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46 Sentences With "funny woman"

How to use funny woman in a sentence? Find typical usage patterns (collocations)/phrases/context for "funny woman" and check conjugation/comparative form for "funny woman". Mastering all the usages of "funny woman" from sentence examples published by news publications.

We get the picture of a very vibrant, funny woman.
Do you think the voters are ready for a funny woman?
A funny woman is often an angry woman, but she's just — Harder to ignore.
It's almost as if network comedies don't trust a funny woman to galvanize interest.
Which do you think men find more threatening: a funny woman or an angry woman?
But hey, there are worse things than a smart, funny woman who plays smart, funny women.
My point is, Ms. Amram is a very funny woman and you need to meet her.
"I'm engaged at 67 to a very funny woman," the "Jack and Diane" singer told NBC's Today.
"I'm engaged at 67 to a very funny woman," the "Jack and Diane" singer told NBC's Today in December.
He may say he wants a challenging, spontaneous, funny woman, Hannah says, but he just sent that woman home.
As for whether or not the funny woman is back on the dating market, naturally, she joked about that too.
In Shuri, T'Challa's sister, we find a headstrong, intelligent, and funny woman who embodies the idea of women in STEAM.
Our favorite funny woman Kristen Wiig is usually noticed for her monotone quips and impressions of Target check-out cashiers.
Melissa McCarthy Keeps It Weird On Saturday Night Live Paul Feig's Movies Taught Me I Could Be A Loud, Funny Woman
However, her departure proves that being funny woman in Paradise will get you nowhere — being funny will get you a lot of things in life.
The beloved funny-woman already had an uncanny resemblance to the vice presidential hopeful and her immaculate take on Palin's mannerisms took it over the edge.
Seeing her wear it again to the Oscars only underscored her persona as the down-to-earth funny woman people can't seem to get enough of.
Henry Winkler tells TMZ he worked with Penny even before "Happy Days," and knew from the start she was a very funny woman and an incredible talent.
They struggle to reconcile the charismatic, warm and funny woman they know in private with Clinton's public persona, which can come across as stern, aloof or annoyed.
Watching Nina work hard at being a professionally funny woman is satisfying, whether she's trying out new material in her empty apartment or staring into a mirror trying out her impressions (Celine Dion, Cher).
It's dirty and full of scoundrels, just like its inspiration promises — but it's the rotten challenges of making a truly funny woman-led comedy in Hollywood that dominate much of our conversation in this elaborate room.
But when we express disbelief that a funny woman can land a guy, we're saying both that the woman is not beautiful — by any definition of the word — and that the guy is a unicorn of his species.
Known primarily for her years of comedic genius on Saturday Night Live, the funny woman has also been in a number of television shows and films, including the ABC show Suburgatory, The Goldbergs, and the cult classic Mean Girls.
This is an extraordinarily kind, generous, gifted, funny woman who would give you the shirt off her back if Vivien Leigh hadn't once worn it in Gone With the Wind, and it's the Debbie Reynolds of the big screen who made it all possible.
Tonight, if you play your cards right, you could go on a date with a beautiful guy, a funny woman, a charismatic non-binary person, or if you want to get frisky, a horse prince with the head of a really, really good-looking man.
Rachel is a bundle of nerves, a live wire, and also a smart and funny woman who loves her life with Richard even as she yearns for a child; Richard is supportive and patient but obviously exhausted and wondering how long he can continue the effort.
And then there's the Marcia Clark who — just in time for the Clark-centric episode of the series titled, appropriately, "Marcia, Marica, Marcia" — joined Mashable for a lively, and insightful chat that reveals just a little bit more about just who this famous, formidable and often very funny woman really is.
Glad you asked: Try and score some tickets to the "Mean Girls" musical "30 Rock" funny woman Tina Fey wrote the film and is now blessing the world with a musical version, which is premiering for a five-week run at Washington's National Theater on October 31 and later heading to Broadway.
Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she's hosting the world's biggest culinary gang bang while somehow maintaining a size 2.
Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she's hosting the world's biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot.
She [was] refined, interesting, soft on the deal, and I'm more energetic, arrogant and bossy". Félix said in another interview: "Dolores del Río was a great lady. She behaved like a princess. A very intelligent and very funny woman.
He is desperate for princess Shalala, with the marriage of her. He is courting her, but is treated by the less aggressive princess. He is staying at Shalala's palace. ; Princess Shalala : Voiced by Rei Sakuma The princess of Baghdad, the only daughter of king Shabada of Baghdad, the best beauty in Arabia and a natural funny woman.
Fanny Brice died May 29, 1951, with her memoirs unfinished and with Baby Snooks due on the air that same night. The May 29 memorial broadcast, a musical tribute to Brice, ended with a short eulogy from Stafford: "We have lost a very real, a very warm, a very wonderful woman."Grossman, Barbara Wallace. Funny Woman: The Life and Times of Fanny Brice.
Germaine Mitti from a 1921 publication, with Eugene Tillio Germaine Mitti and her partner Eugene Tillio"Sensational French Dancers at Keith's" Boston Daily Globe (October 3, 1922): 18. appeared with the Ziegfeld Follies of 1921."Ziegfeld Follies of 1921 is Best of All" Music Trades (July 6, 1921): 38.Barbara W. Grossman, Funny Woman: The Life and Times of Fanny Brice (Indiana University Press 1992): 122.
In her attempt to recover the time lost she will discover that it has not gone in vain and life is demanding its due. She is a sexy and funny woman who apparently is very seductive when the reality is quite the opposite. The extroverted Estela hides a woman repressed and completely faithful. Her world will collapse when her long-awaited television program gets canceled amidst a huge scandal.
Her first performance was at Wokingham Theatre. In 2013, she competed in the Funny Woman Awards in the United Kingdom, and the exposure made comedian Celeste Ntuli notice and invited her to be the opening act for her one-woman show, Myself. This opened doors for more opportunities to perform in South Africa. But the five-minute slots she was being offered could not financially justify frequently flying from the United Kingdom.
In 2015, Rivers posthumously received a Grammy Award for Best Spoken Word Album for her book, Diary of a Mad Diva. In 1968, The New York Times television critic Jack Gould called Rivers "quite possibly the most intuitively funny woman alive". In 2017, Rolling Stone magazine ranked her sixth on its list of the 50 best stand-up comics of all time,The 50 Best Stand-up Comics of All Time. Rollingstone.com, retrieved February 22, 2017.
Jones was judged the Best Female Comedy Newcomer at the 2007 British Comedy Awards, and was also nominated for Best Television Comedy Actress. She was also recipient of the Ultimate Funny Woman award at the annual Cosmopolitan Ultimate Women of the Year Awards in November 2009. In July 2013 Jones received an honorary degree from the University of Warwick. Jones was appointed Member of the Order of the British Empire (MBE) in the 2014 New Year Honours for services to entertainment.
John Hiscock of The Daily Telegraph finds Hathaway a "well-grounded, friendly young woman with a good sense of humour, a wide smile and an easy-going attitude". He says that despite considerable success Hathaway has never "gone Hollywood", staying close to her friends. The authors of the book 365 Style note Hathaway's girl next door image and Nancy Meyers (who directed her in The Intern) says she is "wise beyond her years". Laura Brown in Harper's Bazaar considers her to be a "sincere", "warm and funny" woman.
" Mary McNamara writing for Los Angeles Times was more positive about the book, and said: "Not everything in Yes Please works [...], but many things are funny, and as with most of her comedy". McNamara also said that the writing is "choppy and self-consciously eccentric" and added: "[Poehler] is a smart and funny woman who isn't either of those things all the time and doesn't mind admitting it because she thinks that's important too". Rachel Dry of The Washington Post commented: "So she is funny and honest. Writing a book is hard, and that seems to be the truth.
The photographer's studio is decorated with classical sculptures and nude statues holding spears, phallic symbols. In contrast, phallic symbols portrayed in the Hispanic neighborhood include a street lamp that Madonna embraces and a pool cue held erect by Madonna's boyfriend. Author Andrew Metz commented that with these scenes, Madonna displayed her sophisticated views on the fabrications of feminity as a supreme power rather than the normal views of oppression. Author Carol Clerk said that the videos of "Borderline" and "Lucky Star" established Madonna not as the girl next door, but as a sassy, smart and tough funny woman.
It drew heavily from pop culture and the media, with many jokes containing references to celebrities and public figures. Brand has said that she drank heavily before her first gig, was heckled throughout, and received no applause at the end of the set. Her Doc Marten boots, large size and short hair led to false rumours that she was a lesbian."Jo Brand is one funny woman", BBC interview, 26 October 2005 (viewed 9 July 2009) Jo Brand in 1994 in Belfast In 2007 Brand narrated Laughter & Tears: The Les Dawson Story, a documentary tribute to Les Dawson, which was broadcast on BBC Radio 2 in October 2007.
She goes there under a new identity: with the help of her best friend Lúcia (Mariana Richaudeau), she is now an adorable, a little bit crazy and funny woman, the sweet Lili. Under this alter ego, she ends up assuming a maternal figure to the orphans of the place, appearing as a Magali's distant cousin. Beyond them, Lili meets Terezinha (Mariana Briski), an arrogant housekeeper who is seen by the kids as an "evil witch", the orphanage's owners, Julieta (María Carámbula) and Pierre (Alejo García Pintos) Dummont, and their little spoiled children, Marcel (Luciano Ruiz) and Talita (Delfina Varni). The Dummonts are an ambitious, greedy and perverse family that aspire for money.
While a guest on The Arsenio Hall Show in late 1988, he met actress Whoopi Goldberg, whom he described as "a sexy, funny woman". The two became friends, co-hosting Help Save Planet Earth in 1990, a video guide to saving the environment (Danson played himself, Goldberg played the role of Mother Earth). However while making Made in America in April 1992, the two became romantically involved—a pairing which was heavily featured in gossip tabloids such as the National Enquirer. The couple also appeared on the Rock the Vote TV special that same year, as well as being set to star in a Paramount-produced version of Neal Barrett Jr.'s Pink Vodka Blues, written by Marshall Brickman.
Avila suggests that Paulina has reclaimed the voice from the lazy Cuca character's portrayal to instead give it to Paulina, "a funny woman who is more capable and present". Avila finds that "[Paulina's] voice and delivery [...] creates a fascinating sound synthesis". Avila also writes that the use of the cabaret as a focus in the show provides a history of Mexican popular culture, a space to examine queer narratives, and a symbol for further identity politics that present discourses on politics and economics; she notes that the name 'La Casa de las Flores' when applied to the cabaret is a reference to the Caló terms for gay men (florecita and floripondio). Near the end of season 1 episode 2, Paulina and Ernesto (foreground) break their 'important' conversation to take notice of the drag performer (center), in a moment critically discussed by multiple scholars.
The Hollywood Reporter asserted that the character of Selina Meyer was her "best post-Seinfeld role" to date and claimed that she gives "an Emmy-worthy effort", while the Los Angeles Times contended that the series demonstrates that she is "one of the medium's great comediennes." Following the success of the first season, Louis-Dreyfus was named by the Huffington Post as one of the funniest people of 2012, asserting that she is the "most magnetic and naturally funny woman on TV since Mary Tyler Moore." Louis-Dreyfus after receiving her third Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series for Veep in August 2014 For her performance on Veep, Louis-Dreyfus has received several accolades, most notably six consecutive Primetime Emmy Awards for Outstanding Lead Actress in a Comedy Series from 2012–2017.Primetime Emmy Awards nominations for 2012 – Outstanding Lead Actress In A Comedy Series . Emmys.com.

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