The picture pairings, foldouts, and collages in Discordia depict real moments that are connected through a shared sense of tension and ambiguity, with the purpose of steering the dialogue toward the emotional rather than the factual.
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Liu Wen is the first Chinese model to ever appear on the glossy's cover, and "the first Asian model...on the front cover of the publication (excluding foldouts) since the 1930s," according to her management's press release.
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Roscoe provides 20 maps, graphs, and diagrams; and 11 charts. The charts are two-page foldouts. Blair provides 37 maps, none of which fold out. This is a significant difference since Submarine Operations is an 8½ inch by 11 inch book, and Silent Victory is 6½ by 9½.
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Frontispiece of “Latium” by Athanasius Kircher Illustration of the Temple of Vesta, Tivoli from ‘Latium’ by Athanasius Kircher (1671) Latium was published in folio with 27 engraved plates. These included illustrations, maps, and plans, including 15 double- page foldouts. The illustrations included views of the countryside, sculptures, mosaics, coins and mechanical devices such as watermills. The frontispiece was by Romeyn de Hooghe.
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Two foldouts in the 16 title , one showing Léon Jaussely's reconstruction of the forum of Pompeii, the other representing the actual condition of the theatre quarter in 1859 by using Paul-Émile Bonnet's drawings, both in a panoramic view. In the 369 title ('The Paper: A Daily Adventure'), through a partnership with paper companies, there are even three luxurious foldouts that all made on different papers from Arjo Wiggins, presenting one of the 17 century watercolours on the traditional manufacture of Chinese paper; the other of the engravings and drawings by Albrecht Dürer and Leonardo da Vinci; the third depicts today's paper production line with its different machines. At the back of each book is the "Documents" section (), unlike the , this part is always printed in black and white. It works as an anthology, provides more detailed documentary information and historical records.
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Inside page view of Jerome Charyn's ('New York: Chronicle of a Wild City'), the 204 title of "Découvertes" collection. As an example of layout. The novelty lies in the subtle orchestration of the text and the illustration, where successive sequences, inserts and foldouts overlapping in double pages. According to the subjects, the body text (mentioned as in French) is structured into three to eight chapters.
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Each chapter is built using journalistic methods, with a lead paragraph and intertitle. The is punctuated by double-page spreads of images, known as inserts, sort of a halt for pictures. For the 124 title ('Fear of Wolves'), 2 double-page spreads of reproductions of Gustave Doré's engravings to illustrate Little Red Riding Hood. These books benefit a lot from journalistic and cinematographic techniques, some titles include panoramic foldouts, kind of projection on big screen.
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The codicology, or physical characteristics of the manuscript, has been studied by researchers. The manuscript measures , with hundreds of vellum pages collected into 18 quires. The total number of pages is around 240, but the exact number depends on how the manuscript's unusual foldouts are counted. The quires have been numbered from 1 to 20 in various locations, using numerals consistent with the 1400s, and the top righthand corner of each recto (righthand) page has been numbered from 1 to 116, using numerals of a later date.
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Tolkien prepared several maps of Middle-earth. Some were published in his lifetime. The main maps are those published in The Hobbit, The Lord of the Rings, The Silmarillion, and Unfinished Tales, and appear as foldouts or illustrations. Tolkien insisted that maps be included in the book for the benefit of readers, despite the expense involved.Letters #137 to Rayner Unwin, 11 April 1953; #139 to Rayner Unwin, 8 August 1953; #141 to Allen & Unwin, 9 October 1953; #144 to Naomi Mitchison, 25 April 1954; #160 to Rayner Unwin, 6 March 1955; #161 to Rayner Unwin, 18 April 1955 The definitive and iconic map of Middle-earth was published in The Lord of the Rings, and refined by the illustrator Pauline Baynes into a stand-alone poster, "A Map of Middle-earth".
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