Then we gape at the pieces, because none are recognizable.
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There's more to gape at than the eye can take in.
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Good people from both subnations gape at one another through the smoke.
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"People in the streets did not only gape at him," the biographers wrote.
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I wanted to gape at cakes and lasagna, bento boxes and canelles. But!
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He would also ride his bicycle to the local airport and gape at the rudimentary planes.
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Stock up on Swiss luxuries (or just gape at the price tags) on the main drag, Bahnhofstrasse.
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Now and then I'll specifically want a pause or a gape at a weird moment, and it'll just happen.
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Lines snake around almost every tent, inside of which crowds gape at the latest iteration of the revered god.
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Two women, Dani Núñez and Sophie Suarez, gape at the elaborately carved ceiling, 24-karat fixtures and lavish chandeliers.
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Next, let's visit a cluster so riddled with sparkling galaxies that it's hard to choose which one to gape at.
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After which she goes on her mission, quickly dispatching a guy who barely gets a chance to gape at her wig.
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The boys collectively gape at Beverly, as if she were some magic figure sent over from the other side of the gender divide.
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Instead, tune out until the next amazing set piece, and then gape at the ingenious reconfigurations of objects like packing crates and parasols.
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His older sister then turns to their father and says "Dad, you must be 100% girl" as both parents gape at her in horror.
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Until then, residents of Fieldstone continue to gape at the house and recount haunting stories and images of the Guryevs, and of the arrests.
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Even better than driving past them is walking among them, taking time to gape at these elephantine cactuses that may live for 200 years.
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Yet there we were, turning our collective stares to Trump Tower to gape at the unlikely pairing of the President-elect and notorious rap blowhard Kanye West.
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When climbing up the grand double staircase, we stopped short to gape at the gleaming stained-glass window above the landing — the Quintela regal coat of arms.
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Come next year, the multitude of visitors to Times Square will be able to gape at something looming above them other than just the flashy signs of Broadway.
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While there's a lot to gape at when it comes to Ol' Jupe, its crown jewel is undoubtedly the Great Red Spot—the largest storm in the solar system.
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So then I thought, maybe one day in the faraway future, there will be technology so advanced that the future-people will gape at the barbarity of status quo.
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It's a welcomed sight to witness someone finally gape at the grandeur of the Maisel abode, since everyone else behaves as though, to quote Queen Cardi B, it's regular degular shmegular.
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What's so galling, when they gape at the state of Karnaca, isn't that those problems happened on their watch, but that they seem to be learning about them for the first time.
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But one of the things that keeps face-to-face friendships strong is the nature of shared experience: You laugh together, you dance together, you gape at the hot-dog eaters on Coney Island together.
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As we hiked the steep hills, jumped across gaps that plummeted into black valleys, reached the top to gape at the undulating land below us, I had no deep feeling of belonging to this place.
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Other tournaments may have more prestige, but the ToC is arguably the highest-profile and most raucous event of the year, attracting a stream of commuters who gape at the action, free, from the front wall.
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When crowds returned to gape at Tom Apruzzi's annual display of 300,000 lights decking his home, some neighbors told CBS2 they were outraged by the legions of onlookers and Apruzzi said he bore the brunt of their anger.
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You gape at the hideousness of the Twins' strikeout rate, a still-life of (ineffective) times gone by, and you stare agog at the brutality of the Phillies pitching staff, all twisted metal and home runs allowed along a rural highway.
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Some of them gape at the crowd sizes at Sanders' events — like the swarm of supporters who accompanied Sanders, his fist raised, to an early caucus site in Las Vegas on Saturday, the first day of early voting in the state.
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Seeing it in person at CES, I honestly couldn't stop staring at it; it's one of those cars you just have to stop and gape at, even while you're trying to do something else, like have a conversation or do a little texting.
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Trek and tour the Licancabur and Jurique volcanoes, gape at the aptly-named Valle de la Luna (Moon Valley) in Los Flamencos National Reserve, explore jagged canyons, pick through caverns and even "snowboard" down enormous sand dunes (rental equipment is available in town).
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The blockage was billed as a once in a lifetime event, sparking a surge of tourists eager to gape at the novelty of the craggy, usually submerged floor and the 70-to-100-foot-tall stone cliff over which millions of gallons of water usually plummet every hour.
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It was as fancy a mall as Vietnam has seen, chock-full of international luxury brands (and a Japanese food court!), and it reminded me that back in 1996, there was but one mall, Saigon Superbowl, out near the airport, where country bumpkins would come to gape at, and fearfully attempt to ride, the city's sole escalator.
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How much does this thing cost and will I ever in my lifetime afford one, how fast can it go, will I regret this in the moment before we crash into a guardrail, what exactly are people thinking as they gape at us, how many valets have had 1980s Hollywood fantasies about taking this for a joyride... it's that kind of car.
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Many of the common names refer to the threat display, in which this species will often stand its ground and gape at an intruder, exposing the white lining of its mouth. Three subspecies are currently recognized, including the nominate subspecies described here.
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He also served on the city council for more than 50 years.Painting of former mayor, Joseph Gape, at Museum of St Albans was by Thomas Gainsborough, says BBC’s Fake or Fortune. Rebecca Perring, St Albans & Harpenden Review, 11 February 2014. Retrieved 31 May 2016.
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Al-Waqidi described their impressive farewell: "Their women were decked out in litters wearing silk, brocade, velvet, and fine red and green silk. People lined up to gape at them." English translation from Stillman (1979), p. 136. Most of Banu Nadir found refuge among the Jews of Khaybar, while others emigrated to Syria.
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Members of this family have thin, brittle shells that have an elongated oval shape. The valves are white with concentric sculpturing, low umbones and a gape at both ends. The left valve is slightly larger and more convex than the right valve. The ligament is internal and there are no teeth on the hingeline.
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These clams have two short siphons, each with a horny sheath. The shell is shaped like a rounded-cornered equilateral triangle and there is a slight gape at the posterior. Each valve bears two cardinal teeth with four lateral teeth on the right valve and two on the left. The foot is white and wedge-shaped.
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Shells of species in this genus are thin. The valves are swollen and the shells gape at both ends. There are no teeth on the hinge line. When alive, these species can be recognized by the fact that the soft tissues are red and a large number of tentacles are visible beyond the edges of the shell.
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There are both external and internal ligaments joining the valves and there are no teeth on the hinge. On the inside of the valve, the posterior adductor muscle scar is large and triangular while the anterior one is long and thin. The pallial sinus is small. The valves gape at the posterior end where the two separate sinuses emerge.
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An Archanon woman, Maurna, is escorted from her ship to the care unit. Father and son gape at the striking resemblance she bears to Lyra. She is told of Helena's cure for the killing sickness, and reveals this procedure is known on Archanon. Physiologically unable to produce blood rapidly, no Archanon could give the amount required to prepare the serum and survive.
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At hatching, parents move the eggs and then the hatchlings to the tops of their webs. The young hatch naked, but soon develop white down. They beg by touching the parent's bill and take regurgitated food straight from its gape. At first, at least one parent is always in attendance of the altricial young; after two weeks, both parents leave the nest unguarded at times while they go fishing.
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The foot is thick and protrudes through the pedal gape at the posterior end. The mantle edges are fringed with white and are fused together. The massive siphons can be extended to two or three times the length of the shell and are joined together for their entire length. They are streaked with brown and purple and are housed in a transparent, gelatinous sheath composed of protein and chitin.
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Until they are a week old, they open their beak only upon touch, so the parents have to stroke the base of the bill to initiate feeding. Feeding takes place once or twice a day, generally around midday. They are constantly brooded by the parents until they are a week old, after which time they are sheltered under the parents’ wings. They also rise up and gape at any nearby bird for food.
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However, Lord Grimston recommended Gape to the St Albans corporation, who adopted Gape unanimously. According to a contemporary account, Grimston and the leading gentlemen of the county attended Gape at the poll on election day, "the town illuminated, bonfires made, and such great rejoicings made there as has not been seen for many years: which shews what regard is paid to those gentlemen who are elected with no other view than to serve their country".
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The kind that rummages around along the sidewalks of San Francisco. His pupils gape at an interior world which he invites you to enter, without knocking. The brush-strokes are merciless. As a man and as a painter, Sassone, sucked up onto the world of the homeless from the time he was a child, at Campi Bisenzio. The exhibition Master and Pupil held in San Francisco in 2001 was installed in the Cloister of Sant’ Agostino in Pietrasanta, Italy in 2003.
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Like most small lizards, Graham's anole has a wide range of predators, ranging from birds and cats to larger lizard species, including larger Graham's anoles. When it has sensed oncoming danger, the lizard's first reaction is to flee, usually upwards into the trees. If the lizard is captured or confronted, its first reaction will be to change its color from bright green to brown or black, indicating stress. It will also open its mouth and gape at the attacker while extending its dewlap in an attempt to intimidate its captor.
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The internal ligament is supported by a diagonal ridge of shell and there are no teeth near the hinge. The exterior of the shell is white, slightly granular and sculptured with fine concentric lines. The interior of the shell is somewhat nacreous, with two adductor muscle scars and a pallial line that is slightly concave at the anterior end and has a broad pallial sinus at the posterior end. There is a gape at both ends of the shell and a pair of long siphons emerge from the posterior end being fused for their full length.
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Numerous radial, evenly spaced ribs are a feature of the shell in most but not all genera (for an exception, see the genus Laevicardium, the egg cockles, which have very smooth shells). The shell of a cockle is able to close completely (i.e., there is no "gape" at any point around the edge). Though the shell of a cockle may superficially resemble that of a scallop because of the ribs, cockles can be distinguished from scallops morphologically in that cockle shells lack "auricles" (triangular ear-shaped protrusions near the hinge line) and scallop shells lack a pallial sinus.
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The Upper West Side has been a setting for many films and television shows because of its pre-War architecture, colorful community and rich cultural life. Ever since Edward R. Murrow went "Person-to-Person" live, the length of Central Park West in the 1950s, West Siders scarcely pause to gape at on-site trailers, and jump their skateboards over coaxial cables. At one time it seemed that one or another of the various Law & Order shows took up all the available parking spaces in the neighborhood. Woody Allen's film Hannah and Her Sisters captures that quintessential Upper West Side flavor of rambling high-ceilinged apartments, bursting at the seams with books and other cultural artifacts.
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Stepping outside once again, the narrator notes the gas streetlights have been ignited; they give the city the appearance of a huge cathedral, flanked by candles illuminating rows upon rows of chapels among which roam saints and the faithful. The streets are populated by prostitutes who drag themselves on the sidewalks, the cold drafts making their ill-clad shoulders shiver; at the same time, sanctimonious bourgeois women traverse the streets avoiding the drainpipes with great difficulty; honest hard-working blacksmiths and bakers work through the night, while street urchins gape at the window displays. The sight of some Mecklenburgers pawing the pavement while pulling a victoria makes the narrator satirise the frivolity of the bourgeois dress, with its corsets, printed shawls, coiled plaits, trains, and excessive adornment, all imported and sold by subservient store clerks buried under clouds of satin and choking in the rice powder hovering through the air. Prostitutes, Henri de Toulouse-Lautrec, c.
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