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79 Sentences With "funky music"

How to use funky music in a sentence? Find typical usage patterns (collocations)/phrases/context for "funky music" and check conjugation/comparative form for "funky music". Mastering all the usages of "funky music" from sentence examples published by news publications.

Not just with samples, but they're actually playing funky music.
" Sinbad, for instance, offered this suggestion: "Play That Funky Music Brad.
The women's march, all that needed was some funky music to it.
The boldly colored jumpsuits, funky music and psychedelic graphics will hook you.
In 1976, the world was enamored with "Play That Funky Music" by Wild Cherry.
FUNKY MUSIC blared as balloons and silver ticker-tape tumbled over a ballroom of gyrating Democrats.
You have to dance your way out of your constrictions, and you need some funky music to do that.
Nobody gives a second look at white boys playing funky music -- or grappling with the different ways of being white.
"Play That Funky Music" has endured through the years — it's impossible to read the song's title without singing the rest of the lyrics.
Kelsea Ballerini did a little sit-down dance to the funky music, and Lauren Alaina's hand in the air said she was a believer.
Related Maria Chiara Argirò's Animated Music Video Visualizes Jazz Improvisation This Funky Music Video Was Danced into Existence Ethereal Landscapes Emerge in This Gorgeous Hand-painted Music Video
Two women in the front of the room broke into dance as a DJ played "Play That Funky Music," pausing the song in certain spots for the crowd to sing along.
Now, for the first time in almost two decades, the original lineup (except for guitarist Kendall Jones) is back — and their politically charged, deeply funky music has rarely felt more timely.
" He acknowledges that he has seen a burgeoning interest in gospel amongst his customers but attributes that to the same "appetite for discovering funky music that has led collectors to check out soundtracks, library LPs...It's another vein of music to mine.
The composer of Wild Cherry's hit song "Play That Funky Music" has indicated that "Fire" was the inspiration.
"Ice Ice Baby" was initially released by Ichiban Records as the B-side to Van Winkle's cover of "Play That Funky Music". The 12-inch single featured the radio, instrumental and a cappella versions of "Play That Funky Music" and the radio version and "Miami Drop" remix of "Ice Ice Baby". When a disc jockey named David Morales played "Ice Ice Baby" instead of the single's A-side, the song gained more success than "Play That Funky Music". A music video for "Ice Ice Baby" was produced for $8000.
Super Hits is a 2002 compilation that shuffles most of Wild Cherry's charting hits and combines them with a larger number of album cuts. "Play That Funky Music", along with the other singles -- Hot to Trot, Hold On, I Love My Music -- are included. Baby Don't You Know, the mildly successful Play That Funky Music sound-alike that became the group's second hit, is not.
Wild Cherry is the first studio album by Wild Cherry, released in 1976. The album includes the group's only major single success, "Play That Funky Music".
Wild Cherry was an American funk rock band formed in Mingo Junction, Ohio in 1970 that was best known for its song "Play That Funky Music".
American rapper Vanilla Ice later released a song featuring an interpretation of "Play That Funky Music". Based on this single, the independent record label Ichiban Records signed Vanilla Ice to a record deal, releasing the album Hooked in January 1989, containing "Play That Funky Music" and its B-side, "Ice Ice Baby".Behind The Music: Vanilla Ice. Moment occurs at 10:45 Songwriter Robert Parissi was not credited.
In 2009 replaced by Wild Cherry's "Play That Funky Music." 3Performed in all Spain dates in 2008. 4Performed in all the 2008 dates outside Spain. 5Performed in select 2008 dates outside Spain.
Only the Wild Survive is the fourth and final studio album by Wild Cherry, released in 1979.Parallel Time: The Unofficial Donnie Iris Site - Only the Wild Survive Their fourth studio album, this would be their last before breaking up the same year. It contains the single "Keep On Playin' That Funky Music" a sequel to their 1976 hit "Play That Funky Music". It was also the first and only Wild Cherry album to feature Donnie Iris (formerly of the Jaggerz) as a performer.
Groove Family Cyco / Snapped Lika Mutha is the third album by Infectious Grooves, a 1994 concept record about a family of crazy people (the 'Cycos'). The "Violent & Funky" music video appeared in Beavis and Butt-head.
For example, "Play that funky music" (by Wild Cherry) mainly uses an E ninth chord, but it also uses F#9 and F9.Serna, Desi. Guitar Theory For Dummies: Book + Online Video & Audio Instruction. John Wiley & Sons, Sep.
Two is the second album by British electronic group Utah Saints. The album features guest vocalists Michael Stipe ("Sun", "Punk Club", "Rhinoceros", "Wiggedy Wack"), Chuck D ("Power to the Beats"), Edwin Starr ("Funky Music") and Guy Leger ("Sick").
Extended harmony prior to the 20th century usually has dominant function – as V9, V11, and V13, or V9/V, V13/ii etc. Examples of the extended chords used as tonic harmonies include Wild Cherry's "Play That Funky Music" (either a dominant ninth or dominant thirteenth).
The band remained inactive for the months following this, and in November announced that they were to break up after one last run of shows. Two singles were released from the album – "Play That Funky Music" and "Just Another Suicide (You Wanna Know)" reached number 39 and number 49, respectively, on the UK Singles Chart.
One: Members of the rec.music.funky included rap as a form of > 'funky' music in their charter, yet they seem not to desire the volume of > traffic rap music generates. Some hold the opinion that the newsgroup should > deal with funk music alone, and that the large amount of rap traffic be > directed elsewhere. Those who post to rec.music.
Electrified Funk is the second studio album by the funk rock band Wild Cherry, released in 1977.The Unofficial Donnie Iris Site - Electrified Funk It contains "Baby Don't You Know" the soundalike follow-up to their 1976 Hit "Play That Funky Music". It also contains a repeat of a song from the first album, Hold On (With Strings), this time with added violins.
An R&B-funk; song, "Fighting Temptation" samples Uncle Louie's "I Like Funky Music" (1979). Lyrically, the song makes reference to fighting against negativity in life as well as waiting for the right person before falling in love. Music critics generally received the song with positive reception. They complimented the theme of the song, the vocals of Beyoncé, and the verse-raps.
Luther is the debut album by American recording artist group Luther, released in May 1976.Luther - Luther Album. Allmusic.com The album features Luther Vandross and along with members Anthony Hinton, Diane Sumler, Theresa V. Reed, and Christine Wiltshire. "It's Good for the Soul", "Funky Music (Is a Part of Me)" and "The 2nd Time Around" were released as singles, but the album failed to chart.
Mats Samuelsson, born in 1965 in Linköping, first played in an Indie-Jazz pop duo and then went back to university. Later on he has been working as journalist and free author. In 2008 he developed the idea of Glam Sam And His Combo as a jazzy-funky music project with himself acting as Glam Sam. The debut Groovy was released at Lemongrassmusic in 2009.
Vandross bought back the rights to the album after the record label dropped the group, preventing its later re-release.Album Luther (1976) - Luther (Vandross). The song "The 2nd Time Around" was later re-recorded also titled "The Second Time Around" in the closing track on his 1988 studio album Any Love. "Funky Music (Is a Part of Me)" was later reworked as "Fascination" by David Bowie on his album Young Americans.
Kilborn in Beverly Hills, 2019 Kilborn hosted The Late Late Show for five years, changing the format to appeal to a younger audience. On the show, he popularized segments such as "Yambo" and "5 Questions". He created several characters, including Sebastian, the Asexual Icon. He also narrated his own introduction and would enter to the sound of the song "Play That Funky Music" at the beginning of his show.
Bryan was born on August 11, 1954 in Pittsburgh, Pennsylvania. He began playing with some local Pittsburgh bands in the late 1960s and early 1970s before joining Wild Cherry in 1975 which was actually a reformation of a popular local Ohio band led by vocalist/guitarist Rob Parissi. They recorded the hit "Play That Funky Music" that same year. Bassett plays the recognizable guitar figure that introduces the song.
Chiara Iezzi was born on 27 February 1973, with blonde hair and blue eyes. Paola Iezzi was born on 30 March 1974, with dark hair and a darker complexion. The sisters formed their first music group called Elefunky, which specialized in funky music. They played in various clubs in Milan and were discovered by manager Claudio Cecchetto, who was looking for a group that would help artist Max Pezzali.
Funky Brothers is a Taiwanese Band. The band was formed by singer Threestones, bassist Evel and guitarist Andy after they felt the lack of funky music in the Taiwan indie music scene. The music of the Funky Brothers is a blend a funk, reggae, soul, R&B;, jazz, folk and pop. The Funky brothers are known for their energetic live performances at main Taiwanese events such as Formoz Festival, Spring Scream, Rock in Taichung, etc...
The uncensored version of the 1976 disco/funk hit "Play That Funky Music", by Wild Cherry, uses "honky" in the final chorus of the song. "Brain Damage", a song by the rapper Eminem, uses the line "He looked at me and said, "You gonna die honkey!"". The 2012 rap song "Thrift Shop" by Macklemore & Ryan Lewis uses the line "The people like 'Damn, that's a cold ass honky!'" to refer to Macklemore who is white.
The upbeat, funky music written by Jon Hey was inspired by sports music themes and has been compared to George Clinton's P-Funk All Stars. Funkadelic's 1979 "(Not Just) Knee Deep" shares the most similarity with the music of NBA Jam but was recorded more than a decade before NBA Jams music was written. The likeness of George Clinton was used as the character "P. Funk" in the console versions of NBA Jam: Tournament Edition.
Parissi was later awarded $500,000 in a copyright infringement lawsuit. Although it did not initially catch on, its B-side, "Ice Ice Baby", gained more success when a disc jockey played that track instead of the single's A-side. Following the success of "Ice Ice Baby", "Play That Funky Music" was reissued as its own single (with new lyrics), and peaked at no. 4 on the US Billboard Hot 100 and no.
Dominic Ierace, the band's guitarist and vocalist, joined Wild Cherry. By 1976, they had been together for six years and had just recently rose to prominence with "Play That Funky Music." While in the group, Ierace met keyboardist Mark Avsec. Ierace (continuing to use his "Donnie Iris" nickname more and more) engineered Wild Cherry's third album I Love My Music and appeared playing guitar on their fourth album Only the Wild Survive.
The studios were relocated as well. On September 13, 2010, KMRJ began carrying the syndicated Kevin and Bean morning show broadcast from Los Angeles alternative station KROQ-FM. It also carried the syndicated radio show Nights with Alice Cooper. On August 31, 2012, after playing Wild Cherry's "Play That Funky Music" over and over for several hours, KMRJ flipped formats to Rhythmic AC as "Jammin' 99.5," with an emphasis on Rhythmic hits and Old School classics.
Funk dominated the rest of the field and cruised to a six-stroke victory over Joey Sindelar. With his third senior major victory at the 2010 Jeld-Wen Tradition, he became the first player to win a PGA Tour-sanctioned event after knee-replacement surgery. A popular player on tour, his fans are referred to as "Funk's Punks." The iconic songs — Play That Funky Music and Give Up the Funk — have become theme songs for the fan favorite.
After his departure from the Jaggerz, Ierace began to learn engineering at Jeree Recording in New Brighton, Pennsylvania. Also, he did about a two-year stint (1976-1978) playing shows with B. E. Taylor. While working at Jeree, the band Wild Cherry, a hot commodity because of their 1976 hit "Play That Funky Music," which was recorded there in 1978, was booked for a recording session. Ierace helped to engineer their third album, I Love My Music.
Caught in the Act is the second studio album by Commodores, released in 1975 (see 1975 in music). Stylistically, this is a funk/R&B; album and differs from the softer pop sound for which the group became known on later releases. Caught in the Act included the hit "Slippery When Wet", which has been called a "prototype" of Wild Cherry's hit "Play That Funky Music" (1976). Other notable funk tracks include "Better Never Than Forever" and "Look What You've Done to Me".
In 2008, the group's manager took them to Atlantic Records and introduced them to singer/producer T-Pain. According to Cole Rose, "they took us to T-Pain, he loved us and the rest is history". T-Pain signed the trio as one of the first acts to his Atlantic imprint, Nappy Boy Entertainment. The group began recording their debut album with T-Pain, and were allowed the creative freedom to record their "very high energy, very edgy and funky" music.
A live version appears on the album Extremely Live, while a nu metal version appears on the album Hard to Swallow, under the title "Too Cold". "Ice Ice Baby" was first released as the B-side to Vanilla Ice's cover of "Play That Funky Music", but the single was not initially successful. When disc jockey David Morales played "Ice Ice Baby" instead, it began to gain success. "Ice Ice Baby" was the first hip hop single to top the Billboard Hot 100.
By the end of the decade, as far as his music/public life went, he went by the name of Donnie Iris. It was during this period that he became acquainted with Mark Avsec, then playing keyboards for Wild Cherry. Wild Cherry was unable to duplicate the success of "Play That Funky Music" and disbanded by the end of the decade. Becoming good friends, Donnie and Mark decided to form a project together after Wild Cherry's breakup and the two began writing songs.
Although the first single, "Mother Nature", charted at number 92 on the Billboard Pop Singles Chart, "Papa" was a number one hit and is today one of the Temptations' signature songs. Also included on All Directions are the Edwin Starr cover "Funky Music Sho' 'Nuff Turns Me On" (the b-side to "Mother Nature", a Top 30 R&B; hit), the Marvin Gaye & Tammi Terrell cover "Love Woke Me Up This Morning", and "I Ain't Got Nothin'", a rare lead showcase for Otis Williams.
She later linked up with Chuck Jackson who took her to Motown Records. Fair had a small part as a singer in the Motown produced film Lady Sings the Blues (1972). While on Motown, she was the opening act for the Temptations, the Jackson 5, Marvin Gaye, and Stevie Wonder. Fair worked with producer Norman Whitfield on a series of singles: "Love Ain't No Toy", "Walk Out the Door If You Wanna", and her cover version of "Funky Music Sho' 'Nuff Turns Me On".
None of Wild Cherry's 3 subsequent albums were very popular. Neither Electrified Funk (1977) (which contained the "Play That Funky Music" soundalike single "Baby Don't You Know") nor I Love My Music (1978) produced any top 20 hits, and Only the Wild Survive (1979) did not even produce a top 100 single. The band broke up in late 1979. Coogie Stoddart returned to perform with Wild Cherry beginning with the tour to support Electrified Funk and recorded I Love My Music with the band.
In 1992 Clamaran, eager to get involved into production, teamed up with Laurent Pautrat. Their first Production "I've got music in me" by 400 Hz made him one of the most promising French producers. Released on House Trade Records, this track was licensed by BMG France and sold over 100,000 units. Then record companies started to flood Clamaran with remixing requests such as : "Funky Music" by Calvin Stone, "oxygene" by Jean Michel Jarre, "party time" by Gloria Estefan, "you spin me round" by Dead or Alive and "Encore Une Fois" by Euro smash.
292x292px He was born in Torreón, where he grew up and spent his adolescence. At age 17, he moved to Mexico City where he undertook his musical studies. He studied at Mexico's National Music School (singing, piano, music theory and harmony) in 2002 he signed his first record contract with Sony Music Mexico where he released his first solo record called Mexi-Funky-Music. He continued his career as singer and composer and produced successful records by the like of Kalimba, Aerosoul; and Reyli Barba, Reily en la luna.
In 1995 he performed in The Wizard of Oz in Concert: Dreams Come True a musical performance of the popular story at Lincoln Center to benefit the Children's Defense Fund. The performance was broadcast on Turner Network Television (TNT) and issued on CD and video in 1996. In 2006, he was featured in Gordon Goodwin's Big Phat Band's album The Phat Pack on the track "Play That Funky Music", a remake of the Wild Cherry hit in a big band style. Sanborn often performs at Japan's Blue Note venues in Nagoya, Osaka, and Tokyo.
The new lineup consisted of Bryan Bassett (guitar/vocals), Allen Wentz (bass guitar/synthesizer/vocals), Ronald Beitle (drums), and Parissi. As the group began to develop a following in the Pittsburgh area, disco was becoming increasingly popular, and they were repeatedly asked by listeners to play more dance music. While brainstorming for new song ideas, Beitle recounted hearing a fan shout "Are you white boys gonna play some funky music?" Parissi was inspired to write a song based on the phrase; he began on a drink order pad with a pen borrowed from the bartender.
After the band recorded the song, studio engineer Ken Hamann brought the band to the attention of Sweet City Records, distributed by Epic/CBS, which signed the group. Parissi had intended to record the song as the B-side to a cover version of the Commodores' "I Feel Sanctified," but the label suggested it as the A-side. "Play That Funky Music" became a huge hit when released in 1976, peaking at number one on both the Billboard R&B; and pop charts. Both the single and Wild Cherry's self-titled debut album went platinum.
The band was named Best Pop Group of the Year by Billboard, and received an American Music Award for Top R&B; Single of the Year, as well as a pair of Grammy nominations for Best New Vocal Group and Best R&B; Performance by a Group or Duo. "Play That Funky Music" was the only hit on the album, although "Hot to Trot" was a minor follow-up hit in some non-U.S. markets. The album featured contributions from keyboardist Mark Avsec, who soon thereafter became a permanent member of the band.
"I'd Really Love to See You Tonight" is a song written by Parker McGee and was a hit by England Dan & John Ford Coley from their 1976 album Nights Are Forever. It eventually peaked at No. 2 on the Billboard Hot 100 chart for two weeks, behind Wild Cherry's "Play That Funky Music" and No. 1 on the Easy Listening chart. Billboard ranked it as the No. 21 song for 1976.Billboard Year-End Hot 100 singles of 1976 It reached No. 26 in the official UK chart.
Music critics lauded Super Fly. Rolling Stones Bob Donat was favorable of Mayfield's anti-drug and self-liberation themes, and called Super Fly "not only a superior, imaginative soundtrack, but fine funky music as well and the best of Curtis Mayfield's four albums made since he left the Impressions". In a 2004 review of the album, Rolling Stone gave Super Fly five out of five stars and cited it as Mayfield's "creative breakthrough". Rock critic Robert Christgau of The Village Voice gave the album an A- and lauded Mayfield's songwriting.
The album spawned three singles: "Full-Tilt Boogie", which reached number 19 on the Billboard R&B; chart, "I Like Funky Music", and "Sky High". In 1982, Murphy signed on to MCA Records and recorded Themes from E.T. the Extra-Terrestrial and More. The album contained disco and pop-tinged arrangements of themes to popular movies of the time, such as E.T. the Extra-Terrestrial, Indiana Jones, and Poltergeist. The album spawned one single, a medley of "Themes from ET (The Extra- Terrestrial)", which climbed to number 47 on the Billboard Hot 100.
Studio recorded songs on the soundtrack of Obsessed are "Any Other Day" (Wyclef Jean and Norah Jones), "Black and Gold" (Sam Sparro), "Soul Food" (Martina Topley-Bird), "American Boy" (Estelle), "Jolly Holly (Deck the Halls)" (Mike Strickland), "I'm Gonna Getcha" (Crudo), "The Christmas Song" (Marcus Miller), "Play That Funky Music" (Wild Cherry), "Have Yourself a Merry Little Christmas" (Ruben Studdard and Tamyra Gray), "Wild Thing" (Tone Lōc), "Oye Al Desierto" (With the Quickness), "Destiny" (Zero 7), "Meet the Brilliant" (Draque Bozung), "Golden" (Jill Scott), "Bambool Wall" (Patch), and "Smash into You" (Beyoncé).
Wise, Brian, Strad Magazine, "Play that Funky Music", November 2009 The first performance of the group was at The Doug Fir Lounge in Portland, Oregon on Sunday October 15, 2006. The management and artistic direction responsibilities of the group were split between cellists Tony Rogers and Douglas Jenkins, until mid-2007 when Rogers left Portland for West Virginia. July 1, 2007 was Rogers last official show with the group at The Doug Fir Lounge. At this performance, the group surprised Rogers by dedicating to him a cover of John Denver's "Take Me Home Country Roads" with special guest Holcombe Waller singing.
Unlike his brother-in-law Jesse (who is more into rock-and-roll), Danny has a taste for 1970s Disco music; one of his favorite songs is "Play That Funky Music" by Wild Cherry. In the first episode of Fuller House, Danny and Becky relocate to Los Angeles for their new talk show, Wake Up USA, and it is revealed that Danny got remarried to a woman named Teri. During the second season Danny goes through a little bit of a mid-life crisis since he just turned 60. In season three Danny reveals that him and Teri got divorced.
At age 18, Clemons had one of his earliest studio experiences, recording sessions with Tyrone Ashley's Funky Music Machine, a band from Plainfield, New Jersey, that included Ray Davis, Eddie Hazel and Billy Bass Nelson, all of whom later played with Parliament-Funkadelic. He also performed with Daniel Petraitis, a New Jersey and Nashville legend. These sessions were eventually released in 2007 by Truth and Soul Records as Let Me Be Your Man. While at Maryland State College, Clemons also joined his first band, the Vibratones, which played James Brown covers and stayed together for about four years between 1961 and 1965.
"Fascination" is a song written by English singer-songwriter David Bowie and American musician Luther Vandross for Bowie's Young Americans album in 1975. The song originated from a Vandross song called "Funky Music" which The Mike Garson Band used to play before Bowie concerts in 1974. An alternate mix appeared on the 1989 Sound + Vision box set, though this was replaced with the original on the 2003 reissue of the compilation. While Bowie never performed this track live in concert, it was rehearsed for potential inclusion in Bowie's set at the 1985 London Live Aid concert, though, along with "China Girl," it was eventually dropped from his final set list.
It received mixed reviews from critics, particularly pertaining to the band's cover of Wild Cherry's "Play That Funky Music". Critics who wrote favorably of the cover included Steven Mirkin, who praised the cover as "near perfect", and Curtis Bonney, who wrote that it "plunges into the radioactive whirlpool and comes out mangled, nearly (and hilariously) unidentifiable." Conversely, Randy Roberts said the band's decision to cover it "makes one question the band's musical judgment from the first note to the last." The album was awarded a three-star rating by Jeff Salamon, who described the album's sound as "a cross between the Grifters and Frank Zappa".
"Play That Funky Music" is a song written by Rob Parissi and recorded by the band Wild Cherry. The single was the first released by the Cleveland-based Sweet City record label in April 1976 and distributed by Epic Records. The performers on the recording included lead singer Parissi, electric guitarist Bryan Bassett, bassist Allen Wentz, and drummer Ron Beitle, with session players Chuck Berginc, Jack Brndiar (trumpets), and Joe Eckert and Rick Singer (saxes) on the horn riff that runs throughout the song's verses. The single hit number one on the Billboard Hot 100 on September 18, 1976; it was also number one on the Hot Soul Singles chart.
Notable as the most successful protest song to become a pop hit, earning compliments from contemporary protester John Lennon, "War" became Edwin Starr's signature song. Rather than hindering his career (as it might have done for the Temptations), "War" buoyed Starr's career, and he adopted the image of an outspoken liberal orator for many of his other early-1970s releases, including the similarly themed "Stop the War Now" from 1971. It and another 1971 single, "Funky Music Sho' 'Nuff Turns Me On", continued Starr's string of Whitfield- produced psychedelic soul hits. After 1971, Starr's career began to falter, and, citing Motown's reliance on formulas, he departed the label in the mid-1970s.
In his own name, Hamilton recorded two singles on Malaco Records, "Gossip" backed with "Keep the News to Yourself" (1971), and "My Mind Keeps Playing Tricks on Me" backed with "Ain't Nothing Like That Funky Music". His songwriting credits include "Get on Your Job", recorded by Etta James; "Feel Like Dynamite" and "Let Us Be", recorded by King Floyd; "She's Taking My Part", recorded by Irma Thomas; and "The Feeling", recorded by Albert King. He also wrote songs for Oliver Morgan ("I Love Rhythm and Blues"); Jean Knight ("Save the Last Kiss for Me"); and Johnny Adams ("More Than One Way"). Hamilton met Allen Toussaint in the late 1970s and accompanied his group on tour.
Influenced by Bobby Timmons, Ray Charles and Les McCann, his style varies between jazz, soul jazz and "funky music". He created the legendary jazz funk group Cortex in 1974, before embarking upon a career under his own name in 1982. His albums are known worldwide, notably "Troupeau Bleu" and "Volume 2" with Cortex (re- released several times and sampled by many musical artists and DJs). Also popular were albums under his own name, including "Pheno-Men" which was used as a theme for many radio programs, "Alain Mion in New York" recorded with David Binney and Marc Johnson, and "Some Soul Food" recorded in Stockholm (Sweden) with Patrik Boman and Ronnie Gardiner.
A club mix of various artists, it included the previous years remix of "25 Miles". In 1989, Starr also joined Ian Levine's Motorcity Records, releasing six singles and the album Where Is the Sound, as well as co-writing several songs for other artists on the label. Starr resurfaced briefly in 2000 to team up with the UK band Utah Saints to record a new version of "Funky Music Sho' 'Nuff Turns Me On". He appeared again in 2002 to record a song with the British musician Jools Holland, singing "Snowflake Boogie" on Holland's compact disc More Friends; and to record another track with Utah Saints, a so-far-unreleased version of his number one hit "War"—his last-ever recording.
During this same era notable solo acts such as Henry Mancini, Perry Como and Bobby Vinton came out of the region to reach world fame in the industry. A years long engagement at the city's William Penn Hotel also launched the national career of Lawrence Welk. During the 1970s and 1980s rock era Pittsburgh had a major role in the success of both Wild Cherry and their most popular song/album Play That Funky Music (inspired by a fan's plea to them during a performance at the North Side's 2001 Club in 1976), and being the home to Bret Michaels, known for his fame in the band Poison. Both Joe Grushecky and Donnie Iris achieved one-hit wonder fame and lasting regional rock fame.
Occasionally, the B-side of a single would become the more popular song. This sometimes occurred because a DJ preferred the B-side to its A-side and played it instead. Some examples include "I Will Survive" by Gloria Gaynor (originally the B-side of "Substitute"), "Ice Ice Baby" by Vanilla Ice (originally the B-side of "Play That Funky Music"), "I'll Be Around" by the Spinners (originally the B-side of "How Could I Let You Get Away") and "Maggie May" by Rod Stewart (originally the B-side of "Reason to Believe"). Probably the most well-known of these, however, is "Rock Around the Clock" by Bill Haley & His Comets (originally the B-side of "Thirteen Women (And Only One Man in Town))".
The LP features the #1 hit "Papa Was a Rollin' Stone", a twelve-minute cover of a Whitfield-produced Undisputed Truth single. "Papa" won three Grammy Awards in 1973: Best R&B; Performance by a Group for the Temptations, Best R&B; Instrumental Performance for Whitfield and arranger/conductor Paul Riser's instrumental version of "Papa" on the single's b-side, and Best R&B; Song for Whitfield and lyricist Barrett Strong. All Directions was Strong's final LP as the Temptations' lyricist; Strong in fact had no direct involvement in the album as both of his compositions for it – "Papa was a Rollin' Stone" and "Funky Music Sho' 'Nuff Turns Me On", were both covers (originally by The Undisputed Truth and Edwin Starr, respectively). Strong left Motown to restart his career as a recording artist.
The song was popular in Italy due to its use in the soundtrack of a well-known Carosello (the Italian TV spot broadcast) from 1973 to 1976. 1979 saw his first major film soundtrack commission (Alexandro Jodorowsky's Tusk), but he had been releasing solo records at least a decade earlier, including at least four for the Chappell Music Library, as well as his album Chez Jean-Claude Petit, released in the early 1970s. In 1976 he collaborated with Pierre Delanoë, Toto Cutugno, Vito Pallavicini in a very popular and funky music for Mireille Mathieu called Ciao Bambino, Sorry. In addition, he was a frequent collaborator with French film music composer Jack Arel: the pair's most well- known production, "Psychedelic Portrait", was featured in an episode of the cult TV series The Prisoner.
In a contemporary review, Richard Hallman of The Atlanta Journal-Constitution recommended the album to "connoisseurs and collectors", and said that it "should be considered for purchase only by those who take their Godfather very seriously." Ken Tucker, writing in the Chicago Tribune, commended Polygram for their "admirable project of re-releasing the fascinating music Brown made during the late '60s and early 1970s, when he disappeared from the pop charts to record much of his most profoundly funky music." He cited Clyde Stubblefield's performance on "Funky Drummer" as the highlight and said that the album "serves to remind the listener that, in addition to his greatness as a singer and a rhythmic innovator, Brown is also an exceptional band leader." In the Jungle Groove was voted as the fourth best reissue of 1986 in The Village Voices annual Pazz & Jop critics' poll.
Vandross also sang backing vocals for artists, including Roberta Flack,Chaka Khan, Ben E. King, Bette Midler, Diana Ross, Carly Simon, Barbra Streisand, David Bowie, Cat Stevens, Bette Midler, Gary Glitter, Ringo Starr, Sister Sledge, and Donna Summer, and for the bands Mandrill, Chic and Todd Rundgren's Utopia. Before his solo breakthrough, Vandross was part of a singing quintet named Luther in the late 1970s. The quintet consisted of former Shades of Jade members Anthony Hinton and Diane Sumler, as well as Theresa V. Reed, and Christine Wiltshire, signed to Cotillion Records. Although the singles "It's Good for the Soul", "Funky Music (Is a Part of Me)", and "The Second Time Around" were relatively successful, their two albums, the self-titled Luther (1976) and This Close to You (1977), which Vandross produced, did not sell enough to make the charts.
Thunder recorded their fifth studio album in April 1998. Bassist Chris Childs, who was recording with the band for the first time, described the sessions as "pretty much a party with a recording session breaking out every now and then", in a similar fashion to the way in which guitarist and keyboardist Ben Matthews recalled the sessions for the band's debut album Backstreet Symphony ten years earlier. On 15 June 1998, the band released the first single from the upcoming album, a cover version of Wild Cherry's "Play That Funky Music", which gave charted at number 39 on the UK Singles Chart, and at number 35 on the Scottish Singles Chart. After a short tour of Japan, a number of festival appearances and some dates supporting Status Quo, the band released "Just Another Suicide" as the second single from the album on 8 March 1999.
"Boogie Fever" by the Sylvers, "Love Hangover" by Diana Ross, "Kiss and Say Goodbye" by the Manhattans, "(Shake, Shake, Shake) Shake Your Booty" by KC & the Sunshine Band, "Play That Funky Music" by Wild Cherry, "You Don't Have to Be a Star (To Be in My Show)" by Marilyn McCoo and Billy Davis Jr., and "Car Wash" by Rose Royce also reached the top of both listings. In contrast, "Turning Point" by Tyrone Davis spent a week at number one on the soul singles chart in February but failed to enter the Hot 100 at all, the first time this had occurred since the Hot 100 was launched in 1958. A number of acts topped the chart in 1976 for the first time in their respective careers, including the band Brick, which spent four weeks at number one with the track "Dazz", named for the band's fusion of disco and jazz. David Ruffin, who had sung on several chart-toppers by the Temptations, gained his first and only solo number one in January with "Walk Away from Love".

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