91 Sentences With "garden bed" | Random Sentence Generator

Of course, we don't all have access to a raised garden bed.

The fact that life is created in that little garden bed heals me.

The event included preparing a garden bed and packing bags with books, the White House said.

I pull a bunch of weeds in our garden bed, deal with overgrown raspberries, and harvest arugula.

You can make up a bed that you sleep in, or you can make a garden bed.

In his own raised garden bed, he has a "tomato jungle", courgettes and green peppers among other fruits and vegetables.

The site looks like a recently tilled garden bed, stretching out for hundreds of yards, in a near perfect circle.

This mulch is not dyed and adds a lovely golden yellow with a hint of red to the garden bed.

In "Betty's Backyard" (1975), a woman with full hips and large breasts lies in a garden bed, her face garishly rendered.

Outdoor space: An enlarged rear patio surrounded by a raised garden bed steps down to a lawn with new brick paths.

She walked over to a nearby garden bed and pulled a heaping fistful of green stems and leaves from the dirt.

A man and his wife rifle though tomato bushes growing in a wooden garden bed in the Point Breeze neighborhood in South Philly.

However, I do love a neat edge to a garden bed and nothing does that better than Plow and Hearth Perma Mulch Border.

But if my dandelions raise eyebrows, imagine the reaction I would get to a raised garden bed just a few feet from the sidewalk.

Pros: Blocks weed growth, easy to install, durableCons: Only available in black, must use landscape staples to form curves, if needed, to edge a garden bed

She&aposs also eating better, and has enough food to feed both her and her daughter with the fresh harvest she picks from her garden bed.

Our women will go from sober to alcohol poisoning in 15 minutes, and then scream heart-wrenching insults at taxi drivers before slumping asleep in a garden bed.

Functional medicine: If the body were a garden bed and its diseases weeds sprouting up, traditional medicine might look to specialists to eradicate the weeds and keep things growing.

Vine receivers are encouraged to pick a sunny spot in their home, like a window sill or garden bed, that receives the morning sun but is spared the afternoon heat.

The Dirt Painting (for John Cage), while extant, is so fragile that it can no longer be hung on the wall, and is instead presented horizontally—more garden bed than painting.

It turns out that Sekara, an orangutan at the Perth Zoo, did just that when her 5-year-old baby Sungai lost grip on some equipment and fell into a garden bed on Sunday, according to WA Today.

The show is full of visual jokes — from the "Garden Bed" that combines giant wooden tulips with a bed frame, creating a visual portmanteau, to the deeply weird pair of life-sized Ann & Andy wrought in fine black leather (made in collaboration with artist Jonathan Baker) and seated in black rocking chairs on a black rag rug.

Depicted on the plaque is a map of the world showing the route of the Pacific Cable. Shrubs and palm trees grow in a small garden bed around the hut. A garden bed of shrubbery runs along the southern and western border of the park.

A modern timber picket fence, bordered by an external garden bed marks the entrance to the house.

Norman was cremated at Golders Green Crematorium in North London on 23 May 2002 . His ashes are in the Southern Garden (Bed L) but he has a memorial plaque in the West Memorial Court.

Vegetable garden bed construction materials should be chosen carefully. Some concerns exist regarding the use of pressure-treated timber. Pine that was treated using chromated copper arsenate or CCA, a toxic chemical mix for preserving timber that may leach chemicals into the soil which in turn can be drawn up into the plants, is a concern for vegetable growers, where part or all of the plant is eaten. If using timber to raise the garden bed, ensure that it is an untreated hardwood to prevent the risk of chemicals leaching into the soil.

A common approach is to use timber sleepers joined with steel rods to hold them together. Another approach is to use concrete blocks, although less aesthetically pleasing, they are inexpensive to source and easy to use. On the market are also prefab raised garden bed solutions which are made from long lasting polyethylene that is UV stabilized and food grade so it will not leach undesirable chemicals into the soil or deteriorate in the elements. A double skinned wall provides an air pocket of insulation that minimizes the temperature fluctuations and drying out of the soil in the garden bed.

The wings have slate roofs with verandahs to the courtyard. Since Government ownership these wings have undergone extensive alterations, mainly to the internal spaces. Some detailing survives such as 6 panel doors. The original well in the courtyard survives and today is a garden bed.

It was also in 1998 that Mrs. M.Addenbrook who together with Mrs. E. Kriek was responsible for the planning and planting of the first trees formed the gardening committee. A. Bingham was responsible for planting the first grass with the first garden bed laid out by Mrs.

A curved cantilevered street awning supported on a steel frame shelters a centrally-placed entrance door with timber- framed casements on either side. A curved garden bed separates the building from the footpath. Other elevations are plain with walls clad in fibrous cement sheeting. Internally the building comprises several office spaces.

Adjacent to this is the kitchen which appears to have been constructed after the toilets. There is a garden bed along the western side of the allotment and behind the building is a long garage building clad in steel sheeting. This is recently built and is not of cultural heritage significance.

The park is centrally located in the Gosford City central business district. The west area of the park has seating, a stage, a sheltered area and fountain, The east area features a collection of trees and a garden bed. The Gosford City Library is located on the southern edge of the park.

The garden is much changed. There is a good view west from the house across a dam to adjoining ploughed paddocks. Behind the oldest building is a circular garden bed which contains a large grave headstone (loose). There is a driveway lined with Nile lilies (Agapanthus orientalis) from the gates down to the back of the building complex.

A covered area with a flat roof supported by round metal posts and a concrete pavement floor links the southern end of Block G with Block C's western staircase. A concrete-edged garden bed adjacent to the entrance portico has been modified to accommodate an access ramp. The west wing of Block G, including its connecting link, is not of heritage significance.

The City of Darebin holds few early plans of Johnson Park. Except for one notable exception, the plans held by Council relate to recent developments at the Park only. As with many early small suburban parks in Melbourne, little information is known about the designer of Johnson Park. Council holds a small plan of the central garden bed dated 5 May 1921.

The hall is set on a solid masonry plinth and is separated from the footpath by a low garden bed. Metal rain- heads drain from gutters concealed behind the parapet. A supper room is located at the rear of the building and is a long lean-to structure attached to the auditorium. It has a corrugated metal roof and is clad with weatherboards.

The fourth and largest circular garden bed sits to the north of the bandstand near the Reef Street boundary. All four beds are planted with roses in 2009. The variety and number of planted mature trees is a distinctive characteristic of the park. These include trees planted around the park perimeter, creating a green screen that varies in density depending on the tree species used.

It stands on a raised concrete platform and has concrete steps on the southern side, facing the cenotaph. There is no balustrade and a garden bed runs around the edges. The ceiling is ornamented with a raised geometric pattern with art deco influences. The eight lamp posts are also made of concrete, with a simplified classical plinth and an eight sided, slightly tapered post.

It easily reproduces from cuttings of the developed stems, roots, seeds of its capsular fruit, and even from its own buried leaves. Seeds must be sowed in summer and cuttings can be done in early spring in cooler climates. For cuttings, the plant can be divided and runners can be planted directly into the ground. The garden bed must be readied by digging over the soil.

The curving red gravel driveway was built and Sorensen oversaw planting of the front lawn and the two dawn redwoods (Metasequoia glyptostroboides) and two red Japanese maples (Acer palmatum) that frame the entrance to the house's porte-cochere. The wide garden (bed)s facing the house are filled with colourful shrubs set against a backdrop of trees, lily pillies (Syzygium spp.) and other rainforest trees were planted to blend in with the exotics elsewhere in the garden. The walled courtyard at the back (north) of the house leads out through a moon gate to lawns shaded by two Himalayan cedars and on to the pleasant Refectory Courtyard to the left (west). To the right (east) is the tennis court with luxuriant plantings of Rhapis palms and rhododendrons between it and the house and a long garden bed of azaleas and camellias on the eastern (Pacific Highway) boundary.

The stables are extensively altered within, but retain their external form seen from the east and north. The gardens retains some typical Victorian period landscape devices. The oval-shaped driveway and garden bed on the east side of the house (not included in the curtilage) give a formal sense of arrival. This shape is repeated in the eastern lawn with its original steps, arranged on an axis from the front door.

A large clover leaf shaped cement section garden bed surround was sold to a local resident. The life- sized garden statue from the south-eastern corner of the garden was also sold. The broken pieces of elegant black marble fireplace from the dining room were much later found scattered around the grounds. Pieces of ruby glass windows from the mezzanine level bathrooms also were later found in the garden.

To the south of the VD Ward are the remains of three concrete slabs that are slightly terraced. These are the remains of a former garden bed on either end of the southernmost terrace. The eastern edges of the northern concrete slab are crumbling badly. Further west is the remains of another concrete slab with an annexe running NNW-SE and a wing at right angles running south-west.

Sketches of the house and garden in the above journal show and note many ornamental garden walks, one of them almost encircling the house. The principal walk, axial to the front door, was edged with garden bed edging tiles. Fine umbrageous trees were noted to shade this and other walks. Another sketch showed a scene at the back of the homestead, the stables and outbuildings and noted cattle grazing in the paddocks.

A low, rectangular, brick garden bed, originally a reflection pool, projects from the front of the tower. Interior, St Paul's Anglican Church, Proserpine, 2007 Entrance to the church is through the foyer at the north-west corner, through glazed doors on the western side. Aisles run along the eastern and western sides and through the centre of the nave. The sanctuary at the southern end is raised one step above the nave with vestries on either side.

The main feature of Lions Park is a series of long terraces, formed by boulder walls and garden beds that descend the steep slope falling from Canberra Terrace. A number of trees are planted throughout this area, including wind-stunted endemic Eucalypt species and Grevillea robusta. Along the Canberra Terrace boundary is a small car park with a garden bed at the southern end. A sandstone block in this garden displays a plaque containing historical information about the lighthouses.

To the east of the garden bed is a boulder set in a round concrete footing with a memorial plaque dedicated to World War II servicemen attached (erected 1991). With the exception of the memorial, none of the remainder of these elements is considered to be of state-level cultural heritage significance. It is the extent of the largely undeveloped site (part of the original lighthouse reserve) that is significant, rather than the elements that comprise the park.

The main facade of the building looks to the east and a grassed area where a large, circular garden bed formed by concrete edging is positioned. Its shape and extent are significant but not the edging. In its centre is a steel flagpole dating from the period of the School's occupation during WWII. The building wings facing to the west enclose a small courtyard which has large sections of concrete pathway and some plantings, none of which are significant.

The term "keyhole garden" is also used in permaculture to describe a garden bed that has been laid out with one or more paths that dead-end rather than continuing through, in order to reduce the area of paths. Permaculture keyhole gardens tend to be wider and flatter than the African variety and do not generally incorporate a compost basket or compost pile built into the bed. The tall beds that incorporate compost are referred to as "banana circles" by permaculturalists.

In a garden bed below the Fettler's Quarters, large white stones set into concrete form the words: Spring Bluff. A mixture of exotic and native trees and shrubs are scattered among the site. Prominent plantings include a large clump of bamboo next to the station building and a nearby London Plane tree (platanus acerifolia) (1870) with a commemorative plaque at its base. Facilities for recreation on the grounds include picnic tables, a cricket pitch and a railway carriage used for refreshments.

Aerial perspective of the Star-shaped garden bed in Alexandra Gardens Pedestrian and cycle access to the gardens is via steps or a ramp from Princes Bridge, or along the promenade from Southbank under Princes Bridge. Vehicular access is provided by Boathouse Drive from Alexandra Avenue. Next to Princes Bridge bicycles are available for hire to explore the Capital City Trail along the river. Also the prominent, The Around the Bay in a Day cycling event has its finish line at the Gardens.

Major renovations were made to the house in the 1890s and a new drive was created which passed an ornamental pond and entered through a picket-fenced gateway to the garden on the east of the house. A photograph taken during this period indicates the tall shrubs in the garden bed next to the verandah had been removed but the still current Cupressus sp. to the rear of the house are mature. Pedestals were constructed at the foot of the verandah steps.

Ceremonial cairn of rocks, an ovoo, from Mongolia Mi Vida uranium mine near Moab, Utah Raised garden bed with natural stones The use of rock has had a huge impact on the cultural and technological development of the human race. Rock has been used by humans and other hominids for at least 2.5 million years.William Haviland, Dana Walrath, Harald Prins, Bunny McBride, Evolution and Prehistory: The Human Challenge, p. 166 Lithic technology marks some of the oldest and continuously used technologies.

Two sewerage treatment units which service the toilets are concealed in the garden beds at either end of the barracks.Fort Denison Conservation Plan 1999 NPWS ;Plantings: A Canary Island date palm (Phoenix canariensis) planted in one raised garden bed on the terrace's western side and a fruiting fig tree (Ficus carica cv.) at the south-west base of the Martello Tower are the only trees on Fort Denison.Stuart Read, pers.comm., 8/8/2016 An external cannon is on the Eastern Terrace.

Sheet glass remains either side of the entrance. The fourth shop space has been substantially altered in accordance with the needs of a modern banking facility and an ATM has been installed into the front wall. Early awning windows punctuate the south-east elevation. On Gore Street a large conifer shields the building (not considered to be of cultural heritage significance) and a low concrete-formed garden bed filled with flowering shrubs separates the public hall and the library building from the footpath.

In the centre of the interior space is a hexagonal shaped raised garden bed. The soil in this bed was originally heated by battery operated underground wires installed by Grounds to increase the ambient heat within the dome and this heating contributed to the successful growing of paw-paw at Penders. Involved in the construction and resolution of the geodesic dome was Hamish Ramsay, Betty Grounds's son from her first marriage. Ramsay, an engineer who had formed a partnership with Norman Mussen in Canberra, had already worked on some of Grounds's buildings in Canberra.

The original side platform is no longer clearly visible as a former platform rather it presents a garden bed like appearance, with a raised flat surface with timber paling edgings and earth infill. The end of the down siding, which was only used occasionally until recently to store track machines when waiting to start or be collected after trackwork, has been partially removed and completely covered with aggregate as part of upgrading works along the road boundaries of the rail corridor. Only two posts of the end timber stopper remain.

The concrete parabolic arch is in-filled with a timber framed glazed wall, with a reinforced concrete cross forming the central spine and a raised brick garden bed running along the base. A series of horizontal ridges on the outer edge of the parabolic arch are remnants of the original roof cladding system. To the side of the arch is the end wall of the eastern aisle, which features small, cross-shaped openings in the brickwork, in-filled with glass. A plaque commemorating the laying of the foundation stone is located here.

The entrance foyer on the western side is fully glazed with timber framing and a low brick garden bed along the north side. The eastern elevation is straight, while along the western elevation the vestry and entry foyer project out beyond the aisle wall. Both elevations are divided into bays by regularly spaced brick piers, with brick infill up to waist height and windows above. The timber framed windows are made up of four awning casements separated by strips of frosted glass in the shape of a cross.

After World War II, the event declined in significance, however the annual Australian Henley Rowing Regatta still occurs as an amateur event in December, with recent attempts to increase its popularity. Past the boathouses are lawns with electric barbecues, which are popular spots for picnics and office parties around Christmas time. As well as lawns fronting the Yarra river, the gardens contain a star-shaped garden bed representing the Federation of Australia; many mature trees including elms and an avenue of planes and oak trees along Boathouse Drive; ornamental flower beds.

Davies, 2014, 68 In 1981 it was sold to businessman Peter Fox, then a financier of films. In July 1982 it was sold after Fox's death in a car accident to bookmaker Mark Read, who installed the swimming pool on the northern lawn, relocating the sundial to a garden bed in the north-east corner. In 1985 it was sold to property developer Warren Anderson, and expansively furnished with Regency antiques, paintings and French empire clocks. In 1991 Boomerang was listed for auction but did not attract a buyer.

Strictly speaking, a pair of a long sound and a short sound should be identical except for their length. In certain languages, however, there are pairs of phonemes that are traditionally considered to be long-short pairs even though they differ not only in length, but also in quality, for instance English "long e" which is (as in feet ) vs. "short i" which is (as in fit ) or German "long e" which is (as in Beet 'garden bed') vs. "short e" which is (as in Bett 'sleeping bed').

As Carol Liston reports in her history of Campbelltown, Davy introduced live hare coursing to Harrington Park. It is not possible, however, to trace details of the other changes that Davy made. Records of William Macarthur's Camden Park Nursery sales indicate that Davy, who was proposed as a member of the Australian Horticultural and Agricultural Society in September 1857, undertook an extensive planting program with many of his purchases consisting of conifers. A photograph s shows a grassed carriage loop with shrubs or small trees in a garden bed abutting the verandah.

The former library has plain brick walls and banks of frosted glass windows running below soffit level, turning the corner at the southern end. Attached to the northern wall is a plaque commemorating the hall's opening. The tower is ornamented with a pattern of lines formed by raised brickwork. Two semi-circular elements protrude through the tower continuing the curve of the auditorium roof, a single aluminum-clad truss towards the front and a section of curved roofing at the rear, sheltering a garden bed which was originally a small pool.

Maryborough War Memorial, 2008 The First World War Memorial is situated in a dominant position at the entrance to the Botanic Gardens, surrounded by a low rock wall garden bed. At the rear of the memorial is a set of large swing gates of wrought iron painted white and bearing commemorative lettering and the Australian Imperial Force badge. The gates are flanked by Helidon sandstone pillars. The memorial stands to the top of the obelisk and comprises a base, four statues and the obelisk surmounted by a Winged Victory statue.

The panel to the north bears the inscription in relief lettering; the south panel contains the names of the fallen, each an individual name plate within a decorative honour scroll; the east and west panels contain the individual name plates for the enlisted. A landscaped area incorporating trees, garden bed and park furniture is situated near the fence of the neighbouring property to the north of the monument area. A seat, picnic table, tap and large, green metal utility box in this area are not of cultural heritage significance.

Compass points are set into the path at the main entry, and coral is used for some garden bed edgings. Two large palms are located in the northeast grounds, one at either side of the property, with the northern palm surrounded by a large strangler fig. Large palms and timber steps are located to the east of the building, and camphor laurel trees border the rear yard. A small corrugated iron garage with a skillion roof is located to the south of the building, and a flagpole is located near the picket fence at the river's edge.

Lithgow station is a typical island platform, curving slightly along the Up end. The platform is brick faced with concrete deck and asphalt finish. Modern light fittings, illuminated signage, timber bench seating, small planters, and a central garden bed (which appears to be the former location of the access ramp/stairs from Eskbank Street) comprise the platform furnishings. The platform is set within the rock cutting lower than the adjoining street levels and accessed from the western end via concrete stairs and U-shaped tube-like ramps leading to the footbridge linking the station to both Railway Parade and Main Street.

The 1943 survey notes a garden and shrubbery in this area and the1945 aerial photo showed the upper portion of the riverside garden was still intensely planted with a variety of shrubs in a Victorian manner. By the 1978 survey, gardens and shrubberies had been replaced with lawn. Elements of the riverside garden include mature heritage plantings and garden bed at edge of Hall forecourt; hedgerows along riverside boundary flagstaff; arbour and steps. The current steel flagstaff, donated to the AMC in 1996, is on the centre-line of Newnham Hall and interprets the flagstaff in a 1840 Stephenson's Bend painting.

The building has timber panelled internal doors with fanlights, and decorative ceiling cornices to the first floor. A concrete edged, curved garden bed with a small cannon positioned centrally is located against the southern wall of the building, and decorative timber gates enclose the passageway between the office building and No. 2 shed to the east. A timber wharf extends from the southern elevation of the office building, and extends along the southern frontage of No. 2 shed with timber post and rail balustrade chain balustrade. This wharf has non-slip compressed sheeting fixed to the upper decking in traffic areas.

The upper section of the design remains largely unchanged from its original concept. A portion of left-hand- side of the mural was damaged by a 2011 fire that destroyed a temporary ticket booth set up nearby, but it was restored soon after. The lower part of the mural has gone through numerous changes since it was first painted. At the time the mural was created, there was a raised garden bed against the wall of the building and the shrubs planted there partially obscured the bottom section, which initially featured a painted collage of a group of people.

A visitor to the Raglan homestead, built not long after the killings, recalled how a large garden bed was constructed with an ornate border of Aboriginal skulls. The third reprisal involved Murray travelling further north to the Archer brothers' newly formed pastoral run at Gracemere on the Fitzroy River. Charles Archer augmented Murray's contingent of troopers with some armed Aboriginals that were on good terms with the squatters. This combined force then proceeded across the river and dealt out summary justice which resulted in the deaths of fourteen or more Aboriginals who resided in that vicinity.

The entrance path divides around a circular garden bed which may be an original garden design feature. Mature trees such as a Jacaranda mimosaefolia, palms and mango (Mangifera indica) in the front yard, and the Camphor Laurel (Cinnamomum camphora) in the street to the south of the figs, contribute significantly to the aesthetics of the setting. The Federation era detailing and decoration of the old house, as seen from the front yard, is strong, well balanced and effective. The battened front gable and heavily shaped verandah posts with decorative sweeps and frieze in particular provide a strong visual appeal.

The sloping block is terraced level at the front and on both sides. On the north side an old cast iron fountain in a pond constructed from old bricks and filled with iris is a focal point in the lawn. The perimeter garden bed has box hedging and is planted out with bear's britches (Acanthus mollis), winter roses/ hellebores (Helleborus orientalis & H.niger), windflowers (Anemone hupehensis cv.) etc. Steps behind (west of) the house under a large tree fern (Dicksonia antarctica) lead down to the large back garden which is divided into several "garden rooms" varying from quite formal areas to very natural spaces.

Wenlock (Lower Camp) is significant as the focal settlement of the most productive goldfield on Cape York Peninsula during the 1930s. Surviving evidence includes a lone grave, a concrete surface, scatters of housing materials, garden bed edging constructed of beer bottles, remnant vegetable garden/landscaping, and the largest concentration of mango trees recorded in association with a North Queensland mining camp. The place is important because of its aesthetic significance. The place possesses an evocative quality, engendered by the cultural landscape value of remnant workings and camp remains set within natural bush, which generates aesthetic significance.

Welsby left his mark on the house in a number of ways, including the orientation of the house to the river, the terraced gardens to the river's edge, his initials in the leadlight sidelights of the entrance, and the name Amity in the leadlight fanlight. Other elements include the coral garden bed edging, compass points marked in the front concrete path, and the 1893 flood marker on the entrance stairs. A river front rotunda and baths had been constructed prior to 1925, and were destroyed during the 1974 floods. After Welsby's death in 1941, Jane continued to live at Amity for another 14 months before she moved to Windsor.

The new tenant at the Moreland Road residence discovered the body of a baby girl while preparing a garden bed. The police soon traced them to Knorr, who was ascertained to have moved to Sydney with her husband, and dug up the gardens of other properties around Melbourne where she had lived, finding the corpses of two boys buried in the yard at the Davis St house. Sydney police arrested her on 8 September. The police also arrested Rudolph Knorr on suspicion that he would also be wanted by the Melbourne police in connection with the murders, however he denied all knowledge of the burial of the infants.

Today the garden retains many mature coniferous and other trees most likely planted after 1853 under the Davy ownership, including Araucaria bidwillii (Bunya Bunya pine – several giant specimens) and A.cunninghamii (hoop pines – several), Cupressus sempervirens (Mediterranean cypress – several) and a Chinese funeral cypress (C.funebris). In the 1890s major house renovations occurred and a new drive was created that passed an ornamental pond and enetered through a picket-fenced gateway to the garden on the east of the house. A number of tall shrubs in the garden bed next to the verandah were removed at this time. Pedestals were added at the foot of the verandah steps.

Initial plans indicate the fountain was to be placed in front of the pavilion but, in the days leading up to the event, the position was changed to the Windsor Street frontage. At a cost of 30 pounds, the modest but handsome statue was designed with three iron statues of a winged cherub with a mermaid's tail, anchored on a stone base plinth. Although the fountain remains today, the cherub statues have been stolen but bolt holes do indicate where they were once positioned on the fountain. The fountain also, for a significant period of time, has been dry and inactive, now surrounded by a garden bed.

The surviving elements of the park's early layout are the central band rotunda, circular paths around it and those radiating to the park's corners, the fig plantings to the west and east of the rotunda, the avenues of palms along each radial path, garden beds terminating its south-western and eastern corners, a sandstone-edged garden bed on the south-western side of the rotunda and eight lamp posts. Around the central band rotunda are two concentric un-edged gravel paths. From the outer one of these three straight paths radiate to the park's corners. The fourth to the north-east has been removed with the construction of the library.

Large banks of timber- framed, top-hung awning windows with recent, fixed fanlights above run along the first floor southern facade. The ground floor slab is elevated above "Town Square" and is accessed along the southern side by concrete steps leading to a central landing with tubular metal balustrades. Concrete pavements and pathways run around a large brick garden bed at the west end of the building to connect with the northern side of the ground floor. Due to the sloping site, the first floor verandah is at ground level at the eastern end, accessed from the adjacent stairway via a concrete-paved, face brick entrance bay with a vertical timber louvre screen in the northern wall.

The Art Deco Men's Toilet Block is located in the northern corner of the reserve and fronts Mellor Street amid an elevated garden bed of native shrubs to the rear and sides at the corner of Alma Street. To the rear of the building is the Town Hall public carpark, the entrance of which is west of the toilet block. The Art Deco Men's Toilet Block is a small masonry T-shaped building with a stepped parapet concealing gabled roofs clad in corrugated pre- painted metal sheeting. It is constructed of mid-brown face brick on a concrete base and with painted cement rendered banding at shoulder height extending across the parapet at the front and continuous around the building to the fascia board.

Microclimate on rock located in intertidal zone in Sunrise-on-Sea, South Africa A microclimate (or micro-climate) is a local set of atmospheric conditions that differ from those in the surrounding areas, often with a slight difference but sometimes with a substantial one. The term may refer to areas as small as a few square meters or square feet (for example a garden bed or a cave) or as large as many square kilometers or square miles. Because climate is statistical, which implies spatial and temporal variation of the mean values of the describing parameters, within a region there can occur and persist over time sets of statistically distinct conditions, that is, microclimates. Microclimates can be found in most places.

The grounds of the main building comprise three (of the original four) distinct levels with steep, grass embankments in between that were constructed in 1893 and which formed the most significant feature within the original landscaping. These embankments, combined with the layout and design of the building facilitated the passive cooling of the building by cross ventilation, a feature characteristic of the work of Sulman and Power. From the 1890s, when many plants were donated by well wishers, the gardens developed through to the 1940s reflecting a gardenesque landscape more commonly seen in grand residential properties. The existing garden bed at the base of the upper embankment includes small flowering trees and shrubs: crab apples, cherry, azaleas and assorted annuals.

Abandoned building and grounds in 2014 This place is a memorable element of the Laurel Avenue streetscape, presenting as a large, Federation era house with prominent gable and sweeping verandahs, a big pitched metal roof and chimney, set well back behind an established garden and enhanced with mature fig trees in the street, flanking the entrance path. The entrance path divides around a large circular garden bed before leading to the front stairs beside the prominent verandah gable. The front section of the house consists of formal rooms, along the lines of former drawing and dining rooms, a sitting room and lounge. A bay-fronted room is positioned behind the front gable and is of the same width, projecting a metre or so across the front verandah.

The council cleared the vegetation soon after and the lower part of the mural soon began to be defaced, notably with racist graffiti, which Aiken and Pryor quickly painted over, sometimes with anti-racist slogans. Frustrated by criticism of the mural by Marrickville Council's Community Arts Officer of the time, Aiken then over-painted the figures with a quotation from the officer ("Murals are no longer a valid art form") in large white Gothic lettering. He subsequently repainted the entire bottom section with a Newtown "Declaration of Independence" that featured a large blank space and the invitation "Sign here". At some point after this was painted, the council removed the garden bed and the declaration was in turn replaced with the design that is still in place, a large representation of the Aboriginal flag.

NSW and Queensland rainforest trees collected by Fraser, the Allan and Richard Cunningham, and Charles Moore scattered throughout the Garden were supplemented by a new section of tropical and subtropical rainforest flora near the Pyramid glasshouse. The palm collection, which is planted in three separate groves in the Garden, was thinned of duplicate species, particularly in Moore's original palm grove, and new species were added. The fig (Ficus) collection, mainly in the lower garden, was rationalised and centred on the slope below Government House, with many additional species added. A garden bed of local native species was added near the Cunningham building in the Upper garden, and the long bed of native small trees and shrubs along the boundary of the gardens on Macquarie Street was thickened with new plantings.

The Richard Randall Art Studio is a small, single-storey, timber-framed building located within the grounds of Brisbane Botanic Gardens Mt Cooth-tha in Toowong. Set against a backdrop of mature trees and bamboo, the building is adjacent to and clearly visible from the car park in the northern area of the Gardens. High-set on timber and steel stumps over sloping ground, the building is orientated to face south-west and sited to accommodate a level timber and steel walkway from the car park to the front door on the left-hand side of the main elevation. A timber picket fence and gate, constructed in the style of the fence at the studio's original location, stands at the edge of the footpath, with a garden bed behind.

Much was assessed to be of low potential as a large proportion of the land are unlikely to have been suitable for construction of buildings due to the topography of the land and distance from the house. The report identified three areas of moderate potential which include a large area surrounding the house and including all extant structures, the site of the gazebo, which has some potential to contain artefacts and an area including a post and rail fence line and dam which has some potential to include evidence related to water irrigation and farming in the area. The artefact report reveals there are two areas of high archaeological potential. One is the site of the house and its immediate surroundings, known to include the remains of former structures and underfloor artefact deposits and garden features such as garden bed edging.

The principal courtyards at the Women's College include: the Central Courtyard located behind the main building, which contains a sundial; the two courtyards adjacent to the Williams Wing comprising the Upper Level Courtyard which is enclosed to the west by a covered walkway and to the east by a densely planted garden bed including a mature jacaranda, and the Lower Level Courtyard which features a brick wall at the base of a covered walkway. The small brick paved courtyard located between the Principal's Flat and the Main Common Room was built in 1933 and designed by Miss Peggy MacIntyre. ;Significant Trees In 1894 trees were planted by friends and supporters of the College including: Lady Duff, Mr Walker, Miss Woolley, Mrs W. R. Campbell, Miss Deas Thomson, Mrs Badham, Sir William Manning, Miss Windeyer, Lady Darley, Mrs Gurney, Miss Eadith Walker, Miss Jane Russell, and Miss Fairfax. Lady Duff planted an oak, possibly the existing Holm Oak (Quercus ilex) which is located about the centre of the western boundary tree plantings.

The circular garden bed and flagpole at the front of the Veterinary School Main Building provide the only evidence of the occupation of it, and other parts of the site now demolished, by the United States Army during World War II. The 3rd Medical Laboratory, based there from 1942 until 1943 when the 8th Medical Laboratory took its place, played an important role in safeguarding the health of US troops operating in a tropical environment and was the only laboratory in the South West Pacific Area until mid 1943. The place is important in demonstrating the principal characteristics of a particular class of cultural places. The Stock Experiment Station Main Building (1909), Stable (1909) and Animal Morgue (1934) are important as a demonstration of the principal characteristics of an animal research facility, comprising research laboratories, offices, animal accommodation and handling, and facility for conducting post mortems. The Veterinary School Main Building and Hospital Block (1938-1940) are important as a demonstration of the principal characteristics of Queensland's first veterinary school, including formally composed facades, offices, a lecture room, library, laboratories, animal operating and post-mortem rooms, animal stalls, fodder store and blacksmith.