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14 Sentences With "gamins"

How to use gamins in a sentence? Find typical usage patterns (collocations)/phrases/context for "gamins" and check conjugation/comparative form for "gamins". Mastering all the usages of "gamins" from sentence examples published by news publications.

"Il y a des gamins, ils ont peur de l'eau", dit M. Timricht, professeur de kayak de 245 ans aux épaules larges et au sourire bienveillant.
" Il m'arrive d'avoir jusqu'à quatre gamins – âgés de 8 à 14 ans – dans mon lit en même temps, et de me livrer avec eux aux ébats les plus exquis, " écrit-il dans Un Galop d'enfer, son journal publié en 1985.
Later in the year Gamins, Inc., Matthew Gronfein, and Julius Alderman leased space there.Broadway Space Taken, New York Times, December 21, 1960, pg. 53.
Numberless editions of the book were printed — deluxe editions, library editions, and editions so cheap that the gamins of the streets might buy and read; and demands poured in for the privilege of translation rights in other countries.
Spotted by the creators of the show Bref who took him under their wing, he participated in the episode "Bref. J'ai eu 30 ans", alongside Kyan Khojandi. In 2013, he played the part of a dealer in the film Les gamins; he also appeared in Pierre-François Martin-Laval, Serial Teachers. Bak has participated in several television shows.
In 1999, Raphael made a brief appearance in the comedy film Peut-être (French: Maybe), directed by Cédric Klapisch. He would subsequently had small roles in The Dancer (2000) and the television film Les grand gamins. In 2010, Raphael portrayed the character of Louis in Ces amours-là, directed by Claude Lelouch. The film was premiered in France on 15 September 2011.
Elisa Sednaoui (born December 14, 1987) is a model, actress, philanthropist and film director of Italian, Egyptian, and French descent. She has appeared in such films as Eastern Drift, La Baie du renard, Bus Palladium, Les Gamins, and Remember Now, as well as in fashion campaigns for Chanel Eyewear, Giorgio Armani, Missoni and Roberto Cavalli. In 2013, she created the Elisa Sednaoui Foundation, dedicated to promoting creative learning, after-school initiatives for youngsters.
He is also a spokesman for Appel des Enfants pour l'Environnement that was started by the World Wide Fund for Nature (WWF). He took part in singing with Les Enfoirés to help Les Restos du Cœur. He also took part in telethons and sponsored the Téléthon 2005. He also sponsors the Association Terre-des-Hommes in Massongex (Suisse) and donated proceeds of his 2008 concert of Grands Gamins, to Sol En Si, an AIDS charity.
In 2013, Pop appeared briefly in the French film Les gamins then he voiced The Caterpillar in the television series Once Upon a Time in Wonderland. In 2014, Pop presented (narrated) the BBC documentary "Burroughs at 100". William Burroughs profoundly affected Pop's writing, inspiring lyrics in the famous "Lust for Life". It was aired in the US on This American Life on January 30, 2015 in the episode "Burroughs 101", commemorating his 101st birthday.
He was born in Kristiania as the son of novelist, playwright and stage producer Hans Wiers-Jenssen (1866–1925) and author Rigmor Nicolowna Danielsen (1874-1934). Wiers-Jenssen was columnist for Aftenposten from 1917 to 1925, signing with the pseudonymes Johe and Gamin. He was manager for the cabaret Chat Noir in Oslo from 1926 to 1934, theatre director at the Nationaltheatret from 1934 to 1935, and again manager for Chat Noir from 1935 to 1951. He issued the collection Gamins epistler in 1921.
As the ship arrived, the younger boys and gamins began to shout hurrahs; 20-year- old Henrik Wergeland, who had placed himself on the castle's dike, shouted "Long live the Constitution!" This instigated a larger response from the crowd, who spontaneously began singing the anthems from the previously circulated flyers. The crowd then moved to the town square in front of the main church, and remained there during the evening. The square had some heaps of cobblestone waiting to be placed in the streets.
In September 2010, he came with his new show Le one man musical that included songs and sketches.LeBonbon.fr: Max Boublil - Le trublion du Net revient sur scène For his music career, he has released two albums, the debut L'album released on 14 February 2011 and the follow up Le 2ème album in June 2012. He is also well known for his humoristic takes on certain songs and personalities such as in "Ce soir tu vas prendre", "Susan Boyle", "Chanson raciste", "J'aime les moches" and others. Max Boublil co-written and appeared in the film Les Gamins with Alain Chabat, which was released in April 2013.
The suite is in five movements, each bearing a programmatic title in French: # "Renouveau champêtre" (Renewal [i.e., Spring] in the Country) # "Gamins en plein air" (Children Outdoors) # "La vieille maison de l’enfance, au soleil couchant; Pâtre; Oiseaux migrateurs et corbeaux; Cloches vespérales" (The Old Childhood Home at Sunset; Shepherd; Migratory Birds and Crows; Vesper Bells) # "Rivière sous la lune" (River beneath the Moon) # "Danses rustiques" (Rustic Dances) The work follows a programme presenting a day-night-day sequence, as Enescu had done nearly forty years earlier in his Op. 1, Poème roumain, and would do again two years later in the suite Impressions d'enfance for violin and piano, Op. 28. Nevertheless, Enescu transforms his descriptive writing into the realm of absolute music in one of his most sophisticated orchestral compositions . Programme music, however, is rare in Enescu's output.
The painting was begun in 1860 with Degas returning to the canvas to rework the piece over the following years, though it remained unfinished upon the artist's death. X-rays taken of the work during the early 21st century have revealed that Degas changed the positioning of the youths, their faces, and even their number; this last change resulted in the strange image of the four women in the foreground having ten legs among them. Degas' revisitation of the faces of the young people is often mentioned in art criticism, as it is believed the artist changed the features of the youths from the classic handsome Greek ideal, to a more urban modernistic look. The French art historian André Lemoisne, was first to note on this fact, remarking that the subjects had a contemporary Parisian look, more akin to the "gamins of Montmartre".

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