But in the fundaments of its setting — moral compromise by a gringo in Mexico — Caputo ventures into crowded territory.
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But they were "feared and hated by the Right" because they gave us the fundaments of the modern welfare state.
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The main reason Africa is doing so poorly is that many of its leaders are unable or unwilling to provide the fundaments of a market economy: education, property rights, rule of law, reliable tax schemes, a proper banking sector.
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Unfortunately, perhaps because Nothomb writes so quickly, her characters feel uninhabited, their feelings simmered down to bare fundaments rather than rendered real, with humor employed to skip over any deeper complications of relationships rather than to pan them for what is interesting and true.
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" The indelible ink stain he gets on the front of his required uniform causes a great deal of embarrassment and he makes slow progress on his project, which he notates as a series of absurd "fundaments" like "The project shall have a narrative component.
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The palace was destroyed by soldiers of king Henry II of France. Today, only some medieval walls and fundaments remain of the castle and palace.
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The decision was made to brick up the walls to raise the fundaments above the grounds. These are the ruins we see today, with some small remainder of the clock tower.
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In the Quire Arch we can see a motive of the heavenly Jerusalem. Two trees are growing from the heavenly city Jerusalem which established deep rests upon twelve fundaments: 1. The tree of life; 2. The tree of acknowledgment of good and bad.
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Montenegro claimed to be a "subrealist" rather than a Surrealist, and his paintings often mixed two fundaments elements, folklore and fantasy. In his later work Montenegro evolved an abstract style, although he never lost his interest in popular, pre-Hispanic and colonial art.
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A main focus of the TLP design is on the modularity and the possibility of assembly in any dry dock near to the installation site and without the use of construction vessels.Frank Adam u. a.: Entwicklung eines Fundaments für Offshore-Windenergieanlagen aus Stahl-Beton-Verbundbauteilen. In: Schiff & Hafen.
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Burgess published one of the first texts on the field in 1920. During the first three decades of the 20th century, industrial electrochemistry followed an empirical approach. After the Second World War, interest focused towards the fundaments of electrochemical reactions. Among other developments, the potentiostat (1937) enabled such studies.
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His incisive analysis of power and the powerful shook the fundaments of Finnish society, but were widely recognized to be impartial, swiping those ideologically close to his heart as heavily as those whose ideology was diametrically opposed to his own. The writers Reino, Mauri and Arto Paasilinna are his brothers.
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His bid to format local Carlist political profile principally along regionalist lines failed. It was possibly thwarted by provincial authorities, as Vayreda lambasted them for ignoring regionalist fundaments of the Traditionalist program; moreover, he complained about political course incompatible with the spirit of the movement, smelling of "liberalism and authoritarianism".Canal 2006, p. 214, Canal 2004, p.
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Bernard Nieuwentyt The Religious Philosopher: Or, The Right Use of Contemplating the Works of the Creator, Vol. II (transl. by John Chamberlayne) Cambridge: Cambr. Uni. Press, 2015 Nieuwentyt's posthumously published Gronden van zekerheid [Fundaments of Certitude, or the Right Method of Mathematicians in the Ideal as well as the Real] (1720) argued Spinoza's 'geometrical method' was not the proper 'experimental method' of science.
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Beginning in 1909 the old foundations were underpinned. Works stopped in 1916 due to World War I. Between 1924 and 1928 the fundaments were completely reinforced by a new fundament made of concrete. Concrete and steel were used to anchor the towers and main vault. The cloister in Mainz Cathedral A new floor, made of red marble, was constructed in this period.
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The province of North Holland became the owner of the castle grounds in 1933, nothing more than a swamp. They immediately started to perform archaeological excavations, which lasted until 1936. Both the fundaments of the first circular and the second square castle were discovered, and not only the exterior walls, but also some of the interior walls. Further, they established that the castle did not have cellars.
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On the basis of the pillars, capitals and at the ending wreath there was a molding. Today this location is left to negligence and oblivion. Only the princess grave and the fundaments of the mausoleum are distinguishable. In these days, it has very few visitors and in recent times it has become a place where candles are burnt for the souls of the dead relatives and beloved ones.
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In 1900, he published his first collection of poems, "Een weg van verzen" (A way of verses). For Adama van Scheltema, socialism and nature were prominent sources of inspiration. He developed his thoughts into his 1907 book, "De grondslagen eener nieuwe poëzie" (The Fundaments of a New Poetry). This book marked a decisive break with the Tachtigers (The 80's Movement), whose mentality of l'art pour l'art had been very influential in the Netherlands.
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Instead he entered Harvard on a graduate scholarship. His first studies dealt with photomechanical changes in the retina, laying the fundaments of his career in vision. He continued his study of the retina as a graduate student (Sc.D. in zoology, 1931) and postdoctoral fellow (1931 to 1934, Alfred G. Lloyd and National Research Council Fellowships) at the University of Michigan and as an associate in zoology at the State University of Iowa from 1934 to 1937.
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In a period which was very important for laying fundaments for future industrial development of the republics, the share of Serbia in Yugoslav industrial production was reduced for 13,8%Слободан Вуковић, Заузимање стартних позиција, Социолошки преглед, vol. XXXX (2006), no. 4, page 538 The moving of factories from Serbia to northwestern parts of Yugoslavia was one of the main reasons for Serbia to become less developed in comparison to Slovenia and Croatia, i.e. in 1947 Slovenia had 67% stronger economy than Serbia while in 1987 the ratio in favor of Slovenia grew to 254%.
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The Hungarian reform laws (April laws) were based on the 12 points that established the fundaments of modern civil and political rights, economic and societal reforms in Kingdom of Hungary. The crucial turning point of the Hungarian events were the April laws which was ratified by his uncle King Ferdinand, however the new young Austrian monarch Francis Joseph arbitrarily "revoked" the laws without any legal competence. The monarchs had no right to revoke Hungarian parliamentary laws which were already signed. This unconstitutional act irreversibly escalated the conflict between the Hungarian parliament and Francis Joseph.
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Originating in experiments with images of streaming water (Tammerkoski, 2012), Vuokola started exploring the very fundaments of digital photography. In Flora (sharpen), a large diptych of a Norwegian waterfall from the same year, a small selection of pixels from the center of each of the two digital files were enlarged to form a new diptych of their own. The connection in this case to landscape imagery is essential, as the work approaches the basics of the construction of visuality as well as digital images.Jyrki Siukonen, ”Chasing Falling Water” in Marko Vuokola.
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In his opinion our civilization is in possession of the necessary resources for its renaissance. For this reason he proposes to map the foundations for that western narrative which has wrecked facing "The Divine Market". He proposes to go back to Giovanni Pico della Mirandola and his public Oration on the Dignity of Man which has been called the "Manifesto of the Renaissance". What it is all about is the perspective of a new Renaissance, new dynamics like those during the Quattrocento when knowledge was attained how to retrieve the fundaments of Greek civilization and, supported by this, how to overcome the grip of obscure tenets dominating general thinking.
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Onto, because every political interpretation invokes a set of fundaments about necessities and possibilities of human being, about, for instance, the forms into which humans may be composed and the possible relations humans can establish with nature. An ontopolitical stance, for instance, might strive to articulate a law or design set into the very order of things. Or it might deny the existence of a law or natural design while still identifying a profound stability of human interests that persists across time. Or it might deflate this theme of stable human interests while striving to draw us closer to a protean abundance that enables and exceeds every socially constructed order.
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The Gäbelbach (left) and Holenacker (center-right) housing developments. The Altes Schloss (Old Palace) of Bümpliz on Bümplizstrasse 91 is built on the site of a 10th-century Upper Burgundian royal court. A round tower, whose fundaments are visible in the cellar, was built by Peter II of Savoy in the 1260s. The current palace was built after 1488 by Rudolf von Erlach in the late medieval Romantic style and was partially adapted to the tastes of the Baroque by Franz Ludwig von Erlach in 1632. The moat was filled and the palace partially demolished in 1742; a modern extension was added in 1979-80.
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Other suggested innovations such as Iĉismo are more acceptable and are discussed among Esperantists. The Volapük experience still is a factor in the "protectionism" of Esperantists, but no longer predominant; however, as many "ConLangers" mistake Esperanto as an "artistic ConLang" to be changed as one sees fit instead as a living, employed "synthetic IAL/LAI" and try to invent "reforms" a dime a dozen, proposals for change are seen in Esperanto still with much more suspicion than in "natural languages". The present day attitude is shown by the Esperanto Encyclopedia where it states that reforms, i.e. changing the fundaments of a language, have never been successful neither in Esperanto nor anywhere else, while evolution through use "enriches languages".
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He then began to work on graphic design projects, designing book covers for publishers including Siglo XXI, Seix Barral, Fundaments, Turner, and Trece de Nieve. In 1972 he founded and became graphic design director for the publishing company La Fontana Literaria, co-founded with Mauricio d’Ors. The following year he and d'Ors, together with Juan Antonio Molina Foix, founded another publisher, Nostromo. There, he developed a radically new and personal editorial image. Between 1974 and 1982 he was responsible for the graphic design of publications by the Juan March Foundation in Madrid, where he renewed the graphic and editorial concept of the “exhibition catalog.” Between 1979 and 1981 he co-directed Poesía magazine with Gonzalo Armero.
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This book is referenced by Hofstadter in his Italian book Ambigrammi: un microcosmo ideale per lo studio della creatività, published by Hopeful Monster, Florence in the same year. Hofstadter's book contains a fictional dialogue between Hofstadter and Gebstadter.Stanford Presidential Lectures in the Humanities and Arts: Selected Annotated Bibliography of Douglas R. Hofstadter Curiously, there is no mention of Gebstadter's fifth book in Hofstadter's Fluid Concepts and Creative Analogies: Computer Models of the Fundamental Mechanisms of Thought. However, rumor has it that it is entitled Stagnant Notions and Derivative Metaphors: Anthropomorphic Models of the Mechanical Fundaments of Computation, a collection of articles on the research of Gebstadter and his colleagues at the University of Mishuggan's Stagnant Metaphors User Group.
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Fundaments of Sugarscape models can be traced back to the University of Maryland where economist Thomas Schelling presented his paper titled Models of Segregation. Written in 1969, Schelling and the rest of the social environment modelling fraternity had their options limited by a lack of adequate computing power and an applicable programming mechanism to fully develop the potential of their model. John Conway's agent-based simulation "Game of Life" was enhanced and applied to Schelling's original idea by Joshua M. Epstein and Robert Axtell in their book Growing Artificial Societies. To demonstrate their findings on the field of agent-based simulation, a model was created and distributed with their book on CD-ROM.
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Simon has combined in his music the classical and electric guitar sound with modern jazz, rock, acoustic and classical music, free improvisation and other world elements. He has used avant-garde concepts in some of his experimental works, electronic music and multimedia interactive art projects. His body of work has been compared to the work of acoustic guitar virtuoso Don Ross and the experimentation of multi-instrumentalist George Koller. This alliance of music aesthetics is found both in his early compositions (1995–1998)—jazz fusion works in which jazz fundaments are treated with synthesizer sounds and electric instruments creating juxtapositions of intense jazz-rock sonic materials with harmonically rich, sometimes almost esoteric material —and in later pieces (2000–2006), in which the integration of opposites, inherent performance complexities and game-like attitude creates the opportunity for free interaction, fusion of singled sounds or even whole ensembles.
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