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14 Sentences With "forlornness"

How to use forlornness in a sentence? Find typical usage patterns (collocations)/phrases/context for "forlornness" and check conjugation/comparative form for "forlornness". Mastering all the usages of "forlornness" from sentence examples published by news publications.

There's a forlornness to some of these clowns, and a loneliness.
There, then, he sat, holding up that imbecile candle in the heart of that almighty forlornness.
After two hours of music and the forlornness of the Fifth Suite, the Sixth was resplendent, a golden ending.
Western Iowa's unofficial corn corridor is Route 103, an Uberless world of uneven cellphone reception and agrarian infinity, gorgeous in its forlornness.
One man pressed his nose against the glass, then placed his palm against the store window while taking a picture of it, a portrait of melodramatic forlornness.
The cover shows a thread of light wrapped around a naked human who wanders about in a neo-primitive urban landscape, one that's haunted by hostility and forlornness.
"I haven't seen my WeChat timeline filled with so much forlornness and outrage," Xu Danei, founder of a social media analytics company, wrote on the messaging platform WeChat.
I spent three weeks there, visiting the streets of Chennai in Tamil Nadu and the hills of Tirumala in Andhra Pradesh, navigating a familiar space that had suddenly become unfamiliar, a place now tinged with loss and a sense of forlornness.
These are the company's most experimental pieces, in appearance and silhouette, and almost uniformly gorgeous in their mildly wilted forlornness, especially the faded black bomber ($998) and the wrinkled red gilet designed to be zipped into other pieces in the collection ($413) but which was eminently wearable on its own.
Stanford University, 11 Oct. 2010. Web. 04 Dec. 2011. . Existential thought bases itself fundamentally in the idea that one's identity is constituted neither by nature nor by culture, since to "exist" is precisely to constitute such an identity. It is from this foundation that one can begin to understand abandonment and forlornness.
His songs always had a kind of loneliness and forlornness about them." The American music magazine Rolling Stone published a review of Bare Trees in the issue dated 8 June 1972. Reviewer Bud Scoppa said how much he had liked the previous albums, Kiln House and Future Games. He found Bare Trees "more introspective", but harder-hitting and he said, "As before, it's Danny Kirwan who makes the difference.
Idolator's Mike Nied described "Hush Hush" as an "empowering ballad" that rests on a "sparse production," where Scherzinger laments over a dead relationship. Spence D. of IGN, described the song as having a "down tempo forlornness." The remix of the song contains an interpolation of Gloria Gaynor's (pictured) "I Will Survive" (1978). In March 2009, it was announced that Doll Domination would be reissued in different editions to include new songs including an up- tempo remix of "Hush Hush" titled "Hush Hush; Hush Hush".
This in turn leads to a change in the protagonists: from beautiful fashion models, Buetti turns to deformed freaks, masked tragic clowns, and grotesque figures seemingly immerging from a godforsaken planet, deeply marked by catastrophe. But however repulsive these figures are, they find our empathy for their forlornness and genuine, if pathetic desire for love and warmth that we have all felt more than once in our lives. More often than not, it is the artist himself who impersonates the grotesque, personally validating his points of view and simultaneously catching on to his performances of the early years.
" Negative reviews focused on the film's ostensible preference of style over substance, with Slant Magazines Nick McCarthy giving the film a score of 2.5 out of 4, pointing out that "director David Lowery, with the aide of Bradford Young's sublime cinematography, goes to great lengths to stylistically evoke the emotionally complex nature of the characters' forlornness, but the film's highly calculated beauty suffocates rather than elevates the story's emotional underpinnings." He also questioned the portrayal of motherhood in the film, accusing Mara's character of being "uninterestingly flattened into a waiting damsel in distress." A. O. Scott of The New York Times, in a negative review of the movie, wrote that "Authenticity is rarely a fair standard for judging movies, which always depend on overt and invisible artifice. But this film's longing for just that quality—for a simple, elemental truth that will be both specific to its time and place and ripe with deeper meanings—is precisely what makes it unconvincing.

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