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25 Sentences With "formulaically"

How to use formulaically in a sentence? Find typical usage patterns (collocations)/phrases/context for "formulaically" and check conjugation/comparative form for "formulaically". Mastering all the usages of "formulaically" from sentence examples published by news publications.

Scenes related to the investigation and Nofar's celebrity unspool formulaically.
"They said it very formulaically," the woman, Batya Ungar-Sargon, who is the opinion editor at The Forward, recalled.
The essays I read were competent, but most seventh graders with social-media experience could have made the same arguments less formulaically.
"I'm not going to hold that against him," she said of the dirty talk, adding, formulaically, that the Clintons had done much worse.
I believe writing can be taught and learned, through not only practice but really approaching the craft formulaically until it becomes more natural.
In Greek tragedy, every hero has a fatal flaw; the driving quality that formulaically pushes the story forward, and leads to the hero's downfall.
" He defined science fiction formulaically, as he explained to Locus magazine in 2000: "The world's in some sort of a state, and something awful happens.
In hindsight, the sequence of events seems formulaically stupid—not unlike the process by which a gullible mark ultimately hands over his life savings to a get-rich-quick scam artist.
Once a frequently self-parodic narrative where Bond formulaically conquered exotic paradises using a combo of sexual prowess and high-tech spy gadgets, in recent years the series has subverted itself, exploring Bond's alcoholism, his shaky mental health, and his problematic attitude toward women.
Hit is a carbonated soft drink introduced in Venezuela over 40 years ago. It is now owned by The Coca-Cola Company. The drink is formulaically identical to the Coke brand Fanta, with a similar graphic logo and design.
While the depiction of inanimate objects and still lifes is seen to be very realistic in Qajar painting, the depiction of human beings is decidedly idealised. This is especially evident in the portrayal of Qajar royalty, where the subjects of the paintings are very formulaically placed and situated to achieve a desired effect.
Dkrtzy RRR of Sector 188 is a bio-sentient mathematical equation. He is first mentioned in Green Lantern vol. 2, #188 (May 1985) in the story "Mogo Doesn't Socialize", written by Alan Moore and drawn by Dave Gibbons. It was apparently discovered by a mathematician named Timph Rye in an attempt to prove that willpower could be derived formulaically.
In Greek, the Homeric epithets are most commonly recognized. The article “L’Épithète Traditionnelle dans Homère and les Formules et la Métrique d’Homère” by Milman Parry argues for Homer's use of formulaic epithets in the Greek epics. These epithets are arguably used formulaically much like the makurakotoba. Examples of Homeric epithets: swift- footed Achilles, crafty Aegisthus, wily Odysseus (or Odysseus of many wiles).
The purpose of this article is to serve as an annotated index of various modes of convergence and their logical relationships. For an expository article, see Modes of convergence. Simple logical relationships between different modes of convergence are indicated (e.g., if one implies another), formulaically rather than in prose for quick reference, and indepth descriptions and discussions are reserved for their respective articles.
However, by this time, he had also begun experimenting with Ritalin. He recalled, "my songwriting process had become almost too second-nature. I was writing songs formulaically, almost without thinking, knocking [them out], reflexively, in about 20 minutes." The use of Ritalin also helped him focus on the process as he worked up to 12 hours a day to beat the three-week deadline.
The Japan Times reviewer Mark Schilling gave the film a review of 1.5 out of 5. In a critical review, he describes the film as "a TV special done formulaically large, with no spark of originality or wit". He said that the joke of having ink splashed across people's faces were "of all and sundry, again and again, ad infinitum." He concluded the review by saying that the film and jokes were an "embarrassment".
The Premier League distributes a formulaically derived financial payment to each English Football League (EFL) club every season. There are two mechanisms with which funds are calculated and distributed, these are known as "Parachute Payments" and "Solidarity Payments". The payments are linked to the value of the Premier League’s broadcasting rights. In the 2017-18 season the Premier League paid £243m in Parachute Payments split amongst 8 clubs, and £100m in Solidarity Payments split amongst the remaining 64 clubs.
The album opens with "In My Head", the song has a throbbing bass beat and low brooding synth strings. The next track "My Heart Is Refusing Me" is in a new remixed form and is slightly different from the original version released in 2011. The song is a dance balladry track that has a chorus that formulaically expands after periods of restraint verses. "Everytime" was highly praised by critics, the song opens in an acoustic production, featuring only Loreen's voice and the piano.
Each scene sequenced almost formulaically "from master shot to medium shot to close-up, with frequent returns to the master shot. (By re-establishing the overall shot so often, Walters made viewers feel that they were viewing the action from the best seat in the house, not from within the circle of action itself.)" The lighting was strong, and tended to eliminate shadows and expose flaws in the performers' skin. Models' hair was carefully groomed, make-up was used, and cleanliness emphasized.Hardesty, "Nova Studios, Part One: The Pre-Sound Years," Manshots, July 1997, p. 11.
Communicating through abstract ideas is at the foundation of creativity and symbolic thought, including art, music, the written word, mathematics, and science. Winquist noted that in René Descartes' third Meditation, Descartes wrote that God transcended "subjective dominance." The very thought of God's attributes created doubt about the innate ability of human nature to comprehend the existence of God. It is enough to understand there is an infinite that can be judged, and that all these attributes clearly perceived and known imply perfection.... Thinking formulaically about God defies selfhood.
During this time, there was a great deal of European influence on Persian culture, especially in the arts of the royalty and noble classes. Though some modelling is used, heavy application of paint and large areas of flat, dark, rich, saturated colours predominate.Canby (1993), 119–124; Piotrovsky & Rogers, 154-161; Scarce While the depiction of inanimate objects and still lifes is seen to be very realistic in Qajar painting, the depiction of human beings is decidedly idealised. This is especially evident in the portrayal of Qajar royalty, where the subjects of the paintings are very formulaically placed with standardised features.
His wife was the goddess Hatepuna, though he was also paired with Šepuru and Kašḫa at various cultic centres. Telipinu was honored every nine years with an extravagant festival in the autumn at Ḫanḫana and Kašḫa, wherein 1000 sheep and 50 oxen were sacrificed and the symbol of the god, an oak tree, was replanted. He was also invoked formulaically in a daily prayer for King Muršili II under the latter's reign. The Telipinu Myth is an ancient Hittite myth about Telipinu, whose disappearance causes all fertility to fail, both plant and animal: In order to stop the havoc and devastation, the gods seek Telipinu but fail to find him.
" In his review for The Village Voice, Robert Christgau said the music was routine but elevated by Grohl's "marital breakup content/concept," which allowed him to "fully inhabit the music that meant so much to him and millions of other Kurt Cobain fans." Ryan Schreiber of Pitchfork was less favorable, rating the album 3.4 out of 10 and calling the music "sorely dated." Reviewing the tenth anniversary re-release, Pitchfork was mildly more favorable. Scoring the release a 5.8 out of 10, Stuart Berman stated, "The Colour and the Shape presented a true picture of the kind of group Grohl wanted to be in, had he not been sidetracked by the job of drumming for the biggest American rock band of the early 1990s [...] that band would turn out to be much more formulaically mall-punk than the Foos' torn 'n' frayed debut suggested.
"My Heart is Refusing Me" received critical acclaim from music critics upon release, with most critics noting similarities to her previous single, "Euphoria". ScandiPop.co.uk gave it a positive review, saying "The words “even better than the original” spring to mind. Seriously. As kicks up the arse go, this is at hospilisation level." Samesame.co.au called the song one of the highlights of the album, saying "is a showcase of pedigree dance balladry – just like ‘Euphoria’ – it comes complete with a chorus that formulaically expands after periods of restraint verses." He also stated that along with the other singles on the album; "make sense as the shining ambassadors of Loreen‘s album but they’re not necessarily indicative of its scope." Brian O'Reilly from The Irish Independent was very positive, awarding the song 9 stars out of 10, stating "‘My heart is refusing me’ really does what really great dance music should do – it teases the listener throughout, leaving them in anticipation for a big final chorus where all the elements introduced throughout the song come together." Loreen performing the song in 2011.
The eight-mode, two choir structure format employed by Bereketis in his notable setting of "O Theotokos and Virgin" was inspired by a similar composition ("More Honourable than the Cherubim") by Constantine of Aghialos, written several centuries earlier. After Bereketis, this style became more common and was used several times by later composers, including Nikolaos of Smyrna (in two works entitled "We Have Seen the True Light" and "Unfading Rose"), Monk Ioasaph of the monastery of Dionysiou on Mount Athos (very slow apolytikia of the despotic feasts of the Church), John the Protopsaltis, Theodore Phokaeus, Stephanos the Lambadarios, and Chourmouzios the Archivist of the Great Church. Bereketis also composed two large cycles of the papadic genre (cherubic hymn and Sunday koinonikon) that are formulaically valid, since the formulas were not written out in Middle Byzantine notation, they were rather part of the performance based on conventional melopœia. One cherubikon as well as one version of the Sunday koinonikon can be chanted in any of the eight Byzantine modes without alteration of the actual neumes, varying only the starting pitch.

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