583 Sentences With "freelanced" | Random Sentence Generator

Anyone who has ever freelanced can spot the problems here.

I remember being pathologically incapable of turning down work when I freelanced.

Freelancing on the sideThroughout my career, I've always freelanced on the side.

He attended college at nearby Kent State University and freelanced for the paper.

I have freelanced since college and throughout my 11-year full-time career.

I freelanced at Deadspin for five years before they took me on full-time.

To afford the trip, they kept costs low and freelanced while on the road.

I also worked at The Hole gallery and freelanced at a few art handling companies.

Trump threw all of that out the window and freelanced the conversation, including his congratulations.

It has also coincided with a renaissance in freelance entrepreneurship: 56.7 million Americans freelanced in 2018.

More than 257 million American adults freelanced in 2401, including 265% of workers over age 55.

In response, Shulkin freelanced in his own communications with the media, going outside normal administration channels.

For seven years, she freelanced part-time as a project manager, executive assistant and website developer.

In response, Shulkin has freelanced in his own communications with the media, going outside normal administration channels.

I've never freelanced before, but seems like it could be easy money — she'll pay $60 an hour.

Covey has freelanced for more than two decades because he could not find work after 40, he says.

Visit Business Insider's homepage for more storiesI freelanced for about a year before joining the staff at Business Insider.

Spade quit her job at Mademoiselle and freelanced as a stylist on nights and weekends to make ends meet.

In 1977, I met Judi Jupiter, an outrageous firecracker, and proposed a photo shoot for a magazine where I freelanced.

She also says he was allowed to take a job at ESPN ... where the NFL Network knew she also freelanced.

After three years with Philo, he freelanced at Chloé and then Louis Vuitton, before designing collections under his own name.

"Looking at this selfishly, it's going to be a positive impact," said Sood, who has freelanced for Axios, Cisco and Macy's.

The man who freelanced in 240, fiercely defending but ultimately hurting his wife's efforts, is buttoned up and walking the line.

He freelanced "literally anywhere that I could get a byline," including The Washington Post, Entertainment Weekly, and Moment, the Jewish magazine.

He was a maestro of Xs and Os, and God help the player who freelanced and broke one of his plays.

Meanwhile, "to keep the lights on," she said, she started a dog-walking business and freelanced for The Atlanta Journal-Constitution.

I freelanced a fair amount in my spare time, but couldn't find work writing full time—which I desperately wanted to do.

More than a third of the U.S. workforce freelanced in 2048, generating an estimated $214 trillion, according to freelance-data website Upwork.

Working as a studio musician in Rio, he had a contract with the Odeon label but freelanced for CBS and other companies.

According to an annual study commissioned by Upwork, a platform for freelance workers, more than 1 in 3 Americans freelanced in 2018.

A week after I quit, I was invited to discuss a part-time position at a company I'd freelanced for in the past.

She freelanced for Yahoo and also tapped the vast network of surfer alumni, landing work at the visual-search start-up SearchMe and elsewhere.

After graduation, I freelanced at a few motion studios for five years, then went to staff at NBC's on-air department for eight years.

Prior to that, he freelanced in London, writing for publications such as The Independent on politics in China, Hong Kong and the United Kingdom.

Founders Matt Brown and Matt Nish, who freelanced throughout college, tell me that the story often looks the same for people who want to try freelancing.

Setting a monthly savings goalAs someone who has always freelanced in addition to working full time, I hoped to work while traveling to offset our costs.

But he also freelanced with jazz traditionalists like the cornetist Bobby Hackett and toured with a popular Latin-jazz group led by the flutist Herbie Mann.

After college, he decided against law school, sold subscriptions at a New Jersey weekly, freelanced, worked briefly for United Press, and joined The Bulletin in 1951.

If you've ever freelanced for a company, you know that the long, instant ramen-filled days between filing an invoice and having it completed can be grueling.

According to a survey conducted by the Freelancers Union in partnership with Upwork, more than 4013 million Americans freelanced in 2018, representing about one in three adults.

A man who said he had freelanced at the paper as a photographer laid down a small potted plant and removed his hat, his camera around his neck.

Saban did not criticize Waddle for the play, but he was irked that earlier in the game the dynamic sophomore freelanced on a kickoff return that was smothered.

He freelanced a deal with House Minority Leader Nancy Pelosi and Senate Majority Leader Chuck Schumer -- "Chuck and Nancy" as he called them on Twitter at the time.

After writing for the Near Northwest Banner, Serrano freelanced for the Houston Press in 2007, where he drew national attention for his work on hip-hop and pop culture.

Hire an experienced CPAThe first year I freelanced, I had worked half the year for my old employer and the other half for myself, which made my taxes somewhat complicated.

When I returned four years ago, I started doing live remotes on a Browns pregame show on our local CBS station where I have freelanced for the past twelve years.

Tron boasts an impressive résumé: He worked as a designer at Louis Vuitton, then at Givenchy, and was a senior designer at Balenciaga, where he still freelanced under Demna Gvasalia.

I've freelanced in the film industry for the past four years, and while the salary ranges from $10,93-$20,000 per year, my happiness pursuing my various passions fulfills me beyond belief.

"There's a lot of stigma," for working single parents, in particular, said Shabazz, who freelanced from home when her son, now 5, was a preschooler, because she couldn't afford child care.

Huebner freelanced and Mattingly worked a full-time job while they began to develop Kodable, but both left their jobs to become full-time business owners after launching the company in December 203.

Mr. Dunleavy freelanced in Asia and Europe, worked for United Press International in London, goofed around in the Bahamas and, in late 1966, arrived in New York (with either $7 or $10 in his pocket).

Mr. Leroux, now working under the name Léger, worked alongside Mr. Lagerfeld at Fendi and later at Chanel and freelanced at Lanvin and Diane von Furstenberg before introducing his own boutique, Hervé Léger, in 1984.

After graduation, she freelanced — mainly creating and consulting on prints for other brands — met an adept pattern-cutter ("she's my lifeline, she can make anything happen," she says) and found a top-notch local factory.

Before the medical leave, I freelanced half-time and worked at a university library two days a week, so I had no safety net of benefits, like employer-sponsored disability insurance, to cover lost income.

She started as an English major and worked a while as a radio broadcaster, earned her masters at Oxford and then freelanced on film crews before landing at Feirstein this year to study film directing.

On Thursday, in what feels like the umpteenth time, hackers posted hundreds of emails from the personal Gmail account of a 22-year old Democratic operative who freelanced for the White House and the Clinton campaign.

I secured a reporting fellowship that would allow me pursue a big story in India — one that needed institutional support, not the paltry flat rates I had begrudgingly accepted as my dues when I previously freelanced there.

He designed capsule collections for Topshop and Fred Perry, freelanced for Marc Jacobs and Louis Vuitton, and was the creative director at Cerruti, from 2009 to 2011, and at Jack Wills, from February 2014 to October 2015.

Trump got on the phone with the Ukrainian president and, contrary to the notes prepared for him in advance of the meeting, freelanced to ask him to investigate one of his main rivals for the GOP nomination. 22016.

The Australian Industry Group, a major business lobby, said in an August 2016 report that 32 percent of the country's workforce had freelanced between 2014 and 2015 - meaning the digital economy is already creating irrevocable changes in the country's labor market.

Given the tight control Obama exercised over every part of his administration and agenda, the idea that any of these appointees and loyalists freelanced their activities without at least his tacit approval or that of his White House strains credulity.

I was the director at a startup, joined a different startup that was acquired by a major player in the performance fitness space, freelanced for a year (had four or five jobs), and then have been at my current company for over four years.

Steven Wishnia, who has freelanced for The Voice on and off since 1994, said he stayed up until midnight on Thursday, putting the final touches on an article about the return of residents to their building on the Bowery after they were ordered to vacate it because of safety hazards.

They indicated that Republicans would portray figures like Mr. Giuliani as working in his own interests, not at Mr. Trump's behest; and that they would argue that Mr. Sondland, a political megadonor with little diplomatic experience, was a braggart who exaggerated his relationship with Mr. Trump and essentially freelanced on his behalf.

Then, at his hideout hundreds of miles away, he received a Sopranos-like wreath of flowers along with pictures of his wife and child (Disclosure: Gabriel briefly freelanced for me as a contractor before the aforementioned events took place), stating it would be a shame if anything were to happen to them.

Like most secrets in Washington, this one got out: that Tillerson told the members that Putin was more prepared than Trump for their meeting in Hamburg, Germany; that while he was guided by American values, he could not assess whether Trump was; that Jared Kushner freelanced foreign policy with no particular credentials or skill.

After playing the first 14.5 minutes of the game without a break, and while primarily guarding Durant and Green, he took a few offensive possessions off, standing in the corner while Irving freelanced or Love tried to take advantage of a mismatch, but too little of this game was conducted in a half-court setting.

Mr. Barr cast further doubts about his appointment when he freelanced a memorandum to the Trump administration saying that the steps the president has continually taken to stymie a criminal probe he's detested — firing the F.B.I. director James Comey, threatening to pardon associates who might cooperate with Mr. Mueller, or even using his "authority to start or stop a law enforcement proceeding" — were constitutionally legitimate.

Glanzman freelanced for Outdoor Life magazine in the 1960s as well.

She rejoined from 1994 to 1996, left, and freelanced for two years.

She also freelanced for BBC, British Forces Broadcasting Service, CBS, Hong Kong radio, NPR and NZBC.

In 1957, he freelanced briefly again for Atlas, on the science fiction anthology World of Fantasy.

After graduation Ms. Cummings initially freelanced for editorial and advertising clients before focusing exclusively on children's books.

230 He spent the earlier stages of his career employed by Universal Pictures, but later freelanced between different studios.

Johnson led the ensemble until 1938; following this he freelanced in various ensembles until he retired due to health problems in the 1950s.

He freelanced until he became a lecturer on painting at the Academy of Fine Arts DDR in 1949. In 1951 he was appointed a professor.

From 1963 until 1968 Chambers played with the Wynton Kelly trio. He freelanced frequently as a sideman for other important names in jazz throughout his career.

Van Valkenburgh had a regular column in Racecar Engineering Magazine and also freelanced for magazines such as Road & Track, Corvette Fever, Grassroots Racing, and Drag Racer.

Retrieved 24 January 2018. He freelanced during his later career, writing for the Daily Telegraph, Mail on Sunday, Daily Mail and Mail Online.Articles by Philip Jacobson. journalisted.

Hammie freelanced as a portrait painter for two years before returning to New England to study at the University of Connecticut, where he received his MFA in 2008.

Morris had freelanced and moonlighted as an agent and publicist for several years before opening October Coast, a full-service public relations and publishing firm in March 2012.

Kevin Allen is an American sports journalist and author. He was the national hockey writer for USA Today from 1986 to December 2019. Since Allen left USA Today, he has freelanced.

"William Thomas Overgard," Lambiek's Comiclopedia. Accessed Nov. 8, 2017. He also freelanced in ghosted strips and animation, continuing to refine his artwork, and contributed to Boy Magazine and the satirical Whack.

In 1953, he went to Malaysia to work in Tamil Nesan. He married Seethalakshmi in 1955. During 1960-65 he worked as a sub-editor in Navasakthi. He freelanced during 1965-70.

Some TSO musicians freelanced for the CBC Symphony Orchestra and a few left the TSO to work for the CBC. MacMillan hoped that the TSO could boost its reputation through international engagements.

She then traveled and freelanced for magazines and newspapers until marrying David Frum, in 1988. The couple moved to New York and later to Washington, D.C. She is a convert to Judaism.

Gabriele's first confirmed work for Timely was both penciling and inking the "Mantor the Magician" feature in The Human Torch #2 (Fall 1940). Circa 1941–1942, Gabriele freelanced through the Jerry Iger Studio.

From then on, he was heard on Radio Tees, (now TFM) as the Breakfast Show presenter until April 1994, and then freelanced at Radio Aire and GWR FM (Bristol & Bath) until September 1994.

Graham Scott Finlayson (1932-1999)Photographs by Graham Finlayson, Guardian News & Media Archive. Accessed 16 February 2013. was an English photojournalist who first worked for the Daily Mail and the Guardian, and later freelanced.

Vinieris worked at a boutique as a designer for six years. She then freelanced as a designer for Izod Lacoste Mens Canada for a year, designed furs for the Japanese market, freelanced and designed evening gowns for private clients, and later was the Design Coordinator for Fairweathers for two years. In 1995, after helping several friends choose wedding dresses, Vinieris began to design the collection of wedding dresses under the name "Rivini.""Showstopping Winter Wedding Gowns". Observer, Rachel Leonard • 12/04/2015"Runway Review: Rivini Fall 2013".

The school was Later it was formally inaugurated in a basement at the Dayal Singh Mansions, with an exhibition of prominent artists from Lahore, of the period. He continued to freelanced and taught here, till 1947.

Her mother is English and father is from Hong Kong. She grew up in Salisbury. Yeung moved to China after graduating in 2009 from the University of Nottingham. She freelanced for a number of print publications.

In 2008 Morphoses/The Wheeldon Company and toured with the company to Sadler's Wells and the Sydney Festival. Hohenstein freelanced in 2010 with the Lar Lubovitch Dance and M & Company before joining the Joffrey in 2011.

To explore the highly technical medium, he freelanced at several NY photo labs to learn and use their facilities for his own artworks. In 1989 he moved his studio and own color photo labor to Düsseldorf, Germany.

After leaving ITV, she freelanced at Strongroom Studios where she began working with her future mentor and collaborator Martin Phipps. This allowed her to further her industry experience, develop her contacts, and led directly a commission for her first drama score.

26, 2014. Kirchner freelanced regularly for Tyco Toys, working on the Dino-Riders, Crash Dummies, and Spy-Tech toy lines, for which he wrote the back stories, did design work, wrote and drew in-pack comics and scripted for animation.

Binx is originally from New Mexico. In 2006, she moved to California to attend Santa Clara University, where she received a B.S. in Mathematics and a B.A. in Art History. After graduation, she freelanced in data visualization and web design.

Heydinger was born in Kingston upon Thames, south west London. In 1960 he joined The Observer as chief photographer until he quit in 1966. He freelanced until 1968. In the early 1970s he travelled in the Basque country, drawing, painting and photographing people.

Shake-up at Central Tonight Nottingham Post, 28 November 2008 He freelanced with ITN, appearing on the ITV News at 5:30, ITV News London and Setanta Sports News. In August 2009 he rejoined ITV Central as sports correspondent and relief newscaster.

During that period, he also freelanced for publications the likes of Variety, Us Magazine and the rock 'n' roll music bi-weekly Circus Magazine. He attended the Desautels Faculty of Management at McGill University where he graduated with a Bachelor of Commerce.

Richard Aaron Katz (March 13, 1924 – November 10, 2009) was an American jazz pianist, arranger and record producer. He freelanced throughout much of his career, and worked in a number of ensembles. He co-founded Milestone Records in 1966 with Orrin Keepnews.

In the 1950s White played with Harvey Davis and then with Wilbur De Paris, remaining with the latter until 1964. In the 1960s he freelanced with Eddie Barefield (1968), among others, and was working with Jonah Jones at the time of his death in 1971.

Benchley produced twelve compilation books of his work for the various publications he wrote and freelanced for, and numerous posthumous compilations of his work have been produced since his death. Unless otherwise indicated, all volumes featuring illustrations were drawn by Gluyas Williams.The Robert Benchley Society.

Castle's first magazine job was for Fortune, photographing the shipping industry and he freelanced for many, including for LifeLIFE - 10 Oct 1960, Vol. 49, No. 15LIFE - 3 Apr 1950 - Page 19, Vol. 28, No. 14LIFE - 8 Nov 1954 - Page 21, Vol. 37, No. 19 and Business Week.

While in Gothenburg, she also worked on a PhD in Applied Information Technology at the University of Gothenburg, taught at the Interaction Design programme at Chalmers University of Technology, was a founding member of the Swedish art group Dånk! Collective and freelanced for organisations including Medialab-Prado.

Landon left Boston for Manhattan where he formed a jazz fusion band called Nightfire. Until the late 1970s, Landon did studio work and freelanced around New York City. During the late 1970s, Landon auditioned for and landed the position of keyboard player for the John Hall band.

Some designers freelanced- their work can be seen in windows by a number of firms. Some firms changed with changing tastes and survived well into the 20th century. John Hardman & Co. is still in business. (For Glossary of Terms, see below.) Window with hand-painted quarries.

In the early 2000s, McNaught freelanced for a number of organisations including The Scotsman, The Edinburgh Evening News, Scotland on Sunday and Glenmorangie. In the field of blogging, McNaught wrote regularly for the now defunct Shiny Media. During this period, McNaught founded her first fashion blogs.

She was an overnight news presenter until 1991 when she went to South Africa. In South Africa she freelanced for BBC World Service, covering South Africa's first democratic election. In 1994 she became the presenter of Carte Blanche, South Africa's top weekly current affairs feature programme.

Born in Norwich, Norfolk,"Reporter Profiles: Dominic Byrne", BBC. Retrieved 5 December 2010 Byrne attended St Ivo School before attending Bournemouth University. Byrne's career began at Kiss 102 in Manchester, reading the breakfast show news. After moving to London he freelanced at Independent Radio News and Virgin Radio.

He later joined the US Army. After his release from the Army, he joined Famous in 1945. Here he was the head animator and worked on a number of Screen Songs and Popeye cartoons until 1957. From 1957-1964, Eugster freelanced throughout New York working for various commercial studios.

In the early 1970s Flannery began his career as a lighting designer in New York City working on and off Broadway. Credits included Augusta and original plays presented by the Chelsea Theater Centre, Ice Age and The Family Parts 1-4. Flannery also freelanced with Jules Fisher & Assoc.

After working between 1997 and 2000 at the helm of the ballet troupe of Teatro dell'Opera di Roma, he freelanced for the Teatro Regio di Torino in Turin and the Tulsa Ballet, among others, before accepting in 2003 the artistic direction of the Teatro Massimo in Palermo, Sicily.

Upon graduation from UCLA, Spotnitz was employed as a wire-service reporter for the United Press International in Indianapolis and New York. He also briefly worked for the Associated Press in Paris. Spotnitz freelanced for Entertainment Weekly andRolling Stone before returning to his passion and studying screenwriting at AFI.

BdOubliées: Tintin In 1957, he moved to New Jersey. After a year as a commercial artist in Philadelphia, he took a job as the art director for a greeting card company in Cincinnati, Ohio. In his spare time, he freelanced cartoons to magazines."Journal-Herald Begins Redeye Comic Strip".

Sid Greene broke into comics during the 1930s to 1940s period fans and historians call the Golden Age of Comic Books. Initially, he freelanced at Funnies, Inc., one of the early "packages" that supplied comic books on demand for publishers testing the new medium.Sid Greene at the Lambiek Comiclopedia.

Phillips studied at the Chicago Academy of Fine Arts and freelanced cartoons to 36 different magazines during the Great Depression. He eventually became head of the humor staff for Esquire in the late 1930s.The Cartoonist Cookbook by Newspaper Comics Council, Theodora Illenberger, Avonne Eyre Keller. Hobbs, Dorman, 1966, p. 73.

Rødland lives and works in Los Angeles, California. He was born in 1970 in Stavanger (Norway). As a teenager, he freelanced for multiple Norwegian newspapers as an editorial cartoonist. Rødland studied Photography at the National College of Art and Design in Bergen (Norway) and cultural studies at the University of Stavanger.

She also worked in design, designing posters and cards for environmental and peace organisations. In 1987 she moved to Sydney, Australia. She freelanced as a children's book illustrator and photographer and tutored at tertiary art institutes and universities. In 1990 she completed a certificate in animation and began creating short films.

Laing worked for three years with Hudson's Bay Company. He subsequently worked as an assistant to Alexander McQueen, who he has described as being among his fashion mentors while he was growing up. After that, he freelanced for both McQueen and other fashion designers – he created showpiece items for five of McQueen's collections.

However, he found it very difficult to break into the English music scene. Sometimes he played jazz gigs in nightclubs. He freelanced for various publications and wrote a regular column for Drum entitled "Todd in London". Missing Africa, Matshikiza moved in 1964 to Zambia, where he worked for the Zambian Broadcasting Corporation.

Jenkins acquired jobs as a color printer and as a news cameraman for WXOW TV-19 in La Crosse, with additional responsibilities in photography, film production, and commercial making. He moved to Madison, where he became a color printer for a photo lab and freelanced articles to regional business magazines and newspapers.

Korpi has participated in a variety of Real World-related projects, including two seasons of the Real World/Road Rules Challenge. He has branched off into commercial design. He began work in advertising and ultimately created Gay Entertainment Television. He has freelanced in production design for numerous television programs, including the Academy Awards.

She married Elkan Abramowitz, a lawyer, in 1968. She left work in 1970 to stay at home with her newborn son, Andrew. Three years later, in 1973, she gave birth to her daughter Elizabeth, who goes by the Twitter handle @EPicciuto. She freelanced during this time, writing both speeches and magazine articles.

Thimister then worked at the House of Patou in preparation of their 1990 haute-couture collection. From 1987 to 1992, Thimister also freelanced as an illustrator and interior decorator for magazines (Vogue, Vogue Déco, Elle Déco, World of Interiors), private clients, exhibitions (Maison et Object, Musée Carnavalet, Grand Palais), and created art installations in Rome.

He additionally became a regular artist of the Golden Age Green Lantern and the Justice Society of America. During the 1950s, Infantino freelanced for Joe Simon and Jack Kirby's company, Prize Comics, drawing the series Charlie Chan. Back at DC, during a lull in the popularity of superheroes, Infantino drew Westerns, mysteries, science fiction comics.

Hudson also freelanced, contributing to The Advocate, Gay, Gay News, Gaysweek, David, NewsWest, Flash, and Vector.“This Day in Gay History.” Gay Wisdom, White Crane Institute, 28 Apr. 2019.Kohler, Will. “This Week In Gay History April 28 - May 4: Alice B, Billie Jean, Gay Bar Terrorist Attack and More.” Back2Stonewall, 28 Apr. 2013.

Vincent James Flemmi (September 5, 1935 – October 16, 1979), also known as "Jimmy The Bear", was an Italian-American mobster who freelanced for the Winter Hill Gang and the Patriarca crime family. He was also a longtime informant for the Federal Bureau of Investigation. He was also the brother of government informant Stephen Flemmi.

Later in the 1950s he worked often with Bud Freeman and Eddie Condon. He also played with Charlie Ventura, Red Norvo, Clark Terry, Ralph Sutton, Sy Oliver, and Doc Severinsen. He freelanced during the 1960s with several bands. In the 1970s he recorded for jazz producer Harry Lim and the Famous Door record label.

He was elected President of the college Junior Common Room in his second year. After university, he was a research assistant for George Robertson MP for three years. He worked for two years in the Guinness management team at Diageo, then a FTSE top 20 company. He then freelanced at speechwriting, policy and advice.

Stemmons was born into a hardscrabble farming family in Avilla, Jasper County, Missouri, on December 17, 1884. In high school he freelanced as a reporter for Missouri's Carthage Democrat. He earned his Bachelor of Science degree in journalism from the Missouri School of Journalism in 1912. He was president of the school's first graduating class.

Gillespie stayed with Teddy Hill's band for a year, then left and freelanced with other bands. In 1939, with the help of Willis, Gillespie joined Cab Calloway's orchestra. He recorded one of his earliest compositions, "Pickin' the Cabbage", with Calloway in 1940. After an altercation between the two, Calloway fired Gillespie in late 1941.

Shortly afterwards, he freelanced for Radio Rennes Bretagne, writing radio plays and giving talks. In 1943, he edited the bilingual newspaper Arvor. In this paper wrote many anti- American articles about the bombing of Nantes, which reflected widespread local resentment of the attacks. He was arrested in 1944, but released after a few months.

Before entering politics, Stevenson worked as a classical singer. Having performed with local orchestras while studying at Wolverhampton Girls' High School, she won an entrance scholarship to the Guildhall School of Music in London. After completing post-graduate opera studies Stevenson freelanced as a soprano soloist for many years. She has also taught singing.

He freelanced for NPR, Esquire, History channel and Huffpost. He also wrote for several other media outlets including The village voice and Time Out New York. He works for Fusion as a reporter about America’s weed subculture. Nerz joined International Federation of Competitive Eating (IFOCE - later Major League eating) as an emcee in 2003.

Oursler moved to New York City to edit The Music Trades. He freelanced for a variety of publications early on. His short stories appeared in The Black Cat, Detective Story Magazine, The Thrill Book, and especially Mystery Magazine. Many of his stories, such as "The Magician Detective", incorporate magicians and magic into the plots.

While undertaking this degree, she won an award for her television documentary on politician Tanya Plibersek. Cassimatis began her career as a writer with the Australian Cosmopolitan magazine in 1996. She also freelanced for various magazines before being appointed editor of teen magazine Barbie. While working for Barbie she decided to move to Los Angeles.

In 1979 and 1980 he was part of the Harlem Blues and Jazz Band, including for appearances in Germany. He also freelanced after this, and retired for health reasons in 1987. Ramirez was married to Marcy and had a daughter. He died of kidney failure in Queens, New York City on January 11, 1994.

Lucia went on to host a program on AM 1500 and to cameo on KLBB before being picked up by Minnesota Public Radio in January 2005. Lucia has also appeared in commercials, live theater productions, freelanced for the Minnesota publication The Rake for 5 years, and appeared in the indie film The Last Word (2003).

Brenda Ueland had a varied and prolific career. She freelanced for many publications including the Saturday Evening Post, Ladies Home Journal, Golfer and Sportsman, and varied newspapers. She was a staff writer for Liberty and the Minneapolis Times, among other publications. She worked for two years (1915–1917) as an editor for Crowell Publishing in New York City.

Rick Fay (December 25, 1926 - March 22, 1999) was an American jazz clarinetist and saxophonist. Fay was born in Chicago. He worked for the Disney music studios for 24 years, and performed often at Disney World.Scott Yanow, [ Rick Fay] at Allmusic He also freelanced with Wild Bill Davison, Pete Dailey, and Firehouse Five Plus Two, among others.

Sandman at Don Markstein's Toonopedia. Archived from the original on October 25, 2011. When DC Comics editor Vin Sullivan left the company in 1940 to work for Columbia Comics, Flessel, Fox and others freelanced for his Big Shot Comics. In 1943, when Sullivan formed his own comic book publishing company, Magazine Enterprises, Flessel signed on as associate editor.

He also freelanced elsewhere. In 1933, he took a band to Europe, playing residencies in Monte Carlo and Paris. He returned to New York to take over the leadership of the Mills Blue Rhythm Band, which included Henry "Red" Allen, Charlie Shavers, Harry "Sweets" Edison and J. C. Higginbotham, and which had a regular slot at The Cotton Club.

In the late 1960s, Drake freelanced for Marvel Comics, beginning with Captain Savage #5 (Aug. 1968), starring a World War II Marines squadron; he would additionally script some later issues of that series, plus a single issue of the WWII series Sgt. Fury and his Howling Commandos. Drake wrote the run of X-Men #47–54 (Aug.

Claus Kleber was born in Reutlingen, Germany. He attended the Otto Hahn Gymnasium in Bergisch Gladbach, completing his Abitur in 1974. During his schooling, Kleber freelanced as a local reporter for the newspaper Kölner Stadt-Anzeiger. From 1974, he studied law at the University of Tübingen, spending two semesters abroad in Lausanne, Switzerland in 1978 and 1979.

Lewis freelanced for the Baltimore Afro-American before getting a job with the Washington Post in 1965 as a staff photographer. He was eventually promoted to assistant managing editor of photography. where he covered Civil Rights marches, Super Bowls, and John F. Kennedy's funeral. He was the first African-American photographer to work for the Washington Post.

In the early 1970s, Rideau wrote a column, "The Jungle", for a chain of black weeklies in Louisiana. He freelanced articles to mainstream media, including the Shreveport JournalThree Shreveport Journal articles. "Angola: Louisiana's Sore That Won't Heal," and "Imprisonment: Steel, Concrete Jungle," and "Veterans in Prison are Nation's Orphans," all July 2, 1975 and Penthouse."Veterans Incarcerated," Penthouse Magazine.

Participated in over 30 exhibitions (10 of which were solo) in Europe and Russia. Also in the 1990s he worked in the field, later to be called fashion industry - as a stage artist of fashion shows and everything related to it, such as art-direction and administration. From 1994 freelanced as a graphic designer and print advertising designer.

Pleased with his performance, the Nasutions asked him to stay as a permanent member. The group had a regular gig at Mini Disko on Juanda Street and freelanced at birthday and wedding parties. When Chrisye had a chance to sing while performing covers, he attempted to sound as much like the original artist as he could.

While in the U.S., he replied to a want ad placed by the Stratemeyer Syndicate, publisher of such titles as Nancy Drew, Tom Swift and the Bobbsey Twins. As a result, he freelanced in 1926 and 1927 as one of the authors using the pseudonym Roy Rockwood to write seven of the Dave Fearless serialized mystery novels.

Lorenzo has a husband and two children. Until 1995, her husband was the primary financial provider for the family, while Lorenzo cared for their child and freelanced as a video producer. Lorenzo then began working full-time and serving as the primary financial provider while her husband went back to school after working as a litigator.

David Sherman Lamb (March 5, 1940 – June 5, 2016)Roberts, Sam, "David Lamb, Author and War Correspondent in Vietnam, Dies at 76", New York Times, June 6, 2016. was a freelance writer who traveled the world for twenty-five years as a Los Angeles Times correspondent. He left the paper in 2004 after 34 years and then freelanced.

Chornovol at an opposition rally in September 2012 Chornovol has been employed by or freelanced for many Ukrainian publications focusing on politics and corruption in Ukraine. She also reported from post-Soviet armed conflicts in which UNA-UNSO volunteers participated. From 2001 to 2004, she led the "Theme of the week" heading in the "Peak" magazine.

In 2012, Swerdlick wrote for the New York Daily Newss election blog "The Rumble" and also freelanced for various newspapers and magazines. In 2015, he accepted a position as editor of The Washington Post. Swerdlick is married to Asila Calhoun.Bakersfield Californian: "RUTH L. CASSELLS Obituary" June 11, 2003 He is a frequent political commentator on CNN.

Van Noten freelanced for a variety of local designers before launching a menswear line in 1986.Vanessa Friedman (February 21, 2014), Lunch with the FT: Dries Van Noten Financial Times. That year, he presented his first menswear collection in London as part of The Antwerp Six collective. That led to a small order from Barneys New York.

7 Maneely soon hit his stride at Atlas, for which he freelanced before going on staff "in about 1955".Interview with fellow Atlas staff artist Stan Goldberg, Alter Ego #18 (Oct. 2002) p. 11 Until 1953, when Maneely and his family moved to the Flushing neighborhood in the New York City borough of Queens,Vassallo, Alter Ego, p.

She played in Beryl Booker's trio with Elaine Leighton in 1953; this ensemble toured Europe in 1953-54, and recorded for Discovery Records. She also played with Herb Ellis, Charlie Shavers, Roy Eldridge, and Don Byas. Later in the 1950s she freelanced in New York City. She died on February 12, 1965, at the age of 38.

He also continues to serve on the editorial board of ColorLines Magazine and has freelanced as a columnist for Currents, The Korea Times Bi-lingual Edition, Korean Quarterly and KoreAm Journal. He has three children with Peggy Lee (née Flowers) and six grandchildren. His wife died in 2011 after battling Alzheimer’s. As of 2010, he resides in Sacramento.

The PH Artichoke lamp (designed 1958) Snake chair (1932) PH Piano (1935) Poul Henningsen (1894-1967) and Inger f. Andersen (1904-1996) He entered into with the architect Kay Fisker in 1919. From 1920, Poul Henningsen freelanced as an architect and designer. His most valuable contribution to design was in the field of glare- free illumination.

Robinson worked for the Los Angeles Times-Washington Post News Service, based at Newsday on Long Island, until the paper was sold to Cablevision in 2008. The service closed in 2009. She freelanced for the On Campus program of ABC News for a year and is currently the acting Long Island regional editor for Patch.com, part of AOL.

In 1826 McKay moved to New York, working for shipbuilders Brown & Bell and was an apprentice of Isaac Webb from 1827 to 1831.McCutchan, Philip Tall Ships The Golden Age of Sail London Book Club Associates 1976 p.37 After 1832 he did some freelance jobs for Webb and Smith & Dimon. McKay also freelanced for Brown & Bell at their Wescasset's shipyard.

Harrold continued to present the Weekday Drivetime show between the syndicated shows, hosted by Matt Wilkinson and Neil 'Roberto' Williams. Harrold has also freelanced for both Star Radio and BBC Radio in Bristol and Somerset.Presenter Profile: Jason Harrold BBC Bristol Before joining Red Dragon, Harrold was a baker at a supermarket. He is married and has a stepdaughter and a son.

Paul Paddock was also an illustrator, graphic designer, and art director. Over the course of his career, he designed more than 300 books, sometimes using his artwork as cover art. Paddock also freelanced as an illustrator, designer, and art director for more than a dozen magazines. From 2007 to 2010, he was an art director at Andy Warhol's Interview Andy Warhol's Interview magazine.

On June 12, 1905, Manning married Herman Eduard Gasch, a real estate agent, and devoted most of her life to raising her two sons. During this time she freelanced and her short stories were published in various magazines including Harper's Monthly and Ladies' Home Journal. She was an ardent suffragist and marched and lobbied for the cause, supported by her like-minded husband.

For as a freelancer I had the best > clients one could in Chicago. So I freelanced the first few issues. What > convinced me to accept was that I was promised freedom to buy the kind of > art most illustrators couldn't sell in 1953, the personal visions that lay > closest to their hearts. I told illustrators I don't want 'commercial' art.

Her contract was terminated by mutual agreement after five years with the studio. She freelanced next, signing a one-picture deal with Universal Studios where she starred with Robert Cummings in Alfred Hitchcock's Saboteur (1942). The director did not want either Cummings or Priscilla in the film. In Priscilla's case, Hitchcock felt she was too much the girl next door.

Sathyu pursued his schooling and higher education at Mysore and Bangalore. In 1952, he quit college while working on his Bachelor of Science degree and instead plunged into the uncertain world of films in Bombay. He freelanced as an animator in 1952–53. After being unemployed for nearly four years, he got his first salaried job as assistant director to filmmaker Chetan Anand.

Fahey played in various bands, but his passion was for arranging. Between 1949 and 1959, he worked for the music publishers Chappells and Cinephonic Music, specialising in arrangements for singers, bands and orchestras, mainly for radio broadcasts. His compositions include Fanfare Boogie (1955), which won an Ivor Novello Award. Fahey freelanced after 1959, working with recording companies, the BBC and in the theatre.

During his college years he worked for the American Greetings Card Company and freelanced, establishing a list of regional and national clients in editorial, advertising and corporate art. As a senior at CCAD he won the top cash award at the Society of Illustrators Student Exhibition and was also presented with a scholarship to the Illustrators Workshop held in Paris, France.

McHugh was born in London to Irish parents. Moving back to Ireland when he was an infant, he grew up in a rural farming community. He returned to London in 1997, and in 2002 he began working as a photojournalist. He freelanced for The Associated Press and The Guardian newspaper before becoming a staff photographer at Agence France-Presse in 2005.

She completed an internship with CNN, and during this period she set up IQ4News. The news platform was recognized for an investigation into the trafficking of young, West African soccer players by fake agents. She formed Stringers Africa -- an organization that started from her difficulties recruiting African journalist for her freelance job. Akinbobola has freelanced for publications like United Nations Africa Renewal magazine.

Their collaboration lasted from 1915-1918. Scott freelanced for several years, and in 1920 filmed noted underwater scenes in Annette Kellerman's What Women Love (1920) and Maurice Tourneur's Deep Waters (1920). In 1921 Mack Sennett hired Scott as cameraman for Mabel Normand, and Scott filmed her features Molly O (1921), Suzanna (1923), and The Extra Girl (1923), plus other features for Sennett.

All the while he freelanced book-cover art and other illustrations. He then become an art director for an advertising agency that specialized in the Latin American market. He later art directed on TV commercials at a different agency while continuing freelance, doing medical illustrations for the Merck Manual of Diagnosis and Therapy. He later began a small agency of his own.

They recorded together in 1953. Byard was a member of Herb Pomeroy's band as a tenor saxophonist from 1952 to 1955, and recorded with him in 1957. Byard also played solo piano in Boston in the early to mid-1950s and freelanced in that area later in the same decade. He joined Maynard Ferguson in 1959, and stayed until 1962.

In 1960, while in his early teens, he left his native Barbados for London, England. He eventually enlisted in the British Army and served in the Middle East. After military service, he left London for Ontario, Canada. There he freelanced with Toronto newspapers before becoming founding publisher and editor of Spear Magazine, reputed to be the first Black magazine published in Canada.

Douglas Petrie joined as a story editor, later promoted to executive story editor midseason, and wrote three episodes. Dan Vebber joined as a staff writer and wrote two episodes. David Fury returned and freelanced two episodes. This was the last season for Greenwalt as a writer/director on the series, as he departed to be the showrunner for the spin-off series Angel.

In 2000, he got a job at W, writing mostly about the history and culture of rock music. He also freelanced for the publications mentioned above. He began dating his coworker, W beauty editor Jane Larkworthy. After breaking up with her, Braunstein started using the magazine's website as a blog to harass his ex-girlfriend, whom he referred to as "BioHazard".

Harry Bluestone (September 30, 1907 - December 22, 1992) was a British violinist who composed music for TV and Movie. He was prolific and worked mainly on composing with Emil Cadkin. Earlier on, he was a violinist and freelanced on radio in the 1930s with Artie Shaw, Benny Goodman and the Dorsey Brothers. Some of his compositions were also featured on APM Music.

She has freelanced for a variety of publications. In April 2006 she was awarded a distinguished alumni award by the J-School Alumni Association. This is the highest honor awarded by the Alumni Association. In May 2007 she was selected as Teacher of Year by the student body and Columbia's Society of Professional Journalists chapter, which serves as the student government.

Lehmann was born in the former East Germany. At a young age, his family moved to Wolfsburg where he developed his interest for cars. He later moved to Hamburg in the 1960s, where he worked as a photographer for a news agency and freelanced for daily newspapers. In his break, he frequently visited his parents, usually taking his camera along.

In the 1980’s, Michael freelanced with Rush Management and Def Jam Records; his photography of musicians include Rakim, LL Cool J, Public Enemy, DJ Jazzy Jeff & The Fresh Prince, among many others. In 2007, Watson- Guptill Publications and Billboards Books published “In Ya Grill: The Faces Of Hip-Hop” the hip-hop photography of Michael Benabib and text by Bill Adler.

Marcos next freelanced for DC Comics, drawing Man-Bat stories in Detective Comics, and working on an issue or two each of series including Freedom Fighters, Kamandi, Kobra, Secret Society of Super-Villains, and Teen Titans before returning to Marvel to do art for issues of The Avengers, The Mighty Thor and other comics. In 1980, Marcos additionally freelanced for an Italian comic-book series, Tremila Dollari per Ebenezer Cross Western Story, and created a series, "Dragon" for the Mexican magazine Ejea. By the early 1980s, Marcos was at work at what would become one of his signature characters, inking penciler John Buscema on Conan the Barbarian comic books, the black-and-white magazine The Savage Sword of Conan, and the newspaper comic strip. Marcos reduced his workload in September 1985 in order to tend to his severely ill wife.

While in high school, he was hired by Jerry Iger to work in the S. M. Iger Studio, a packager of comic-book stories supplying outsourced content to publishers entering the new medium. He recalled, His earliest background art was for Sheena, Queen of the Jungle. After graduating from high school he attended the Art Students League. Feldstein freelanced art for comic books, including Fox Comics.

Smit began working as a make-up artist at RKO Studios in order to pay for law school. He soon dropped out of law school and became a film studio make-up apprentice. He freelanced for several studios and businesses, including MGM Studios, Republic Studios and Max Factor. Smit's earliest work film work included in the make-up departments of The Wizard of Oz and Gunga Din.

After graduation from Mountain View High School, Abrego attended California State University, Fullerton. After graduation, he joined Bunim-Murray, working on The Real World and Road Rules television shows. While working for Bunim-Murray, Abrego freelanced as a coordinating producer for Fear and Making the Band. In addition, he was the co-creator and executive producer for a reality version of the movie The Cannonball Run.

In 1929, Gould began as a sports cartoonist for the Bronx Home News where he also drew the comic strip Felix O'Fan. For the New York Graphic he created Asparagus Tipps (1926-1929). Relocating to California in 1930, he freelanced to several syndicates before creating Red Barry, which he wrote and drew from 1934 to 1938. Gould drew Red Barry in a crisp, clean line style.

Before becoming an author, Rathbone was a reporter for the La Jolla Light newspaper, was an editor at ComputorEdge Magazine, and has freelanced for PC World, ComputerWorld and CompuServe. In 1992, he wrote his first For Dummies book, Windows For Dummies, which was a New York Times bestseller.The New York Times, Business Best Seller list. Since then, he has published some 50 computer books.

Ibbott attended art school, and in the 1990s worked for a few months as a wedding DJ. An early website he created was askbrian.com (2000), billed as "Pop-culture trivia questions delivered fresh to your door!", where he "answered nagging questions that stumped people". (Full interview) He has worked in customer service management and technical services, has freelanced in web development, and is married, with one son.

From 1947 to 1951, he played with Duke Ellington as a wah-wah trombonist in the Tricky Sam Nanton tradition and Ellington's only vibraphonist, being well-featured on the Liberian Suite. After, he played also with Howard Biggs's Orchestra. During the 1950s, Glenn did studiowork, led his quartet at the Embers, did some television, radio and acting work, and freelanced in swing and Dixieland settings.

Harris was born in 1908 in Pittsburgh, Pennsylvania, USA, the son of hotel owners in the city's Hill District. Early in the 1930s he purchased his first camera and opened a photography studio. He freelanced for the Washington, D.C. news picture magazine Flash!. From 1936 to 1975 Harris chronicled life in the black neighborhoods of the city for the Pittsburgh Courier one of America's oldest black newspapers.

Miki Meek is an American radio producer and journalist best known as a producer for the radio program This American Life. She was an intern and then freelanced for the show before joining the staff in December 2012. She has worked as an online producer and editor at National Geographic and The New York Times. Meek has won two Emmy Awards for documentary programming.

Donald Edward Simpson (born 1961)Simpson entry , Who's Who of American Comic Books, 1928–1999. Accessed June 24, 2016. is an American comic book cartoonist and freelance illustrator, most noted as the creator of the series Megaton Man, Border Worlds, and Bizarre Heroes, as well as the official comic book adaption of King Kong. He also freelanced for nearly every major comic book publisher.

During his stay in British Columbia, Godwin had freelanced for Vancouver newspapers and upon his return to England writing became his profession. He made a good income mostly as freelance for newspapers, magazines and publicity people. That allowed the family some luxury and his five children the education they desired.Letter Godwin to Dr Ethlyn Trapp 22 June 1940, Vancouver City Archives, Reference code AM211.

The next twenty-six years, 1933-1959, would be the duration of his commercial art career in illustration. He joined with a layout man, Walter Wenzel, and together they freelanced as commercial artists. Thompson’s next job was with a large studio in Chicago, Vogue-Wright Studios. In addition to freelancing in the ad business, he taught at the American Academy of Art in 1935-37.

As parliament is usually in recess during the summer months, Fingleton's political journalism did not often interfere with his cricket radio commentary for the ABC or his cricket writing, except during tours of England in the Australian winter.Growden, p. 174. Fingleton mainly freelanced for overseas newspapers as he regarded Australian editors as being difficult to work with, and because the pay was lower.Growden, pp. 174–175.

Bluemner moved to Chicago in 1893 where he freelanced as a draftsman at the World's Columbian Exposition. After the exposition, he attempted to find work in Chicago. In 1901, he relocated to New York City where he also was unable to find steady employment. In 1903, he created the winning design for the Bronx Borough Courthouse in New York, although it is credited to Michael J. Garvin.

In between studying, Tom freelanced for BBC London, assisting the newsroom and on-air shows. He then moved to the north of Scotland to present and produce the Afternoon Drive Time show on Waves Radio, 5 days a week. He returned to London as a radio newsreader before joining Sky's radio service in Leeds. He then began working for both Sky Sports and Sky News.

During the same time he took courses in creative writing at Iowa State University. By 1924 Knister was a taxi driver in Chicago, as well as a reviewer for Poetry magazine and the Chicago Evening Post. "In 1926 he moved to Toronto, where he freelanced; his work appeared in the Toronto Star Weekly and Saturday Night."Joy Kuropatwa, "Raymond Knister biography," Encyclopedia of Literature, 8119, JRrank.

The family business was retailing gold and he had ample scope to design patterns for jewellery. During the time of World War II, Debnath would study fine arts at the Indian Art College for five years. He did not continue to get his degree but instead discontinued in his final year. For the next few years he freelanced for advertising agencies creating movie slides and logos.

Over five decades, Nylund crafted some 30 reliefs and sculptures commissioned for public spaces. Moreover, in the 1940s he was commissioned to do several freelance projects, including designing bathroom fixtures and interiors for the Swedish bathroom manufacturer Ifö. He also designed a number of products for refrigerator use. From 1955, he was artistic director for Strömbergshyttans glassworks in Hovmantorp, and later freelanced for the company.

Born in Dublin to an alcoholic father and pious mother, Lennon was educated at Synge Street CBS before starting work in a bank, where he also freelanced as a music critic for the Irish Press. As well as The Guardian, Lennon wrote for publications such as The Listener, the BBC magazine. Peter Lennon was married since 1962 to the Finnish journalist and lawyer Eeva Lennon (née Karikoski).

After that, Karin Wistrand and Fredrik Blank worked with Karin's solo album "The Sun", which was released in 1993. Sten Booberg freelanced as a guitarist throughout the 1990s and played with, among others, the Muppets, Olle Ljungström, Marty Robbins, Orup and Idde Schultz. Fredrik Blank played with Staffan Hellstrand, Idde Schultz and other famous musicians. Since disbandment, Lolita Pop has been frugal with reunions.

In 1929, Gould began as a sports cartoonist for the Bronx Home News where he also drew the comic strip Felix O'Fan. For the New York Graphic he created Asparagus Tipps. Relocating to California in 1930, he freelanced to several syndicates before creating Red Barry, which he wrote and drew from 1934 to 1938. Gould drew Red Barry in a crisp, clean line style.

He later freelanced as a songwriter, producer, and session player for various local labels, including SonBert, Ric- Tic, Correc-tone, Continental and Golden World. He also formed his own labels, Pameline (an amalgamation of his daughters' names) and SoulHawk, in 1966. During this period he worked extensively with singers Edwin Starr and J.J. Barnes, and co-wrote Jamo Thomas' minor hit "I Spy (For the FBI)".

Gagliano contributed arts features and criticism to In Pittsburgh newsweekly (now Pittsburgh City Paper). He briefly served as the paper’s music editor. His arts profiles, reviews and previews also appeared regularly in the daily Pittsburgh Post-Gazette. Upon moving to Los Angeles in 1995, Gagliano freelanced for LA Weekly before turning to public radio — filing features for Marketplace, All Things Considered, Weekend America, and the Savvy Traveler.

From 1942 to 1947 Neugass worked in various bookstores and for the Red Cross. In 1944 he married librarian Lotte Labus who had earned her own Ph.D in Berlin, and he was granted American citizenship in 1947 and freelanced for several magazines, including articles illustrated with his own photographs ’Window Shopping With Your Camera’ for Popular Photography.Popular Photography, Dec 1949, Vol. 25, No. 6.

He was a keen traveler and freelanced as a member of the Black Star photo agency. Life magazine of May 1953 included his imagery of sufferers of yaws in an essay ’Dreadful diseases: some progress is made in healing Africa’s sick’.’Dreadful diseases: some progress is made in healing Africa’s sick’ LIFE, 4 May 1953, Vol. 34, No. 18, ISSN 0024-3019, Time Inc.

At Google Books. Retrieved 27 October 2017. After the war, Foster joined the News Chronicle, covering notorious criminal cases such as those of the acid bath murderer John George Haigh (1949), the serial killer John Christie and the Derek Bentley case (1952). Following the closure of the Chronicle in 1960, Foster freelanced for a while at the Sunday Dispatch, Sunday Express, Daily Mirror and the Daily Sketch in 1963.

He later freelanced for Life, Look, Colliers, and Woman's Day and other magazines often going on his assignments in his World War II BT-13 plane. He was a founder and trustee of the ASMP. He was the photographer on more than seventy scientific trips. He was the producer of the American TV series "Secrets of Nature" (1955–59) and the cameraman and director of the Wild Cargo series in 1961.

WPTA-TV Fort Wayne IN. WHLW-AM Radio Lakewood NJ and WVNJ AM-FM Radio Newark NJ. He started as a researcher at WCBS-TV's News Election Unit and as a broadcast transcriber for the CBS Evening News With Walter Cronkite at CBS News headquarters in New York in 1976. He also freelanced as a crime reporter for The Villager and a feature writer for the Soho Weekly News.

Maxwell attended high school in Nyanga Township at a school called Oscar Mpetha which was called Sizamile then. He then went to a private School which was a French school, where all subjects were in French. He attended college overseas in times of apartheid, including the Paris Institute and Greenwich in London, but ultimately ended up at University of Cape Town. He also freelanced as an established artist overseas.

The song was produced by Michael Pearson Adams of Shakaya fame. She also was the face of Sarah Jane Boutique in Sydney for many years. Bowie freelanced in events and production for over two years after previous career choices as a flight attendant, a drama teacher, and in cosmetic sales and management, hospitality management, and cruise ship work. She was also the NSW State Manager for an international promotions & marketing agency.

During the 1980s, Tiefenbacher freelanced as a writer (and occasional artist) for a number of comics publishers, including DC Comics, Spotlight Comics, and Fantagraphics. His most notable contributions were the scripts for a number of "Whatever Happened to...?" backup stories in DC Comics Presents in 1980–1981. He also compiled indexes for the Justice League of America and Hawkman for Eclipse Comics.Tiefenbacher entry, Who's Who of American Comics Books, 1928–1999.

He has freelanced for Playboy, New York Magazine, Provincetown Arts, Lid, Stop Smiling, Corriera De La Sera, The Norman Mailer Review, ESPN Books and The American Conservative. Mailer's work can be seen on screen in the film Hello Herman directed by Michelle Danner, which opened nationwide and on-demand on June 7, 2013. Mailer was included as one of People Magazine's men "On the Verge" in 2002.. He lives in Brooklyn.

From 1933 to 1936 he toured China with Buck Clayton, then freelanced in California (with Maxine Sullivan, among others) until 1941. After military service from 1943–45, he accompanied Ivie Anderson, and led his own trio which accompanied Billie Holiday at one point. He also worked in the Spirits of Rhythm. As a composer, he penned the tunes "Softly" (covered by Holliday) and "Bye and Bye", a hit for The Turbans.

In 1970 friends and associates in journalism urged him to travel to Indochina to witness the U.S. incursion into Cambodia, assuring him the cross-border operation would herald "the last two weeks of the war". The advice was premature. Ulevich witnessed the last two weeks of the Indochina war in April, 1975. During the interim he freelanced as both writer and photojournalist and rejoined AP in the Saigon, Vietnam, bureau.

Humphrey "Teddy" Brannon (September 27, 1916, Moultrie, Georgia - February 24, 1989, Newark, New Jersey) was an American jazz and blues pianist. Brannon began on piano at age nine. He played in dance bands in high school and worked locally in nightclubs in Newark from 1937-42. From 1942 to 1945 he was a member of Benny Carter's ensemble, after which time he freelanced on 52nd Street in New York City.

She freelanced before joining the Irish Post and was then selected for a BBC Local Radio trainee scheme. After training and two years at BBC Radio Solent from 1987–9, she joined BBC's political and parliamentary team at Westminster in 1989 and became a political correspondent in 1994. For 2011–2012 she was elected Chairman of the Houses of Parliament Press Gallery, the first female holder of the post.

William Louis Nack (February 4, 1941 – April 13, 2018)"Sports Illustrated Writer William Nack Dies" - 04.14.18 - Sports Illustrated was an American journalist and author. He wrote about sports, politics and the environment at Newsday for 11 years before joining the staff of Sports Illustrated in 1978 as an investigative reporter and general feature writer. After leaving S.I. in 2001, Nack freelanced for numerous publications, including GQ and ESPN.com.

"Like his sidekick, Mr. Kay, 36, started out in the Washington Heights section of Manhattan, but moved to Fair Lawn, N.J., before he started high school." There he attended Fair Lawn High School, graduating in 1963. Kay attended the Art Center College of Design in Los Angeles. During the summers, he worked at Grey Advertising, sold encyclopedias, and freelanced for his instructors at The Art Center College of Design.

He learned comic book lettering from Oda and was hired in 1965 by Archie Comics, where he averaged 75 pages a week for 40 years for an approximate total of 156,000 pages. He lettered along with many other well-known Archie Comics talents, such as Stan Goldberg, Dan DeCarlo, Samm Schwartz. He also freelanced on a variety of comic book stories, lettering many pages for Wally Wood and others.

"From Vermont to Austin, sculptural artist David Stromeyer decorates the landscape with his behemoths of beauty". Culture Map Austin, By Michael Graupmann He graduated with a degree in Studio Art (high honors), and went on to study film at UCLA. Stromeyer then moved to Boston where he formed a small film production company. He also freelanced as an Art Photographer for museums in Boston and New York City.

" Lost Vision " is a project planned for 2019 linking London with L'Aquila and Spain using LOLA distance technology with music by Carlo Crivelli. Since 2015 he has freelanced in London, recently with English National Opera, and has worked on soundtracks both in London and in Italy with Carlo Crivelli and Battista Lena. He is the only conductor of the Hatfield Chamber Orchestra's annual concert at St Ethelreda's in Old Hatfield.

Out of college, McEachern worked radio at KTMS, the former home of another UCSB graduate in Jim Rome, before entering the television industry with KCOY-TV. He moved back to the San Francisco Bay Area in the early 1990s to work at KGO-TV and KPIX-TV. He also freelanced for ESPN, including covering play-by-play of the X Games. By 2002, McEachern had left the television industry.

He freelanced in "subject pictures," or illustrations telling a human interest story that were in popular magazines of the day. During World War II he was made the artist laureate of the United States Coast Guard. Fischer married Mary Ellen ("May") Sigsbee (1877–1960) following her divorce from fellow artist William Balfour Ker (1877–1918). Sigsbee, Balfour Ker and Fischer were all artist and former students of Howard Pyle.

After a few years in Europe, he played again with Goodman on a tour of Central America in 1962. From 1962–64 Shaw played again with Armstrong, and occasionally accompanied him through the end of the 1960s. After the 1960s Shaw mostly freelanced in New York and kept playing until his death. He recorded only once as a leader, a live concert from 1991 of his Satchmo Legacy Band.

Brown continued on the title through issue #7 (March 1956), then freelanced for both Atlas and DC before becoming regular artist on the latter's American Revolutionary War series Tomahawk with issues #39 (March 1956). He would continue on that title, also doing other work for DC, through #52 (Dec. 1959). With plotter Gardner Fox and scripter Edmond Hamilton, Brown co-created the feature "Space Ranger" in Showcase #15 (Aug. 1958).

She was invited back to conduct Rigoletto, the opening opera of the 1989–90 season Edwards first appeared at the English National Opera conducting Prokofiev's The Gambler in 1990. In 1993 she succeeded Mark Elder as ENO's music director. She resigned from the post in December 1995, and has since freelanced. Sian Edwards returned to English National Opera for a new production of Orpheus in the Underworld in October 2019.

Erika Celeste Erika Celeste is an American journalist who has worked in radio, print, and television since 1992. Among other things she has collected 2 Emmys, a Telly, and several AP Awards. She has worked for every major news network affiliate including ABC, NBC, CBS, CNN and PBS. She has also freelanced for many national and international organizations including Voice of America, Public Radio International and National Public Radio.

Pound in 1952 Reginald Pound (11 November 1894 – 20 May 1991) was an English journalist and biographer. He began contributing to newspapers and magazines during the First World War, while serving in the army. After the war he freelanced - his clients including The Radio Times \- until the mid-1920s, when he was appointed literary editor of The Daily Express. In the 1930s he was features editor of The Daily Mail.

In this role he supervised early episodes of Till Death Us Do Part (1965). During the next decade he had a period as the producer of The Liver Birds (1972-76) and of the last series of Steptoe and Son (1974). His last work for the BBC before his official retirement from the corporation was the second series of Fawlty Towers (1979). Subsequently, he freelanced, working for ITV and Channel 4.

Raeburn graduated in 2006 from London's Royal College of Art. He freelanced as a pattern cutter before setting up his own studio in 2008, and later his label. Raeburn participated in the 'Camouflage' exhibition at London's Imperial War Museum and featured in Hywel Davies' publication '100 New Designers'. Raeburn ended 2008 with his first collection showcased during London Design Week, a capsule range of reversible garments titled Inverted.

Detail from Charlton Comics' The Iron Corporal, vol. 3, #25 (Feb. 1986). Art by Charles Nicholas and Vince Alascia.After Timely's downsizing in 1948, Alascia freelanced for such other comics companies as Avon, where he inked Martin Nodell, creator of Green Lantern, on anthological horror stories in that publisher's 1950s comics City of the Living Dead and Eerie (no relation to Warren Publishing's black-and-white horror-comics magazine of that name).

January Magazine, June 2000 The following year she returned to Toronto and finished her degree in English and Philosophy. In 1974 she moved to Yellowknife, NWT. She worked for ten years as a CBC radio broadcaster in Yellowknife, Winnipeg and Toronto and then moved to Mexico, where she freelanced for the CBC. In 1986 she settled in New York City, and then returned to Canada in 1992 with her family.

Sidjakov was born in Riga, Latvia. He studied at the Ecole des Beaux Arts in Paris, worked in advertising, and freelanced for the French movie industry. In 1954 he moved to the United States and continued to work in advertising. He also began to illustrate children's books, mainly picture books, beginning with The Friendly Beasts by Laura Nelson Baker, adapted from "The Friendly Beasts", an English Christmas carol.

His first film appearance was in the 1934 film Looking for Trouble. Returning to New York, Conway acted on Broadway in plays that included Angel Island (1937), In the Bag (1937), Mimie Scheller (1936), Summer Wives (1936), and If a Body (1935). For many years he freelanced, working for various studios in bits or supporting roles. His most familiar appearance from this period is probably in Charlie Chan in Reno (1939).

After a summer job opportunity at the Irish News in Belfast he joined BBC as a graduate Trainee in late 1984. After spells in BBC Radio Sport and BBC Radio News he joined the Swiss Broadcasting Corporation, based in Bern, where he worked on radio between May 1986 and October 1987. Returning to London he freelanced at ITN and Channel Four News while launching Capital Radio's sports coverage with Jonathan Pearce.

Karen Roberts is a British-born television presenter. During the late 1990s and early 2000s, Roberts was an in-vision continuity announcer and newsreader for Border Television in Carlisle. By 2002, she had joined the now defunct ITN News Channel (latterly ITV News Channel) as a presenter and was also a regular anchor of the ITV Morning News on ITV1. Roberts also freelanced as an overnight shift presenter for Sky News.

Washington left Buffalo and played with a Midwest group called the Four Clefs and then the Mark III Trio from Mansfield, Ohio. Shortly thereafter, he was drafted into the U.S. Army, where he met drummer Billy Cobham. A music mainstay in New York City, Cobham introduced Washington to many New York musicians. After leaving the Army, Washington freelanced his talents around New York City, eventually landing in Philadelphia in 1967.

Born Benjamin Gordon Powell Jr in New Orleans, Louisiana, he first played professionally at the age of 14, and at 18 began playing with Lionel Hampton. In 1951 he left Hampton's band and began playing with Count Basie, in whose orchestra he would remain until 1963. Powell takes the trombone solo in the bridge of Basie's 1955 recording of "April in Paris". After leaving Basie, he freelanced in New York City.

He studied with Robert Schietroma, Ron Fink, Ed Soph, Henry Okstel, Kal Cherry, Michael Carney, and Gregg Bissonette. Waldrop performed with notable jazz artists such as Dan Haerle, Michael Cain, Bob Belden and Jay Saunders. After completing his undergraduate work at UNT, Waldrop returned to the New York area and performed extensively. He played in Caprice Fox’s group for almost a year and freelanced with a long list of others.

MacGowan worked at the Kent & Sussex Courier (Associated Press) as a journalist and a copywriter for their advertising pages. She freelanced in journalism for various London and Kent based advertising agencies, writing articles for Smash Hits, Record Mirror, and FSM Monthly. She also worked for the Phillip Hall Press Agency in London in the 1980s. In 1994, she moved to County Tipperary (Ireland) and worked for the Tipperary NR Council Arts Office.

Following an introduction to GURPS in Steve Jackson's Man to Man, C.J. Carella got his start in the role-playing games industry with GURPS Martial Arts (1990) and freelanced for Steve Jackson Games. Carella designed GURPS War Against the Chtorr (1993), which game designer Rick Swan called a "first-rate supplement for the GURPS game". He also wrote GURPS Voodoo: The Shadow War, published in 1995. Carella was later a Palladium Books staffer.

Moving to Chicago, he freelanced for several years, eventually taking a job creating greeting cards for Gibson Cards in Cincinnati for five years. He received the credit line "by Hal Rasmusson" on the back of his Gibson Cards. After Rasmusson married, he moved to New York where he worked as an art director for five years. Returning to Minneapolis, he spent nine years as art director of greeting cards with the Buzza Company.

While studying at Queens, Feuer freelanced for The New York Times and also edited one of the college's student newspapers. As a PhD student at U. Penn he taught calculus for incoming economics students. On receiving his doctorate, he lectured on education and economics at the university and was appointed to the faculty of Drexel University. Feuer held senior positions at the Congressional Office of Technology Assessment and the National Academy of Sciences.

His first published works were probably cartoons for the Nottingham Football Post, in September, 1904. He freelanced at the same time under the name of Thomas Henry. Pastel and watercolour were his chosen mediums at that time. Thomas Henry was associated with the advertising division of Nottingham-based cigarette firm John Players and was reputed to have assisted in the updating of the famous sailor's head, found on the Navy Cut cigarette packet.

After 1942 he continued working for other federal agencies photographing briefly for the Office of War Information (OWI), and the American Red Cross-agencies whose agendas conflicted with his own, and limited his freedom in artistic expression. Continually frustrated by this, Sekaer left Washington, DC for New York where he freelanced for several years, doing fashion and editorial assignments, until he died of a heart attack at the age of 49 in 1950.

After graduation in 1985, Charles Aaron began his journalism career at AdWeek and Sassy magazines. Before working full-time for Spin magazine, he freelanced as a music journalist at the magazine and for other publications like Rolling Stone, Village Voice, and Vibe. Spin, an alternative music magazine, was launched in 1985. Charles Aaron began as a contributor to Spin magazine around 1991 while the hip hop music genre was becoming popular with white audiences.

Charles Horn was born and raised in Toronto, Ontario, Canada and received his PhD in Electrical Engineering from Princeton University. Horn has written for Fugget About It, Robot Chicken, Robot Chicken: Star Wars, HBO, and freelanced for The Tonight Show with Jay Leno. He is also the author of The Laugh Out Loud Guide: Ace the SAT Exam without Boring Yourself to Sleep!, a comedic and educational SAT study guide published by Andrews McMeel.

The technology was later acquired by Prodigy. From 1997 to 2000, van der Heyden worked as a volunteer at Vidéotron's cable access channel Canal Vox, as well as freelanced at CBC Radio in Montreal and the Toronto Star newspaper. Starting in 2000, he worked as news reporter at CFCF which was later rebranded as CTV Montreal. In February 2005, Todd became the co-anchor of the 6pm weekend newscast and later the noon weekday newscast.

She is the author of six novels and one children's book. With her husband, Reuters Editor-in-Chief Stephen J. Adler, she has edited three anthologies: The Marriage Book (Simon & Schuster), Letters of the Century (The Dial Press), and Women's Letters (The Dial Press). Grunwald has been an editor and writer at the magazines Esquire, Avenue, and Life, and has freelanced for others. Grunwald and Adler have two children, and live in New York City.

Born in Chicago, Zekley grew up in Detroit. His first work as a cartoonist was at age 18 for the Detroit Mirror, which ceased publication in August 1932. He then freelanced, and a ginger ale client kept his cartoons in newspapers, buses and streetcars and on billboards. He moved to California in 1935 and began work with Disney, but after two weeks he was unemployed when the studio closed down for the summer.

In 1987 Green Apple Productions merged with Strongbow Film and Television Productions, a producer of documentaries, feature films and TV dramas. McAnally left Strongbow in 1989 and moved to London where he freelanced as a producer and director. He worked with The Children's Channel directing 12 shows a week for their British Satellite Broadcasting channel. He joined Buena Vista Productions (Disney) in London and produced The Disney Club for ITV for 3 seasons.

He is still working for editorials and advertising, but at the same time he is focussing on his work as an artist. In his freelanced projects, Thomas Rusch is concerned with the subjects of sexuality, representation of women in western society, and fetishism. He likes to examine their ambivalent qualities between the private and the public, art and commerce - oscillating between a clear emphasis on naturalness and an exaggeration of superficiality.Najjar, Sherin (2010).

Hart remained on staff for Marvel Comics' 1950s predecessor Atlas Comics, and briefly freelanced for Marvel during the 1960s Silver Age. His '60s scripts, some of them from plots by editor-in-chief Stan Lee, included the feature "The Human Torch" in Strange Tales #110–111 (July–Aug. 1963); the feature "Ant-Man" in Tales to Astonish #44–48 (June–Oct. 1963); and the single comic Nick Fury, Agent of S.H.I.E.L.D. #8 (Jan. 1969).

Lilyan Tashman was born the tenth and youngest child of a Jewish family in Brooklyn, New York, the daughter of Rose (née Cook), who was born in Germany, and Maurice Tashman, a clothing manufacturer from Bialystok, Poland. She freelanced as a fashion and artist's model while attending Girl's High School in Brooklyn and eventually entered vaudeville. In 1914, she married fellow-vaudevillian Al Lee, but the two separated in 1920 and divorced in 1921.

Ward returned to the United States and freelanced his illustrations. In 1929, he came across German artist Otto Nückel's wordless novel Destiny (1926) in New York City. The work inspired Ward to create a wordless novel of his own, (1929), which he followed with Madman's Drum (1930) and Wild Pilgrimage (1932). In December 1931, Ward and McNeer were among the nine cofounders of Equinox Cooperative Press, dedicated to a hands-on approach to bookmaking.

When she was two, Yi's family moved from Korea to Alabama then California. Her father is a Protestant minister and her mother works at a biomedical corporation. She has described that she grew up in a Korean- American home.Ross Simonini, "In the Studio: Anicka Yi", Art in America, March 24, 2017 After she graduated from Hunter College, she lived in London, where she freelanced for several years doing work as a fashion stylist and copywriter.

He moved to Los Angeles in 1941, where he played with Benny Strong and Spade Cooley as well as being part of the Burbank Symphony Orchestra. In the 1950s he played with Bill Baker and Jack Teagarden; his tenure with Teagarden lasted from 1958 to 1963 and includes many of Teagarden's recordings on Capitol Records and all his releases on Roulette Records. Puls freelanced after leaving Teagarden, and died at age 82 in 1998.

After a freshman year studying Broadcasting at the University of Wyoming, she completed a BA degree in Media Studies at the University of Stirling. In her working career McLeod has contributed to the specialist sports magazines Scotland's Runner, Scottish, The Punter football magazine and Today's Runner. She has also freelanced in sport and general features for the Daily Record, Sunday Mail and Scotland on Sunday. Then, in 1995, she joined BBC Scotland.

He worked with the Light Publicity agency while still a student, and freelanced after graduation. Shinoyama has put out a large number of books of photographs of girls, dressed, mostly undressed, and nude. On November 10, 2009 Shinoyama's home and office were searched by police on suspicion of public indecency. The searches stemmed from concerns regarding nude photos he allegedly took in public of two women in August 2008 for his book 20XX TOKYO.

Harris was the son of Mr & Mrs E. J. Harris, of the Stag Inn, Herringthorpe. A product of Rotherham Grammar School, he worked for the Rotherham Advertiser from late 1932 or early 1933 as a reporter, later moving to the Sheffield Telegraph. Shortly before the Second World War, he and colleague Harold Evans briefly freelanced in Cornwall. Harris later served in the Royal Air Force as a corporal attached to the South African Air Force.

Afterward he spent three years as an art director at Ziff-Davis magazines, and then freelanced for 10 years as an ad-agency storyboard artist. Kweskin also painted, and exhibited at art galleries. In 1993, he moved to Boca Raton, Florida, and until his death continued to freelance, including doing the cover of the Veterans of Foreign Wars magazine, and to paint, doing a commissioned canvas for a military museum in Louisiana.

The comedy film was completed in early 1942, but was not released until 1944; it was held up by contractual agreement not to distribute the film until the play's long Broadway run was over. It was Priscilla's last Warner film. Her contract was terminated by mutual agreement after five years with the studio. She freelanced next, signing a one-picture deal with Universal Studios where she starred with Robert Cummings in Alfred Hitchcock's Saboteur (1942).

In 2008, he was based in Singapore as a correspondent for Bloomberg TV. From 2009 to 2010: Bellini freelanced for The Daily Beast and The Wall Street Journal. In 2012, he produced a CNBC documentary, UPS/FedEx: Inside the Package Wars. In 2012, Bellini became a senior producer and reporter at The Wall Street Journal. From 2013 to 2014, Bellini was a frequent guest on FOX NEWS' On the Record w/ Greta Van Susteren.

Christopher Elton was born in Edinburgh and studied at the Royal Academy of Music in London, where he achieved the unusual distinction of gaining the Academy's Dip.RAM, both on piano and cello. After his formal studies he continued his studies with Maria Curcio and was a prizewinner in several British and international piano competitions, and performed both as a soloist and chamber musician. He also freelanced with the major London orchestras playing cello.

In 1989 Carson relocated to work in Johannesburg, South Africa as a copywriter at Ogilvy & Mather, Grey Response, D’Arcy Direct and Bates International, winning several local and international awards, including a 1991 SPADA (South Africa); a 1992 DMA International Gold Echo; and a 1997 DMA International Silver Echo. Carson subsequently freelanced while producing biographical works: Jeff Beck: Crazy Fingers, published USA 2001, with Q-Magazine critic Michael Leonard saying: "The finest and probably final word".

After graduating in 2000, Nelson began working for SportsTicker, a now defunct sports news service, that was the official statistician of Minor League Baseball. Nelson began her career as a writer, writing for the news service's editorial branch. Nelson also freelanced for SportsTicker in the Boston area, where she was based. This entailed calling in with score or stat updates to the main office in New Jersey, getting quotes from athletes and writing stories.

The daughter of a Danish mother and a Polish father Richard Cosby (Ryszard Kossobudzki) who came to the United States after World War II, Cosby was born in Brooklyn, New York. She grew up in Greenwich, Connecticut, where she attended Greenwich High School and freelanced for the local paper. She earned her bachelor's degrees from the University of South Carolina. Cosby balanced college with a position at WACH-TV, the local FOX affiliate.

Bent freelanced in New York City during the spring of 1879. In January 1879, Linden was engaged to play a series of concerts at the Bellevue House, one of four hilltop resorts that overlooked Cincinnati from a high bluff above. She performed weekend matinees and evenings accompanied by the German Military Band. Linden finished the month of February in Cincinnati at the Atlantic Garden, performing a series of “Grand Concerts” with Andy Brand's Full Orchestra.

While serving with the Tourism Board in Northern Ghana, Akpabli started freelancing for the Graphic Showbiz, a weekly newspaper of the Ghraphic Communication Group. His beat was on the environment and tourism issues. He also freelanced for the Daily Graphic, Ghanaian Times, Business and Financial Times Weekly Spectator, Public Agenda and The Daily Mail. His article on Baobab in 2002 won an award in the International Federation of Environmental Journalists contest organized by Conservation International.

Following graduation, Levy became a freelance news photographer in New York City. He worked frequently for The Independent in London along with their U.S. correspondent Daniel Jeffreys. Levy also freelanced for the photo agency Gamma Liaison under editor Marion Mertens. Later Levy joined the French wire service Agence France Presse in the New York Bureau working, with photographers Don Emmert and Timothy Clary. In 1998 Levy returned to London and soon started Foto8.

While attending college at Central Missouri State University, Hollyman freelanced for The Daily Star-Journal and the St. Louis Post Dispatch, working with a Speed Graphic camera. On one job the Kansas City Journal sent him to photograph a married brother and sister. The young couple, separated at birth, did not realize that they were siblings until after their marriage. The photo of the young woman weeping in her doorway was Hollyman's first published photograph.

By 1921, Kalloch was well known in New York City for designing costumes for the Ziegfeld Follies. He also designed costumes for Grace Moore's 1923 Broadway debut in Music Box Revue. In the five years he worked with Madame France & Co., Kalloch visited Europe 28 times to study fashion. Throughout the early and mid 1920s, he freelanced for Peggy Hamilton, a fashion designer who had worked as chief costume designer for Triangle Film Corporation.

On the side, Tatge wrote for his school newspaper the Western Courier and WIU's Sports Information office. Tatge also freelanced for daily newspapers while at WIU, including the Galesburg Register Mail and Peoria Journal Star. Upon graduation, Tatge went to work running a small weekly and a small daily newspaper in Wisconsin. He moved up the Wisconsin State Journal in Madison, where he attended graduate school at the UW-Madison while working on the night copy desk.

On graduating in 1989, he was awarded the Designer/Illustrator merit award. Kuijers freelanced briefly as a designer and illustrator, but now paints full-time. He regularly takes part in group exhibitions and has completed various commissions, notably acrylic seascapes for the new President Hotel and watercolours for the Villa Via Hotel and the Volks Hospital. He now lives in Greyton in the Western Cape with his wife, daughter and two sons, where he owns his own art studio.

Later in the 1960s he recorded two albums with his own orchestra for Columbia Records. The trumpeter He was a member of the World's Greatest Jazz Band, led by former Crosby bandmates Yank Lawson and Bob Haggart, from the late 1960s until his death in 1988. He also freelanced as a guest star with many bands all over the world, and performed at many jazz festivals, including the Manassas Jazz Festival and Dick Gibson's Bash in Colorado.

Jonathan Marks, a British radio producer arrived in the Netherlands in August 1980. He had previously freelanced for Radio Austria International in the period 1976–1980 and briefly for the World Radio Club programme running on the BBC World Service. He was hired as the fifth host of the Radio Nederland "DX Jukebox" programme, a technical show that had been running on the English service since the 1958. His first show was broadcast on 7 August 1980.

He was also a regular voice on Football League highlights on both The Big Match and Midweek Sports Special. He freelanced for BSB in its early days - covering the 1990 FA Cup semi-final between Liverpool and Crystal Palace among other matches. He also covered matches for Eurosport, British Aerospace Sportscast and Screensport. In 1985 Harrison took over as Head of Sport at Anglia but left in 1993 frustrated at ITV's inability to maintain rights to top-flight football.

In 1981, Estrin became a staff photographer for the Clarion-Ledger in Jackson, MS. where he worked for the next two years. He then freelanced in New York City for the city's major newspapers including Newsday, the New York Post and the New York Daily News. He began freelancing for The New York Times in 1987 and joined the Times staff in 1992. Estrin photographed in Israel, the West Bank and Gaza in 1993, 1998 and again in 2002.

The child, a daughter, was named Marylyn Hauoli Thorpe: her first name combined her parents' names and her middle name is Hawaiian. When they returned to Southern California, Astor freelanced and gained the pivotal role of Barbara Willis in MGM's Red Dust (1932) with Clark Gable and Jean Harlow. In late 1932, Astor signed a featured player contract with Warner Bros. Meanwhile, besides spending lavishly, her parents invested in the stock market, which often turned out unprofitable.

During World War II, he served in the U.S. Army Signal Corps, and filmed the Liberation of Paris in August 1944. In 1950, Biroc left RKO Pictures and freelanced on projects at various studios. In addition to his film work, which included It's a Wonderful Life (1946) and The Flight of the Phoenix (1965), Biroc worked on various television series, including the Adventures of Superman and Wonder Woman. He frequently collaborated with film director Robert Aldrich.

Subsequently, he freelanced with Hildesheimer Presse, taz Bremen and pursued journalistic projects with radio stations such as NDR Hannover and Radio Bremen. Over his career, Engelke has contributed essays, commentaries, novels and poetry to more than 100 anthologies. Between 1975 and 2011 Engelke worked as primary school teacher in Esterwegen/Emsland. From 1981 to 1988 he coordinated the Surwolder Literaturgespräche, a platform for painters, journalists, playwrights, authors and musicians to mix and mingle, attend workshops, perform and be merry.

Some of his instructors during that time were Tom Gill and Tarzan comic strip illustrator Burne Hogarth. Moore was the Staff Cartoonist in the Texas Navy at Corpus Christi. After his discharge, he married his wife, Ruth, and they lived on Long Island for eight years. During this time he freelanced for Archie Comics, primarily working on Archie's Joke Book, and collaborated with other Archie creators such as George Gladir, Orlando Busino, Sy Reit, and Frank Doyle.

After a short stint as assistant to Dick Giordano in the early 1970s, Janson's first credited comics artwork was published by Marvel Comics in Jungle Action #6 (Sept. 1973). Janson came to prominence as the inker over Sal Buscema's pencils on The Defenders. Since then he has freelanced on most of the major titles at Marvel and DC. In 1975 he began a long run as inker on Daredevil, running from #124 (Aug. 1975) to #196 (July 1983).

Much of the material released on the label was recorded in Porter's basement, and he did a fair bit of songwriting for the releases in addition to recording duties. He did further touring as a bandleader in the 1950s, and freelanced in California in the 1960s. He and Mike Porter collaborated in Canada in 1964. He played less later in his life and concentrated on the business aspects of music, working for musicians' unions in the 1970s.

Additionally, in the early 1960s, Premiani freelanced for the Gilberton Company's Classics Illustrated, Classics Illustrated Special Issue, and World Around Us series. His major project was the painted cover and complete interior art for Classics Illustrated No. 156, The Conquest of Mexico (May 1960), based on Bernal Diaz del Castillo's eyewitness account of the fall of the Aztec empire. In addition, he contributed sections to two Special Issues, The Atomic Age (June 1960) and The United Nations (1964).

Barua followed up Devdas with Manzil in 1936, Mukti in 1937, Adhikar in 1938, Rajat Jayanti in 1939, and Zindagi (which reunited him with Saigal) in 1940. Phani Majumdar who later became a noted film director in his own right, started his film career with Barua at New Theatres. Barua's films were photographed by Bimal Roy, who would later become an accomplished director in his own right. Barua left New Theatres in 1939 and freelanced thereafter.

Abby Gaines is a romance novelist from New Zealand. Gaines wrote her first romance novel as a teenager and submitted it to Mills and Boon for publication; the company rejected it. After her graduation from high school she attended university, where she studied French, German, Japanese and Spanish for a B.A.. Following university, she worked for IBM, where she met her husband. She quit work after her children were born and instead freelanced as a business journalist.

After being taught about cameras by the crew of The Tonight Show, Shuler asked NBC to work on the local news. Afterwards she freelanced on Metromedia, working on rock concert shoots, sitcoms and TV movies. Donner was a rare camerawoman in a male-dominated field, being the first woman admitted to the IATSE Electrical and Camera Guild #659.Mr. Mom Press Kit Eventually Donner decided to work as an associate producer, in 1976 joining ABC's Wide World of Entertainment.

In June 1912, he moved to London, where he freelanced as an interviewer and critic for both UK and US publications and began his literary career as a poet and, later, novelist. He later emigrated to the US, where he spent the rest of his life. He was one of the Imagist poets, but is better known for his novels, short stories, essays and criticism, and as a translator of Russian literature. He used the pseudonym John Courtney.

A 1941 comic book written by Gill Fox, describing a German attack on Pearl Harbor, was published one month before the real-life Japanese attack on that U.S. naval base. He left his editorial position at Quality in 1943 to serve in World War II, where he worked for Stars and Stripes. Once discharged from military service, Fox freelanced for Quality Comics until the early 1950s. Fox later moved to advertising, working for the Johnstone and Cushing advertising agency.

Hearst had launched the New York Evening Journal and made Outcault the editor of the daily comics page. He continued to contribute cartoons to it, as well as to the World, where he had Casey’s Corner published, a strip about African- American characters that debuted on February 13, 1898, and moved to the Evening Journal on April 8, 1898. It was the first newspaper strip to feature continuity. Outcault freelanced cartoons to other papers in 1899.

After leaving Krupa's band, Eldridge freelanced in New York during 1943 before joining Artie Shaw's band in 1944. Owing to racial incidents that he faced while playing in Shaw's band, he left to form a big band, but this eventually proved financially unsuccessful, and Eldridge returned to small group work. In the postwar years, he became part of the group which toured under the Jazz at the Philharmonic banner. and became one of the stalwarts of the tours.

Since 1973 she has freelanced, first in the sphere of painting and graphic art, then from 1975 actions ("permanente demonstration") and first photography and videoworks. In Soltau’s own words “Permanente Demonstration“ is “an attempt to trigger states of consciousness through realization of an image in real life, i.e. make an image physically. The line, becomes a realized line, the person is part of the picture. Line and person are not two opposite things but one reality”.

In 1978, he began writing for British music paper Record Mirror, then freelanced for ZigZag magazine, later becoming its editor until the magazine folded in 1986. During the 1980s, he wrote regularly for the British music weekly Melody Maker, and edited Siren magazine in the 1990s. He has written five books on gothic music, and self-published over 100 books, available through his website. He continues to publish weekly reviews of records, visible on his Facebook pages.

Winsor McCay worked in dime museums in Cincinnati from 1891, where he drew posters and advertisements. His ability to draw quickly with great accuracy drew crowds when he painted advertisements in public. He began working as a newspaper cartoonist full-time in 1898, and also freelanced for humor magazines. McCay moved to New York City in 1903 to work for the New York Herald, leaving behind his first comic strip, A Tale of the Jungle Imps by Felix Fiddle.

Although born in Subotica, Perišić completed primary and secondary school education in Belgrade. He received a BA degree in philosophy at Belgrade University's Faculty of Arts and Sciences, Department of Philosophy. During his studies he participated in editing and publishing of the journals Student and Vidici, and later worked as editor of the journal Književna reč (Literary Word). Perišić freelanced until 1978 when he started to work as Secretary of the Ivo Andrić Foundation in Belgrade until 1984.

Illustration by Arthur Ferrier of Agatha Christie's detective pair Tommy and Tuppence, from the December 1923 issue of The Grand MagazineArthur Ferrier (1891 – 27 May 1973) was a Scottish artist, illustrator and cartoonist. Ferrier was born and started work in Glasgow, Scotland as an analytical chemist. He freelanced as a cartoonist for the Daily Record there. He moved to London and drew joke cartoons for a number of weekly magazines, including Punch, The Humorist and London Opinion.

Waller began her career in broadcast news in 1971 when she took a job as a production assistant at the KNBC Documentary Unit. Her desire to work on breaking news led her to acquire the skills she need to becoming a sound technician. Waller is one of the first women to be admitted to membership in IATSE #695, the union that represents sound technicians. She freelanced for the three major US networks and traveled with CBS News, 60 Minutes and CBS Reports.

Soon, he began selling gag cartoons to large-circulation magazines, including Collier's, The New Yorker, Playboy, and True. After he left Disney, he worked briefly for Walter Lantz on Woody Woodpecker cartoons. Partch was drafted into the US Army in 1944, and by the end of his two-year stint had been transferred from the infantry to become art director and cartoonist of the Army's weekly newspaper, the Fort Ord Panorama. Out of the Army, Partch freelanced for ERA Productions.

Prior to joining the Ringling outfit, Little worked as a postal employee and land surveyor in Colorado. From 1954 to 1956, he performed as a clown at a local amusement park on weekends, wearing a rented costume. In 1956, he went into clowning full- time after he was hired by the Joe King Circus, with which he toured the Rocky Mountain States for half of the year. The rest of the year, he freelanced as a clown at birthday parties and special events.

His career prospered in El País, and Sábat became an editor at the daily, as well as contributing work as a staff correspondent, photographer and illustrator. His byline was featured in other Uruguayan periodicals in subsequent years, such as Marcha, Lunes and Reporte, and he freelanced as a graphic designer. He married Blanca Rodríguez, in 1961, and the couple had two children.Natizen: Hermenegildo Sábat A dispute with El País' owners, however, led Sábat to emgirate to neighboring Argentina, in 1966.

Jackson joined Jack Hylton's band in 1927, staying until 1930 as the orchestra's lead trumpet and cornet. During this time, he also "freelanced" for numerous bands and studio orchestras. After leaving Hylton in late 1930, Jackson returned to England where, after briefly playing with Ray Noble and Roy Fox, he joined Jack Payne and the BBC Dance Orchestra in 1931, staying with him after leaving the BBC the following year. He left Payne to form his own band in 1933.

One of Chase's charts from this period, "Camel Walk", was published in the 1963 Downbeat magazine yearbook. From 1966 to 1970 he freelanced in Las Vegas, working with Vic Damone and Tommy Vig. In 1967 he led a six piece band at the Dunes and Riviera Hotel where he was featured in the Frederick Apcar lounge production of Vive Les Girls, for which Chase arranged the music. In 1971 he started a jazz rock band that mixed pop, rock, blues, and four trumpets.

Born and raised in Batu Pahat, Johor, Chiu initially studied graphic design and then fine arts, and worked on ceramic and sculpture production before joining HVD Film Production, doing quality assurance. Chiu then attended the Beijing Film Academy \- which in recent times produced Zhang Yimou and Chen Kaige. Since then, he did TV dramas, commercials, corporate videos, and also worked as an assistant director and cameraman. He was also part of the pioneering group that helped set up 8TV, and freelanced for Astro.

Ward returned to the United States and freelanced his illustrations. In 1929, he came across German artist Otto Nückel's wordless novel Destiny (1926) in New York City. The work inspired Ward to create a wordless novel of his own, (1929), which he followed with Madman's Drum (1930), Wild Pilgrimage (1932), and the short Prelude to a Million Years (1933). Ward began engraving on Song Without Words while working on his longest wordless novel, Vertigo (1937), which took two years to complete.

Born in Cambridge, Marderosian grew up in Newton, Massachusetts. He started drawing when he was seven years old, inspired after his parents took him to see Pinocchio. After high school, Marderosian worked for advertising agencies and an art supply company, where he prepared paste- ups and mechanicals for catalogs. During this time, he also drew cartoons and comic strips, and freelanced for various magazines. In 1979, Marderosian enrolled at Massachusetts College of Art, where he earned a Bachelor’s Degree in illustration.

Guylaine Maroist has a DEC degree in Communications from College Jean-de-Brébeuf, a BAC in Arts from Université de Montreal, and a Certificate in Law from Université de Montreal. After graduation, Maroist worked as a music columnist for Le Devoir from 1992 to 1995, specializing in modern music. During that period, she also wrote for various magazines like The Artist (which she was the editor of in 1993) and Vamp. She freelanced for La Presse and Journal de Montreal on various topics.

Collier later worked for Cornell in the Southwest and independently recorded the Cornell Vicos project in Peru during 1954 and 1955.“An Experiment in Applied Anthropology,” (with Mary E. T. Collier) in Scientific American, 59:cover and pp. 37-49. Report on Cornell/Peru Project at Vicos. He then freelanced out of New Mexico before moving to California in 1959, where he began a long career as a teacher at San Francisco State University and the San Francisco Art institute.

His first published cartoon appeared in the Cape Times in 1951, and his first illustrated book, Under the Table Cloth, was published in 1952. He later freelanced in Johannesburg as artist-cum-reporter, notably covering Nelson Mandela's treason trial in 1958. In 1959 he returned to Britain with his family, his wife Aroon McConnell and daughter Peta, their two sons Warren & Vollmer, settling in Kent and joining the staff of The Guardian. In 1963 he took over from David Low as political cartoonist.

While a student at the University of Wisconsin–Madison, Block shot for the Wisconsin State Journal and covered the turbulent 1968 Democratic Convention in Chicago for United Press International. After leaving Wisconsin, he freelanced in New York for many magazines including Sports Illustrated, TIME and LIFE. He was also a regular contributor to many foreign publications including Stern, Paris Match and German Geo Magazine. His first National Geographic Magazine assignment was "The Continental Shelf: Man's New Frontier" in April 1978.

He also founded Munisteri Exploration in 1989, and has participated as a partner in the drilling of 60 oil and natural gas wells through 2014. As a side business, Munisteri managed dozens of professional boxers from 1989 to 2009, when he fully retired from the business. Numerous of his fighters obtained boxing titles and two fought for world championships. Munisteri freelanced as a play- by-play announcer and color commentator for independently produced televised boxing matches from 1995 to 2009.

Avison additionally worked on the original Captain Marvel for Fawcett Comics in 1941-42. He also freelanced for Harvey Comics both during and after his Timely stint, on such features as "The Red Blazer" (introducing him in Pocket Comics #1, Aug. 1941), "Casper the Friendly Ghost", "Captain Freedom" (including inking Jack Kirby's cover art on Speed Comics #16 & #18, Jan. & May 1942), "Joe Palooka", "The Green Hornet", "Humphrey", "Little Dot" and "Shock Gibson" (including the cover of Speed Comics #14, Dec.

After graduating from university in 1926, Ward married writer May McNeer and the couple left for an extended honeymoon in Europe. Ward spent a year studying wood engraving in Leipzig, Germany, where he encountered German Expressionist art and read the wordless novel The Sun (1919) by Flemish woodcut artist Frans Masereel (1889–1972). Ward returned to the United States and freelanced his illustrations. In 1929, he came across German artist Otto Nückel's wordless novel Destiny (1926) in New York City.

For this season, Schur was a co-producer, Kaling was a staff writer, Lieberstein was a consulting producer, and Novak was an executive story editor. The first episode, "Pilot", was written by Daniels, but the majority of the episode was adapted from "Episode One" of the British series, with many scenes being transferred almost verbatim. Season one featured episodes directed by five different directors. The Office features both a "team of directors" as well as several directors who are freelanced.

Foster started his career at the age of sixteen on Hospital Radio Swindon with his own weekly entertainment programme. At Cardiff University, he freelanced as a reporter for 'Rave' on BBC Radio Wales and BBC Radio Five hosted by Rob Brydon. At graduate journalism school, he did a work placement at BBC Wiltshire Sound in Swindon and stayed on for two years. In 1997, Foster transferred to the BBC World Service as a business presenter- reporter and worked on its flagship Newshour programme.

He edited essays on contemporary Italian theatre and drama, conversations. He freelanced for Outis – National Centre for Contemporary Drama in Milan and made lecture tours throughout Europe. He lived in different cities as Turin, Venice and Milan directing the observatory ManifatturAE; he directs the contemporary season Dissection in Teatro Fondamenta Nuove (Venice) and the Festival Torino Poesia (Turin). In 2006, he published the short poetry collection torsion presented at Turin Gay Pride 2006 and the long collection i kiss your scars.

She was offered the standard seven-year contract at Columbia Pictures, which she refused, afraid of Hollywood's typecasting policies for Hispanics. Instead she freelanced at Warner Bros. in Serenade (1956), directed by Anthony Mann, and at RKO in Samuel Fuller's Run of the Arrow (1957). In 1957 she returned to Spain and starred in El último cuplé (The Last Torch Song), which was filmed with a very low budget, became a worldwide megahit, and made Montiel a film and singing superstar.

During this time, he freelanced for publications like Mid Day Ananda Bazar Patrika, Anandalok (ABP Group) and TV18 group. In Midday he contributed for HitList and Sunday Midday under the editorship of Sarita Tanwar and Alpana Lath respectively. Later he joined Stardust as Editor In Chief Currently he is working on his untitled fiction for Leadstart Publishing. He is also mentoring students at Harkishan Mehta Institute of Media, Research and Analysis (HMIMRA) as Guest Faculty for Post Graduate students in Films and Media.

31John Meredyth Lucas (McFarland & Company, May 2004), Eighty Odd Years in Hollywood: Memoir of a Career in Film and Television, p. 163 Wallis had a falling out with Scott around the time of Bad for Each Other, with recriminations on Wallis' part. After Scott freelanced for a few years, Wallis made an effort to revive the relationship by making Scott the leading lady opposite Elvis Presley in Loving You (1957), as it might be his last chance to star Scott in anything.

Her on-air persona was warm yet glamorous and she was known for deftly switching quickly from one conversation topic to the next. Besides interviewing political and celebrity guests, the show also had beauty, exercise, and commercial product segments. Rundvold retired from her show in 1967 and focused her career on travel writing. She produced Let's Go Places a 30-minute show about foreign travel, and freelanced for the New York Daily News, Chicago Tribune, Los Angeles Times, and others.

Eaves 2015 New York Times article "A Hundred Cities Within Seoul" was given an "Honorable Mention" Lowell Thomas Award. Eaves is a columnist at the tablet newspaper The Daily where she also launched and edited the opinions page. From 2006 to 2010 she worked as a writer and editor at Forbes magazine, where in 2008 and 2009 she also wrote a weekly column. She has freelanced widely, including for Slate, Foreign Policy, Harper's, the New York Times, and The Washington Post.

Upon his discharge, he became a high-school English teacher for five years (1964-1969) before spending 30 years as a convention manager for the National Council of Teachers of English. He received a Master's Degree in English at New York University in 1968, and a Ph.D. in English literature from the University of Illinois in 1978. While at NCTE, he freelanced cartoons to magazines, 1978-1982. In 1973, Harvey began writing about comics and cartooning for The Menomonee Falls Gazette.

Faylen became a stage actor at 18 and eventually began working in films in the 1930s. He began playing a number of unmemorable bit parts for Warner Bros., then freelanced for other studios in gradually larger character roles. He appeared as Walt Disney's musical conductor in The Reluctant Dragon, and as a stern railroad official in the Laurel and Hardy comedy A-Haunting We Will Go. Faylen and Laurel and Hardy supporting player Charlie Hall were teamed briefly by Monogram Pictures.

After his discharge, he and former Crosby group leader Gil Rodin formed a short-lived big band. Bauduc toured with a septet in 1946 and also worked in Tommy Dorsey's orchestra from August to October of the year. In early 1947 he joined Bob Crosby's new group, leaving in 1948 to play with Jimmy Dorsey, where he stayed for the next two years. He freelanced on the West Coast for a couple of years before joining Jack Teagarden in 1952.

He freelanced for a number of publications including The Nation, Mother Jones and Saturday Review. In 1981 he became part of the original staff of the computer industry weekly InfoWorld. In 1984 he became an editor at Byte Magazine and in 1985 he left to become a reporter in the business section of the San Francisco Examiner, where he wrote about Silicon Valley. In 1988 he moved to New York to write for the business section of the New York Times.

Jack Sharpe (19 August 1930 - 4 November 1994) was an English jazz saxophonist and bandleader, chiefly active on the London jazz scene.Jack Sharpe biography and discography at David Taylor's British Modern Jazz website Sharpe began playing tenor sax at age eighteen. He played with Vic Lewis and Teddy Foster in the early 1950s and freelanced in the London area. He worked as a taxi driver in 1953, played with Dizzy Reece in 1954, then in Tubby Hayes's band in 1955–56.

Robert Eringer, born October 5, 1954, is an author, investigative journalist and private-sector counterintelligence operative. Salon magazine described Eringer as an "obscure journalist" with ties to Clair George, the former Deputy Director of Operations of the CIA. Eringer freelanced for the FBI's Foreign Counter-Intelligence Division to assist with the apprehension of Edward Lee Howard, an ex-CIA officer who defected to the Soviet Union in 1985. In this ruse, Eringer commissioned Howard to write the Spy's Guide to Central Europe.

In April 1696, a group of Armenian merchants hired the 350-ton Quedagh Merchant, owned by an Indian man named Coirgi. Operating out of Surat in north-western India, the Armenians were assisted by Augun Peree Callendar, a local English East India Company representative who freelanced to help supplement his income.Zacks, p. 153 For the voyage, the ship was captained by John Wright, had two Dutch first mates, a French gunner, more than 90 Indian crewmen, and 30 Armenian merchants.

After graduating, Levine moved to New York, where he freelanced and then played with musicians including Houston Person (1966), Mongo Santamaría (1969–70), and Willie Bobo (1971–74). Levine then moved to San Francisco, and played there with Woody Shaw in 1975–76. Levine made his first recording as a leader for Catalyst Records in 1976. He also played with the Blue Mitchell/Harold Land Quintet (1975–79), Joe Henderson, Stan Getz, Bobby Hutcherson, Luis Gasca, and Cal Tjader (1979–83).

Eagle freelanced for Fortune, The Saturday Evening Post, and other magazines. Through the Federal Art Project in 1938, he photographed the Jewish community on the Lower East Side. These photographs were published in the 1992 book At Home Only With God: Believing Jews and Their Children, with an essay by Arthur Hertzberg. Photo League photographers Eagle, Sol Libsohn and David Robbins exhibited a series of photographs of slum districts in New York at the Federal Art Gallery in New York in 1938.

The 1969 single "Groovy Baby" by Microbe, heavily championed by Radio 1's Dave Cash, featured the voice of Doody's then three-year-old son, Ian. Doody moved into television and worked as a continuity announcer for Border Television in Carlisle and Tyne Tees Television in Newcastle, latterly becoming Senior Announcer at Border. He freelanced at LWT and voiced many local commercials for Metro Radio in Newcastle. His voice was also heard as the announcer of Border's popular networked series, Mr. and Mrs.

Loco, maybe born José Estevez Jr. but officially known as Joseph Esteves, first played with an ensemble called Montecino's Happy Boys in 1938. In the early 1940s, he served as Machito's pianist before joining the Air Force from 1945 to 1947. He then freelanced with many of the top Latin ensembles of the time well into the 1950s, working with Polito Galíndez, Marcelino Guerra, Pupi Campo, and Julio Andino. He scored a hit of his own in 1952 with the tune "Tenderly".

He then studied with Henri Lefebvre, a student of Cyril Rose. In 1910, while studying with Lefebvre, Bonade entered the Paris Conservatory and in 1913 at the age of 18 won the Premier Prix. After completing his education at the Paris Conservatory, Bonade traveled with the Garde Republicane Band as well as freelanced with Ballet Russes, the Sousa Band and other groups. In 1916, Bonade was offered the principal clarinet position of the Philadelphia Orchestra under the direction of Leopold Stokowski.

On graduating, Dudek briefly freelanced in journalism and advertising. He married Stephanie Zuperko on September 16, 1941. They would have one son, Gregory Dudek (a professor of computer science who was director of the McGill University School of Computer Science). During this time Louis Dudek "was prominent among the poets who participated in First Statement (1942-1945), a seminal 'little magazine' in the development of modern Canadian literature."Brian Trehearne, "Louis Dudek: A Poet's Poet," McGill Reporter, 33:14 (April 5, 2001), McGill.

Aside from his personal work on the streets, Statler freelanced for important publications including the New York Times, LIFE, The Saturday Evening Post, and especially for TIME magazine for which as a staff photographer and, alongside his wife Betty, he portrayed artists and political figures such as Elie Wiesel, Duke Ellington, Rosa Parks, B. B. King,LIFE, 12 Dec 1969, Vol. 67, No. 24, ISSN 0024-3019, Time Inc. p.16 Theodore H. White,LIFE, 30 Jan 1970, Vol. 68, No. 3, p.

Having been offered the opportunity to join the BBC's journalistic training programme in 1975, after completing his one- year MA, Sharp joined the BBC in 1976 as a trainee journalist. Upon qualification he became a BBC TV news scriptwriter, and then a reporter for IRN/LBC. After helping to start the independent Radio Tay in Dundee, he then freelanced for mostly British news outlets in California for six years until 1987. Joining BBC News, Sharp was the channel's correspondent in California and the Pacific Northwest.

Beginning his career in 1958 as a copy boy with the Sydney Sun, Pilger later moved to the city's Daily Telegraph, where he was a reporter, sports writer, and sub- editor. He also freelanced and worked for the Sydney Sunday Telegraph, the daily paper's sister title. After moving to Europe, he was a freelance correspondent in Italy for a year.Hayward (2008), p. 4 Settling in London in 1962, working as a sub-editor, Pilger joined British United Press and then Reuters on its Middle-East desk.

He occasionally freelanced, returning to Griffith in 1924 to film America. In 1924, he also went to Germany to star in British producer- director Herbert Wilcox's Anglo-German co-production Decameron Nights, filmed at UFA's Babelsberg studios outside of Berlin. In 1925, he left New York for Hollywood. He starred as Frederick Harmon in director Henri Diamant-Berger's drama Fifty-Fifty (1925) opposite Hope Hampton and Louise Glaum, and made several more freelance motion pictures, including The Bells (Chadwick Pictures 1926) with a then-unknown Boris Karloff.

Other correspondents who later made the journey to North Vietnam included Mary McCarthy, Anthony Lewis, Michael McLear from the Canadian Broadcasting Corporation and R. K. Karanjia from India. Agence France Presse maintained a bureau there throughout the war. The highly-dangerous task of reporting with the PAVN/VC in the South was left to Wilfred Burchett, an Australian who had begun reporting on the war in 1963. He freelanced for the Japanese Mainichi group, the British communist daily The Morning Star, and the American National Guardian.

Devine spent his childhood in Chicago, Kansas City, New York and New Jersey and moved to Los Angeles when he was 12. At 8, he saw the Beatles on the Ed Sullivan Show, and decided to pursue a career in the music business. In junior and senior high, he wrote about music for his school papers and worked at Licorice Pizza, a retail music chain. He continued as a music journalist through college, and freelanced for Phonograph Record, Rolling Stone, and the LA Free Press, among others.

Ford Bales trained as a photographer and worked as a photojournalist for the Associated Press, Newsweek, Money Magazine, Ladies Home Journal, the Topeka Capital-Journal, the Omaha Sun and also freelanced. She was hired to shoot publicity stills for the film Jaws 2, with many appearing in Ray Loynd's book Jaws 2 Log. In 1992 she became a member of the board of the Betty Ford Center and in 2005 became chair of the organization. She succeeded her mother, who remained a board member.

Herzberg was engaged at the Rostock People's Theatre and later freelanced. Herzberg sang Abigail in Verdi's Nabucco at the Leipzig Opera, accompanied by the Leipzig Gewandhaus Orchestra under Rolf Reuter, and in Weimar and Dessau Salome in Richard Strauss' eponymous opera. Her repertoire included Ortrud (Wagner's Lohengrin), Cherubino (Mozart's The marriage of Figaro), Venus (Richard Wagner's Tannhäuser), Oktavian (Richard Strauss' Der Rosenkavalier), the lead title Carmen (Georges Bizet), Hänsel (Humperdinck's Hänsel und Gretel) and many others. Grave of Horst and Margarete Enders at the Waldfriedhof Schöneiche.

Martin Tudor is an active British science fiction fan, editor or co-editor of several science fiction fanzines (Empties and the semi-professional Critical Wave), and a member of various convention committees, most notably Novacon (he has chaired more of these than anyone else). He ran the fan programme at the 1987 worldcon in Brighton. In addition, during the early 1990s, he freelanced as a book reviewer for the magazine publisher Pegasus. Tudor was the 1996 TransAtlantic Fan Fund winner, having stood unsuccessfully in 1988.

After receiving his B.A. from Columbia College Chicago’s film program, Borowski freelanced as an editor and cinematographer. Director Willy Laszlo chose Borowski to edit every headlining film for the Chicago Short Comedy Film and Video Festival from 1999 to 2003. In 2004, Borowski’s independently produced first film, H.H. Holmes: America’s First Serial Killer, was distributed on DVD in North America by Facets Video. For the voice of the narrator, Borowski chose Tony Jay, the voice of villain Judge Claude Frollo in Disney’s Hunchback of Notre Dame.

Preston was educated at Arlington High School, a public secondary school in the town of Arlington, Massachusetts, from which he graduated in 1990, followed by the University of Massachusetts Amherst, known as UMass Amherst, where he studied Journalism and History. While there, he worked on the Massachusetts Daily Collegian, and freelanced for the Associated Press. After a month, he was hired to work for the office of Senator Edward Kennedy. Preston graduated from UMass Amherst in 1994, with two B. A. degrees, in Journalism and History.

O'Connor also introduced Duke Ellington and the members of his orchestra (along with personal quips) at the 1956 Festival, as heard on Ellington's Ellington at Newport. O'Connor wrote a weekly jazz column for The Boston Globe and freelanced for Down Beat, Metronome, and other music magazines. He did jazz radio shows on WGBH-FM for many years previous to, and overlapping with, the advent of TV at WGBH, in 1955. When television started, he continued in the new medium on Jazz with Father O'Connor.

Following his tenure with Gillespie, Legge moved to New York City and freelanced there. He played in Johnny Richards's orchestra, and did sessions with Charles Mingus, Sonny Rollins, Joe Roland, Bill Hardman, Pepper Adams, Jimmy Knepper, and Jimmy Cleveland. Legge was one of three pianists recording as a member of the variously staffed Gryce/Byrd Jazz Lab Quintets in 1957 and appeared on more than 50 recordings before returning to Buffalo in 1959. In August 1963 Wade Legge died of a bleeding stomach ulcer.

The Virginian and Ohio is both the name of a fictional railroad company created by W. Allen McClelland and the HO scale model railroad he built featuring this railroad. The V&O; is famous in the model railroading world for setting a new standard for freelanced (fictional) model railroads designed to operate in a prototypical manner and was a major influence upon many model railroaders of the time. In 1984, Mr. McClelland wrote a detailed guide to the construction and operation of the railroad.

Several factors came into play in the formation of the Appalachian Lines. Model railroaders Tony Koester and Steve King had quickly become friends as they developed their interest in proto-freelancing (developing a freelanced railroad based on prototype railroads and practices ) and railroad operations. The V&O; was greatly influenced by prototype railroads even as they continued to move forward while the V&O; remained in 1958. This desire to stay up-to-date with real railroading was reflect in Allen McClelland's interest in prototype modeling.

After attending San Francisco State University and the University of California, Santa Cruz earning a degree in Philosophy, Goldkind freelanced as a young political journalist. In 1983, he moved to Paris to pursue journalism. It was here that he met and studied with Michel Foucault, the French Post-Structuralist. After receiving a graduate certificate from La Sorbonne, Goldkind moved to London where he worked first for Titan Books in the 1980s and then for Egmont Fleetway in the 1990s as a marketing consultant and PR spokesperson.

The three writers met when they served as joint editors of an annual anthology of student poets called Universities' Poetry. Ghose also met English poet Ted Hughes and his wife, the American poet and novelist Sylvia Plath, and American author Janet Burroway, with whom he occasionally collaborated. While teaching and writing in London from 1963 to 1969, Ghose also freelanced as a sports journalist, reporting on cricket for The Observer newspaper."Zulfikar A Ghose - Professor Emeritus", Department of English, The University of Texas at Austin.

After leaving Gilt, Liebrandt freelanced for a short time before opening his Tribeca restaurant Corton In October 2008, Liebrandt opened Corton, Corton. Corton earned two stars in the 2009 New York City Michelin Guide. Liebrandt's elaborately imaginative food and "sometime outré" style were toned down slightly at Corton, but reservations at Corton often must be made months in advance and Liebrandt's cooking continues to receive exstatic reviews. Corton closed in July 2013 when Chef Liebrandt left to open The Elm in Brooklyn in the McCarren Hotel & Pool.

By 1934 Lamont was Educational's top director, and he collaborated with Buster Keaton on most of Keaton's 16 Educational shorts. After Educational shut down its Hollywood studio, Lamont was hired by Columbia Pictures to work with such stars as Charley Chase and The Three Stooges, but his stay was short ("I had an intense hatred for [Columbia president] Harry Cohn," said Lamont to authors Ted Okuda and Edward Watz). Lamont then freelanced at various studios (and produced a few features himself) before joining Universal Pictures in 1942.

He also worked with Opera Factory Zurich. His repertoire extended to more than 130 operas. David was an Associate Artist at the Australian National Academy of Music where he worked with artists including English mezzo-soprano Sarah Walker and Australian baritone Gregory Yurisich. He was based in Melbourne but for 9 years freelanced and as such travelled all over Australia as an accompanist and repetiteur. During 2003-04 David spent seven months as principal repetiteur for the State opera of South Australia's Ring Cycle.

Born at Bondi Beach in Sydney, Dunleavy began his career in the city during 1953, as a copy boy for the Sydney Sun, where his father worked as a photographer.John Cassidy, "The hell-raiser", Sydney Morning Herald, 9 December 2000, Good Weekend, p. 80 Later he moved to The Daily Mirror, an evening newspaper (also in Sydney) which then was owned by Ezra Norton. He subsequently worked in Hong Kong for The South China Morning Post, and freelanced in Japan, India, Greece, Italy, Spain and England.

Sara Fabel lived her early and late teenage years in Helsinki, Finland studying to become an art educator in Aalto University (then known as Helsinki University of Art and Design). As part of her studies, Fabel partook in an exchange program with Griffith University located in Brisbane, Australia. Sara proceeded to do sub-studied photography and animation during her exchange year. After returning to her country of origin (Finland) Sara taught as a part-time teacher as well as freelanced as an illustrator and model.

During his time at Mata Hari, Kwee received sarcastic letters from friends who teased him for his supposed capitalist collaboration. By 1936, Kwee – having left Mata Hari – seems to have moved to Bandung, West Java, where he freelanced for a number of newspapers until eventually returning to East Java around 1940. The Japanese occupation of the Dutch East Indies (1942–1945) ended most of the colonial press and political organizations. Kwee became the head of a Japanese-installed Tonarigumi, a neighborhood local government and the precursor to today's Rukun Tetangga.

Harrison's novelette "Down to Earth" took the cover of the November 1963 issue of Amazing Stories Before becoming an editor and writer, Harrison started in the science fiction field as an illustrator, notably with EC Comics' two science fiction comic book series, Weird Fantasy and Weird Science. In these and other comic book stories, he most often worked with Wally Wood. Wood usually inked over Harrison's layouts, and the two freelanced for several publishers and genres, including westerns and horror comics. He and Wood split up their partnership in 1950 and went their separate ways.

From there, Farida worked as a freelance contributor to Radio France Internationale, working in that capacity for about one year, between 2006 and 2007. For the last six months of that period, she also freelanced for the Al Jazeera English language network, as a producer. In 2007 she went back to Standard Media Group and worked as the Head of Editorial at their flagship TV station, KTN, for about one year. During that period, she concurrently served as the Assistant Director for broadcasting at Standard Group Limited, until December 2008.

Sira became an assistant director at BBC Films Department on films such as Hallelujah Anyhow(1991) (Screen Two) starring Keith David, Sweet Nothing(1990) (Screen One) and Can You Hear Me Thinking?(1991) starring Judi Dench. He freelanced on Flying Colors (1993), Memsahib Rita (1994), Blue Baby (1994) before venturing into directing his own films like Strings (1996) which he also wrote and produced. Sira was the director of the London Academy of Acting (a school founded by his father, Gurdial Sira in 1970), where he would teach acting for film.

MacTaggart directed later productions during the anthology series' run and also instalments in its successor, Play for Today. He joined Kestrel Productions, set up by Kenith Trodd, Tony Garnett and Ken Loach, which had an arrangement with the new ITV contractor London Weekend Television, and directed Dennis Potter's Moonlight on the Highway (1969), with Ian Holm in the play's leading role, and Simon Gray's Pig in the Poke (also 1969). The company's initial burst of activity was short-lived, and MacTaggart freelanced. His only feature film All the Way Up was released in 1970.

Based on the publicity it received via the controversy, the paper expanded to become a Toronto-wide underground project that ran for a few years. During mid-to-late 1990s, Brown moved to Montreal in order to attend McGill University. Outside of classes, he freelanced for various outlets including Vice, a magazine that recently transformed from a government-funded Voice of Montreal community multicultural media project. He also engaged in elaborate pranks on local mainstream media organizations such as putting out a press-release from a fictitious dot-com company babytalk.

Swimmer, oil paint on hand-built ceramic sculpture by Joseph Seigenthaler, Honolulu Museum of Art Joseph Seigenthaler (born 1959) is an American sculptor and video artist who was born in Nashville, Tennessee. He earned a BFA in painting from the Memphis College of Art in 1981. Shortly after graduating, he freelanced sculpting life-sized wax figures for wax museums, primarily the Music Valley Wax Museum in Nashville and the Country Music Wax Museum in Tamworth, Australia. He studied ceramic art at the Appalachian Center for Craft in Smithville, Tennessee between 1984 and 1986.

She worked part-time as a language adviser at the news agency at public broadcaster RÚV from 1999 to 2003. She then freelanced for broadcast media and wrote for a variety of print media from 2004 to 2006 as well as being an instructor in lifelong learning and leisure at the Mímir School from 2004 to 2007. She did editorial work for the publishing company Edda and magazine JPV from 2005 to 2006 and was a Lecturer at the University of Iceland, Reykjavík University and Menntaskólinn í Reykjavík from 2006 to 2007.

Irene Dunne had freelanced and had not been under contract to a studio since her arrival in Hollywood. She appeared in Theodora Goes Wild (1936) for Columbia, and despite her misgivings about doing comedy her performance had garnered her an Academy Award nomination as Best Actress. Dunne wanted to undertake a new project quickly after negative reaction to her performing in blackface in Show Boat (also 1936). Her agent, Charles K. Feldman, helped develop The Awful Truth for Dunne, and the film was rushed into production to accommodate her.

In 1968 he toured with Woody Herman orchestra, settling in Europe where he remained until 1977. He taught at Harvard, artist-in-residence in 1981, the University of Massachusetts, De Paul University in Chicago, and Indiana State University. During this period he led World of Trombones, his own nine-trombone, three-rhythm band; co-led Continuum, a quintet with Jimmy Heath that plays the music of Tadd Dameron; and freelanced as a writer and a player. In 1986 Hampton appeared in "Play It Again, Russell," an episode of The Cosby Show.

In the 1956 film Diane, Moore was billed third again, this time under Lana Turner and Pedro Armendariz, in a 16th-century period piece set in France with Moore playing Prince Henri, the future king. Moore was released from his MGM contract after two years following the film's critical and commercial failure. In his own words, "At MGM, RGM [Roger George Moore] was NBG [no bloody good]." Moore then freelanced for a time, appearing in episodes of Ford Star Jubilee (1956), Lux Video Theatre (1957) and Matinee Theatre' (1957).

Simon. After the war, Simon arranged work for Kirby and himself at Harvey Comics,Ro, p. 45 where, through the early 1950s, the duo created such titles as the kid- gang adventure Boy Explorers Comics, the kid-gang Western Boys' Ranch, the superhero comic Stuntman, and, in vogue with the fad for 3-D movies, Captain 3-D. Simon and Kirby additionally freelanced for Hillman Periodicals (the crime-fiction comic Real Clue Crime) and for Crestwood Publications (Justice Traps the Guilty). The team found its greatest success in the postwar period by creating romance comics.

Jimmy Lewis (April 11, 1918 – 2000) was an American double bassist who worked with the Count Basie Orchestra and sextet in the 1950s and with Duke Ellington, Cootie Williams, Billie Holiday and Ivory Joe Hunter before moving to bass guitar during his time with King Curtis. He provided the basslines for the musical Hair. Lewis freelanced extensively and performed on many albums by soul and jazz musicians, including Horace Silver and the Modern Jazz Quartet up until the late 1980s.McClellan, L., The Later Swing Era, 1942 to 1955, Greenwood, 2004, p. 245.

He also freelanced with India Today as a Business Profile writer, in the following months. In August 2013, he ventured into television script writing starting with the youth-based show Sadda Haq - My Life, My Choice which airs on Channel V India, earlier he has also written the story for a show on Star Plus called Ek Veer Ki Ardaas...Veera. His third show, also an youth-based show named Million Dollar Girl - From Banaras to Paris too aired on Channel V India. Sumrit wrote his fourth show,"Boyz" for Big Magic Entertainment.

Afterward, he was attached to Disney Japan (now The Answer Studio) from April 1987 to March 1988 and freelanced for Shin-Ei Animation starting April 1989.訃報アニメーション学科教員小川博司死去 Kyoto Seika University, August 8, 2013 He notably served as the animation director of Crayon Shin-chan. In 2006, he was inaugurated as a professor in Kyoto Seika University's animation department. On August 7, 2013 at 9:20 A.M., Ogawa died of stomach cancer at the age of 62.

Loder freelanced as an actor. He had support roles in The Hairy Ape (1944), and Abroad with Two Yanks (1944), then had a lead part in some B films: The Brighton Strangler (1945), Jealousy (1945), A Game of Death (1945) (a remake of The Most Dangerous Game), and The Wife of Monte Cristo (1946). He supported in an A film, One More Tomorrow (1946) and appeared opposite then-wife Hedy Lamarr in Dishonored Lady (1947). Loder then appeared in a minor Broadway hit in For Love or Money (1947–48).

After graduating he worked in a design studio (Rapier Arts Ltd.) in London, England and traveled throughout Europe (1961–1962). Following his return to Canada he worked as a freelance graphic designer and illustrator and as a studio art director (Colopy Associates) in Toronto (1963–66). He then returned to London where he freelanced for two years, represented by Artist Partners Ltd. (1966–68), before joining the New York design consortium Push Pin Studios, (principals: Seymour Chwast and Milton Glaser) with whom he worked for six years (1969–75).

In 1981, Benedict moved to New York, where she freelanced for five years, publishing short stories and articles in literary journals, magazines and newspapers. She began teaching at Columbia University's Graduate School of Journalism in 1986, where she is now a full-time professor. Benedict's works have been translated and published in Italy, the Netherlands, Greece, Germany, the Czech Republic, Hungary and Portugal. She has received fellowships from the Freedom Forum, MacDowell, Palazzo Rinaldi in Italy, The Ragdale Foundation, The Tyrone Guthrie Centre in Ireland, the Virginia Center for the Creative Arts, and Yaddo.

Venuste began his journalistic career as a trainee for the Rwanda Television in Brussels (1991). He worked for Radio Rwanda in 1992 before moving to the African Union as a Press officer seconded to the Neutral Military Observer Group. In 1993, he moved to the United Nations as a public information officer for the United Nations Assistance Mission for Rwanda (UNAMIR) working with the UN Special Representative to the Secretary-General (SRSG) and the UN army commander. In 1994, he moved to Belgium and freelanced as a foreign correspondent for the BBC.

Mawela also freelanced with the SABC, making more than two dozen transcription unreleased recordings for airplay. Mawela reduced her involvement in the music industry in the late 1980s and 1990s as she concentrated on raising her family in Limpopo. She returned to the recording industry in the 21st century, coinciding with a number of honours including the National Heritage Council's National Living Treasure award, numerous honours from the South African Department of Arts and Culture, a 2012 TSHIMA Awards Lifetime Achievement Award and an honorary doctorate from the University of Pretoria.

Turnbull's career began at Scottish local station Radio Clyde in 1978, and later, he freelanced for a number of years in the USA. Turnbull joined the BBC as a reporter for the Today programme in 1986 and Breakfast Time as a reporter in 1988, before becoming a correspondent for BBC News in 1990. He covered a wide range of domestic and international stories, reporting from over thirty countries including a four-year stint as Washington Correspondent, based in the USA. His producer for a while was Sian Williams.

Siddiqui studied journalism in college and graduated from the University of Miami in 2003 with a degree in English and Communication. After graduation, he moved to Indianapolis and worked for Islamic Horizons Magazine in Plainfield as an assistant editor and then to Chicago for a time as reporting fellow with Northwestern University's Academy for Alternative Journalism and the Chicago Reader in 2004. He has also freelanced for The Miami Herald and The Fort Lauderdale Sun Sentinel, including helping to cover the local Muslim community reaction to the Sept. 11th, 2001 terrorist attacks.

Dever was born in Chingford and educated at Buckhurst Hill County High School. In 1976, he joined the studio-based orchestra of a record company in London known as Pye Records which provided accompaniment to prominent solo singers and artists. After 18 months, the orchestra disbanded and Dever then freelanced for a year before joining Virgin Records as a recording engineer based at Manor Studios in Oxfordshire. He was at Virgin for five years, working with a diverse mix of artists such as Frank Zappa, Peter Gabriel, and The Sex Pistols.

Lilyan Tashman (October 23, 1896 – March 21, 1934) was an American vaudeville, Broadway, and film actress. Tashman was best known for her supporting roles as tongue-in-cheek villainesses and the vindictive "other woman." She made 66 films over the course of her Hollywood career and although she never obtained superstar status, her cinematic performances are described as "sharp, clever and have aged little over the decades." Tall, blonde, and slender with fox- like features and a throaty voice, Tashman freelanced as a fashion and artist's model in New York City.

De Roche was born in Lincoln Maine and moved to San Diego with his family when he was six. De Roche emigrated to Australia with his wife when he was 22 in 1968 and originally worked as a journalist for the Queensland Health Education Council. He wanted to be a writer and wrote a spec script for Division Four. Nine months later he received a telegram inviting him to write for the show. From 1970-74 he was a staff writer at Crawford Productions mainly working on police shows, then he freelanced.

Ward spent a year studying wood engraving in Leipzig, Germany, where he encountered German Expressionist art and read the wordless novel The Sun (1919) by Flemish woodcut artist Frans Masereel (1889–1972). Ward returned to the United States and freelanced his illustrations. In New York City in 1929, he came across the wordless novel Destiny (1926) by German artist Otto Nückel (1888–1955). Nückel's only work in the genre, Destiny told of the life and death of a prostitute in a style inspired by Masereel's, but with a greater cinematic flow.

After graduating from UC San Diego, Russell worked for 20 years in the hospitality industry. He freelanced newspaper and magazine articles while working on his novels, using the hospitality industry as a backdrop to some of his fiction.San Diego Union- Tribune, "A Marx Brothers Movie, with Stephen King Overtones" April 17, 1994.Travel & Leisure Magazine, "Hotel Detectives" June, 2004 Russell’s short story, "Married to a Murderer," was selected as one of 1997's 25 finest crime and mystery stories by Iblist Shortlist and published as the sixth annual edition.

In 1955, he graduated from the Bechyne School of Applied Arts. After two years of military service, he freelanced in Prague, as a book illustrator and gag cartoonist for cultural periodicals under the pen name Fala. Fierlinger established himself in 1958 as Czechoslovakia’s first independent producer of animated films, providing 16 mm films from his home studio for Prague TV and the 16 mm division of Kratky Film. Thus, he created approximately 200 films, ranging from 10-second station breaks to 10-minute theatrical releases and TV children’s shorts.

Having freelanced and produced for Decca Records and its Coral and Brunswick labels, and served as vice president for A&R; for Dot Records, Thiele announced in May 1959 that he was reactivating the Signature label. The venture appears to have been in partnership with Steve Allen, one of the co-owners of Hanover Records, who brought the label into the arrangement. The new company was known as Hanover-Signature Records. Orchestra leader Milton DeLugg, who had worked with Thiele at Dot and Coral, was named musical director.

In 1999, he moved to The Daily Telegraph as cricket correspondent, before joining the Daily Mail as a general sportswriter in 2002. He has contributed sporting and general commentary to The Daily Telegraph, and for some time had a sports column on Thursdays and a more general column on Saturdays, but he ceased to regularly contribute to the Telegraph in April 2008. He has continued to contribute occasionally to the other papers he previously worked for, as well as The Wisden Cricketer and The Spectator. Henderson has also freelanced for The Guardian and The Observer.

From there she freelanced as a designer and simultaneously began working in acting. Hayward's feature film and TV movie credits include Stranger in the Mirror, Under the Gun, Breaking All the Rules, Deadfire, She Woke Up Pregnant, Convergence, Knight Moves and the romantic comedy Apartment Hunting. In television she has starred as Florence in Chris Carter's series Harsh Realm and had a recurring role in Jake 2.0. She is remembered by many science fiction fans as the USAF Sergeant who is abducted by Apophis in the opening moments of the Stargate SG-1 pilot.

She freelanced in rock journalism and took a series of lovers. She lived in Marin County for three years with drummer Dave Getz, ex-Big Brother and the Holding Company, and through him became addicted to heroin. She interviewed Helen Reddy for Ms. magazine, Dr. John for the Daily News, Mark Spitz for The New York Times Magazine, as well as Debbie Harry, Joni Mitchell and Paul Simon. While in Marin, Getz contracted hepatitis, likely from sharing drug paraphernalia, and Lydon soon acquired it, too, serious enough to confine her to bed.

He began his career in journalism working for alternative newsweeklies—the New Times in Tucson, Arizona, and The Bugle-American in Milwaukee, Wisconsin; he earned a B.A. at the University of Wisconsin–Milwaukee. Spielmann then freelanced for magazines and newspapers and wrote the book The Life Insurance Conspiracy (1979). After earning an M.S. from Columbia University's Graduate School of Journalism in 1984, Spielmann worked as an investigative editor for the CBS Evening News, and joined AP’s International Desk the following year. Spielmann was an AP correspondent at the United Nations for five years.

Neher recalled: > Several years of work on this strip gave me experience enough to attempt my > own strip, Otto Wall, a radio strip. A golf strip, Layon McDuff, came next, > followed by Goofey Movies, an animal strip, and Just Like Us, a kid strip, > which appeared in the first issue of Family Circle magazine and thereafter > for four years. From 1930 to 1934, I freelanced to magazines, having some 40 > markets, including Punch, the English magazine. I was the first American to > sell to Punch in 20 years.

Holub graduated from college in Texas with a fine arts degree and then freelanced as an art director at a graphic design firm for eight years. She dreamed of working in children's books, so she moved to New York City and became associate art director in Scholastic trade books where she designed books for children and worked with editors and illustrators. She illustrated her first published children's book in 1992 and soon began illustrating full-time. She began completing manuscripts and mailing them out to publishers in the early 1990s.

Newman's final musical score under his Fox contract was The Best of Everything (1959), and after leaving Fox in 1960, Newman freelanced for the remainder of his career, writing the scores for such films as MGM's How the West Was Won (1962), which some consider his most familiar and best score. It is listed on AFI's 100 Years of Film Scores. That score and The Greatest Story Ever Told (1965) were nominated for an Oscar. Newman remained active until the end of his life, scoring Universal Pictures' Airport (1970) shortly before his death.

Higgins was born in Los Angeles. Higgins played on Ornette Coleman's first records, beginning in 1958. He then freelanced extensively with hard bop and other post-bop players, including Donald Byrd, Dexter Gordon, Grant Green, Herbie Hancock, Joe Henderson, Don Cherry, Paul Horn, Milt Jackson, Jackie McLean, Pat Metheny, Hank Mobley, Thelonious Monk, Lee Morgan, David Murray, Art Pepper, Sonny Rollins, Mal Waldron, and Cedar Walton. He was one of the house drummers for Blue Note Records and played on dozens of Blue Note albums of the 1960s.

86 which confirmed Indonesian designs on New Guinea and Papua, and his scoop was also published in Pix. From 1963 Beal freelanced, his photographs appearing regularly in magazines including Walkabout,Magagnoli, P. (2019). “A Library of Photographs Covering the Entire Continent”: Walkabout Magazine and the Politics of Documentary in Post-War Australia. Photography and Culture, 1-28 When he learned that his future wife Dawn intended to travel to the United Kingdom he resigned from the Herald group, and bought a Land Rover with his brother to drive north from Adelaide.

Dennis Berry (centre top), his wife, and members of the Dutch Songwriters' Guild In 1939 Berry joined Francis, Day, and Hunter as a copyist before going on to Boosey & Hawkes as a staff arranger, then to Lawrence Wright and Paxton Music, and finally Peer-Southern. He arranged for Carroll Gibbons, The Squadronaires, and Ted Heath. As Paxton's representative he was based in Amsterdam, and became staff arranger for the Skymasters Dance Orchestra and freelanced for The Ramblers and the Metropole. He was a correspondent for Variety and Melody Maker.

Born in Brooklyn, New York, Caramanica received his bachelor's degree from Harvard University in 1997, after which he attended Goldsmiths, University of London where he did PhD work but failed to get a PhD. He has published articles in Rolling Stone and Spin, before becoming a senior contributing writer for XXL. In 2006, he left XXL to become the music editor for Vibe, a position he held until leaving the magazine in 2008. He began working for The New York Times in 2010, after previously having freelanced for the paper.

After graduating, DiPreta and fellow future professionals Red Wexler and Bob Fujitani took classes at the Silvermine Guild, where the trio drew from live models. DiPreta had worked for a local advertising agency while attending high school, and after a year doing that, he obtained a union job at McCalls Photo Engraving, also in Stamford. During his subsequent year at McCalls, DiPreta began coloring comic books for company client Quality Comics, located a half-mile away. Separately, DiPreta freelanced as a fill-in letterer for Lyman Young's newspaper comic strip Tim Tyler's Luck.

Khyrunnisa worked as Associate Professor of English at All Saints’ College, Thiruvananthapuram. She was appointed Management Trainee in Punjab National Bank and worked there for two years before resigning to take up a teaching job at All Saints’ College. She was a columnist for The New Indian Express, writing on classics and well known works of fiction and for The Hindu where she had a popular fortnightly humour column, Inside View in The Hindu MetroPlus. She has freelanced for publications like Outlook Traveller, Manorama Year Book and Kerala Calling, among others.

Bru's parents encouraged him to pursue a stable career, however Bru studied at the Academy of San Carlos and post-graduation, he began working for the J. Walter Thompson advertising agency (JWT). Seeking independence, he freelanced from Barcelona, Spain from 1978 to 1980, before moving to New York City. Here, he accepted work with NBC, and two advertising agencies. He has been regularly commissioned to illustrate for the Washingtonian magazine, corporations including Mobil, the United States Government, and newspapers such as The Washington Post, The Baltimore Sun, The Boston Globe and The New York Times.

Her first assignment was to Signals Intelligence Training in San Angelo, Texas, where she met her future husband, Robert Fabian, a first lieutenant at El Dorado Missile Warning station. Karina began her writing career in earnest in the summer of 1995, taking on writing jobs with the Diocese of Wyoming, and working freelance for nonfiction magazines. Her writing career changed with their location and the situations in their lives. She mostly freelanced, writing on the topics of pregnancy, parenting, and homeschooling, until 2007, when she began to devote herself mostly to fiction writing.

Dick Briefer studied at the Art Students League in Manhattan, New York City, and debuted in comic books in 1936 with work in Wow, What A Magazine!, one of the era's proto-comics "Comic books": tabloid-sized collections of comic strip reprints in color, which would later include occasional new comic strip-like material. Wow was edited by Jerry Iger, and when the comic ceased publication with issue #4 (cover-dated Nov. 1936), Briefer freelanced for the newly formed Eisner & Iger,Dick Briefer at the Lambiek Comiclopedia. Archived March 9, 2010.

Alix Spiegel was a founding producer of This American Life and freelanced for NPR's Science Desk covering psychology and human behavior. At Chicago's Third Coast International Audio Festival, Spiegel met former Radiolab producer Lulu Miller and asked her to co-produce a piece she was working on. The two began collaborating on radio stories and conceived of a new long-form program that would become Invisibilia. The show's first six-episode season aired from January to February 2015, with excerpts occasionally running on All Things Considered, Morning Edition, Radiolab and This American Life.

Ali is a native of Donga-Mantung Division, Cameroon. She received her Bachelors of Science, Masters of Science, and Diplôme d'Étude Approfondie from University of Yaoundé I, Cameroon. She received her Ph.D. in Geology and Aqueous Geochemistry from the Boone Pickens School of Geology at Oklahoma State University in 2010 with a dissertation entitled Carbon Cycling and Stable Isotope Evolution in Neutral Mine Drainage. She worked as a pedologist and environmental geologist for a 660-mile baseline survey of the Chad-Cameroon pipeline project and freelanced as a technical translator.

Turner's first published article was in the Beatles Monthly in 1969. His career as a journalist began as features editor of Beat Instrumental, where he interviewed many of the prominent rock musicians of the 1970s. He subsequently freelanced for music magazines such as Melody Maker , NME and Rolling Stone. During the 1980s, he wrote extensively for British newspapers and magazines on a range of subjects as well as produced his study of the relationship between rock music and religion, Hungry For Heaven, and co-authored U2: Rattle & Hum, the book of the eponymous 1988 film.

He also freelanced and found success with his own comic strips "Kermit the Hermit" and "Norman" and formed a production company, Ariel Productions, with the late Al Kouzel that created Sesame Street animated spots, commercials and continued the Winky Dink and You TV series. He later concentrated on writing and drawing his own "gags" for such well known magazines as Playboy, Penthouse, Punch, Collier's Weekly and Omni. In 1958, Bauer married Norma (Dianne) Littlejohn. They had three children, Nyles Bauer (born 1961), Aimee Bauer (1962) and Laura Bauer (1965).

Stone began her career working for small newspapers in New York, Florida and Illinois, including the Riverdale Press in the Bronx. She also freelanced early on for Newsweek, Business Week, Chicago Tribune, The Gainesville Sun (Fla.) and several New York City weekly newspapers. In 1984, she went to work as a reporter, researcher and editor for Gannett News Service and Pennywhistle Press in Arlington, Va. The following year, she began as a reporter in the Money section of USA TODAY. In 1989 she joined the News section as a national correspondent.

Glen Lockett was born to a Caucasian mother and an African-American father in 1951 and raised in upper-middle-class Hollywood. Lockett's father was a member of the Tuskegee Airmen in WW II. Lockett moved from Hollywood to Hermosa Beach in the mid-seventies where he met Greg Ginn while working at a vegetarian restaurant called Garden of Eden. Lockett also freelanced for Easy Reader, authoring record reviews under the name Spot. Befriending Ginn, Spot was briefly bassist for Panic, the band which would soon become Black Flag.

A graduate of York University, Pite began his professional career in California in 1980 where he worked as a freelance drummer. In 1981 he returned to London and freelanced in jazz, rock and country music. He joined the Carey Duncan Band in the summer of 1981 and spent two years touring Europe and the US with this Country Rock combo. He was concurrently working with a 1920s jazz band called The Rio Trio which, in 1982, became the resident band on BBC Radio 4's weekly show, And So To Ned, hosted by Ned Sherrin.

Levine's academic background was in music and communications. Her first job in broadcasting was at the full-time, non-commercial classical music station WMHT-FM in Schenectady, NY. She moved to Washington, D.C. in 1977 to work at NPR, where she produced the arts magazine, Voices in the Wind. In 1979, she became part of the original staff of Morning Edition, where she remained until moving to London to report for the BBC World Service. While abroad, she also freelanced for NPR, CNN and the BBC domestic service.

Prior to joining 3-2-1 Contact, Alfonso was a contributing director for Sesame Street where he started in the series second season as post-production supervisor and video editor. He was nominated for a nighttime Emmy for his directing in "Sesame Street in Puerto Rico". He left Sesame Street in 1979 and returned to the Children's Television Workshop (now known as Sesame Workshop) to work in 3-2-1 Contact. After leaving Sesame Workshop, Alfonso freelanced as director and writer of numerous specials for PBS, Nickelodeon, and NBC.

Talbot was born and raised in Los Angeles, California. He attended Harvard Boys School but did not graduate after falling afoul of the school's headmaster and ROTC program during the Vietnam War. After graduating from the University of California at Santa Cruz, he returned to Los Angeles, where he co-wrote with Barbara Zheutlin a history of the Hollywood Left, "Creative Differences", and freelanced for Crawdaddy, Rolling Stone, and other magazines. He later was hired by Environmental Action Foundation in Washington, D.C. to write "Power and Light," a book about the politics of energy.

After receiving a masters in journalism from Northwestern University Foti moved to Buenos Aires, where freelanced for Argentine News and the Buenos Aires Herald. After her return to Chicago, Foti worked for Academy of General Dentistry, managing AGD Impact and writing communication pieces. After leaving the AGD she started her own writing company Lotus Ink and wrote content for websites, newspaper columns, and features. She also penned two mystery novels: Skullduggery published by Creative Arts, and The Diva’s Fool published by Echelon Press, which won the 2008 Lovey Awards for Best Paranormal / SciFi / Horror.

According to Schroeder he left Boeing in 1970 to become the chief sculptor of the Franklin Mint, located in the Philadelphia suburb of Aston Township. There he helped to design and produce commemorative coins. Leaving this position in 1979, he moved to Florida, where he freelanced for Franklin and other mints for approximately four years before retiring. His sculpture work afterward included a life-sized sabre-tooth cat model for a museum in Silver Spring, Maryland; he gave the model an articulated jaw that opened when viewers pressed a button on the floor.

Trembly learned to play the double bass with the help of David Borkenhagen, John Palacios, Peter Mercurio, and Nat Gangursky. Just before his senior year in high school, Trembly studied with Stuart Sankey at the Aspen School of Music on a full scholarship, and the following three years continued this collaboration at the Juilliard School on a Naumberg scholarship. While in New York, Trembly freelanced with several orchestras, including the Hudson Valley Philharmonic, the Village Light Opera, American Opera Society, and the American Symphony Orchestra, under the direction of Leopold Stokowski. Trembly acquired his current position in the Los Angeles Philharmonic in 1970.

Lewis was educated at school in his native city of Cardiff in Wales. His father, Bruce Lewis, had already been a presenter for Television Wales and West (TWW), where Peter Lewis began announcing during the mid to late 1960s. During this period, he became one of the youngest people on British television to present his own programme - Movie Magazine (the precursor to Cinema and Film Night) - an original idea devised by his father and Peter Duval. Lewis joined London Weekend Television during its opening month in August 1968 and around the same time, freelanced for Yorkshire Television.

In 1984 he moved to Santa Monica, California, where he freelanced with Star, Globe and the National Enquirer as well as UK and Australian magazines and tabloids. After his third marriage to a Korean American ended in disaster in 1997 he moved to Las Vegas. In 2002 he was invited by the Singapore government to write travel features to attract American tourists - and stayed to marry his fourth wife - this time a Chinese Singaporean. While freelancing for Australian and UK publications he began researching his Once a Jolly Hangman book which resulted in his arrest in 2010.

After the war, Steinweiss freelanced for Columbia. During one lunch meeting there, the company's president, Ted Wallerstein, introduced him to an innovation that the company was about to unveil: the long-playing record. But there was a problem. The heavy, folded kraft paper used to protect 78 rpm records left marks on the vinyl microgroove when 33 1/3 rpm LPs were stacked. Steinweiss was asked to develop a jacket for the new format and, with help from his brother-in-law, found a manufacturer, Imperial Paper Box, that was willing to invest about $250,000 in equipment.

In 1981, she founded The Bangs, later renamed The Bangles, with her sister Debbi Peterson, and Susanna Hoffs. After The Bangles disbanded in 1989, Peterson played with the Continental Drifters and The Psycho Sisters, in both cases alongside Susan Cowsill. In addition to performing their own material, The Psycho Sisters freelanced as backing singers (Steve Wynn's Fluorescent, Giant Sand's Center of the Universe), and Peterson has also contributed harmony vocals to recordings by the Hoodoo Gurus, John Doe, Tom Petty and Belinda Carlisle. Additionally, she replaced a pregnant Charlotte Caffey on the 1994–95 Go-Go's reunion tour.

27 December 2007 He admits that his love for photography began when The Family of Man photographic exhibition came to Poland in 1956, coinciding with the time he was given his first camera, by his grandmother.Andrezej Sawa Nikon Professional Services Sawa obtained an engineering degree in Poland but later began freelancing for newspapers and shot stills for the local television broadcaster before joining the broadcaster as a cameraman, although in his heart he remained a photographer. In 1970, Sawa emigrated to South Africa, working in electronics at STC. While there he freelanced as a photographer for South Africa's Sunday Times newspaper.

It was a haunt for show people and they got to accompany such names as Danny Kaye, Billie Holiday, Pearl Bailey, and Sarah Vaughan. On leaving the Stork Club, Termer freelanced around, but mainly he accompanied Diana Dors, whenever she did cabaret. Also Marlene Dietrich, Matt Monro and his greatest personal thrill was playing for Judy Garland at the London Palladium, in August 1960. Over the years, Termer performed on many TV and radio broadcasts, shows, concerts, gigs and recording sessions, including a track on the Melody Maker Jazz Poll Winners album 1957 with The Vic Ash Quintet.

El Sol was founded in 1982 in Queens, New York, by Arnulfo Arteaga, a native of Colombia, originally with a circulation of only 300 copies, which he distributed from a shopping cart he found in a Dumpster. Arteaga already had 20 years of experience in journalism before he immigrated to the United States in 1980. In New York City, he freelanced for El Diario and La Prensa, but couldn't get a permanent job with either because he didn't speak English well enough. The newspaper began circulating in Fairfield County, Connecticut, in 1995, and in 2002 moved its news operation to Stamford.

Immediately after the war Chiba's photographs appeared in the contests pages of Camera and other magazines, and he became a central figure in the photographic culture of Akita (a part of Japan that would attract Ihei Kimura, Hiroshi Hamaya and other photographers). From 1952 Chiba freelanced as an Akita-based photojournalist in his free time, but after half a year's hospitalization he closed his kimono shop and opened a shop in Yokote selling photographic supplies. From around this time Chiba concentrated on photographically documenting the history of the area. Chiba was hospitalized in October 1965 and died on 29 December 1965.

Deming was born and grew up near Cleveland, OH. He attended Western Reserve University's Cleveland College, where he studied speech, dramatic arts and radio production. As part of a college radio play production class, he first appeared on the airwaves of WHK radio in the autumn of 1932. After college, Deming freelanced for a number of area stations and also landed an announcing job in West Palm Beach, FL before returning to his native Cleveland in the 1940s. The new medium of television greatly interested Deming, and he broke in via Cleveland NBC affiliate KYW-TV as an afternoon movie host in 1949.

Barrett has freelanced for websites and publications such as The Investigative Reporters & Editors Journal, The Christian Science Monitor,The Christian Science Monitor, "Pivotal Vote for Native Hawaiians," by Greg Barrett, Aug. 14, 1996, Page 1-A Salon.com, Sacramento magazine, Conspire magazine, The Huffington Post and others. Topics of his freelance articles have ranged from first-person participatory journalism with him fighting PAL national middleweight champion Ahmad Hempstead in Sacramento's Arco Arena to his investigations into Congress' decades-old War on Cancer, U.S. policy in the Middle East, and essays about his methods of investigative research and reporting.

While working full-time in television, Butti freelanced for a number of projects. In 2010, she worked as a production assistant on the set of Mission Impossible: Ghost Protocol while filming scenes at the Burj Khalifa and DIFC alongside Tom Cruise, Simon Pegg and Jeremy Renner. In 2011, Dina joined the Bareface talent agency and began regularly emceeing for events, including Games ‘12, Gourmet Abu Dhabi, Cityscape, Arab Health Summit and the Global Entrepreneurship Summit in Dubai. In 2011, Butti briefly filled in for radio host, Priti Malik, presenting the gossip on The Kris Fade Show on Virgin Radio Dubai.

After leaving animation, Straczynski freelanced for The Twilight Zone writing an episode entitled ("What Are Friends For") and, for Shelley Duvall's Nightmare Classics, adaptating The Strange Case of Dr. Jekyll and Mr. Hyde, which was nominated for a Writer's Guild Award. Straczynski was then offered the position of story editor on the syndicated live-action science fiction series Captain Power and the Soldiers of the Future. Straczynski constructed a season long arc with lasting character changes and wrote a third of the scripts himself. After one season, the toy company Mattel demanded more input into the show, causing Straczynski to quit.

Although Shaefer and her husband were opponents of the Nazi regime, and helped Jews by hiding them for a while, at the same time they wrote for officially sanctioned publications. In the aftermath of World War II, Oda's son was missing and her husband was severely injured. They lived for a while in the middle of a forest and then in Switzerland, before going to Munich in 1950, where she freelanced for various newspapers and broadcasts. Schaefer's literary work consists primarily of poetry in traditional forms inspired by the naturalist poet Wilhelm Lehmann and George von Vring.

In 1936, Agronsky became a reporter for the Palestine Post, precursor to today's Jerusalem Post, which had been founded by an uncle, Gershon Agron. In 1937, he left the newspaper to become a freelance journalist. During this period he covered the last days of the ill-fated League of Nations and the Spanish Civil War of 1936–39. During his time in Europe, he freelanced for various American, British, and other newspapers and various wire services around the world including a freelance piece he wrote for Foreign Affairs magazine on the rise of anti-Semitism in Mussolini's Italy.

" She was a pop culture writer and music critic for The Miami Herald from 2001-2007. In the early 90s McDonnell freelanced for publications including Rolling Stone, Spin, Ms., The New York Times, and Billboard. She wrote frequently about bands and musicians associated with the underground feminist punk movement, Riot Grrrl, and was a founding member of Strong Women in Music (SWIM), an activist group supporting women on all music-industry levels. McDonnell wrote: "It was the early '90s, when direct activism, identity politics, hip-hop, and grunge were driving forces of the dawn of the Clinton era.

On September 8, 2006, the publisher of the Miami Herald, Jesús Díaz Jr., fired three Nuevo Herald journalists – Pablo Alfonso, Wilfredo Cancio Isla and Olga Connor – because they freelanced for Radio/TV Marti, a U.S. Government news agency. Less than a month later, Díaz was instructed by his superiors at The McClatchy Company, the parent company of the Miami Herald and el Nuevo Herald, to re- hire the three journalists because they had prior approval to freelance for Radio/TV Marti from their supervisor at the time, el Nuevo Herald executive editor Humberto Castelló. Díaz resigned after reinstating the fired journalists.

ET sportscast at WTVJ-TV in Miami, winning a local Sports Emmy in 1988. From 1989–90, she freelanced as a specials producer for WPLG-TV in Miami. In addition, she produced two magazine shows, Greyhound Racing America in Miami, Florida (1988–90) and Cowboys Special Edition in Irving, Texas (1990–91). In 1991, Kolber's freelance assignments included work as a reporter/producer for Breeders' Cup Newsfeed in Greenwich, Connecticut; a field producer for Inside Edition in New York City; a sports specials producer for WCIX-TV in Miami, and a producer/director for NFL Films.

Kenny Kosek's early musical influences included Clark Kessinger, Vassar Clements, The New Lost City Ramblers,Stacy Phillips, "Gigging fiddler: Kenny Kosek: Life without a day job", Strings, 1 January 2000, online at Questia Online Library. Kenny Baker and the May Brothers - Andy and Henry. While attending college, he played with The Star Spangled String Band and The Livingstone Cowboys, and freelanced in the Bleecker Street folk scene. His first post-collegiate professional work was as a member of the David Bromberg Band, and with a short-lived rock band, White Cloud, led by legendary hipster producer Thomas Jefferson Kaye.

Geraghty started her photographic profession at Albury-Wodonga's The Border Mail in 1997. Then she freelanced in Cambodia and Australia. In 2001 she joined The Sydney Morning Herald,"Geraghty, Kate" The Australian Women's Register, 2008-10-20, Retrieved 2010-06-05 where her first assignment was to cover the 2002 Bali bombings. Since then, provided reportage of the arrest in Jakarta of Amrozi bin Nurhasyim and Samudra, the 2009 Jakarta bombings, the 2003 invasion of Iraq, the aftereffects of the 2004 tsunami in Aceh, Indonesia, Van Tuong Nguyen's execution in Singapore, and the war in Lebanon.

's "Rock Wives" and VH1's "Do it for the Band: The Women of the Sunset Strip." Friend also consulted on the 2010 documentary Rock Prophecies about rock photographer Robert Knight, directed by John Chester. The U.K.'s Sexy Intellectual Productions featured Friend extensively in their recent DVD releases, Guns N' Roses: 2 Classic Albums Under Review (Use Your Illusion I and II) and AURAL Amphetamine: Metallica and the Dawn of Thrash. Friend relocated to Las Vegas in the fall of 2003, and freelanced for several local publications including Las Vegas Life, Las Vegas Weekly, Vegas Golfer and HRH (Hard Rock Hotel).

14 Hart freelanced in the 1950s for that decade's Marvel predecessor, Atlas Comics, and also wrote for detective and true-crime magazines, occasionally being recruited to pose as a character on a photo- cover. Hart also began freelance editing, illustrating, and ghostwriting for Herbert Axelrod's newly formed TFH Publications, helping produce its technical books for pet-owners, and eventually joined its staff and became editor-in- chief. He drew cover art for Alan Kirk's TFH book on Scottish terriers and Allan Easton's on Shih Tzus. In 1965, he returned to a staff position at TFH, by then based in Jersey City, New Jersey.

After dissolving Argosy, Ford freelanced for the remainder of his career, directing occasionally for television and making several films including The Man Who Shot Liberty Valance and the Civil War sequence of the Cinerama epic How the West Was Won (both 1962). Ford's final film as a director was Chesty (1970), a documentary short about Marine Corps lieutenant general Lewis "Chesty" Puller. Ford is widely regarded as one of the most important and influential film-makers of his generation. Ingmar Bergman called him the greatest movie director of all time and Orson Welles regarded him highly.

Yeomans graduated from the University of St Andrews in 1992 and began her writing career a year later in Paris where she was Arts Editor and then Editor of the English language lifestyle monthly Boulevard. While in Paris she freelanced for publications including The Daily Telegraph and The Sunday Times. On her return to the UK in 1996 she was appointed Features Editor of The European newspaper, reporting on news, culture and fashion from across Europe. She moved to Tatler in 1997 as Features Editor becoming Senior Features Editor less than a year later and Deputy Editor just a few months after that.

Before coming under contract at Universal, Ahern freelanced and appeared in a variety of wide-ranging productions. She appeared in five Will Rogers comedies, including Jubilo, Jr. (1923) and Going to Congress (1924), as well as in Charley Chase shorts like Sweet Daddy (1924), The Family Entrance (1925), and His Wooden Wedding (1925). Like most child actors she not only had a flair for comedy, but also for melodrama and actioners, too. In her work with female action figure Helen Holmes, Ahern, like Holmes, did her own dangerous stunts, particularly in Webs of Steel (1925), but also in The Lost Express (1925).

Evanier, Mark. "Don Heck" (obituary), POV Online (column), March 24, 1995 Stationed in Colorado, Morisi wrote for such Fox romance and crime comics as Feature Presentations Magazine and Murder Incorporated.Pete Morisi at the Grand Comics Database. On his return, Morisi freelanced for companies including Comic Media, Harvey Comics, Fiction House, Lev Gleason Publications, Nesbitt Publishers, Quality Comics, Toby Press and the Marvel Comics precursors Timely and Atlas, where his work appeared in titles including the Westerns Arizona Kid, Cowboy Romances and Texas Kid, and the horror/suspense anthologies Astonishing, Journey into Mystery, Marvel Tales, Strange Tales and Uncanny Tales.

She started her newspaper career with The Moscow Times, in Moscow, in 1994, and covered the first war in Chechnya intensively for the paper, among other stories all over the former Soviet Union. She also freelanced for British papers (The Independent, The Times, and The Sunday Times) as well as American publications (USA Today, Newsweek and The New York Times). In 1996 she co-authored with Thomas de Waal, Chechnya: A Small Victorious War. In 1997 she published Chechnya: Calamity in the Caucasus, the book was awarded the James Cameron prize in the UK in 1997.

The readers of the blog included a female networks theorist interested in locative technology, and a Manhattanite of mixed heritage who freelanced with his family for organized crime. The plot would have followed those readers' attempt to track a shipping container through Warchalker on behalf of an unnamed villain. The characters from the proposal did appear in the final version, albeit in much-altered form. An early draft featuring the musician- turned-journalist Hollis and half-Cuban spy Tito as the two protagonists did not satisfy Gibson, and so he introduced the character of Milgrim, the drug- addled translator.

Born in Oklahoma City, Lamond attended the Peabody Conservatory in Philadelphia in the early 1940s, and played with Sonny Dunham and Boyd Raeburn at the outset of his career. He took over Dave Tough's spot in Woody Herman's big band First Herd in 1945, where he remained until the group disbanded at the end of 1946. In 1947 he briefly freelanced with musicians including Charlie Parker, and then returned to duty under Herman in his Second Herd, where he remained until its 1949 dissolution. In the 1950s and 1960s Lamond found work as a session musician, recording in a wide variety of styles.

Following her divorce from Austin, her journalism experience in Hollywood help her launch her business as a journalist, working through some of the top press agents in the newspaper industry. She freelanced in Fleet Street until she did a course in hypnotherapy, discovered she was good at it, and built a career of over 30 years. During this time she had five documentaries made and over 70 major articles published about her hypnotherapy career. Her first Book, 'Self Hypnosis' (1992) was called, "A little gem" by executives at Thorsons publishing, an arm of Harper Collins, and the book is still in print.

While at Universal, Hervey appeared in The League of Frightened Men (1937) and Destry Rides Again (1939) with Marlene Dietrich and James Stewart. She also intermittently freelanced at other studios, appearing in such films as Grand National Pictures' The Girl Said No (1937), a musical comedy featuring music by Gilbert and Sullivan. At Universal from 1940 to 1943, Hervey had the lead in 11 B pictures, one A (The Boys from Syracuse) and one serial (Gang Busters). In 1943, Hervey was seriously injured in a car accident and was forced to retire from acting for five years.

Kidd is currently the associate art director at Knopf, an imprint of Random House. He first joined the Knopf design team in 1986, when he was hired as a junior assistant. Turning out jacket designs at an average of 75 covers a year, Kidd has freelanced for Amazon, Doubleday, Farrar Straus & Giroux, Grove Press, HarperCollins, Penguin/Putnam, Scribner and Columbia University Press, in addition to his work for Knopf. Kidd also supervised graphic novels at Pantheon, and in 2003 he collaborated with Art Spiegelman on a biography of cartoonist Jack Cole, Jack Cole and Plastic Man: Forms Stretched to Their Limits.

Returning to London, he freelanced as a film editor from 1968 to 1971, working with theatre director Peter Brook and Thames Television's Jeremy Isaacs, and was credited as editor of Maurice Hatton's 1970 film Praise Marx and Pass the Ammunition.AllMovie: Eduardo Guedes (accessed: 7 June 2013) In 1971, Guedes joined Cinema Action. This was a key component in the organisation of the Independent Film-makers Association which campaigned, among other things, for airtime for independents on the UK Channel 4 network. In 1981, Guedes shot and edited a documentary, So That You Can Live, which opened Channel 4's independent film slot.

Giella later freelanced for Fawcett Comics, commuting by bus to C. C. Beck's and Pete Costanza's studio in Englewood, New Jersey, to ink Captain Marvel stories. In either 1946 or 1947, he began freelancing for Timely Comics, the 1940s precursor of Marvel Comics, and shortly afterwards joined the staff. His start was rocky, however; as a 2012 article related, "I would do any work that they offered," Giella had recalled in a 2005 interview. "I started out doing a little touch-up work, a little background work, a little inking, redraw this, fix this head, do something with this panel".

Papasan moved from New York to Austin, Texas with his wife Wendy in February 2000. He freelanced while looking for work, eventually landing as a newsletter writer for Keller Williams Realty. He worked in various positions within the company, learning about the real estate industry and eventually learning that co-founder Gary Keller was planning to write a book. Papasan ran into Keller and asked him if he was aware that he had previously worked in publishing. He spoke with Keller about Keller's plans to write 14 books, showing him two books that he wanted to model on.

Through the 1980s he freelanced for BBC, in particular on the BBC World Service, and published a book "The Archer-Shees Against the Admiralty" which was a factual account of the Archer-Shee case upon which Terence Rattigan based his play The Winslow Boy."Crass stupidity, high tragedy", The Catholic Herald, 6 April 1973 His research unearthed the original five-shilling postal order which caused the problem. He also contributed many articles to the classical magazine Music and Musicians. Then in the 1980s he was a reporter for the London commercial news station LBC, mainly of the flagship breakfast-time 'AM' programme.

The Dominion Post, COLLETTE DEVLIN, January 20 2015 Schulz freelanced for Animal Balance to document the destruction of natural heritage on the Galapagos Islands by cats and dogs and to advocate for spaying and neutering. As well as filmmaking, Schulz is an AYTT-certified yoga instructor, and participates in Buddhism, white-water kayaking, and paragliding. Schulz qualified as a NAUI scuba diving instructor under the course direction of Jim Hicks, in Durban, South Africa in 1991. She worked as a dive instructor for Island Ventures on the Indian Ocean island of Grand Comore Island from 1991-1993.

David Tyron King wrote two freelance episodes (as Ty King), King was previously an executive producer on the previous series Whedon worked on, Parenthood (1990). Former story editors Matt Kiene and Joe Reinkemeyer returned and wrote one freelance episode. The other freelanced script of the season was "Go Fish", wrote by husband and wife team David Fury and Elin Hampton, Fury would continue to write freelance in the following season before joining the show full-time. Both Joss Whedon and Bruce Seth Green directed the highest number of episodes in the second season, directing five episodes each.

Due to being born blind in the right eye, he was not called up for combat duty, but served as a dog handler, playing his alsatian at major festivals. Van Heerden initially studied law, and was admitted to the South African Side Bar as attorney. He freelanced as deputy sheriff for the Civil Court, and moved about in the townships around Cape Town, dispensing civil summonses and learning a great deal about life in these suppressed communities. As a young practitioner, his clients were mostly from the black and coloured crime-ridden communities around Cape Town.

Throughout her life, Arlene Gottfried freelanced for many top publications, including The New York Times Magazine, Fortune, Life, and The Independent in London. In her later years, she published five books of her work: The Eternal Light (Dewi Lewis Publishing, 1999), Midnight (powerHouse 2003), Sometimes Overwhelming (2008), Bacalaitos and Fireworks (powerHouse 2011), and Mommie: Three Generations of Women (powerHouse 2015). The Eternal Light focussed on a choir Gottfried first saw at a Gospel Fest, which also led to her discovery of her love for singing. Midnight is a series of photographs that followed a man named Midnight who struggled with schizophrenia.

Having freelanced for Raidió Teilifís Éireann while at UCD, he was appointed their London correspondent in 1968, before working at the Conservative Research Department from 1969, where he became a Zionist. He became political editor of The Spectator in 1971, where his numerous, often scathing, articles about Ted Heath's leadership were influential in effecting the change to Margaret Thatcher, and earned him the nickname "The Mekon". When Thatcher first saw him speaking on television, she reportedly dismissed him as a "typical upper-class public school twit", to his subsequent delight. In 1975, he became her advisor while she was Leader of the Opposition.

He was arrested in the Ukrainian city of Kharkov, hours before he was scheduled to perform at a factory, as a special performance. Despite the brevity of the incarceration (8 years), this has totally shattered his concert career: thor years Shtarkman was allowed only to perform in the far off provinces or in the secondary concert halls. The arrest had also become an impediment to educational activities of Shtarkman: from 1969 he freelanced unofficially at the School of Gnessin and only in 1987 became a professor at the Moscow Conservatory. After that he began to perform in many countries around the world.

Immediately after graduating from Yale, O'Rourke began an internship as an editor at The New Yorker. She was promoted to fiction/nonfiction editor in 2000, becoming one of the youngest-ever editors at the publication. During this time, she also freelanced as a contributing editor of the literary quarterly Grand Street, In 2002 O’Rourke moved to Slate, an online magazine that covers news, culture, and politics. She served as culture and literary editor there from late 2002 to mid-2009 and was a founding editor of DoubleX, a section on Slate that focused on women’s issues.

11 Sekowsky continued drawing for Timely in multiple genres through the 1940s and into the 1950s, on such Western characters as the Apache Kid, the Black Rider, and Kid Colt for Marvel's 1950s iteration, Atlas Comics. He later freelanced for other companies, drawing the television show spin-offs Gunsmoke and Buffalo Bill, Jr. for Dell Comics; romance comics (for Crestwood, Fawcett Comics, Nedor, Quality Comics, and St. John Publications); the jungle adventure Ramar of the Jungle for (Charlton Comics); war, including Ziff Davis' G.I. Joe, and others. He continued to draw for Dell in particular through the early 1960s.

After 1973, he freelanced working with various units including the White Eagle Band of Berlin with the late clarinetist/saxophonist Peter Müller and trumpeter Raimer Lösch. Marks also played with Kid Thomas, clarinetist/saxophone player Sammy Rimington, and the Louis Nelson Band, among others. Marks made his home-base in Berlin, Germany in the late 1970s from where he produced recordings and played with his own New Orleans Jazz trio. During the 1980s he began touring with Sammy Rimington's Band again and also toured with the White Eagle Band, Berlin, and the Maryland Jazz Band, Cologne.

After his stint in the armed forces, Armani found a job as a window dresser at La Rinascente, a department store in Milan in 1957. He went on to become a seller for the menswear department, in which capacity he gained valuable experience in the marketing aspect of the fashion industry. In the mid-1960s, Armani moved to the Nino Cerruti company, where he designed menswear. His skills were in demand, and for the next decade, while continuing to work for Cerutti, Armani also freelanced, contributing designs to as many as ten manufacturers at a time.

In 1962, he moved to New York City to serve as managing editor of Car and Driver magazine until 1964. After living in Detroit for a time, working as a copywriter, in 1965 he divorced his wife, and a year later married Christine McCall, a writer and editor. In 1967 the Jeromes moved to New England. They lived in rural New Hampshire and then in rural western Massachusetts. Jerome freelanced as an editor and magazine writer, and wrote a dozen books, as well as the annual Complete Runner’s Day-by-Day Log and Calendar which he produced from 1986 through 2003.

Before moving to the United States in 1984, Perron danced with La Scala in Milan, where Maurice Béjart invited him to Brussels as part of Les Ballets Du XXe Siecle. His first principal contract came in 1980 with the Northern Ballet Theatre of England, where he danced the entire classical repertoire, including Giselle and The Sleeping Beauty. A second principal contract followed from Ballet Du Nord and principal roles with the Joffrey Ballet and then he joined the New York City Ballet, where he danced for six years. In 1993, he briefly danced with American Ballet Theatre and has since freelanced his talent.

Keberle played professionally while a student; he supported himself mainly as a pianist during his first four years in New York. Following his graduation, he performed with the David Berger Jazz Orchestra, the Lincoln Center Jazz Orchestra, the Maria Schneider Jazz Orchestra and Wynton Marsalis, among others. His compositions "Cylindrically" and "Something Speaking" were performed by the Juilliard Jazz Orchestra, and "Slants", a commissioned piece, was performed by the Spokane Jazz Orchestra. Based in Brooklyn, he freelanced as a recording and performing musician in multiple genres — in addition to traditional and avant-garde jazz, Keberle played with Latin, R&B;, and rock artists.

Gilroy (Chris Vance) is a former MI6 agent who freelanced all over the world and worked for Tom Strickler. Before Strickler was killed, both were working on "secret business". Gilroy has no problem killing innocent people and actually rather enjoys it, going as far as to kill his own teammates if they fail during a mission (like when he killed "Claude" due to "complications from [an] injury" despite the thief having only broke his ankle). He is rather good at what he does, committing violent acts and killing people without getting caught or being blamed for it.

For the next five years, Rourke freelanced at a number of theatres, while being resident at The Royal Court in London and Associate Director of Sheffield Theatres. While resident at The Royal Court theatre, under Artistic Director Ian Rickson, she programmed readings, developed new work and directed Crazyblackmuthafuckin’self in the Theatre Upstairs at the Royal Court and Loyal Women in the Theatre Downstairs. Her productions for Sheffield Theatres during this time were on the Lyceum, Crucible and Studio stages and included Much Ado About Nothing and Willis Hall’s The Long and The Short and The Tall. Her production of Steve Waters’ play World Music transferred from Sheffield to the Donmar stage.

Jones later freelanced for Marvel Comics, writing stories for Ka- Zar and Conan the Barbarian, as well as writing and drawing anthological science fiction and other stories for Marvel's black-and-white magazine line. In 1979, Jones met April Campbell and formed a writing partnership. From 1982–1984, Jones and Campbell, who formed the company Bruce Jones Associates, packaged, edited, and chiefly wrote the Pacific Comics titles Twisted Tales and Alien Worlds, as well as Somerset Holmes, Silverheels, and Pathways to Fantasy. During this time, Jones published the short story collection The Twisted Tales of Bruce Jones, with a cover and occasional illustrations by Richard Corben.

Sharma received a triple promotion and completed school at 14 before going to study at St. Xavier's College, Bombay; all other universities in India required a minimum age of 16. He was married to Susan Amanda Pick and they have two daughters: Namrita and Tara Sharma. Sharma's association with the Indian National Theatre, Mumbai, began in 1961 with the production by it of his first full-length play "Bars Invisible" and continued until the production of the banned "A Touch of Brightness." While working on his writing, Sharma freelanced as a narrator for short films and newsreels and directed a few documentaries for the Government of India.

De Lacy freelanced for several studios in the 1920s, but mostly for Paramount. In 1924 he played the role of Michael Darling in the classic silent version of Peter Pan, with Betty Bronson. He played the young Don Juan at ten years of age in John Barrymore's Don Juan (1926), and in 1927 he played the young prince Karl Heinrich in Ernst Lubitsch's memorable The Student Prince in Old Heidelberg, which also starred Ramon Novarro and Norma Shearer. Also in 1927 he starred with Greta Garbo and John Gilbert in Love, an updated version of the Tolstoy novel Anna Karenina in which he played the young son of Anna, Serezha Karenin.

Her mother is of Malay ethnicity and her father is Indian Malaysian. She is also the sister of Malaysian film director Joshua Fernandez and red fm DJ JJ Fernandez. She is a producer/director and was attached to Ntv7 and Channel V. Following her stint at Channel V she freelanced regionally, working on a number of acclaimed television programs including The Amazing Race Asia (from season 2 onwards), The Apprentice Asia and The Amazing Race Australia Season 1 which won an International Emmy. Zabrina is now one of 3 partners of Wildsnapper TV Sdn Bhd, a television and film production company based in Kuala Lumpur, Malaysia.

Kelly worked at Kix 96 FM until 2000, then freelanced as a radio presenter. He later joined the Newcastle upon Tyne, England based Galaxy North East where he presented the weekday evening show and a networked Saturday dance show. After two years, the then-owners of Galaxy (Chrysalis Group) decided to network his radio shows, resulting in him moving to the network centre, Galaxy Yorkshire in Leeds, England. He also presented a Saturday dance show on the Global Radio owned Capital London alongside his Galaxy shows and eventually in June 2009, he left Galaxy to work at Capital FM full-time, presenting the 2200–0200 slot.

Noel Neill, who had played Lois Lane in two Columbia Superman serials, in 1948 and 1950, replaced Coates. With the death of Noel Neill on July 3, 2016, Coates became the last surviving regular cast member from the Adventures of Superman TV series. Coates's Superman fame has obscured the fact that she was one of Hollywood's most consistently employed actresses of the 1950s and '60s. She freelanced steadily, appearing in numerous low-budget features, many of them Westerns, as well as serials and a steady stream of TV appearances, both as a regular in several series and as a guest cast member in others.

She thus became the first person to qualify as an Amnesty prisoner of conscience and thereafter, Amnesty International included homosexuality on their list of political crimes. Whilst she tried to take legal action, she was unsuccessful. Demir stood up for the rights of transsexual sex workers in 1995, when they were being arrested (and evicted) in order to "clean up" the neighborhood to organise the United Nations Habitat Conference, thus bringing greater visibility to transgender rights in Turkey. In 1996, she underwent a sex reassignment surgery to get a woman identity card and subsequently freelanced at workshops and press studios, before joining a company to avail of future retirement benefits.

After graduating from university in 1926, Ward married writer May McNeer and the couple left for an extended honeymoon in Europe Ward spent a year studying wood engraving in Leipzig, Germany, where he encountered German Expressionist art and read the wordless novel The Sun (1919) by Flemish woodcut artist Frans Masereel (1889–1972). Ward returned to the United States and freelanced his illustrations. In 1929, he came across German artist Otto Nückel's wordless novel Destiny (1926) in New York City. Nückel's only work in the genre, Destiny told of the life and death of a prostitute in a style inspired by Masereel's, but with a greater cinematic flow.

This prepared him for his sojourn into organized playing when he hit the hotel circuit playing with the Jocelyn Trott Orchestra in Montego Bay, in 1949. In the mid-1950s he freelanced with several other bands (including saxophonist Val Bennett's jazz band) until he joined the Arkland "Drumbago" Parks Studio Band. His upward "stumming" of the guitar became the signature style in the Boogie Shuffle/Ska In 1959 Haynes worked with Prince Buster and played guitar in many sessions. In 1961, he was contracted exclusively to Coxsone Dodd, though he played for other producers, such as Duke Reid, King Edwards the Giant and Lyndon Pottinger.

Later, Harris contributed to Punisher War Zone, and Punisher War Journal, and illustrated the Marvel limited series Cops: The Job, No Escape, and Dragon Strike. During the 1980s, before becoming a Marvel Comics regular, Harris also freelanced for DC Comics (where he illustrated, among others, All- Star Squadron), Comico, Deluxe Comics, Eclipse Comics, Fantagraphics, First Comics, and Harris Publications. In the mid-1990s, Harris worked for Tekno Comix/Big Entertainment on such titles as Lost Universe and Lady Justice. During this period Harris also did some G.I. Joe mini-comics, which were packaged with the toys; and illustrated a Magnus, Robot Fighter trading card for Valiant Comics.

Greg Palmer (May 1947 – May 8, 2009) was an American writer and Emmy Award- winning television producer and reporter. Greg Palmer was born in Seattle and raised on Mercer Island near Seattle, WA in May 1947 to attorney Harvard Palmer and his wife Gertrude, a homemaker. Greg Palmer died on May 8, 2009 of lung cancer and is survived by his wife of 40 years Cathryn Crosetto Palmer, two sons, Ira Palmer, 30, and Ned Palmer, 27, both of Seattle. Greg Palmer worked at and freelanced for several Seattle broadcasters and newspapers, including KING-TV, KCTS-TV, Crosscut, Seattle Weekly and The Seattle Times.

El-Hamalawy started working as a journalist in 2002 for the English language Cairo Times, where he covered protests, trials of dissidents and police torture news. He later joined the Los Angeles Times as a correspondent in Cairo. El-Hamalawy also freelanced for a broad array of local and foreign news organizations, including Bloomberg News and the BBC, and worked as a researcher for Human Rights Watch (HRW). He also worked as a managing editor for the leftist daily El-Badeel and was the founding managing editor of Al-Masry Al-Youm's English Edition as well as being one of founding editorial team of Ahram Online.

In 2008, Ghostshrimp freelanced for Cartoon Network, working with John Infantino to storyboard three episodes for the first season of Thurop Van Orman's series The Marvelous Misadventures of Flapjack. He eventually moved out to California to work full- time on the show's second season, but after completing only one episode was fired by Van Orman from the series due to disagreements with his storyboard partner, Mike Roth. Around this time, Adventure Time was in development and its producers had been long fretting about the series' background art. Creator Pendleton Ward wanted his series to be "fully realized", with a greater emphasis on the series' environment and setting.

See: Ro, Ronin. Tales to Astonish: Jack Kirby, Stan Lee and the American Comic Book Revolution, p. 92 (Bloomsbury, 2004); Scott Edward at the Grand Comics Database; and He and writer/editor Stan Lee introduced the Abomination as an enemy of the Hulk in Tales to Astonish #90 (April 1967). Kane also freelanced in the 1960s for Tower Comics' T.H.U.N.D.E.R. Agents, a superhero/espionage title, as well as the "Tiger Boy" strip for Harvey Comics. Kane then found a home at Marvel, eventually becoming the regular penciller for The Amazing Spider-Man, succeeding John Romita in the early 1970s, and becoming the company's preeminent cover artist through that decade.

In 1921 the couple went to Europe where Tunis freelanced as a sports writer for American publications and played in some tennis tournaments on the Riviera, including a match against King Gustaf V of Sweden, who was 70 at the time. Tunis also played a doubles match against the French women's champion Suzanne Lenglen. Returning to the U.S. at the end of the summer, he dropped in on former Harvard classmate Lawrence Winship, the Sunday editor of The Boston Globe. When Winship learned that Tunis actually knew the flamboyant Lenglen, he insisted he write an article about her for the Globe before leaving the building.

Encouraged by his employers during a brief stint as a copy boy in an advertising agency, he began to work more seriously as a photojournalist, gaining a commission from Walkabout to photograph Professor John Bishop, co-founder of the Adelaide Festival of Arts. On the same assignment he also made images of author Patrick White, dancer and choreographer Sir Robert Helpmann, actor John Bell and painter Sidney Nolan. In 1963 McFarlane moved to Sydney, working for The Bulletin and Australian Vogue. With the artist Kate Burness, who became his first wife, he travelled to London in 1969, where he freelanced for The Daily Telegraph, The Sunday Times Magazine, and NOVA magazine.

Wujcik also wrote the RPG After the Bomb for Palladium. He also freelanced for West End Games, and wrote one of the early adventures for the Paranoia roleplaying game, Clones in Space (1986) and contributed to the Acute Paranoia supplement (1986). While working at West End Games, Wujcik discovered that the company held a license for Roger Zelazny's Amber novels, which were among Wujcik's favorites, and he offered to design an Amber RPG game even through West End would not guarantee to publish it. While playtesting the game, Wujcik found that it worked better without dice, but West End did not agree, so he acquired the RPG rights to Amber.

In 2009 he left this position to fulfill to a greater capacity his hectic freelance schedule of commissions, workshops, residencies, teaching and conducting engagements, as Vice President on the Board of the International Federation for Choral Music, and freelanced as a choral conductor and teacher across the world including China, Japan, Taiwan, Korea, Indonesia, Canada, Singapore, Finland, Hungary and in the US. In 2018 Leek withdrew from the IFCM and now, living in Canberra, he continues to pursue his activities as a freelance composer, conductor, teacher and publisher around the world whilst Artistic Director/ General Manager of Canberra's Young Music Society, creating musical opportunities and experiences for young people.

Beginning in the mid-1940s, he worked for several years with Stan Lee on comic books at Timely Comics (now known as Marvel Comics), ranging from Combat Kelly and The Ringo Kid to Tessie the Typist. He also freelanced for a half-dozen other companies, including EC Comics. Berg retains notoriety as a contributing “good girl artist” during the 50s and 60s for such publications as editor Abe Goodman's Humorama, rendering attractive women using pinup stylings generally in the form of one-panel humorous gags. Berg’s body of contributions during this period rank him alongside recognized contemporaries such as Bill Ward and Bill Wenzel.

In the early 1940s the family moved to Brisbane, where Horseman freelanced, drawing comic strips for Frank Johnson Publications as well as contributing cartoons to Man Magazine, Australian Woman's Mirror and Rydge's Business Journal (for whom she created "The Tipple Twins"). Smith Weekly cartoonists Jim Russell & Mollie Horseman, 1932 From 1946 she worked for The Courier-Mail at the paper's Sydney Production Unit in York Street. Following the suicide of cartoonist, Jean Cullen, Horseman took responsibility for Cullen's new comic strip, "Pam" in the Sunday Mail and "The Clothes Horse" in The Sydney Morning Herald. "Pam" became Horseman's best-known work, running for over eleven years and becoming widely syndicated.

The staff included editor Russell Barnes, who had been at the helm since issue 2, as well as Games Editor Ben Biggs, who wrote a blog on the magazine's website, Sam Bandah, who ran the Letters page and designer Andy Salter. Stuart Campbell regularly freelanced for TPCG and wrote the monthly "Why I hate PC gamers" column for issues 3-12. Freelancer David Crookes produced a monthly two-page interview with many big names and some old school PC content was also taken from past issues of Retro Gamer. Freelancer James Pikover produced monthly hardware reviews, as well as the 2008 holiday gift guide special.

She wrote about theater for The Oregonian, anchored and reported for New York Public Radio, Bloomberg Radio, New York Times Radio, CNN and Fox News, and she freelanced articles for People, Entertainment Weekly, New York Newsday, American Theatre, and the Seattle Times. Her first book, Ted and Ann: The Mystery of a Missing Child and Her Neighbor Ted Bundy, was independently released in 2011 as a paperback by Dog Ear Publishing and re-released in 2013 as an ebook. In November 2014, "Washington's Most Wanted" featured Morris and her book on KCPQ TV in the Seattle-Tacoma area. In 2012, she wrote the book Bad Apples about teacher sex scandals.

While at the Chronicle, for several years in the mid-1990s, he also had his own America Online business commentary site, Bizinsider. Also while at the Chronicle, Greenberg spent several years as the morning business reporter for KRON-TV in San Francisco and freelanced for five years as the monthly "Against the Grain" columnist for Fortune (magazine). Earlier, Greenberg was a New York-based financial correspondent for the Chicago Tribune after transferring from its Chicago newsroom, where he covered the food and restaurant industry. Greenberg has also worked for Crain's Chicago Business, the St. Paul Pioneer Press, Amusement Business, and the Boca Raton News.

He began his career at Knoxville News-Sentinel in Tennessee, covering women's basketball, and moved to the Los Angeles Daily News in 1990 to cover the Los Angeles Angels. He soon returned to the San Francisco Bay Area, writing for the short-lived National Sports Daily. When the Daily folded in 1991, he freelanced, taught high school English, and briefly worked at the Santa Rosa Press-Democrat before relocating to Washington D.C. to work for the Scripps Howard News Service He joined the San Francisco Examiner in 1997, and the Chronicle in 2000. In 1996 he married Nicole Wada, and combined her last name with his.

Harry was born Harold B. Blostein in England on September 30, 1907 and apparently went to New York as a boy. He took up the violin at a young age, and the liner notes on his Artistry in Jazz album reveal "he performed the Bruch G-Minor Violin Concerto to critical acclaim when only 7 years old." As a teenager, he travelled to Paris with a small jazz group to back up expatriate singer Josephine Baker. Harry graduated from the Institute of Musical Art (later renamed Juilliard School), and freelanced on numerous radio programmes in the 1930s with the Dorsey Brothers, Benny Goodman and Artie Shaw.

Meanwhile she was also employed by the University to continue her work on improving the campus and was the curator of the Muirhead Herbarium. In 2010 Shepherd was employed by the Royal Botanic Gardens, Kew and was positioned in the Shirley Sherwood Gallery of Botanical Art. During this time she freelanced as an illustrator for scientific journals and books whilst developing her own painting techniques and delivered several talks about the Marianne North Gallery. She was elected Fellow of the Linnean Society of London in 2012 and was elected as a member of the Chelsea Physic Garden Florilegium Society in 2013 and a member of the Chelsea Arts Club in 2017.

After leaving Timely, Lazarus freelanced for the company as it transitioned to being known as Atlas Comics during the 1950s. Under editor-in-chief Stan Lee, his work there, he recalled in a late-2000s interview, included the Western comic books Black Rider, The Arizona Kid and Kid Colt, Outlaw. Lazarus additionally wrote for Ziff-Davis, under editor Jerry Siegel, doing stories for Kid Cowboy, G.I. Joe (unrelated to the later Hasbro action figures) and other comic books for about a year, and also did work for the writer/artist team of Joe Simon and Jack Kirby, and for American Comics Group (AGC), under editor Richard E. Hughes.Interview, Alter Ego, pp.

In 1997, he traveled to the United States using a Russian diplomatic passport. He was dismissed in the early 2000s after the Federal Security Service's chief gave a speech discussing internal private meetings at the Institute. Kilimnik himself told The New York Times that he had been dismissed for having freelanced as an interpreter for Manafort, which was effectively confirmed by a spokesman for the IRI who said such an action ran counter to the organizations code of ethics. In the Mueller Report, a former colleague is reported to have told the FBI that Kilimnik was fired because of his strong links to Russian intelligence services.

Justin D. Fox (born May 4, 1967) is a South African author, photojournalist, lecturer and editor living in Cape Town, South Africa. He is editor of Getaway travel magazine and has freelanced internationally for many newspapers and magazines. Educated at SACS junior and high schools, he graduated from the University of Cape Town with a BA in English in 1990. He was elected as a Rhodes Scholar in 1991 and graduated with a masters and a doctorate in English from Oxford University. He is the author of more than a dozen books, ranging from travelIsaac Ndlovu Reviews The Marginal Safari by Justin Fox and children’s literature to photography and fiction.

Ulaby began her career as an intern for the features desk of the Topeka Capital- Journal from 1993 to 1994 and later freelanced for the Chicago Reader and the Washington City Paper. Ulaby became managing editor of Chicago's Windy City Times in 1999, holding the post for one year, and later became co-host of the radio program What's Coming Out at the Movies. She has taught classes in the humanities at the University of Chicago, Northeastern Illinois University, and at high schools serving at-risk students. She has also edited fiction for The Chicago Review and served on the editing staff of the prominent academic journal Critical Inquiry.

Die Presse: Schaustrecke: Nirvana-Stimmung , retrieved February 26, 2015 Moser cooperated with the fashion class at the University of Applied Arts Vienna and freelanced as a theatrical makeup artist at Vienna's Volksoper. During the course of his career, he also styled such stars as opera singer Anna Netrebko, concert pianist Lang Lang, politician Eva Glawischnig and Song Contest winner Conchita Wurst, actresses Mavie Hörbiger, Birgit Minichmayr, Eva Longoria, Saskia Mulder, Nina Proll, Mallika Sherawat, Ursula Strauss, Franziska Weisz and Elke Winkens, models Maggie Rizer, Iris Strubegger and Marcus Schenkenberg, as well as German and Austrian TV-stars such as Dieter Bohlen, Eva Pölzl and Mirjam Weichselbraun. He has received several prestigious awards.

Born in Durham, North Carolina, Brantley received a Bachelor of Arts in English from Swarthmore College in Pennsylvania, graduating in 1977, and is a member of the Phi Beta Kappa Society. Brantley began his journalism career as a summer intern at the Winston-Salem Sentinel and, in 1975, became an editorial assistant at The Village Voice. At Women's Wear Daily, he was a reporter and then editor (1978-January 1983), and later became the European editor, publisher, and Paris bureau chief until June 1985. For the next eighteen months, Brantley freelanced, writing regularly for Elle, Vanity Fair, and The New Yorker before joining The New York Times as a Drama Critic (August 1993).

Vieregg has had a distinguished career. Starting in 1975, she worked at the Bayerische Staatsgemäldesammlungen in Munich, where she was promoted to the position of Vice Director of the Centre for Museum Education. From 1978 to 1999, she freelanced in various museums in Munich and at memorial sites in Bavaria, and also offered courses in interdisciplinary Studies of Contemporary History and Art at the Bavarian State Academy for Teacher Training and Personal Management Dillingen. Simultaneously, from 1983 to 1986, Vieregg was responsible for the research program “Community Museums and Preservation of Historical Monuments” on behalf of the Federal Ministry for Science and Education, Bonn and Bavarian State Ministry for Culture and Education.

By 1911, he was active in films as an actor, writer and director. He freelanced and worked for many of the movie studios, building a solid reputation for his work both on and off screen. Hurst is best remembered for two roles: as the Yankee deserter who trespasses at Tara and is shot by Scarlett in Gone with the Wind (1939); and his memorable characterization of the drunken and sadistic vigilante Smith in The Ox Bow Incident (1943). However, he was most proud of his role as a crotchety, old rancher who refuses water to a Quaker family in the movie Angel and the Badman, until John Wayne's character convinces him to share the water.

Skates freelanced for the Suburban Cablevision television network as an audio engineer, live mixer and cameraman from 1988 to 1992; departing due to creative conflicts. In 1999, he studied digital audio production and non-linear editing from Trish and Chris Meyer, Jay Rose, and Adam Wilt, and designed and wrote advertising media for television, radio, print publications, performing arts societies, Fortune 500 companies, record labels and recording artists. As an independent filmmaker, he co-produced, edited and animated designs for the documentary Get Thrashed (2008, Lightyear/Warner Bros. Entertainment) and Born in the Basement (2007, MVD Entertainment Group), receiving twenty-one screenings in eight countries, winning six awards and pay-per-view broadcasting.

While still a FOX employee, Watson freelanced as a studio host for ESPN Regional Television in Charlotte, NC, introducing college basketball games on the syndicated SEC Network package. Watson is a Florida native who graduated from Trinity Preparatory School in Winter Park, FL in 1989 and later went on to graduate from Cornell University in 1993, where he spent four years as a radio announcer for WVBR. At Cornell University, he was both a National Merit Scholar and Cornell National Scholar, the latter being the highest honor bestowed upon incoming freshmen. He majored in English at Cornell, with a concentration in Communications, and graduated "with distinction" from Cornell's College of Arts and Sciences.

22 and the investigative feature "Hooks Devlin", both for Fight Comics; the rich-vigilante feature "Glory Forbes" in Ranger Comics; and "Jane Martin" in Wings Comics. Before and during his six years at Fiction House, Tuska freelanced such features as the North Atlantic seafaring adventure "Spike Marlin" (as Carl Larson)Cassell, p. 20 in Harvey Comics' Speed Comics; "Wing Turner" (as Floyd Kelly)As in, for example, Mystery Men Comics #4 (Nov. 1939) for Fox Comics' Mystery Men Comics; "Archie O'Toole" (as Bud Thomas)As in, for example, Smash Comics #11 (June 1940) in Quality Comics' Smash Comics and "Cosmic Carson" (as Michael Griffith)As in, for example, Science Comics #2 (March 1940) in Fox's Science Comics.

By 1970, however, Marvel work became less frequent, and Heck obtained assignments from rival DC Comics, beginning with a short story in the supernatural anthology House of Secrets #85 (May 1970). He did his first DC superhero work with The Flash #198 (June 1970), illustrating a backup story of the super-speedster, and eventually garnered additional work including romance comics, and the backup features "Batgirl" and "Jason Bard" in Detective Comics, and "Rose and the Thorn" in Superman's Girl Friend, Lois Lane. He began a short run on Wonder Woman with issue #204 (Feb. 1973), in which the character's powers and traditional costume were restored after several years, and he also freelanced for the short-lived publisher Skywald Comics.

Opting to pursue a career as a trainer, Lancaster variously worked for both the great footballing rivals Manchester City and his former club, Manchester United. He notably formulated the fitness regime of Manchester City's successful team of the 1960s and 70s. While his strict training schedule was initially unpopular, it would eventually come to be recognised by their players as the chief cause of their incredible fitness, leading them to a number of trophies. Following his retirement from sports training he moved into journalism, setting up a sports news agency for which he freelanced for a variety of local and national publications, in which capacity he travelled around the world including to report on five Olympic Games.

From 1969 to 1973, Siemon-Netto was North American correspondent for the magazine, Der Stern, writing about many major news events in North, Central, and South America, and in East Asia, France, and again Vietnam. From 1973 to 1986, Siemon-Netto served as Managing Editor for Hamburger Morgenpost, taught journalism at Hamburg's Journalistenschule Henri Nannen, worked as a freelance correspondent for German, Swiss, French, and U.S. publications, and as a media consultant overseeing a variety of design and management tasks at publications in Germany and the United States. In mid-career, at age 50, he began his theological studies, first in Chicago, then in Boston. During these studies, Siemon-Netto freelanced as a magazine correspondent.

In 1943 Davis became a war correspondent photographer for LIFE in the Southwest Pacific, assigned to General Douglas MacArthur's command, covering five invasions. His photographs featured on nine LIFE covers and his image of Deborah Kerr and Burt Lancaster locked in passionate embrace on a Hawaiian beach, taken for the 1953 movie From Here to Eternity, is one of his most frequently reprinted. After leaving LIFE for family reasons he directed a film for RKO Pathé in New York on the G.I. Bill college program and freelanced for Ladies Home Journal, Collier's, and the Saturday Evening Post, and worked for the Chicago Sun-Times. He then became managing editor for Advertising Age magazine.

After time with Lateef and Barry Harris, he played with Beans Bowles and with the Four Tops in Las Vegas.Leonard Feather and Ira Gitler, The Biographical Encyclopedia of Jazz. Oxford, 1999, p. 82. He played with Horace Silver from 1959 to 1964, including on the album Song for My Father; in 1963 he released his first album as a leader. Following this he freelanced in New York City through the 1960s and early 1970s, playing with Lateef again (1967-70), Sonny Stitt, Lee Morgan, Dexter Gordon, Chet Baker, Junior Cook, Blue Mitchell, Charles McPherson, Pharoah Sanders (1970), Wes Montgomery, Dollar Brand, Jackie McLean, James Moody (1970-72), Charles Mingus (1972-73), and Milt Jackson.

After the release of the award- winning tabletop roleplaying game Little Fears in 2001, Blair wrote for various other publishers and published an urban magic game through Key 20 titled Wyrd is Bond. Blair's Key 20 Publishing and Adept Press sponsored a booth for The Forge to appeal to indie game enthusiasts at Gen Con in 2002. He eventually joined Human Head Studios as their Adventure Games Director where he led the development and publication of the board game Frankenstein's Children, the card game Villainy, and the 1950s B-Movie roleplaying and Normal, Texas while also assisting on the script for the video game Prey. After leaving Human Head, Blair primarily freelanced for a variety of video game studios.

Echeimberg started training Kung-Fu style Eagle Claw in 2008 to impersonate Bruce Lee and later transitioned to mixed martial arts (MMA) after his brother took him to a jiu-jitsu class. Prior competing full-time in MMA, Markus worked as an information technology engineer at technology school and he was also a freelanced software developer, and he quit his job and college to teach Muay Thai and competed in Brazilian jiu-jitsu to make a living so he could pursue MMA full-time. After made it to the preliminary round of The Ultimate Fighter: Brazil 3, he gained his parents support as they realized his seriousness of his MMA career choice.

Quartermain was born in Toronto, Ontario and lived in a variety of locations in childhood before her family moved to Argenta, British Columbia. She graduated from high school in Argenta, and after working for several years, attended the University of British Columbia, where she met her future husband Peter Quartermain. She obtained a bachelor of arts in English literature in 1976, a Master of Arts in English language in 1978 and a bachelor of laws in 1989 from the University of British Columbia. During these years she taught English at UBC and the British Columbia Institute of Technology, worked as a computer systems analyst and freelanced as a journalist and technical writer.

Gameela has worked in media since her graduation from Cairo University’s Faculty of Communication in 1986. She started her media career with Newsweek’s Cairo bureau as a stringer/translator, then as a correspondent for 20 years. She freelanced with Thomson Reuters, Al-Hayat London daily, the Sunday Times, Cairo Today Magazine, and other publications. In 1990, Gameela started her television career with the Egyptian state broadcaster and presented several award-winning television programs, which were characterised by their unique portrayal of the voices of the young and ordinary people on Egypt’s streets. Gameela hosted the political TV program "E‘adet Nazar" [Reconsideration] on the Egyptian channel Al Nahar after the 2011 Egyptian revolution.

Parkinson's drafts of a logo for Esquire Parkinson studied advertising design and painting at the California College of Arts and Crafts in Oakland, graduating in 1963. In 1964, he worked as a lettering artist for Hallmark Cards under Myron McVay with some consultation from Hermann Zapf. Afterwards, Parkinson moved back to Oakland, CA and freelanced as a lettering artist doing work for rock bands (including Creedence Clearwater, Taj Mahal, The Doobie Brothers, Kansas, et al.), sign painting, advertisements, packaging. "Designer Bio on Identifont""Designer Bio on MyFonts" In the mid-1970s Dan X. Solo introduced Parkinson to Roger Black who was, at that time, the newly appointed Art Director for Rolling Stone magazine in San Francisco.

Collings's successor Stuart Morgan was a highly respected art writer who freelanced for various publications, including Artscribe, Art Monthly and Artforum. He also played an influential role in the UK as a curator. (He was, for example, the first champion in the UK of American sculptor Louise Bourgeois, organizing a retrospective of her work as early as 1985 at London's Serpentine Gallery.) If the Faure Walker phase of Artscribe was intelligently visual and mostly local, the Collings phase inspired but scrappy and fervently international, the Morgan phase was comparatively conventional. This was not because of any lack of originality on the new editor's part but simply because the contemporary art scene generally was by now becoming much more homogenized.

Julian Grant was born in London, England, and educated at Chichester High School for Boys and Bristol University. In 1985 he won a British Arts Council scholarship to attend the Music Theatre Studio Ensemble at Banff, Alberta, Canada. He returned to England in 1987 and freelanced for, among others, Northern Ballet Theatre, working closely with Christopher Gable on new performing versions of Prokofiev's Romeo and Juliet, and Tchaikovsky's Swan Lake, Chester Music, Novello's (a reduction of Thea Musgrave's Harriet Tubman, a Woman called Moses) and extensive education work with the London opera houses, notably English National Opera's Russian Tour in 1990. In 1996 he moved with his partner Peter Lighte to Hong Kong, where they adopted two daughters.

Nir initially freelanced for the Times, contributing to 11 different sections of the paper. She covered New York City's nightlife for the Times from 2010 until the end of 2011, as the paper's "Nocturnalist" columnist, once attending 25 parties in five days.The New York Times, "Timestopics: Sara Maslin Nir"Columbia Journalism School, "Sarah Maslin Nir '09 is the Nocturnalist" She became a trainee reporter in 2011 and worked as a rewrite reporter for late-night news, during which time she camped out overnight at Zuccotti Park with the Occupy Wall Street protesters, and later reported on the dismantling of the camp. She was promoted to staff reporter covering Queens for the Metro section in May, 2013.

Jones appeared with Chicago singer Judy Roberts from 1968–72, soon after becoming a member of George Shearing's trio from 1972-78. Later years he accompanied pianist Marian McPartland for a few years and then freelanced throughout Chicago with several bands, touring the United States and Europe. He worked quite a bit with Adam Makowicz, Larry Novak, Patricia Barber, Frank D'Rone, Art Hodes, Ira Sullivan, J.R. Monterose, and Stéphane Grappelli. Jones had short stints with Buddy DeFranco, Art Van Damme, Kai Winding, Curtis Fuller, Lee Konitz, "Wild Bill" Davison, Anita O'Day, Mark Murphy, Flip Phillips, Morgan King, Red Holloway, Eddie Higgins, Ike Cole, Clifford Jordan, Franz Jackson, Bobby Enriquez, Monty Alexander and Catherine Whitney, among many others.

Early games were published in Games & Puzzles Magazine and he became Puzzles Editor of that magazine and later of Top Puzzles. For over 13 years he wrote for Computer Talk magazine and included many new games and puzzles as well as early articles on the Rubik's Cube. A nine-part puzzle Treasure Trail appeared in the Sunday Telegraph and he freelanced for many magazines and newspapers before taking up puzzling full- time in 1985 with the publishers now called Puzzler Media Ltd. In that time he has created and edited a wide variety of magazines from Wordsearch to mathematical but has largely concentrated on logical puzzling, providing much of the content to magazines such as Logical Puzzles.

After two years he lost interest in Dentistry and changed to an Arts Degree,and subsequently to a Film Directing course at The Australian Film and Television School,graduating as a Film Director in 1978.He wrote and directed 3 short comedies while at Film School,’Eric and Alice’in 1975,’Waves’ in 1976 and ‘The End’ in 1977. After graduation from the AFTRS, he worked at ABC Television as an assistant cameraman in their Cinecamera department and then from 1979-1980 he freelanced as a camera assistant and cinematographer on film clips for Aussie bands COLD CHISEL,THE ANGELS,MENTAL AS ANYTHING among many. Gutman lives in Sydney, New South Wales and has two grown up daughters.

Taken on by John Junor of The Sunday Express just prior to her divorce, she freelanced after her second marriage, and specialised in writing features and profile articles. Following a period on the pre-Murdoch The Sun, Crosland worked for The Sunday Times from 1970. Known for her profiles, she insisted on not interviewing the wives of 'great men' feeling that "they wanted to perpetuate the image".Philip Hoare "The big book of revenge", The Independent, 28 August 1997 Labour politician Tony Benn though, one of her subjects and a friend of her husband, persuaded Crosland not publish an article dedicated to himself (he had been allowed to vet it) which Benn considered unflattering.

Effoduh was a fan of BBC Media Action (BBC World Service Trust); when he heard that they were auditioning for a male presenter for a new show called Flava, he tried out and was eventually selected from 62 candidates. He originally freelanced as a radio presenter for the programme to help finance his university education, but it had also increased his desires to help the community. From 2006 to 2013, he anchored Flava, a youth lifestyle and sexual reproductive health magazine programme where he addressed issues on HIV/AIDS among others. Effoduh has noted that Flava grew to broadcast on 103 radio stations in Nigeria, and is one of the most popular radio programmes in the West Africa region.

Sergio Coggiola (1928-1989) was an Italian designer known primarily for his automotive work at Carrozzeria Ghia in Turin for 15 years -- serving as the head of Ghia’s prototype shop until 1952 -- and later at his own company, Carrozziere Coggiola, which he founded in 1966 in Orbassano, Italy, a commune of Turin. In the 1980s, Coggiola freelanced for car manufacturers, sometimes executing third-party designs, such as Trevor Fiores design of the concept car Citroën Karin, the Lamborghini Portofino or prototypes of the Renault Megane. Coggiola also produced individual vehicles, special ordered by customers as one-off cars, including Bentley B2 and B3 coupes and convertibles,Abbildung des umgebauten Volvo 164 auf der Internetseite www.volvobertone.com abgerufen am 1.

Eager graduated from the Royal Academy of Music (1984), with Dip.RAM. He freelanced with the BBC Symphony Orchestra, English Chamber Orchestra, London Concert Orchestra, BBC Concert Orchestra, Bournemouth Symphony Orchestra, Ulster Orchestra, Royal Ballet Sinfonia and others until joining the BBC National Orchestra of Wales as Principal Trombone (1993–2006). He undertook much concerto work until 2006 when the Trombone Concerto 2004 (commissioned by the BBC) written for him by Alun Hoddinott caused serious muscle damage, ending his playing career. In 1984 he was awarded the Silver Medal from the Worshipful Company of Musicians of London and in 1998 Awarded Orchestral Recognition Award by the International Trombone Association, along with BBC National Orchestra of Wales and Christian Lindberg.

Parsons is also the author of Ken Thomson: Canada's Enigmatic Billionaire (1996) and a piece of historical fiction based on the life of Francis Dickens entitled Lesser Expectations: Charles Dickens' Son in North America (2014). As a journalist, Parsons worked for about three decades with news wire services in Canada and also freelanced for The Globe and Mail, Maclean's, and the International Herald Tribune, among others. He served as National Business Editor for the Canadian Press in Toronto from 1981 to 1983 and Deputy Bureau Chief at CP Ottawa from 1983 to 1988. He is the author of some prize-winning short stories, including Fabricio’s Bridge, awarded first prize for short story fiction by The Victoria Writers’ Society in 2014.

Schiffrin is an American former business journalist. Previously, she freelanced and worked as an editor in Istanbul, a stringer for Reuters in Barcelona, a senior financial writer at The Industry Standard in New York, bureau chief for Dow Jones Newswires in Amsterdam and Hanoi, and a writer for many other publications. She was a former Knight-Bagehot academic fellow in business journalism at Columbia's Graduate School of Journalism. Schiffrin is an alumna of Reed College. As well as her role in the School of International and Public Affairs, Schiffrin serves on a number of boards including the Open Society Foundation’s Program on Independent Journalism, Global Board and the advisory board of the Natural Resource Governance Institute (formerly named Revenue Watch Institute).

They also competed against the same team the very next night on WCW Monday Nitro which they also lost. Until recently, Ozaki usually wrestled in JWP Joshi Puroresu, but was also the leader of her own heel stable called the Oz Academy, which freelanced in other women's promotions in Japan, such as AJW and GAEA. In 1998 Ozaki became a true free agent, and began to promote her own shows using her Oz Academy wrestlers, looking for a niche in the fragmented women's puroresu scene. Ozaki made her mark mostly in tag team matches as she competed in four bouts that were among the greatest ever in women's tag team wrestling, having earned a 5-star rating each by the Wrestling Observer Newsletter.

He additionally freelanced on the Canadian networks CBC, CTV, TSN, and Sportsnet coverage (either individual or consortium) of various international sporting events such as play-by-play announcing of triathlon and weightlifting at the 2012 Summer Olympics in London. Other such events included IIHF World Championships, Spengler Cups, and the 2010 FIFA World Cup. He also did voice- over work for the International Ice Hockey Federation, did play-by-play commentary for the Champions Hockey League in 2008–09, and emceed the 2012 Hockey Forum in Barcelona and the draw of the re-launched CHL in 2014 in Minsk. By the early 2010s, Romanuk and his wife moved to West London while she also switched from a marketing executive job at Coca-Cola to one with L'Oréal.

Ward returned to the United States in 1927, and freelanced his illustrations. In 1929, he came across German artist Otto Nückel's wordless novel Destiny (1926) in New York City. Nückel's only work in the genre, Destiny told of the life and death of a prostitute in a style inspired by Masereel's, but with a greater cinematic flow. The work inspired Ward to create a wordless novel of his own, whose story sprang from his "youthful brooding" on the short, tragic lives of artists such as Van Gogh, Toulouse-Lautrec, Keats, and Shelley; Ward's argument in the work was "that creative talent is the result of a bargain in which the chance to create is exchanged for the blind promise of an early grave".

At the age of 27, Wallace left his first job at McVitie's biscuit factory in Carlisle (where he had worked for ten years) to take a three-year course in Film and Television at the College of the Venerable Bede at Durham University. On graduating, he joined Border Television on 9 September 1968 as a news reporter - he would remain at Border for the next 30 years, presenting Lookaround and many of the station's regional programmes, including his own chat show Wallace. After his retirement, he returned to make a number of guest and cover stints as a Lookaround presenter and reporter, until illness prevented him from doing so in 2002. Upon leaving Border, Wallace freelanced at BBC Radio Cumbria, presenting a Saturday morning show.

During his tenure at Fania he either produced or supervised recordings by Ray Barretto, Willie Colon, Orquesta Harlow, Hector Lavoe, Ismael Miranda, Bobby Valentin, Mongo Santamaria, Johnny Pacheco, Roberto Roena, Joe Bataan, Ralfi Pagan, The Latineers and George Guzman, among others. While maintaining a managerial position as Vice President, Averne was still signed to the label as a recording artist and producer (a rarity back then), and freelanced on various productions for Scepter/Wand, Heavy Duty, Uptite and Atlantic Records as well. He was later named Executive Vice President of Fania's new subsidiary Vaya Records. At Vaya he worked closely with such artists as Celia Cruz, Cheo Feliciano, Ricardo Ray and Bobby Cruz, Bobby Rodriguez y La Compañia and Markolino Diamond (which featured Angel Canales's singing debut).

This provided narrative interest that compensated for the generally bland personality Mickey Mouse had during this period. For almost a decade and up until 1962, it was Fallberg and Murry who produced almost all of those serials in Walt Disney Comics and Stories. Besides working with Murry, Fallberg also freelanced to write and illustrate Disney comic books of Li'l Bad Wolf, Jiminy Cricket, Professor Ludwig Von Drake, Scrooge McDuck, Mickey Mouse, Donald Duck, Gyro Gearloose, Goofy, Chip 'n' Dale, and many others. From 1963-1989, Carl also wrote scripts for the Disney Studio Program, and during 1974-1985 he wrote scripts for the comic strips Walt Disney's Treasury of Classic Tales (Sunday) and the Disney Christmas Story daily strips that appeared each December.

Pete J. Welding (15 November 1935 – 17 November 1995) was an American historian, archivist, and record producer specializing in jazz and blues. Born in Philadelphia, United States, Welding worked as a journalist for Down Beat magazine and occasionally freelanced for other publications including Rolling Stone. In 1962 he moved to Chicago and, inspired by Bob Koester at Delmark Records, founded Testament Records in 1963 to issue recordings of blues and black folk song. As a producer with credits encompassing Blind Connie Williams, Big Joe Williams, Robert Nighthawk, Peg Leg Howell, Doctor Ross, Mississippi Fred McDowell, J. B. Hutto, Bo Diddley, Otis Spann, Jean-Luc Ponty, Charlie Musselwhite, The Jazz Crusaders and Johnny Shines, Welding was known for discovering talent in unusual places.

He subsequently worked for BBC News as a sports reporter and presenter on BBC Breakfast News and BBC World, and later freelanced for the satellite TV channel Sky as a football reporter and rugby features producer. From 1995, he was the main U.S-based sports anchor for CNN International's World Sport, writing and presenting live daily news and feature shows on the day's top sports stories from CNN Center in Atlanta, and reporting from the field at many major sporting events. He also provided sports bulletins and commentary for all the CNN International News shows, and was a regular columnist on the CNN World Sport website. Baddoo left CNN International in March 2011, doing his final sign-off on March 31.

While still in college, Gleason began her career as a music critic for the Miami Herald. From 1990 through 1993, she worked as a publicist for Sony Music Nashville, and subsequently founded Joe's Garage, a Nashville-based public relations and artist development agency. While the company was active (1993-2008), she additionally served as the features editor for Hits (1998-2000), and founded a blog, The Yummy List. Gleason has freelanced as a music critic and journalist since 1993. She was nominated for Best Cultural Reporting for her 2015 essay, “The Impossible Lightness of Being Taylor Swift,” by the International Network of Street Papers. In 2016, she was awarded a fellowship by the Rock and Roll Hall of Fame’s CWRU Center for Pop Music Studies.

More than five years of being dropped by small and large record labels, with Chrysalis Records being the last in their initial period to drop the band, there was a hiatus of several years, during which time a re- shuffling of band members began to take place, and Ferguson was one of the first to leave. Ferguson went on to become a member of the Tailgators along with Don Leady and Gary "Mudcat" Smith. After leaving the Tailgators, Ferguson freelanced with a number of Austin blues bands on the 6 Street blues circuit and played with the Excellos and the Solid Senders. He died of liver failure at the age of 50, on April 29, 1997, due in part to a nearly thirty-year addiction to heroin.

Clemmons graduated with a degree in architecture from University of Michigan but couldn't find work due to the effects of the Great Depression. So, desperate for work in any area he could find it, he accepted a job offer from Walt Disney in 1930 to work at his Hyperion Studios. After several years at Hyperion, he became an assistant animator for the Mickey Mouse film series. When World War II happened, Larry left the studio and decamped to the Midwest, where he wrote technical manuals for wartime manufacturing plants. Clemmons then freelanced in radio, and at the end of the war, landed a job on Bing Crosby’s prime-time network radio shows, where he spent nine years writing weekly scripts for Crosby and assorted guest stars.

The following year, Friedrich worked with Thomas on the similarly motorcycle- mounted Ghost Rider. Additionally, Friedrich freelanced for the short-lived Atlas/Seaboard Comics, where he wrote the crime comic Police Action #2-3 (April and June 1975) and the feature "Son of Dracula" in Fright #1 (June 1975), and scripted the sole story of the character Man-Monster, co-plotted by Tony Isabella and penciller Rich Buckler, in Tales of Evil #3 (July 1975). He also wrote the second and final issue of The Cougar, the third and final issue of Morlock 2001, with the rare art team of Steve Ditko and Bernie Wrightson; the third and final issue of The Brute; and the fourth and final issue of IronJaw (all July 1975).

Brown was born in Newburyport, Massachusetts, to Thomas James Brown (1800–1867) and Lucretia Hamsly Brown (née Lucretia Hamsly Milton; 1810–1872).Thomas Allston Brown, Massachusetts, Town Records, 1620-1988, Ancestry.com He began his career as the Philadelphia correspondent and theater critic for the top entertainment journal of the time, the New York Clipper. He freelanced for other show-business publications and published his own paper, called The Tattler.Cullen 147.Sentilles 122. In 1860, Brown entered show business as the advance man for the Cooper English Opera Company, managed by virtuoso violinist Henry Charles Cooper (1819–1881). He later worked for Gardner & Madigan's Circus (re: the Gardner and Madigan families, including Dan Gardner and John Madigan) as treasurer and manager of the box office.

Tartaglione also freelanced for DC Comics, Charlton Comics and for Gilberton Publications, where he illustrated the Classics Illustrated adaptations Won by the Sword and Tom Brown's Schooldays. From 1963 to 1966, he penciled several Movie Classic adaptations for Dell Comics — from Jason and the Argonauts to Beach Blanket Bingo — as well as TV series tie-in comics (Ben Casey, Burke's Law, The Defenders, Dr. Kildare) and other work, including the presidential biographies John F. Kennedy (inked by Dick Giordano; year n.a.), and Lyndon B. Johnson (1964). Back at Marvel — where he sometimes went by "John Tartag", with and without a period — the wide-ranging Tartaglione had a long run inking Dick Ayers on Sgt. Fury and His Howling Commandos #27-42 (Feb.

In Montreal Surrey freelanced as a commercial artist and re-established his friendship with Brigden co-worker Fritz Brandtner. He soon established relationships with John Goodwin Lyman, Stanley Cosgrove, Goodridge Roberts, Jean Paul Lemieux, Jean Palardy, Jori Smith, and Jeanne Rhéaume, and became a member of the Eastern Group of Painters. In March 1939 he was hired to assist art director Hazen Sise of the Montreal Standard newspaper and was appointed photo editor shortly thereafter when Sise left to join Dr. Norman Bethune in Spain. In June Surrey married Bethune's former mistress Margaret Day and exhibited at the New York World's Fair and at the Art Gallery of Toronto (now Art Gallery of Ontario), with André Biéler, Henri Masson and Louis Muhlstock.

Ellis shot and processed his first black and white photographs aged sixteen, drifting away from charcoal and paintbrushes to the camera as his format of choice. Throughout his subsequent art studies in Coventry, Birmingham and eventually Nottingham, he focused on stills photography. After graduating in Fine Art (specifically Fine art photography) and having worked as a camera operator on fellow students' film projects, Ellis wrote a handful of short scripts and started working as a volunteer at the now-defunct Intermedia Film and Video in Nottingham, providing access to camera and editing facilities. He also freelanced as a storyboard artist and occasional graphic designer, learning his filmmaking craft while working as camera operator or editor on an abundance of commissioned short films within Nottingham's thriving scene.

Judith Robinson was born in Toronto, Ontario, Canada, in 1897 – youngest of four children of John Robinson, for thirty-eight years editor of The Telegram, one of Toronto's daily papers. As a child, she suffered from rheumatic fever as well as typhus and gave up school at the end of grade eight, although she continued learning through wide reading, keen discussion and a practice of precise observation. After her father's death in 1928, she cut her long hair into a business-like bob and applied for a reporter's job with The Globe, on the understanding that she would not work on the Society or Women's pages. Consequently, she started her reporting career in the sports department. In 1932, Judith traveled to England and freelanced for The Globe at $6 a column.

In addition to nighttime piano playing, Albom took a part-time job with SPORT magazine. Upon graduation, he freelanced in that field for publications such as Sports Illustrated, GEO, and The Philadelphia Inquirer, and covered several Olympic sports events in Europe – including track and field and luge — paying his own way for travel, and selling articles once he was there. In 1983, he was hired as a full-time feature writer for The Fort Lauderdale News and Sun Sentinel, and eventually promoted to columnist. In 1985, having won that year's Associated Press Sports Editors award for best Sports News Story, Albom was hired as lead sports columnist for the Detroit Free Press to replace Mike Downey, a popular columnist who had taken a job with the Los Angeles Times.

Hellyer's break into a major market was in May 1950, when his daily postcards mailed to WCFL-AM Chicago's program director asking to "rescue" him from Milwaukee resulted in an unorthodox on- air live audition for 50,000 watt WCFL while broadcasting his show on air on WMIL-AM in Milwaukee. WCFL hired Hellyer, and by 1952 Hellyer was given the drive-time 6am – 10am radio slot where he was promoted as the "Morning Madcap." During this time Hellyer also freelanced with radio shows broadcasting on as many as seven different radio stations the same week, emceeing celebrity events, and generally advancing his career with radio and television commercial work as the regular voice of national sponsors. This included announcing live in-studio commercials on the CBS network show "What's My Line" in New York.

In June 1990, Gafford began working for Disney Comics, producing a series of comics based on Mickey Mouse, Goofy, new TV cartoon shows like Chip 'n Dale Rescue Rangers and Duck Tales, and the continuation of Uncle Scrooge and Walt Disney's Comics and Stories from Gladstone Publishing. He freelanced for Dark Horse Comics and Innovation while at Disney, and did some editing of the final Disney Comics publication, an Aladdin miniseries, while helping to transition the end of the Disney Comics line, returning the license to Gladstone Publishing. In March 1993, Gafford moved back to New York to help Jim Shooter launch his new Defiant Comics line. In June 1993, Gafford was hired by former Marvel editor Jim Salicrup for the new line of Topps Comics, produced by the sports trading card publisher The Topps.

He worked part-time in music through the 1940s, then joined Wilbur De Paris's New New Orleans Jazz Band in the 1950s at Jimmy Ryan's Club on West 52nd Street in New York City. In the summer of 1957 he toured in Africa with the DeParis band for the State Department. In the 1960s he played less, concentrating on raising chickens on his farm in Belmore, Long Island, but appeared at the 1964 World's Fair in a trio with Danny Barker and Eddie Gibbs and freelanced around New York with Hank Duncan and others until he died. He never recorded as a leader, but appears on record with Morris, Morton, Russell, Armstrong, and De Paris, as well as with Dick Cary, Pee Wee Erwin, and Leonard Gaskin among others.

In 1974 he began a long association with Marvel, where he was a full-time penciler until 1987. He earlier had freelanced, initially on a Dr. Strange story by writer Gardner Fox in Marvel Premiere #5 (Nov. 1972), inking Sam Kweskin (credited as "Irv Wesley"),Marvel Premiere #5 at the Grand Comics Database. and co-penciling two issues of Thor with John Buscema in 1973, among other work, including a smattering for rival DC Comics' supernatural anthologies. He had continued in commercial art and package design as his primary employment all these years, Perlin recalled, when had an offer to return to comics full-time: Perlin drew Werewolf by Night #17-43 (May 1974 - March 1977), a run that introduced the character Moon Knight, co-created with writer Doug Moench.

For the next few years Grant freelanced among various studios; his most familiar picture from this period (as Kirby Grant) is probably Blondie Goes Latin, a 1941 film with Penny Singleton and Arthur Lake. Grant also appeared briefly in the 1943 submarine picture Destination Tokyo, playing the role of Lieutenant Colonel James H. Doolittle, organizer of the famous Doolittle Raid on Japan. In 1943, Grant signed with Universal Pictures, where he played romantic leads in B musicals, and in Abbott and Costello and Olsen and Johnson comedies. His smooth baritone voice got him teamed with Universal's singing star Gloria Jean for two features in 1944, and then Universal selected him to replace Rod Cameron (who had just been promoted to more important roles) as the studio's B-Western series star in 1945.

Moving to a studio and darkroom in Poplar, East London in 1987, Brattell divided his time between commissions from design companies and PR agencies, editorial assignments and making prints of his personal images. He freelanced for The Sunday Telegraph for 14 years under picture editor Nigel Skelsey and worked for diverse publications including The Times, Arena, GQ, Esquire, Vogue, Tandoori, Skin Two magazine, Square Meal and Fortean Times. His work with musicians continued through work for fRoots magazine and with The Big Chill, then a small Sunday club event planning their first festival, for whom he photographed, co-wrote (as Headonastick) and co-edited the Big Chill magazine "ON" (1995–1996). Commercial clients during a 25-year period have included PricewaterhouseCoopers, CVC Capital Partners, Freud Communications' and international hotel design company Hirsch Bedner Associates.

McAvennie "1960s" in Dolan, p. 119 and, in the late 1960s, such short-lived titles as Hawk and Dove and the licensed-character comic Captain Action, based on the action figure. Kane and Marv Wolfman created an origin for Wonder Girl in Teen Titans #22 (July–Aug. 1969) which introduced the character's new costume.McAvennie "1960s" in Dolan, p. 134: "Four years after the debut of Wonder Girl, writer Marv Wolfman and artist Gil Kane disclosed her origins." He briefly freelanced some Hulk stories in Marvel Comics' Tales to Astonish, first under the pseudonym Scott Edward and then in his own name, defying the practice in which DC artists moonlighting at Marvel used pseudonyms.While working for DC, Kane (and other artists) began to moonlight at Marvel, and needed to conceal their identities.

He also appeared as himself on The Ed Sullivan Show, Sid Caesar's Your Show of Shows, The Red Skelton Show, The Merv Griffin Show, The Mike Douglas Show, and guested on Ralph Edwards' This Is Your Life on February 12, 1961, with honoree Peter Palmer. Capp also freelanced very successfully as a magazine writer and newspaper columnist, in a wide variety of publications including Life, Show, Pageant, The Atlantic, Esquire, Coronet, and The Saturday Evening Post. Capp was impersonated by comedians Rich Little and David Frye. Although Capp's endorsement activities never rivaled Li'l Abner's or Fearless Fosdick's, he was a celebrity spokesman in print ads for Sheaffer Snorkel fountain pens (along with colleagues and close friends Milton Caniff and Walt Kelly), and—with an irony that became apparent later—a brand of cigarettes (Chesterfield).

Food at Work, written for the International Labour Organization, has since been presented in numerous countries, largely in South America. The concept for the "Food at Work" as well as the final product has been lauded by unions and nutritionists, with emeritus professor of nutrition A. Stewart Truswell of University of Sydney describing it as "a beautifully designed, written and printed book [that] would have to be consulted by anyone advising on food at work anywhere in the world." The project has inspired government legislation to improve worker feeding programs in Mexico, Lithuania, Uruguay and elsewhere in South America. As an astronomy writer, Wanjek worked at the National Aeronautics and Space Administration (NASA) Goddard Space Flight Center in Greenbelt, Maryland until 2007 and freelanced for astronomy magazines such Sky & Telescope and Astronomy.

He joined the exodus of Trotskyists that left the RWL in the early 1980s and focused instead on working within what had become the Canadian Auto Workers union. He freelanced in the CAW's education department where he helped develop the union's political education program for workers and taught Marxist Economics in the CAW's Port Elgin, Ontario education centre. When asked what political party he belonged to, he'd joke he was a member of the "Joe Flexer Communist Party, we have a very small membership but a very lively internal discussion". He joined the Communist Party of Canada while it was in crisis due to the dissolution of the Soviet Union and helped organize the split that saw Flexer and much of the CPC's leadership leave to form the Cecil-Ross Society.

Deahr rehearsing a site-specific work. Photo by Kelly Stachura Having successfully freelanced as a choreographer and upon Terry's retirement, Deahr was named the company's resident choreographer at the end of 2011. As Crash operated without a formal artistic director for its 2012, tenth anniversary season, Deahr directed and choreographed the season's signature production, Gotham City (inspired by the setting of Batman comic lore), which was later recognized by the Chicago Tribune as one of Chicago's 10 best productions performed that year"Dances from 2012 that Linger in Memory" Chicago Tribune, 2012. She was internally acknowledged as the company's artistic director throughout the 2012 season, with her promotion publicly announced to the audience at the company's final performance of the year on November 17"Announcing our new Artistic Director" Chicago Dance Crash youtube channel.

Euan Duff is a photographer and photo-journalist, born in 1939 to the political activist Peggy Duff and her husband Bill, a journalist who died in the latter stages of the Second World War. He freelanced as a photo-journalist in London during the 1960s and then went into teaching, finally setting up and running the first degree course in photography offered by Trent Polytechnic, Nottingham, before taking early retirement in 1990. He published How We Are (Allen Lane, 1971) and Workless (with text by Dennis Marsden, Penguin, 1975), and exhibited at the ICA in London in 1971. His work was included in two major retrospectives of British photography: "Through the Looking Glass" at the Barbican in 1990; and "How We Are: Photographing Britain"How We Are: Photographing Britain (whose title derived from his book) at Tate Britain in 2007.

Initially with Christopher Rule as his regular inker, and later Dick Ayers, Kirby drew across all genres, from romance comics to war comics to crime comics to Western comics, but made his mark primarily with a series of supernatural-fantasy and science fiction stories featuring giant, drive-in movie-style monsters with names like Groot, the Thing from Planet X; Grottu, King of the Insects; and Fin Fang Foom for the company's many anthology series, such as Amazing Adventures, Strange Tales, Tales to Astonish, Tales of Suspense, and World of Fantasy. His bizarre designs of powerful, unearthly creatures proved a hit with readers. Additionally, he freelanced for Archie Comics' around this time, reuniting briefly with Joe Simon to help develop the series The Fly and The Double Life of Private Strong. Additionally, Kirby drew some issues of Classics Illustrated.

"Taking a Leaf from Tarzan's Tree," Los Angeles Times, October 1, 1987 In 1990, after Bari and Cherney were severely injured by a pipe bomb placed under the driver's seat of Bari's car, King dropped out of the direct action movement but continued to organize for protection of Headwaters Forest and the other remaining old-growth habitat on Pacific Lumber land. In 2002 Cherney and Bari's estate won a $4.4 million federal lawsuit against the FBI and the Oakland Police Department after a jury found that the police agencies "had violated their civil rights and First Amendment rights by defaming them and casting a pall over their plans to protest against logging.""Environmentalists Win Bombing Lawsuit," New York Times, June 12, 2002 In 1991 King returned to journalism. He wrote and photographed for the Paper and freelanced.

Steven freelanced as a percussionist and vocalist in the San Francisco Bay Area before moving to Anchorage in 1997. Steven has performed, music directed or produced than 40 theatre productions and co-founded Theatre Artists United in Anchorage, AK. In 2015, he served as the Artistic Director and Producer of Spirit - the 7th Fire of Alaska, an Alaska adaptation of Peter Buffett's master work Spirit, the Seventh Fire. In 2008 he co-produced with the Anchorage Symphony Orchestra the world premier of Echoes, a multi-media symphonic composition by Randall Craig Fleischer that couples the indigenous song and dance of Hawaii, Alaska and Native America with a symphony orchestra. Steven's most notable stage roles include: Jesus and Judas in Jesus Christ Superstar, Che in Evita, The Celebrant in Bernstein Mass and The Evangelist in Bach's St John Passion.

Born in New York City, Jackson began at the age of seventeen as a clarinetist, but quickly changed to bass. Jackson performed and/or recorded with Louis Armstrong, Raymond Scott, Jan Savitt, Henry Busse, Charlie Barnet, Oscar Pettiford, Charlie Ventura, Lionel Hampton, Bill Harris, Woody Herman, Gerry Mulligan, Lennie Tristano and others. He is perhaps best known for his spirited work both with the Herman bands, and as a leader of his own bands, big and small. In the 1950s, Jackson worked as a studio musician, freelanced, and hosted some local children's TV shows: Chubby Jackson's Little Rascals, which was seen weekday mornings on WABC TV Ch. 7 in NYC from Monday March 23, 1959, to Friday July 14, 1961, and The Chubby Jackson Show, Saturday afternoons on WABC TV Ch.7 from July 22, 1961, to August 5, 1961.

White declined admission to Harvard University's Chinese doctoral program in favor of following a lover to New York, where he worked for eight years as a staffer at Time-Life Books and freelanced for Newsweek. After briefly relocating to Rome and then New York, he was briefly employed as an editor for the Saturday Review when the magazine was based in San Francisco in the early 1970s; after the magazine folded in 1973, White returned to New York to edit Horizon (a quarterly cultural journal) and freelance as a writer and editor for entities, including Time- Life and The New Republic. White is gay and much of his work draws on his gay experience. His debut novel, Forgetting Elena (1973), set on an island, can be read as commenting on gay culture in a coded manner.

Ian Damon (born Ian Davidson 5 June 1935) is a British radio personality. Born in Sydney, Australia and after 8 years as a broadcaster on New South Wales stations 2RG and 2LF, Damon decided to tour Europe and Canada settling in Bishop's Stortford, Hertfordshire in the UK during which time, he presented a regular show on Radio Stortford (Bishop's Stortford Hospital Radio), a volunteer-run organisation broadcasting via GPO landline to the Herts and Essex Hospital, Rye Street Hospital and Elmhurst Care Home, all in Bishop's Stortford and for a while, the Princess Alexandra Hospital in Harlow, Essex. He joined the offshore Radio London/Big L on the MV Galaxy replacing Tony Blackburn in 1967; and was given the name of 'Wombat' by Tony Brandon. On its demise, Damon freelanced and was engaged as a continuity announcer by ATV London and ABC Manchester.

Later in the decade, Baker freelanced for Atlas Comics, the 1950s forerunner of Marvel Comics, beginning with a five-page anthological story generally, if unconfirmably, credited to writer-editor Stan Lee, in the omnibus title Gunsmoke Western #32 (Dec. 1955). At some point during this period, working through artist Vince Colletta's studio, Baker went on to draw stories for Atlas' Western Outlaws, Quick Trigger Action, Frontier Western, and Wild Western; more prolifically for the company's romance comics Love Romances, My Own Romance, and Teen-Age Romance; and one story each for the supernatural/science fiction anthologies Strange Tales, World of Fantasy, and Tales to Astonish ("I Fell to the Center of the Earth!" in issue #2, March 1959). Baker also supplied artwork for the Dell Movie Classic edition of King Richard and the Crusaders.Jones, Classics Illustrated: A Cultural History, p. 45.

Edgers has also freelanced for several magazines including GQ, Spin, Wired, and Salon. Examples of this work include an article on Monkee Michael Nesmith's New Mexico symposiums (for Wired) and a series of pieces for Salon, including one on Brian Wilson's 2000 Pet Sounds tour. Edgers has written three children's books: The Midnight Hour: Bright Ideas for After Dark (Penguin, 1997) and four installments in the Grosset and Dunlap "Who Was...?" series, Who Were The Beatles? (2006), Who Was Elvis Presley? (2007), Who Is Stan Lee? (2014), and Who Was Julia Child? (2015), the last installment collaborating with his wife, Carlene Hempel. Geoff Edgers teamed up with director Robert Patton-Spruill in early 2008 to begin work on a film about his love of British Invasion band The Kinks, headed by the two feuding brothers Ray and Dave Davies.

Wong cut his teeth as a political columnist and freelanced writer for Nanyang Siang Pao from 1998 to 2001. Together with over 90 other writers, Wong quit writing for all the four major Chinese-language national dailies in May 2001 when the Malaysian Chinese Association (MCA) forcibly took over the Nanyang Press (controlling Nanyang Siang Pao and China Press) with the tacit help of Sin Chew Media group (controlling Sin Chew Daily and Guang Ming Daily). The group later formed the Writer Alliance for Media Independence (WAMI), which Wong became its chairperson since 2006. Due to his opposition to the monopoly, with Sin Chew boss Tiong Hew King now controlling all the four major Chinese- language national dailies, Wong and his colleagues like Tang Ah Chai and Josh Hong are constantly blacked out by these dailies especially Sin Chew Daily.

After leaving university, White freelanced for several broadcasters before moving to Italy to work at the new Orbit Satellite Television network at the Sapienza Network Center in the Tor Sapienza area of Rome. Upon returning to the UK, he studied at the now closed Northern Media School - a part of Sheffield Hallam University, and then returned to his home town of Doncaster to set up his own production company Nova Productions. With his passion for transport, White was interested in making programmes about railways, buses, trams and trolleybuses, and joined with his lifelong friend Gareth Atherton to release some programme on VHS video cassette. The first release was in 1997 - Buses of the South Yorkshire PTE : 1974-1986 - and was produced using archive Super 8 film telecined and edited into a 60 minute documentary, with authentic vehicle sounds painstakingly dubbed onto the previously silent cine film.

Stokes, W. Royal (February 12, 1984) "Hicks' Licks". The Washington Post. p. L3. They formed a business partnership – John Hicks-Elise Wood, Inc. – and toured the US, Europe and Japan in the 1980s.Gourse, Leslie (1996) Madame Jazz: Contemporary Women Instrumentalists. Oxford University Press. p. 114. . From the early 1980s until his death he performed solo and led his own groups, including the Keystone Trio, with Idris Muhammad and George Mraz. He also freelanced, including with more contemporary players such as Arthur Blythe, David Murray, and Pharoah Sanders. "During the 1980s Hicks played as a sideman in numerous groups, including those led by Richie Cole (1980), Arthur Blythe (In the Tradition), David Murray, Hamiet Bluiett, Art Davis, and Pharoah Sanders; he recorded with these musicians, as well as with Ricky Ford (1980, 1982), Alvin Queen (1981), Peter Leitch (1984), Vincent Herring (1986), and Bobby Watson (1986, 1988)".

That front-page story from a famous edition of the Herald helped 21-year-old Jason land a job at Australia's Seven Network in Sydney where he worked between 1983 and 1985 as an on-air reporter for Seven News and its nightly 'Willesee' current affairs show. At the end of 1985 after a six-month stint as a researcher for BBC Nine O'Clock News in London, he became a producer and reporter for SBS-TV in Sydney. In 1987, Jason returned to London where he would base himself for most of the next decade, with his paternal grandmother from Staffordshire. Initially, he freelanced as a producer/reporter for SBS-TV, Fairfax Media, Reuters TV and BBC TV for whom he was an assistant producer on Breakfast Time, contributing to its coverage of Australia's Bicentenary, including producing a back-stage interview with Barry Humphries in London's West End.

Eddy was the executive editor (and de facto editor-in-chief) of VideoGames & Computer Entertainment in the late 1980s and early 1990s, followed by tenure as a senior editor at GamePro magazine. He has freelanced for several publications in his 20-year career and wrote “Biz Buzz,” a column about the video game business for GameSpy, from 2002 to 2004, including a somewhat controversial analysis of questionable circulation data and audit methods for Game Informer magazine.“Game Informer: Good Job, Nice Promotion,” Biz Buzz, May 5, 2003. He has served as from Senior Editorial Manager of Community Sites at IGN Entertainment in Brisbane, California and ended his run as Editor in Chief at TeamXbox in March 2010. “IGN Layoffs hit all divisions of media giant,” Joystiq, March 16, 2010 Sometime in the early 1990s, Eddy and his family made an appearance on The People’s Court.

Her fashion career began as a designer at I. Magnin's, where she was spotted by director Victor Fleming. Hired as a sketch artist for Joan of Arc (1948), Jeakins worked on the costumes along with Barbara Karinska and shared an Oscar with her in the color category. This was the first Oscar ever awarded for costumes, besides the black and white category. Jeakins was unusual in that she freelanced, never signing a long-term contract with any one studio. She worked steadily for the next thirty-nine years, winning another two Oscars, for Samson and Delilah (1949, shared with Edith Head and others), and The Night of the Iguana (1964), and another 12 nominations. She designed period costumes for The Ten Commandments (1956), The Music Man (1962), The Sound of Music (1965), Little Big Man (1970), The Way We Were (1973), Young Frankenstein (1974) and The Dead (1987).

His art also appeared in the Atlas horror-fantasy comics Journey into Unknown Worlds, Marvel Tales, Mystery Tales, Mystic, Strange Tales, Uncanny Tales, and others. Historian Ken Quattro describes Wildey's most "noteworthy" Western as the 19-issue Atlas series Outlaw Kid, "his take on the classic Western antihero", in which Wildey illustrated three to four stories per issue: Much of this work was reprinted by Marvel from 1970 through 1974, exposing his work to a later generation. After an Atlas Comics retrenchment in 1957 — during which the company mixed a trove of inventory stories by Wildey and many others with new material for two to three years — Wildey freelanced on a small number of standalone anthology stories for two other publishers: Harvey Comics, in the science fiction/fantasy titles Alarming Tales #3-5 (Jan.-Sept. 1958), and Black Cat Mystic #62 (March 1958), Hi-School Romance #73 (March 1958) and Warfront #34 (Sept. 1958); and DC Comics, in Tales of the Unexpected #33 & 35 (Nov.

Paterson also studied classical guitar at Trinity College, London. After teaching for a few years, Paterson freelanced, playing the guitar,featured guitarist on "I Don't Know How to Love Him" from the album 'Aspects of Andrew Lloyd Webber' (BBC Concert Orchestra), arranged & conducted by the late Ian Hughes & released in 1989 on BBC CD750 arranging and composing for Chappell & Co., Boston Music (USA) and International Music Publications.'Fun Music for The Guitar'(1976), 'Fun Music for The Guitar 2'(1977), 'Classical Guitar Romance'(1977), 'Classical Guitar Sentimental'(1978), 'Classical Guitar Serenade'(1979), 'Tune a Day Series, Songs for Guitar'(1979), 'Instant Top-Line Guitar Bk.1'(1980), 'Licks 'N' Riffs'(1981), 'Three Chord Trick'(1981), 'Solo, Duo, Trio Guitar'(1983), 'Sophisticated Solos'(1984), 'Swing Together for Flute & Guitar(1986) An original choral work Here is the News received its first performance at The Royal Albert Hall on 18 May 1972 performed by The Southend Schools Music Association Junior Choir.

Additionally, fresh graduate Romanuk freelanced for the new all-sports cable channel TSN, starting there as a newsroom editorial assistant in February 1985, months after the channel's September 1984 launch. Aside from working in the fledgling network's newsroom, he soon got the opportunity to contribute field pieces and file on-camera reports, even doing the occasional update on TSN's central nightly sports newscast SportsDesk. With his television profile raised as a result of the TSN on-camera appearances, Romanuk got hired to host the OHL Game of the Week presentation during the 1986–87 season on Global Television Network. This further television exposure led to Calgary's CFAC-TV station (at the time still nominally unaffiliated though increasingly reliant on Global's programming) offering him C$50,000, an amount Romanuk in a later interview described as "more money than I had been making from all my freelance gigs put together", for a full-time job of reporting and anchoring their Newsfirst news show.

Trainz Classics, also abbreviated as TC (TC1, TC2, TC3), is a series of 3 standalone Trainz Railroad Simulator 2006 joint venture customizations put together by Auran and different professional providers of third party content. Unlike typical Trainz releases which feature a round-the-world sampling of content typical to different regions of the planet, the Trainz Classics versions feature a large railroad layout with plenty of special professionally written sessions exploiting the featured railroad. Trainz Classics 3 renewed evolution of the Trainz base technologies incorporating various changes to the older stable four-year-old data models resulting in the publication of a new .pdf file TC3 Content Creator's Guide. TC1 focuses on the Metro-North Railroad's Harlem Line in the 2000s (due to EMD FL9 locomotives still being in service), TC2 focuses on a freelanced city called "Modula City", featuring European trams running in the city and to an island (a demo version was included with TRS2004).

Born Joseph Bailey Walker in Denver, Colorado, Walker worked as a wireless telephone engineer, inventor, and photographer of documentaries for the Red Cross during World War IJoseph Walker at FilmReference.com before starting his feature film career in 1919 with the Canadian film Back to God's Country, which was filmed near the Arctic Circle. For the next seven years, he freelanced at various studios, working for noted directors W.S. Van Dyke, Francis Ford, George B. Seitz, and others. He joined Columbia Pictures in 1927 and worked almost exclusively at the studio until he retired in 1952. Walker collaborated with director Frank Capra on 20 films, including Ladies of Leisure (1930), Lady for a Day (1933), The Bitter Tea of General Yen (1933), It Happened One Night (1934), Lost Horizon (1937), Mr. Deeds Goes to Town (1936), You Can't Take It with You (1938), Mr. Smith Goes to Washington (1939), and It's a Wonderful Life (1946).

Kosin began covering sports at his high school at age 14 for the City News Bureau of Chicago and two competing local newspapers, getting bylines in each and earning himself the princely sum of $32.50 a week. He did this while playing on some of those teams and figuring out the balance between being accurate in his stories and getting along with his coaches and teammates. He continued to write part-time for both local newspapers and freelanced stories to magazines through his college years. He worked full-time in the production department on the third shift at a Chicago daily newspaper while attending junior college, then majored in broadcasting and journalism at Western Illinois University. From 1980 through 1988, Kosin reported on all Chicago sports and teams while hosting weeknight “magazine” shows on two radio stations, WTAQ and WMRO. These covered all of the Chicago market under the banner “The Sportsweek Radio Network”.

Citing the great photographer Horst P. Horst as a key influence, Derujinsky photographed the Paris Spring collections from 1953-1963 and was known for his outlandish ideas and travel images taken in remote locations all over the world at time when travel, especially by air, was far from common. Derujinsky also freelanced for Look Magazine, Town and Country, The New York Times Magazine, Ladies’ Home Journal, Esquire, Glamour, Seventeen, Life, and Good Housekeeping. Working extensively with Carmen Dell’Orefice and his then-wife Ruth Neumann-Derujinsky, his work also featured many of the era’s top models, from Jean Patchett and Jean Shrimpton, to Nena Von Schlebrügge and Iris Bianchi. In 1957, to commemorate the inauguration of Pan Am’s Boeing 707, Derujinsky, dubbed “the White Russian,” travelled around the world with Ruth Neumann and Nena Von Schlebrügge, photographing the former in 11 countries in the space of 28 days. His photographs of the Paris collections of the same year became a 25-page spread in Harper’s Bazaar.

After returning to New York, Levine was hired as a photo researcher at New York Magazine and interned at the Village Voice, where she was frequently assigned to shoot bands. As a photographer for the UK music magazines NME and Sounds, she was occasionally assigned to shoot British bands as they came to the United States for the first time, and notably photographed The Clash at Bond's Casino over a five-day period in 1981. Levine freelanced for Interview, the New York Times, Trouser Press, Creem, and Musician and was hired as the photo editor and chief photographer for New York Rocker in 1980. In addition, Levine independently set up shoots with bands she was interested in and did early sessions with artists such as R.E.M., the B-52s, the Bangles, and the Dream Syndicate, and provided images for album artwork for releases by artists including X, The Replacements, Robyn Hitchcock, and Joan Jett.

Rutter was born and brought up in Hull, East Riding of Yorkshire, England, attending Newton Hall, part of Greatfield High School. He participated in school plays, joining the National Youth Theatre and at the age of 17 in 1964, he left Hull to live with his aunt in Kennington, London. He later studied at the Royal Scottish Academy of Music and Drama, but left early before finishing the course to go on a European tour with the NYT. Rutter was passed over for the 1967 production of Peter Terson's football play Zigger Zagger, but Terson wrote a role for him in The Apprentices. He was with the Nottingham Playhouse in 1968, then freelanced until joining the Royal Shakespeare Company in 1975.A life in theatre: Barrie Rutter The Guardian, 9 March 2012. Retrieved 3 January 2020Barrie Rutter (2016), Theatre Programme: The Merry Wives, Northern Broadsides and New Vic Theatre joint production. In the 1980s he performed in three adaptations by the poet Tony Harrison.

Born in London and educated in Devon, MacManus joined IPC in 1973, aged 20,David McDonald, Steve MacManus Interview, Hibernia Comics, 7 April 2011 as a sub- editor on the boys' weekly comic Valiant, until 1975 when he moved to Battle Picture Weekly under editor David Hunt. While working on Battle he also freelanced on Action, appearing as the title's mascot "Action Man",Action Man at The Sevenpenny Nightmare, 19 February 2010 who performed and wrote up stunts and activities such as exploring London's sewersAction No. 9, 10 April 1976 or flying a hot air balloon,Action No. 12, 1 May 1976 as well as writing "The Running Man",The Running Man at The Sevenpenny Nightmare, 16 February 2010 "Sport's Not For Losers",Sport's Not For Losers at The Sevenpenny Nightmare, 15 February 2010 and episodes of "Dredger". In 1978 he was taken off Battle to sub for Kelvin Gosnell on a new science fiction title, Starlord. When it was cancelled later the same year, he became Gosnell's sub on 2000 AD, replacing Nick Landau who was moved to Battle.

Vince Colletta at AtlasTales.com During an Atlas retrenchment in the late 1950s, Colletta freelanced as a penciler on the DC Comics romance titles Falling in Love, Girls' Love Stories, and Heart Throbs, and Charlton Comics' Love Diary and Teen Confessions. His last confirmed pencil work for decades was "I Can't Marry Now" in Love Diary #6 (Sept. 1959). Colletta's first confirmed work as an inker of another artist's pencils is unknown, largely due to credits not being given routinely in 1950s comics. Two possibilities suggested by historians and researchers are the cover of Atlas' Annie Oakley Western Tales #10 (April 1956), co-inking with Sol Brodsky over Brodsky's pencils, and the three-page story "I Met My Love Again", penciled by Matt Baker, in My Own Romance #65 (Sept. 1958). Additionally assigned to ink stories in Atlas' emerging science- fiction/fantasy and giant-monster comics, Colletta entered what fans and historians call "pre-superhero Marvel" with three Baker-penciled stories: "The Green Fog" in Journey into Mystery #50 (Jan.

Stringer began his career from the late 1970s with a series of fanzines, many featuring his popular Brickman character; these were read by several professional creators (including Kevin O'Neill, Alan Moore and Dave Gibbons) who encouraged Stringer to try comics as a profession and Stringer recalls that "Alan Moore actually introduced me to one of the editors at Marvel UK – Bernie Jaye who was editor on The Daredevils". He sold his first professional cartoon to Marvel UK (the British branch of Marvel Comics) in 1983 where it appeared in The Daredevils comic, after which he worked for a short time as art assistant to the cartoonist Mike Higgs (creator of Moonbird and The Cloak). Since then Stringer has freelanced for numerous British comics for various companies and audiences. His best remembered creations are Tom Thug and Pete and His Pimple for Oink! comic (1986), which outlasted that comic and continued into Buster comic, and Combat Colin the halfwit hero who featured in Action Force and The Transformers comics.

Winogrand worked as a freelance photojournalist and advertising photographer in the 1950s and 1960s. Between 1952 and 1954 he freelanced with the PIX Publishing agency in Manhattan on an introduction from Ed Feingersh, and from 1954 at Brackman Associates. Winogrand's beach scene of a man playfully lifting a woman above the waves appeared in the 1955 The Family of Man exhibition at the Museum of Modern Art (MoMA) in New York which then toured the world to be seen by 9 million visitors. His first solo show was held at Image Gallery in New York in 1959. His first notable exhibition was in Five Unrelated Photographers in 1963, also at MoMA in New York, along with Minor White, George Krause, Jerome Liebling, and Ken Heyman. In the 1960s, he photographed in New York City at the same time as contemporaries Lee Friedlander and Diane Arbus. In 1964 Winogrand was awarded a Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation to travel "for photographic studies of American life". In 1966 he exhibited at the George Eastman House in Rochester, New York with Friedlander, Duane Michals, Bruce Davidson, and Danny Lyon in an exhibition entitled Toward a Social Landscape, curated by Nathan Lyons.