From where I stand, the Air Force has pretty sound logic.
|
|
From where I stand, there's a lot at stake with government dysfunction.
|
|
Or that's what it seems like here, at least, from where I stand. ●
|
|
"From where I stand, that's all wrong — 100% wrong," the "Mad Money" host said.
|
|
"From where I stand, that's all wrong — 100 percent wrong," the "Mad Money" host said.
|
|
From where I stand, many teenagers are aware that vaping is not good for them.
|
|
In fact, it's so high that I can't actually see the top from where I stand.
|
|
But from where I stand, Milwaukee is four hours away geographically and a million miles away culturally.
|
|
From where I stand, the Democratic nominee is one of the most corrupt individuals who has ever been nominated.
|
|
That makes the clue read "To me," which is much closer to FROM WHERE I STAND than some heavy book.
|
|
"From where I stand I don't think it makes much difference," Matteo Farinella, a post-doctoral student at Columbia told Gizmodo.
|
|
From where I stand, Levine popped this photo into one of Twitter's filters and thought to make a funny joke about it.
|
|
Mr. Glanville, a former professional baseball player, is the author of "The Game From Where I Stand" and a contributing opinion writer.
|
|
"I wish you could see yourselves from where I stand," Abdul said in a concession speech to tearful supporters in downtown Detroit Tuesday.
|
|
I see all of these fascinating creatures, and I've barely walked a few minutes; I can still see my ship from where I stand.
|
|
The problem, from where I stand, is the traditional Louis's reliance on store-bought mayonnaise and ketchup, both deeply unfashionable ingredients in our age.
|
|
From where I stand now, my shorter, more declarative emails and general maternal unfuckwithability feel qualitatively related to the positive transformation of my sex life.
|
|
But from where I stand, the most exciting form of transportation technology is more than 100 years old—and it's probably sitting in your garage.
|
|
Op-Ed Contributor Mr. Glanville, a former professional baseball player, is the author of "The Game From Where I Stand" and a contributing opinion writer.
|
|
But from where I stand in Tehran, it is very difficult to see how the agreement will survive, and for the policy of negotiating with the West, championed by Rouhani, to emerge unscathed.
|
|
Honestly, the most compelling bit from where I stand (directly in front of the mirror, wondering where I've gone wrong) is the incorporation of notifications, serving up weather, calendar alerts, notifications and Spotify playback on the mirror. Necessary?
|
|
It's easy to hover over the dictionary definition of the word and not be able to think of anything else, and the clue cleverly misdirects you away from the answer, which turns out to be the mystifying FROM WHERE I STAND.
|
|
From where I stand — and maybe here we can stand together — I see once again that violence tragically begets violence, and that if America had faced its history of racial violence many decades ago, maybe even a few years ago when Eric Garner was seen by millions of Americans being strangled by a police officer on YouTube, we'd all be better for it today.
|
|
The album includes the singles "Somebody to Love", "Nobody Love, Nobody Gets Hurt", and "From Where I Stand".
|
|
A third album, From Where I Stand, was released in 2011 and included vocals from the German pop singer Nena. In April 2012, the band played a benefit gala for the Adrienne Arsht Center for the Performing Arts in Miami, Florida.
|
|
David Emmanuel Noel studied art at college before pursuing undergraduate and post graduate study in the social sciences. He maintained an interest in the arts, particularly painting, and became successful selling work and securing commissions to pay his rent. In the early 1990s he went on to be involved in the Brixton Art Gallery in south London, exhibiting in the gallery's first advertised all-black male artist exhibition entitled From Where I Stand, and other public arts initiatives designed to create platforms for cross disciplinary collaboration.David Emmanuel Noel and the exhibition From Where I Stand are referenced in Shades of Black: Assembling Black Arts in 1980s Britain, p. 277.
|
|
She writes a column for the National Catholic Reporter, "From Where I Stand". Penn State University holds the Joan D. Chittister Literary Archives. A biography of Sister Joan was released by Orbis Books in October 2015, Joan Chittister: Her Journey from Certainty to Faith by Tom Roberts.
|
|
Hatlen, P. (2007, December). A Profession with Pride and Dignity: From Where I Stand Now. Journal of Visual Impairment & Blindness. pp. 743-745. She developed a visual efficiency scale and many training resources specifically for children with low vision, and published multiple articles and books on the subject, which have been utilized in teaching visually impaired children and adolescents across the world.
|
|
In an online blog article of January 21, 2010, Glanville responded to Mark McGwire's admission that he used steroids. Glanville's book The Game From Where I Stand () was published by Times Books in May 2010. Buzz Bissinger called it "a book of uncommon grace and elegance...filled with insight and a certain kind of poetry."Publisher's Weekly March 8, 2010, p24.
|
|
In fact, Greenspun had intended to call his column "From Where I Stand," but the first word fell off on the way to the composing room. With the Sun catching up in circulation, Reynolds exercised his option. On December 11, 1960, he bought out Cahlan, who, along with his column, was gone from the R-J the next day. There has been some uncertainty about the paper's ownership.
|
|
His popularity in South Africa continued through numerous subsequent concert tours. Dobie Gray re-emerged as a recording artist for Capitol Records in the mid-1980s, recording with producer Harold Shedd. He placed two singles on the US country chart in 1986–87, including "That's One to Grow On" which peaked at #35. His country albums included From Where I Stand in 1986, and he made several appearances at Charlie Daniels' popular Volunteer Jam concerts.
|
|
After a change in the management, the gallery fell under a new directorship with a renewed relationship with the London Borough of Lambeth Council. Artists included David Emmanuel Noel, Salome Smeaton Russell, Paul Jones and Ajamu X. The collective supported greater inclusion and diversity in the representation of exhibitions, talks and events, also involving members of the local community. Among exhibitions mounted were From Where I Stand, the first exhibition featuring black male artists. It ceased to be an open collective in the early 1990s but continued as a gallery and craft space until 2005 when it closed.
|
|