; fragrance pervades the walkways; streams of water as numerous as the stars of heaven flow in the pleasure garden.... Like a squirrel, I pick fruit in the garden of delights." The city garden reached its zenith with the palace design of Sennacherib (704–681 BCE), whose water system stretched for 50 km into the hills, whose garden was higher and more ornate than any others, and who boasted of the complex technologies he deployed, calling his palace and garden "a wonder for all peoples". The biblical Book of Genesis mentions the Tigris and Euphrates as two of the four rivers bounding the Garden of Eden.Genesis 2: 10–14 No specific place has been identified, although there are many theories.
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