"Ours is a revolutionary era of gender fluidness and sexual equality and same-sex parents and girls doubtless need fathers, too," he writes.
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Albee has unsparingly considered subjects outside the average theatergoer's comfort zone: the capacity for sadism and violence within American society; the fluidness of human identity; the dangerous irrationality of sexual attraction and, always, the irrefutable presence of death.
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What's beautiful to us about this shoot is that the images exhibit a strength through the fluidness in gender identities represented, showcasing a new kind of power dressing that breaks down the binary that's held us all back for so long.
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Then, two or multiple man sets are practiced to train responses and applications of techniques learned from the sets. The practice sets/routines are not only practical in applications but are also graceful and artistic in nature. The fluidness of the movements combined with acrobatic techniques are trademarks of the Northern Shaolin sets. The Northern Shaolin style was made famous by the late Gu Yu-jeung.
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At the 2019 NFL Combine, Tell turned heads with a 42-inch vertical jump. Scouts noted his speed and fluidness but worried about his intangibles. Tell was drafted by the Indianapolis Colts in the fifth round (144th overall) in the 2019 NFL Draft. In week 9 against the Pittsburgh Steelers, Tell forced a fumble on running back Jaylen Samuels that was recovered by teammate Justin Houston in the 26–24 loss.
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In the last decade of his life, he produced many watercolors in Maine, Florida, and in the American West, of fauna, flora, and native peoples. Muddy Alligators, 1917, watercolor With his watercolors, Sargent was able to indulge his earliest artistic inclinations for nature, architecture, exotic peoples, and noble mountain landscapes. And it is in some of his late works where one senses Sargent painting most purely for himself. His watercolors were executed with a joyful fluidness.
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With nature more of a guide, the new works provide a refreshing fluidness and unpredictability that is more evocative than the older works that precisely fit together like the specifications of a building, or a math equation.”Kane, Tim. Cold beauty, Times Union, Albany, NY, September 5, 2010. Indicators, the centerpiece of her first solo exhibition since moving to the Adirondacks, “Concept Alters Reality” at the John Davis Gallery, exemplified this new direction. “Gone are the volumes of marble; what’s left is a distilled abstraction bursting forth with energy, rather than the cool, calculating forms she has constructed on five continents.
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Phra Atchana Wat Si Chum, Sukhothai Province, Thailand The Thai Buddhist art encompasses period for more than a millennia, from pre Thai culture of Dvaravati and Srivijaya, to the first Thai capital of Thai 13th century Sukhothai, all the way to succeeding Thai kingdoms of Ayutthaya and Rattanakosin. From the 1st to the 7th centuries, Buddhist art in Thailand was first influenced by direct contact with Indian traders and the expansion of the Mon kingdom, leading to the creation of Hindu and Buddhist art inspired from the Gupta tradition, with numerous monumental statues of great virtuosity. From the 9th century, the various schools of Thai art then became strongly influenced by Cambodian Khmer art in the north and Sri Vijaya art in the south, both of Mahayana faith. Up to the end of that period, Buddhist art is characterized by a clear fluidness in the expression, and the subject matter is characteristic of the Mahayana pantheon with multiple creations of Bodhisattvas.
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Foucault denies that any such notion had ever existed in the historical record and insists that this kind of thought is a misleading abstraction. Foucault cites the main driving force behind this set of accelerated change was the modern human sciences and the technologies both available to skilled professionals from the 16th century and a whole set of clever techniques used to shift the whole old social order into the new order of things. However, what was significant was the notion of Population practised upon the entire human species on a global mass scale, not in separately locally defined areas. By population, Foucault means its fluidness and malleability, Foucault refers to ‘a multiplicity of men, not to the extent that they are nothing more than individual bodies, but to the extent that they form, on the contrary, a global mass that is affected by overall processes of birth, death, production, taxation, illness and so forth, one should also take note that Foucault does not just mean population as singular event but a means of circulation tied to factors of security.
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