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78 Sentences With "fusion jazz"

How to use fusion jazz in a sentence? Find typical usage patterns (collocations)/phrases/context for "fusion jazz" and check conjugation/comparative form for "fusion jazz". Mastering all the usages of "fusion jazz" from sentence examples published by news publications.

Yeah. We went to a music school where most people played classical or fusion jazz.
"In Iceland, we try to have a klezmer band, and new jazz, and fusion jazz and techno jazz and classic Chicago jazz," he said.
Dominant in the musical slipstream are glassy keyboards, angular guitar riffs, cooing background sighs whose queasy sway provides sweetening, and bass guitar so fluid and hyperactive he could be parodying fusion jazz — quite a bit of noodling, skipping and popping and spiraling around in lithe, giddy patterns.
At the time, I didn't know that Rickey was the father of the saxophonist whose contributions to Kendrick Lamar's landmark album To Pimp a Butterfly and his own debut, The Epic, have introduced a new generation to the social consciousness, expressive modal, and fusion-jazz grooves of the civil rights era.
Okay Temiz (born 1939, Istanbul, Turkey) is a Turkish fusion jazz percussionist and drummer.
X is an album by the fusion jazz band Tribal Tech released 26 March 2012.
World fusion, jazz and world, acoustic and electronic, Sufi-electronica, groove alla turca, gypsy funk, oriental hip hop and Anatolian blues.
Illicit is an album by the fusion jazz band Tribal Tech released in 1992. The album was recorded during the L.A. Riots in April 1992 at Cherokee Studios, Hollywood, California.
Thick is an album by the fusion jazz band Tribal Tech released in 1999. As a contrast to Tribal Tech's previous recordings, the album features less compositional material and is based largely on improvisation.
Well To The Bone is a 2002 album by fusion / jazz guitarist Scott Henderson. It's his third solo-album, again returning to his blues-roots. It features a re-recording of the Tribal Tech-song "Rituals".
In the early 1970s, fusion-jazz bassist Jaco Pastorius coated the fingerboard of his de-fretted Fender Jazz Bass in epoxy resin, allowing him to use roundwound strings for a brighter sound without damaging the fretboard.
Davis' fusion jazz was "pure melody and tonal color", while Frank Zappa's music was more "complex" and "unpredictable". Zappa released the solo album Hot Rats in 1969. The album contained long instrumental pieces with a jazz influence.Miles, 2004, Frank Zappa, p. 194.
Beyond and Before: Progressive Rock since the 1960s; Bloomsbury Academic; 23 June 2011; ; p.105Blake, Andrew. The Land Without Music: Music, culture and society in twentieth-century Britain; Manchester University Press, 15 February 1998; ; p.151 jazz rock,"Jazz » Fusion » Jazz-Rock", AllMusicRupprecht, Philip.
"Gary Burton Steps Down, Out: Jazz Vibraphonist Moves On After Three Decades at Berklee". NPR. He is also known for pioneering fusion jazz and popularizing the duet format in jazz, as well as being a major figure in music education from his 30 years at the Berklee College of Music.
Atilla Engin (1946-2019) was a Turkish American fusion jazz drummer. From 1974 to 2001 he was active in Denmark as a musician and educator; he organized music festivals and represented Denmark as a musical ambassador. In 2001, he left Denmark for the United States, where he formed an orchestra.
Silk Screen's reach extends to the music industry as well. The non-profit produced an Asian fusion jazz ensemble called Silk Sound in 2014. The band's distinct sound combines traditional Asian classical music with modern American jazz to create gorgeous, unique harmonies. The group's debut album, Sun Gate, was released in January 2015.
Press Release Department. « Mohamed Abozekry and Heejaz Perform Fusion Jazz At Times Of Arabia in Souk Madinat Jumeirah ». Go Dubai. June 10, 2012. Retrieved June 6, 2013Embassy of France in Cairo. « Mohamed Abozekry et Heejaz au festival Mesk El Lil » . September 13, 2011. Retrieved April 6, 2013PDVSA La Estancia. «La Estancia presentara a Mohamed Abozekry».
The song is reported to have been written and recorded for Susannah Melvoin after relationship difficulty. The album is highly experimental and reminiscent of the Madhouse project. It was sold in digital format only on Prince's NPG Music Club. C-Note is jazz-oriented along with quiet storm, jazz- fusion, jazz-funk, and smooth jazz.
Cicada is a 2011 album by American blues/folk/world fusion/jazz band Hazmat Modine. The album was released on May 17, 2011 by Barbès Records, almost five years after their debut album, Bahamut. Beninese musical ensemble Gangbé Brass Band features on two tracks; Natalie Merchant and the Kronos Quartet feature on one each.
Untitled is a post-bop/avant-garde/fusion jazz album by Jack DeJohnette on ECM Records ECM 1074, and is the second in a series of albums released under the heading “Jack DeJohnette’s Directions.” The album consists of compositions by DeJohnette and the other musicians playing on the session, which was recorded in Oslo, Norway.
In 1991, she started her own group, Fearless Dreamer. She also played with Natalie Merchant at the 1998 Lilith Fair. Fleming is a current member of blues/folk/world fusion/jazz group Hazmat Modine, playing trumpet on their second studio album, Cicada. She also plays with Metropolitan Klezmer and their all-female side project, Isle of Klezbos.
Alan Howarth grew up in Cleveland, Ohio. Playing music in local rock bands, he opened for national touring acts including The Who and Cream. He then began to create original music in bands Braino and Pi Corp, using synthesizers. From 1976 he provided synthesizer support for fusion jazz band Weather Report, which relocated him to Los Angeles.
In October 2010, Nishat Khan worked on the concept of Mélange, a fusion-jazz show that features an eclectic mix of musicians from all around the world and performed at Tata Theatre, NCPA. He was also Invited to perform for the President of India at the Rashtrapati Bhavan. The world premiere of Nishat Khan's Sitar Concerto no.
For a brief moment, performers some dressed as Nila and others wearing the Nila suit dance to the music played. The ceremony concludes with a party with music spun by Dutch DJ Ferry Corsten, a performance by local fusion Jazz group The Steve McQueens and a bunch of fireworks erupted over the stadium again and for the last time.
1\. Traditional Thai Music: Piphat, Mahoree, Kruangsai Ancient repertoire and selected compositions from famous Thai composers. 2\. Folk-Pop music Variety of songs; ranging from Thai folks to international popular music. 3\. Fusion Jazz music Variety of Thai songs rearranged in fusion style. 4\. Asian-mix Musics of Southeast Asian; rearranged in flexible performance style including stage movements. 5\.
His work explores various aspects of musical expression and exceeds genre classification. He has pieces of popular inspiration, new tangos, fusion, jazz and world music, as well has composed chamber music and orchestral pieces. The hallmark of his music is the predominance of elements of the Argentine and Latin American folk music, as well as the Argentine tango and Uruguayan Candombe.
While attending Berklee, Randall was the first student to have sitar as their principal instrument. During his time at Berklee, Randall experimented with the sitar in genres such as free improvisation, Middle Eastern fusion, jazz, and American roots. He began busking in the subways and on the streets. Randall also became active in the electronic underground music scene and hosted events.
The sensation of Gordon's return, renewed promotion of the classic jazz catalogs of the Savoy and Blue Note record labels, and the continued efforts of Art Blakey through 1970s and early 1980s, have been credited with reviving interest in swinging, melodic, acoustically-based classic jazz sounds after the Fusion jazz era that saw an emphasis on electronic sounds and contemporary pop influences.
Critics noted the experimental nature of Music from the Eather. Music magazine I Die: You Die wrote, "With Music From The Eather Dassing has, in a way, progressed into crafting the industrial equivalent of fusion jazz." The album's "complexity has reached an untouchable degree of perfection", wrote music magazine Side Line. Amy Nekrotique of Brutal Resonance described Music from the Eather as "absolutely exhausting to listen to".
Purim has said that Pascoal "play[ed] the Hammond B3 organ, flute, saxophone, percussion, and guitar. He is one of the most complete musicians that I ever met". He also helped train her voice. She also owes a great debt to Chick Corea, discovering the fusion jazz style for which she is best known when Corea asked her to add vocals to some recordings of his compositions.
In July–August 1975 Rauch performed and recorded with Lenny White on his solo release fusion jazz classic "Venusian Summer". The same year Rauch joined the Cobham & Duke Band. However, this collaboration was short-lived due to Rauch's increasing substance abuse problems. His later collaboration with the Jan Hammer Band was also short-lived and he was replaced by Fernando Saunders in late 1975.
In 2001, Injeti released his debut solo album Daydreaming. The album was co-produced by David Kershaw and fused a variety of styles, including acoustic grooves, b-boy rap, fusion jazz and mainstream pop. After focusing work with other artists and starting the group The New Royales, Chin released his second solo album, D'tach, in 2010. The album featured minimal production, combining influences in to a sound Injeti dubbed "Urban-Folk".
New flamenco (or nuevo flamenco) is synonymous with modern flamenco and is a derivative of traditional flamenco. It combines flamenco guitar virtuosity with musical fusion. Jazz, rumba, bossa nova, Gypsy, Latin, Middle Eastern, rock, Cuban swing, tango, salsa and especially blues have all been fused into flamenco by different artists to produce its sound. Traditional flamenco had been displaced in Spain in the 1950s and 1960s by rock-and-roll.
It involves percussion elements such as wine barrels, wooden drums and the like. Avitabile keeps the Bottari culture in mind while experimenting with fusion Jazz (sax, trumpets, etc.). In the past he has collaborated with Pino Daniele, Edoardo Bennato, James Brown, Afrika Bambaataa and Tina Turner, among others. With his Bottari lineup, he was nominated for the prestigious 'Audience Award' in the 2005 BBC Awards for World Music.
Sniti Mishra is a trained vocalist in Hindusthani classical music who appeared for the first time in Zee TV musical reality show, Sa Re Ga Ma Pa Singing Superstar. She had been associated with Indo-Swedish Fusion jazz band Mynta. She has also worked with the percussionist Sivamani and Grammy Award- nominated jazz musician-keyboardist Louis Banks. She has performed classical and fusion concerts in India and worldwide.
The album marked the beginning of Benson's most successful period commercially. Breezin' topped the Pop, Jazz and R&B; album charts in Billboard and spun off two hit singles, the title song (which has become a fusion jazz standard) and "This Masquerade," which was a top ten pop and R&B; hit. The album itself was certified triple Platinum by the RIAA. The album won multiple prizes at the 19th Annual Grammy Awards.
Gong's music fuses many influences into a distinctive style which has been variously described by critics and journalists as experimental rock, jazz fusion, jazz rock, progressive rock, psychedelic rock and space rock. Gong has also been associated with the Canterbury scene of progressive rock bands. Rolling Stone described Gong's music as combining "psychedelic English whimsy, German kosmische space jams and Gallic libertine fusion." Daevid Allen's guitar playing was influenced by Syd Barrett.
However, Lövgren did not play in Meshuggah's recording sessions until their highly successful album, obZen (2008). This was due to the album finish deadline while recording Catch Thirtythree, so the drum and bass tracks were recorded digitally. He also released a highly acclaimed fusion-jazz album, Lounge, with the Swedish Nica Group ensemble. All tracks were composed by Lövgren, and the album shows his creativity as well as jazz-styled playing skills.
Beginning in the late 1960s, Pepper became a pioneer of fusion jazz. His band, The Free Spirits (active between 1965 and 1968, with guitarist Larry Coryell), is credited as the first to combine elements of jazz and rock.Larry Coryell, Guitarist of Fusion Before It Had a Name, Dies at 73, PETER KEEPNEWS, The New York Times, FEB. 21, 2017 His primary instrument was the tenor saxophone (he also played flute and soprano saxophone).
The Shin () is a Georgian fusion jazz band formed in Germany in 1998. The music of The Shin smoothly combines Georgian folk melodies with jazz, famous native polyphonic singing with scat, and tunes of the near Orient and flamenco with a modern Western sound. The Shin was founded by Zaza Miminoshvili (guitars, panduri) and Zurab Gagnidze (bass, vocals), and joined by Mamuka Ghaganidze (vocals, percussion) in 2002. Ghaganidze died from skin cancer in August 2019.
Level 8 finished recording a self- titled album focusing on Kawasaki's compositions both from the past and present utilizing a funk/fusion/jazz-rock sound. The album Level 8 was released in March 2017. In April 2016, UK independent label Nunorthernsoul released a vinyl EP titled Selected Works 1979 to 1983 by Ryo Kawasaki. A follow-up vinyl EP titled Selected Works Part 2 - 1976 to 1980 by Ryo Kawasaki was released in April 2017.
In 1977, he was a part of Blood, Sweat & Tears. Bernsen's debut album, Music for People, Planets & Washing Machines (1986), featured numerous greats of fusion jazz, including Urszula Dudziak, Bob James, Herbie Hancock, Jaco Pastorius and Peter Erskine. After good reviews, Bernsen managed to sign up for the follow-up album, Mo' Wasabi, with Wayne Shorter, Michael Brecker, Marcus Miller, Steve Gadd, and Toots Thielemans. Bernsen has toured since the 1990s with his own groups from Fort Lauderdale.
Mynta is an Indo-Swedish fusion jazz band which uses Indian vocal, African and Latin-American rhythms, Arabic sounds, Swedish Folkmusic and Cuban violin, together with Indian traditional instruments as tabla, kanjira, ghatam and tampura. It consists of Santiago Jimenez (violin, keyboard), Dallas Smith (Indian flute, soprano saxophone, clarinet), Christian Paulin (electric bass guitar), Fazal Qureshi (tabla, kanjira), Max Åhman (acoustic guitar) and Sebastian Printz (drums). Mynta is Swedish for mint. The band was originally formed in 1979.
By the mid-1950s musicians began to be influenced by music theory proposed by George Russell. Those who incorporated Russell's ideas into the bebop foundation would define the post-bop movement that would later incorporate modal jazz into its musical language. Hard bop was a simplified derivative of bebop introduced by Horace Silver and Art Blakey in the mid-1950s. It became a major influence until the late 1960s when free jazz and fusion jazz gained ascendancy.
The recorded shows were often used as a buying guide to obtain the latest music in the specialist London import shops such as Bluebird Records and Groove Records among others. In 1983 the Saturday show started to include a Fusion Jazz 40 (which often would mirror the Fusion Few Chart in Blues and Soul magazine). Many import 12-inch singles and albums would not have been officially released in the UK without Robbie Vincent's support. Some of these included tracks by Maze (feat.
This band included Bolin on lead guitar, David Givens on bass, and Givens' wife Candy Givens on vocals. The band had begun to do larger venues, opening for more established acts such as Led Zeppelin. Their second album, entitled Going Back to Colorado, featured a new drummer, Bobby Berge, who would pop up from time to time in musician credits in album liner notes from Bolin's later projects. In 1972, the 20-year old Bolin formed the fusion jazz-rock-blues band Energy.
It was the first time Miles Davis had recorded with a big band for over 20 years. Aura, however, is not a conventional big band jazz album. The music is perhaps best categorized as fusion jazz with a strong flavor of modern classical music, as many of the orchestral passages reveal Mikkelborg's inspiration from composers like Olivier Messiaen and Charles Ives.The 10-note opening theme is played freely against a dissonant background chord in a manner reminiscent of Ives' "The Unanswered Question".
Jussi Pekka Pohjola (13 January 1952 – 27 November 2008) was a Finnish multi- instrumentalist, composer and producer. Best known as a bass player, Pohjola was also a classically-trained pianist and violinist. Pohjola rose to fame as the bass player of the Finnish progressive rock band Wigwam, but he soon departed on a solo career, initially releasing Frank Zappa-influenced progressive rock albums. As his career progressed Pohjola developed a more novel musical style that could best be described as fusion jazz.
KALA (FM) (88.5FM/106.1 FM) This 10,000 watt public format, non-profit radio station located on campus in the Galvin Fine Arts Center, broadcasts throughout the quad-cities. The varied format of the station, includes local and national news, information and entertainment from Public Radio and from Public Radio International. The music format includes mainstream and fusion jazz, blues, roots, gospel, latin, classic rock, oldies, pop music, urban contemporary and classic R&B.; KALA is also affiliated with the syndicated Pink Floyd program Floydian Slip.
Rai Radio Tutta Italiana is a radio channel owned and produced by the Italian state-owned public-service broadcasting organization RAI. Until 11 June 2017 it was known as Rai Radio 4 Light and broadcast continuous pop, rock, fusion, jazz, Latin American, movie soundtrack, melodic, and easy-listening orchestral music, without commercials. In the past it had also been known as Rai Radio FD4, FD Leggera, and IV Canale Filodiffusione. Since the name change on 12 June 2017 the channel has broadcast only Italian music.
Over 25 years of experience in music, production, education and performance art includes collaborations with leading Israeli artists. Since 1996, he has been a faculty member at the "Rimon" Israeli Music College and in 1997 Doron founded Tararam. In 2010, he released his first solo Fusion Jazz album "The Doron Raphaeli Trio" with bass player Ran Levi and Pianist Hod Moshonov. Tararam group performs year-round in big venues in front of mass crowds, as well as small events, corporate events and theatre shows.
Dance USA Dance, also known as DUD, is an international dance competition reality TV show that airs on Zee TV USA. It is created and produced by 5678 Media Group.McDonald’s Dance USA Dance Season 2 held in New York City News India Times Retrieved 19 July 2018 In this dance competition, the teams are challenged to perform different styles of dance to South Asian or Bollywood music. The various dance forms featured are freestyle, hip-hop, Bollywood fusion, jazz, salsa, breaking, popping & locking, Bharatanatyam and Kathak.
He is working on a progressive fusion jazz album titled Labyrinth with his son's band Nexus.Living and breathing music The Hindu, Hyderabad, 27 March 2003. His 2008 collaboration as co producer, arranger and pianist/keyboards on the album Miles from India, a tribute to the founder of modern jazz Miles Davis was nominated for the Grammy Awards 2008 in the Best Contemporary Jazz Album category. In the same category, John McLaughlin's fusion album Floating Pointwas also nominated, Banks was the featured keyboardist on the album.
As of April 2010, Shrieve lives in Seattle, Washington, where he plays in a fusion jazz group, Spellbinder, with Danny Godinez, Joe Doria, Raymond Larsen, and Farko Dosumov. Shrieve has composed music for several films, most notably Paul Mazursky's Tempest and Apollo 13. Shrieve currently plays a DW Collector's Series drum set and recently joined the Istanbul Agop cymbals family. He's played a variety of other drum sets in the past as well including sets by Camco, Premier and most notably, Ludwig, as seen in the Woodstock footage.
He began to play music from the fusion jazz and pop jazz along nightclub and pub, he is considered the first musician to pioneer this genres of music in Thailand. In 1983, he was persuaded to become a member of Carabao from Yuenyong Opakul (Aed Carabao), a band leader along with two fellow musicians, Thierry Mekwattana and Thanis Sriklindee in the fourth album, Th. Thahaan Ot Thon (ท.ทหารอดทน; lit: "The Long-suffering Soldier"). He is the only member who never sang or even support sang, he only plays as a drummer.
Brand New Heavies in 2013 Acid jazz has its origins in the 1960s, when psychedelic styles were being incorporated into other musical genres, jazz being one of these. Some cite "Six Pack" and "Soul Fiesta" by The Apostles (1969) as acid jazz records during the 1960s. Acid jazz became popular in London clubs during the 1980s when disc jockeys associated with the rare groove movement played samples of obscure jazz records. Their interests were in the fringe of jazz fusion, jazz funk, and the soul jazz of the 1950s and 1960s.
In his review of The Complete Warner Bros.–Seven Arts Recordings, The Recoup critic Joseph Kyle lamented, "frustrated and unable to secure a record deal, he spent the remainder of his life as a live performer, recording more soundtrack material, and banking on the goodwill his Peanuts compositions earned him." Guaraldi's sound also evolved into a more fusion jazz/rock sound, as he largely traded the piano for Hammond B-3 and Fender Rhodes electric keyboards. His live performances included musicians who specialized in funk and soul as well as traditional jazz.
Released on Magna Carta Records, the album incorporates rock, fusion, jazz and instrumental classical music, consisting of drummer Terry Bozzio, bassist Tony Levin and guitarist Steve Stevens. He had a number of promotional radio broadcasts with Steve Stevens in support of Stevens' Flamenco A-Go-Go album in 2000. He also had a solo performance at Royal Albert Hall in support of Save the Children, along with Diego El Cigala, Dorantes and Joaquin Gril. 2001 saw Nand play flamenco guitar on the Shani album Call of the Wild, released on Ark 21.
This time, he had also formed a fascination with religion and spirituality, reading books by authors such as Madame Blavatsky, Rudolf Steiner, and Jiddu Krishnamurti. Originally scheduled for release in December 1973, Todd was delayed to the next February due to a vinyl shortage caused by the 1973 oil crisis. During the making of Todd, Rundgren took note of the "fusion jazz sensibility" between session musicians Kevin Ellman (drums) and John Siegler (bass). Rundgren chose them, along with Klingman and keyboardist Ralph Shuckett, to be the new configuration of Utopia.
The Financial Times review by Mike Hobart awarded the album 4 stars, noting that "the tracks in the multi-instrumentalist’s new album recall the sound of his old Underground quartet" and calling it "a return to gritty fusion jazz". Writing for All About Jazz, Sammy Stein summarised the album by saying "Circuits is a terrific recording, and what it does is show Potter at his show-stopping best. But it also incorporates modern electronic sounds, demonstrating that there is no line in jazz. Modern can match with traditional influences and merge to develop something verging on the extraordinary".
The most successful and influential rock band in North Macedonia and one of the most popular in Western Balkans was Leb i Sol. They combined rock music with fusion jazz and traditional music elements creating a distinct sound of their own, becoming one of the top acts of the Western Balkans. After they broke up, the guitarist Vlatko Stefanovski, the bassist Bodan Arsovski, the keyboard player Kokan Dimuševski and the drummer Garabet Tavitijan all started successful solo careers, each in his own right. In 2006 they gathered again for a reunion tour to mark 30th anniversary since their beginning as a band.
They tap his phone, and pretend to share his likes: cricket, fusion jazz, and all the same foods. Henri Giroux (Benoît Brière), the local banker whose sole job is to cash the townfolks' welfare cheques, leaves small amounts of money for Dr. Lewis to find as small measures to increase Dr. Lewis' happiness about being in town, and attempts to secure a loan through his bank for the bribe. Dr. Lewis likes the beautiful post office worker Ève Beauchemin (Lucie Laurier), but Ève knows he has a girlfriend, Brigitte, in Montreal. The ruse works, but they cannot secure a loan.
Beta Monkey Music began with a simple philosophy: to offers musicians a viable alternative to high-priced sample libraries and to produce genre content not offered by the music sample industry. Beta Monkey quickly evolved and has developed over 50 drum sample libraries for multiple styles of music including rock, alt rock, heavy metal, blues, country, fusion, jazz, and world music. Beta Monkey Music has become one of the largest independent vendors of acoustic drum loop libraries and continues to develop and release drum samples and loops for musicians seeking an alternative to virtual and MIDI-based drum track products.
In the early 1960s, Woody Herman's lead "(Four) Brother", Stan Getz, played cool jazz with Brazilian musicians in the emerging bossa nova style. Getz was known for his rich tone, ability to swing and impeccable technique. In the 1970s, fusion jazz blended rock and jazz, with saxophonists like Wayne Shorter and Michael Brecker at the front of that movement. In the 1980s, smooth jazz saxophonists such as Kenny G (Kenny Gorelick, born 1956, soprano, alto, tenor), Bob Mintzer (tenor) and David Sanborn (born 1945, alto, soprano) played a radio-friendly style of fusion called smooth jazz.
While he remained close to his traditional conjunto roots, he never limited himself musically. More than any other accordionist, Jordan pushed the diatonic accordion to its limits, both musically and physically, playing traditional conjunto, rock, jazz, salsa, zydeco and more. Jordan kept abreast of technological developments, using devices such as phase shifters, fuzzboxes, Echoplexes, for which he named a song, "La Polka Plex",La Polka Plex, Polkas Huapangos Y Redovas, Steve Jordan, 2006. Hacienda Records and synthesizers, and was one of the few conjunto musicians to weave styles such as fusion jazz and rock into his music.
Overlapping the same time period, beginning in 2007, Kawasaki gradually developed his fourth acoustic guitar solo album Spain in Tallinn, Estonia, which was finally released in 2012. In 2014, Kawasaki discovered a younger generation of Estonian musicians who inspired him to further develop a fusion, jazz-rock sound using his own compositions. His attention on these directions had somewhat faded away after recording in the early 1980s with his group Golden Dragon. In spring 2016, Kawasaki formed a new quartet called Level 8, exclusively with Estonian musicians: Raun Juurikas (keyboards), Kaarel Liiv (electric bass) and Eno Kollom (drums).
MediaBanda has been called by the prestigious musicologist Juan Pablo González as "anti-hegemonic eclecticism", since many influences are noticeable but none of them predominates over the other ones. Roughly point out as jazz-rock, MediaBanda has explored many elements of different subgenres and music styles in his five studio albums experience such as chamber rock, progressive rock, baroque pop, pop rock, soul, funk rock, hard rock, art rock, alternative rock, latin rock, punk jazz, post punk, fusion jazz, jazz funk, latin jazz, rapcore, latin alternative, experimental music, classical music, contemporary music, avant-garde music, atonal music, and free improvisation.
Catering to specialty/niche audiences, this lineup includes: mainstream and fusion jazz, blues, roots, gospel, Latin, classic rock, oldies, indie rock, and alternative music. The station also plays "New World" eclectic international pop music, urban contemporary, and classic R & B. KALA is an affiliate of the syndicated Pink Floyd program "Floydian Slip." During the week, KALA features public service programming (both syndicated and locally produced); there are also local, state, and national news. The station also features live radio programs, St. Ambrose University campus news, a local calendar of events, daily weather updates, and student-run music shows.
The subgenre world fusion is often mistakenly assumed to refer exclusively to a blending of Western jazz fusion elements with world music. Although such a hybrid expression falls easily into the world fusion category, the suffix "fusion" in the term world fusion should not be assumed to mean jazz fusion. Western jazz combined with strong elements of world music is more accurately termed world fusion jazz, ethnic jazz or non-Western jazz. World fusion and global fusion are nearly synonymous with the genre term worldbeat, and though these are considered subgenres of popular music, they may also imply universal expressions of the more general term world music.
A person auditioning for a role as a rhythm section member in some styles of music may be expected to be able to demonstrate the ability to perform as a backup singer. A performer auditioning for a solo or "lead" instrument role will typically perform prepared solos that showcase a range of skills, including the ability to perform a melody with sensitivity and expression; the ability to play virtuosic passages; and, in some styles (e.g., fusion jazz or blues), the ability to improvise a melody over a chord progression. In some popular genres, there is relatively less emphasis on "stage presence" and movement onstage, such as classic jazz or traditional 1950s-style country music.
Naturally, even if it is still used today, this term was inappropriate, unless one considers Afro as the only root which influenced the various musical styles of Daniele Baldelli. In fact, even if various periods in the history of ‘cosmic’ can be distinguished (that of funky–disco in the first year to that of electronic in 1980–82, followed by moments more influenced by reggae, fusion, jazz and Brazil), [here the author clearly borrows one of Baldelli's quotes from the Wang interview] Daniele Baldelli’s Afro style was expressed when he played Ravel’s bolero overlapping it with a track by Africa Djola, or an experimental piece by Steve Reich on which he would mix a Malinke chant from New Guinea.
Although jazz purists protested the blend of jazz and rock, some of jazz's significant innovators crossed over from the contemporary hard bop scene into fusion. Jazz fusion music often uses mixed meters, odd time signatures, syncopation, and complex chords and harmonies. In addition to using the electric instruments of rock, such as the electric guitar, electric bass, electric piano, and synthesizer keyboards, fusion also used the powerful amplification, "fuzz" pedals, wah-wah pedals, and other effects used by 1970s-era rock bands. Notable performers of jazz fusion included Miles Davis, keyboardists Joe Zawinul, Chick Corea, Herbie Hancock, vibraphonist Gary Burton, drummer Tony Williams, violinist Jean-Luc Ponty, guitarists Larry Coryell, Al Di Meola, John McLaughlin and Frank Zappa, saxophonist Wayne Shorter, and bassists Jaco Pastorius and Stanley Clarke.
" In his review for Financial Times, Mike Hobart commented, "It is the spirited interplay of the just-released The Emancipation Procrastination that begins to reveal historical jazz roots, though the jams reference Miles Davis and fusion jazz rather than the stomps and rags of old- time New Orleans." Matt Collar of Allmusic wrote "The Emancipation Procrastination... flips the paradigm, and fully embraces his own brand of trip-hop-inflected electronic jazz fusion. It's an approach he's been exploring since at least 2015's Stretch Music, an album whose title Scott also uses as an all-encompassing definition for his particular style of jazz. The definition might even be more applicable than ever here, as Scott pushes his sound even further away from the strict jazz tradition and into a multi- hyphenated region of jazz-tinged trip-hop electronica.
Under Sugunama's tutelage Kawaguchi's skills developed, and soon she was accompanying professional musicians. In 2009, she made her first DVD, Horoscope with Sugunama and members of the Japanese fusion band Fragile. Later that year, after starting junior high school, she began making appearances at a number of small venues, as Senri's Super Session with Akira Tanemura on guitar, Teruyuki Iwawaki on bass and Mayumi Yoshida on keyboard, and with whom she still performs; and, between 2011 and 2014, as Senri's BeeHive Session at the BeeHive in Osaka—playing with a number of top Japanese rock and fusion jazz musicians, including Kyoji Yamamoto, Minoru Mukaiya, and Tetsuo Sakurai. Videos from many of these performances, were posted to a YouTube account set up in her name, along with videos in which she performed to the accompaniment of music from the anime K-On, bringing her to a much wider audience.
In the early 1970s, fusion-jazz bassist Jaco Pastorius created his own fretless bass guitar by removing the fretsIn interviews, Pastorius gave various versions of how he accomplished this; the versions mention the use of pliers, a putty knife, and, in at least one interview (Guitar Player magazine, 1984) he states that he bought the instrument with the frets already removed, badly, with the slots where the frets once were not yet filled in. from a Fender Jazz Bass, filling the holes with wood putty, and coating the fretboard with epoxy resin. Pastorius used epoxy rather than varnish to obtain a glass-like finish suitable for the use of roundwound strings, which are otherwise much harder on the wood of the fingerboard. Some fretless basses have "fret line" markers inlaid in the fingerboard as a guide, while others only use guide marks on the side of the neck.
He praises Clarke's choice in bandmates, calling them "prodigies in their own right" but does not praise the whole album. He called "Larry Has Traveled 11 Miles and Waited a Lifetime for the Return of Vishnu's Report" a "clumsy, failed attempt at summing up the music's history to date" and that "Bass Folk Song No. 6" does not "work [as] well" as some of the other tracks but "these are minor complaints on an otherwise fine recording". Jeff Winbush of All About Jazz commented that there "are no radical departures" on this album and it sounds as if Clarke is "taking a victory lap here, revisiting past triumphs" but that he "still pull[s] sounds out of his assortment of electric, acoustic and Alembic basses like nobody else, and [is] still slapping, plucking and thumbing his way through contemporary, fusion jazz, rock, funk and whatever else he puts his mind to".
" Blender also gave it a score of four stars out of five and said, "Never before have these kings of experimental metal sustained such pulse-quickening energy, honing their tricks—cryptic lyrics, cliffhanging cries, spine-twisting rhythms—into a screaming arrow of sound." Gary Graff of Billboard gave it a favorable review and said, "Most of the time, however, the band makes a righteous racket that straddles the worlds of prog rock, funk, fusion jazz and world music, with Eastern motifs spicing 'Aberinkula' and a bit of cosmic blues making its way into 'Conjugal Burns'." Vibe likewise gave it four stars out of five and said, "Rarely does rock music feel so simultaneously orchestrated and raw." Shilpa Ganatra of Hot Press gave it a positive review and said, "The manner in which the group weave complex musical tapestries is certainly impressive from a purely technical perspective, but you suspect that they were a lot more fun to assemble than they are to listen to.
Retrieved on 2-2-2010. Brazilian record producer and fusion jazz pioneer Eumir Deodato, well aware of current trends in American underground music, turned around the career of a failing funk music group Kool & the Gang by adopting and pursuing a light pop–post-disco sound that not only revitalized the band's image but also turned out to be the most successful hits in their entire career. B. B. & Q. Band (Capitol) and Change (Atlantic) acts' creator Jacques Fred Petrus, a French-Italian hi-NRG Italo disco music record producer, reflects on his decision to shift from conventional disco music to post-disco "[our] sound changed to more of a funky dance/R&B; style to reflect the times." French-born songwriting duo Henri Belolo and Jacques Morali, creators of the successful Village People act, moved their former disco act Ritchie Family to RCA Victor to release their next album co-produced by funk musician Fonzi Thornton and Petrus, I'll Do My Best, which mirrors their radical musical shift.

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