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"floor show" Definitions
  1. a series of performances by singers, dancers, etc. at a restaurant or club, on the floor, not on a stage
"floor show" Synonyms
cabaret floorshow nightclub act vaudeville entertainment music hall variety show burlesque revue show skit theater(US) theatre(UK) performance extravaganza spectacular stage show vaudeville show striptease burly peep show strip show peepshow raree-show burly show burlesque show More

134 Sentences With "floor show"

How to use floor show in a sentence? Find typical usage patterns (collocations)/phrases/context for "floor show" and check conjugation/comparative form for "floor show". Mastering all the usages of "floor show" from sentence examples published by news publications.

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These works might be best categorized as "numbers," in the Broadway or floor-show sense.
Sitting here also includes a floor show, a view into the open kitchen as chefs hustle to fill orders.
The whole drowning thing is a floor show, a bit of religious theater borne out of culture of goth masochists.
He preens, she melts, and when they make music together, they rumba like the stars of a Copacabana floor show.
Not just a stage performance, but also the floor show, and also the engaged audience, and also the world backstage.
The team was hilariously enough demonstrating the product on the trade-floor show by taking showers (with clothes on of course).
But the second half of the production is an independent floor show, with plenty of razzle-dazzle, no matter what the opening drama. ♦
"I like the floor show," one retired sergeant remarked as he peered through the glass elevator doors to see on-duty cops scuffling with protestors.
"They were looking for supporting acts for a Factory Floor show in Montreal, and apparently they searched Bandcamp for Montreal bands and found us," explains Guerineau.
With more than 250 works by 63 designers from around the world in a jam-packed, two-floor show, it's a mixed bag in terms of quality.
With more than 203 works by 63 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 211048 works by 2186 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 23596 works by 231 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 213 works by 2535 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 2212 works by 2206 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 22299 works by 227777 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 201000 works by 22529 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 29893 works by 10483 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 200100 works by 205 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 21957 works by 21967 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 21985 works by 282 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 299 works by 2212 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 8453 works by 63 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 22015 works by 22 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 21864 works by 21916 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 708 works by 21955 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 23864 works by 234500 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 250 works by 63 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 215 works by 226 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 222016 works by 27710 designers from around the world in a jam-packed two-floor show, it's a mixed bag in terms of quality.
With more than 250 works by 63 designers from around the world in a jam-packed, two-floor show, "Beauty" is a mixed, visually cacophonous bag in terms of quality.
This is not to say that this new-old version of the artist is so different that we don't recognize him when we arrive on the Whitney's fifth floor show.
Recent photos of the NYSE trading floor show hand-sanitizing stations set up by officials in the hopes of preventing the disease's spread, while restrictions on outside visitors have also reportedly been put in place.
Not a retrospective, as both Eisenman and Massimiliano Gioni, the museum's artistic director, insisted repeatedly during a public conversation last month, the one-floor show is, instead, something of a welcoming both for the artist and for the public.
And comments Biden made during a 1995 speech on the Senate floor show he was willing to make cuts to Medicare, but only as part of a broader deal that did not advocate cuts as big as Republicans want.
You'll tip the captain of waiters a day's pay to sit down close to the floor show which you'll never see because they'll have you out in the men's room putting ice on your forehead when it goes on.
"José Molina and his troupe have elevated the Spanish dance form from the jaded nightclub floor show to the concert stage — its rightful place," Thelma Newman wrote in reviewing a 1972 performance in Florida for The Palm Beach Post.
It features a two-hour floor show, "The Devouring" (courtesy of House of Yes), that is a high-concept reimagining of a William Blake poem and features half-clothed acrobats, ballerinas and an operatic cover of "Closer" by Nine Inch Nails.
Floor Show was a Canadian music variety television series which aired on CBC Television in 1953.
A bootleg record of The 1980 Floor Show, titled Dollars in Drag - The 1980 Floor Show, was released by The Amazing Kornyphone Record Label in 1974 (ASIN: B00RC7WEEO). A multi-disc DVD was later issued, showing some of Bowie's and his guests' lavish costumes and including excerpts of rehearsals and false starts.
Three medieval Christian tombs in the floor show that the temple was at one time used as a Christian church.
Nicholas Pegg (2000). The Complete David Bowie: p. 218 However, when Bowie came to perform the song on the U.S. television special The 1980 Floor Show in August 1973, he slurred the line in such a way as to render it "Falls swanking to the floor.""Time" at The Ziggy Stardust Companion Conversely, RCA cut the line "In quaaludes and red wine" from the single, while Bowie retained it for The 1980 Floor Show.
The club was patronized by Hollywood celebrities, such as Humphrey Bogart, Lauren Bacall, Bing Crosby, Duke Ellington, Lena Horne, Jane Wyman, and Ronald Reagan. An evening's entertainment at Forbidden City typically started with a dinner that was ostensibly "Chinese" cuisine, but it was a fusion of Chinese and American cuisine. Dinner would be followed by dancing, then a floor show. The floor show typically opened with performers dressed in traditional Chinese clothing.
The bulk of the film is made up of a dream sequence, in which Alfalfa imagines himself twenty years later failing as an opera singer, while Spanky owns a Broadway nightclub with a lavish floor show.
The Globe and Mail, November 16, 2004. In addition, he was the host of a weekly country music show on CKLN-FM called Honky-Tonk Hardwood Floor Show, and appeared in an advertising campaign for Molson Export in 1986.
Born into a show- business family in New Orleans and raised in the Tremé district, Palmer started his career at five as a tap dancer, joining his mother and aunt on the black vaudeville circuit in its twilight and touring the country extensively with Ida Cox's Darktown Scandals Review. His father is thought to have been the local pianist and bandleader Walter "Fats" Pichon. Palmer was 12 when he headlined a floor show at the Rhythm Club in New Orleans, "a very beautiful spot where one can enjoy a floor show, headed by Alvin Howey and Little Earl Palmer". Barnes, Walter.
When John Allen protests, she says stupidly that they can "catch the second show" of the lecture. John Allen is drunk after the first floor show, drunk, bored and belligerent. He says that Shirley herself shouldn't drink too much. She intones "I must, because of my problems".
Each episode features a main “Floor Show” where each of the competitors display their looks and performance on the main stage. The performances and looks are judged, and one competitor is chosen the winner while the two or more lowest scoring competitors are put up for “extermination”.
Programmes Of Famous Magicians. New York City. p. 17 Dunninger appeared on radio starting in 1943. In 1948, Dunninger and Paul Winchell were featured on Floor Show on NBC TV. Recorded via kinescope and replayed on WNBQ-TV in Chicago, Illinois, the 8:30-9 p.m.
The permanent expositions at the first floor show the culture of Native American population of Mexico since the Spanish colonization. The museum also hosts visiting exhibits, generally focusing on other of the world's great cultures. Past exhibits have focused on ancient Iran, Greece, China, Egypt, Russia, and Spain.
Clarke has also appeared in BBC One's Live Floor Show and BBC Two's World Cup's Most Shocking Moments. In 2014, Clarke was a panelist on CBBC's The Dog Ate My Homework. He is also a regular warm-up comedian for BBC Scotland. Clarke hosted the closing ceremony of the 2014 Commonwealth Games.
These booklets, which he continues to produce as "Superflux Pubs," are considered "the sum of his ideas and aesthetics". Pettibon started working in collage in the mid-80s with simple newsprint elements collaged onto black and white images.Raymond Pettibon. Part II: Cutting-Room Floor Show, December 13, 2008 – January 24, 2009, RegenProjects.
"Rose Tint My World" is a piece in the musical The Rocky Horror Show and its film counterpart, The Rocky Horror Picture Show. Written by Richard O'Brien, "Rose Tint My World" is part of the three-part "Floor Show" suite consisting of this song, "Fanfare/Don't Dream It" and "Wild and Untamed Thing".
She runs off to report this transgression to their wives. Stan enjoys the cafe's all-midget floor show so much that he buys them all gifts from a cigarette girl. It is then that Stan discovers his wallet contains only cigar coupons. To buy time, Stan quickly tells the cigar girl to put the cost on his tab.
Soft-spoken and charismatic, Sun Ra turned Squat Theater into a universe of big band "space" jazz backed by a floor show of sexy Jupiterettes. He directed while playing three synthesizers at the same time. In those days, "Space Is The Place" was the space at Squat. The Arkestra continued their touring and recording through the 1980s and into the 1990s.
"1984" was first recorded during the Aladdin Sane sessions.Kevin Cann (2010). Any Day Now – David Bowie: The London Years: 1947–1974: p.283 The song received its public debut, in a medley with "Dodo", known as "1984/Dodo", on the U.S. TV special The 1980 Floor Show (later bootlegged on record as Dollars in Drag), which was recorded in London on 18–20 October 1973.
Her paintings were simply signed with her first name "Esperanza.".Ask Art web site biography. By the 1970s, she was painting many Native American subjects, sometimes contemporary, living Indians from the Southwest, but also portraits of well known historical figures such as Chief Joseph and Sitting Bull. Martinez painted murals at the famous Los Angeles restaurant La Fonda, which was famous for its mariachis and floor show.
David Bowie 1974 The 1980 Floor Show was a rock musical spectacle featuring English rock musician David Bowie as the protagonist, held at the Marquee Club in Soho, London, on October 18-20, 1973. It was broadcast in the United States by NBC on November 16, 1973, as part of the series The Midnight Special, and presented the last performance of Bowie as his character Ziggy Stardust.
The fanfare section of the song features the same chords as "Rose Tint My World" whilst "Don't Dream It, Be It", features a classic C-Am-F-G chord progression reminiscent of the 1950s and 1960s. At the end of "Fanfare/Don't Dream It, Be It", Frank-N-Furter breaks into "Wild and Untamed Thing", which is the final section of the Floor Show.
In the film, Ginny (another singer) pines away for Louis, who is too infatuated with May Daly to notice, and it is only at the end that he realizes that Ginny loves him. The dream sequence purposely was delayed by 58 minutes, with vaudeville-type acts performed as a floor show before the sequence got underway. The Louis XV/Mme. DuBarry scenes, unlike the play, featured very little singing.
Salcedo's installation took the form of a 548-foot (167-metre) long, meandering crack in the floor of the Turbine Hall, a hairline crack at one end which expanded to a few inches of width and around two feet of depth at the other.Alberge, Dalya. "Welcome to Tate Modern’s floor show – it’s 548 foot long and is called Shibboleth", The Times, 9 October 2007. Retrieved 12 January 2008.
She gets him a job as a singer and waiter, where he goes about his duties rather clumsily. During his floor show, he loses his cuffs, which bear the lyrics to his song, but he rescues the act by improvising the lyrics using gibberish from multiple languages, plus some pantomiming. His act proves a hit. When police arrive to arrest Ellen for her earlier escape, the two flee again.
Some parts of the floor show two layers of clay. This also differs from the usual method of the day and shows the rationality and economizing of the inhabitants. It saved them time and resources as they didn't have to retrieve woods to make rolls and in the long-term heating of the house was easier. However, some objects within the house were not built on the floor.
The floor show includes performances by Gloria ("Mamie Is Mimi") and Coquette. Lorelei sings too ("Diamonds are a Girl's Best Friend"). Gus tells Lorelei that he loves her so much that he would leave his father's business for her sake. She admits that she shot a man in Little Rock, but it was in self-defense (the man was attempting to rape her), so she was acquitted; they make up.
The first is a floor show, where thousands of athletes, gymnasts and dancers demonstrate their athletic abilities. The second section uses thousands of North Koreans to create a human mosaic depicting vibrant images of North Korea and North Korean achievements. Finally, the third section is the music that links the performance. Together, these elements present to the international community North Korea's best athletes through a mix of athletics and art.
The medley made its public debut on the American television show The 1980 Floor Show, which was recorded in London on 18–20 October 1973. Recording officially commenced for the album at Olympic at the start of 1974. Bowie initially began work on "Rebel Rebel" at a solo session at Trident following Christmas 1973. It would be Bowie's last known visit to Trident, his principal recording studio since 1968.
The floor show included a chorus line and singers. There was a small dance floor. Milton Berle, Eleanor Powell, and comedian Joe Penner were among those appearing on stage; Al Capone and New York mayor Jimmy Walker were known to have visited the club. The supper club was also a favorite of New Jersey boss Nucky Johnson, who often arrived at the club with a showgirl on each arm.
After working as a hostess for Nick and Andy, Tex Malone leaves their employ and opens a club of her own. Looking for talent to book for the floor show, Tex hires Bee Walters and thereby breaks up Bee's act with Eddie Parr. Andy spitefully kills Tex's friend, Holland, and young Eddie is arrested for the crime on circumstantial evidence. Tex then learns from Eddie's father, Phil, that Eddie is her long-lost son.
He also starred in various television programs in prime time. In 2003 Marchetto returned to the UK and Ireland with sell out shows. His great success was confirmed by appearances in the Live Floor Show on BBC2 and the popular Italian TV show Uno di Noi with Gianni Morandi on Rai Uno. After two months of guest performances in Berlin and Hamburg, Marchetto returned once again to Los Angeles to amuse audiences in packed houses.
The main building is one story with a large A-frame thatched roof. A wooden slat bridge is crossed to reach the porte cochere and entrance. The Mai-Kai has been expanded several times, largely achieving its present layout and appearance by 1971. It now includes eight dining rooms, a bar, a stage in the center of the restaurants to showcase the Polynesian Islander Revue floor show, a gift shop, and tropical gardens.
Metropolis appeared on "What's Your Hobby", as well as the pilot episode of the "Fourth Floor Show" on E! Entertainment Television with Vance DeGeneres, followed by the filming of a national Dr Pepper commercial. They have appeared on Diagnosis: Murder in which Dick Van Dyke sang a song with the quartet in the episode entitled "Santa Claude". Metropolis has made radio appearances and performed in an independent film entitled "Pacino is Missing".
Over the strong objections of her father, Henry Sims (Samuel S. Hinds), she is determined to try to fulfill her dreams. In the boarding house, Terry's only supporter is aging actress Anne Luther (Constance Collier), who appoints herself Terry's mentor and acting coach. When Powell sees Jean dancing, he decides to dump Linda. He arranges for Jean and her partner Annie (Ann Miller) to get hired for the floor show of a nightclub he partly owns.
Thereafter, every two minutes, another person is killed. After several people die, the group realizes that the technology allows them to use hand gestures to vote for who dies, while arrows on the floor show each person their own vote but not others'. They attempt to all boycott the vote, but someone is still randomly selected to die. Following someone's suggestion, the group buys time to think by deciding in advance to eliminate the elderly for the next selections.
During the 1950s Ranglin played guitar on calypso and mento releases, some of which were recorded for the tourist market. The 1958 album The Wrigglers Sing Calypso at the Arawak is representative of the type of calypso floor show that Jamaican bands performed at hotels (some of the tracks from the original album were included on the 2010 CD release Jamaica - Mento 1951-1958). Jamaica - Mento 1951-1958 album.English version of the Jamaica - Mento 1951-1958 CD booklet.
He also appeared as an 'Astronette' dancer and vocalist in The 1980 Floor Show television special with Bowie in October 1973 and as one of the 'Diamond Dogs' dancer/vocalists on Bowie's 1974 US tour (recorded and released as David Live). With fellow Astronettes Ava Cherry and Jason Guess, and Bowie as writer/producer, Peace recorded an album's worth of material at Olympic Studios late in 1973, which was eventually released as People from Bad Homes in 1995.
From 1976 to 1980, they played in Osaka, Japan four months of each year. While in Japan, McFadden and his brother revived the tap combinations of their childhood, and since then tap has stayed in McFadden's act. In 1983, Lonnie and Ronald formed The McFadden Brothers, presenting a tap-infused floor show. In July of that year, they premiered as a specialty act for singer Oleta Adams in a performance at The Kansas City Music Hall.
Live Floor Show is a television comedy show produced by BBC Scotland for three series from 2002-2003\. The first two series, hosted by Greg Hemphill, were broadcast on BBC One Scotland. The third series, hosted by Dara Ó Briain, was shown on BBC Two. The programme featured a number of regular acts on one of the three stages at the Queen Margaret Drive studios in Glasgow: Frankie Boyle, Al Murray, Craig Hill, Paul Sneddon, Miles Jupp, and Jim Muir.
Before becoming a TV celebrity, she worked amongst others as a singer in the floor show Svensk Schlager in Trollhättan where she resided. She also worked as a fashion model, including appearing in the magazine Café. She gained fame after taking part in the 2002 series of the television show Fame Factory where she was pregnant through a relation with musician Jonas Erixon. The Swedish record manager Bert Karlsson proposed to put her in a duo with another Fame participant Magnus Bäcklund.
The gang offers to help Waldo attract customers to his lemonade stand which is doing poor business. Redecorating their barn as a lavish nightclub, the kids stage an elaborate floor show, with Darla as the star vocalist. Unfortunately, their efforts attract only one patron—a surly, stone-faced new kid named Froggy. Spanky and the others try to persuade Froggy into buying a drink, even going as far as singing an impromptu song about dryness and thirst, but to no avail.
Backstage, gambler Powell asks chorus girl Ruth Taylor (Mae Clarke) for a date and, after losing an impromptu bet, she agrees to go out with him. After the floor show, all the chorus girls are asked to stay late by their cruel dance master, Klauss (Russell Hopton), who is secretly having an affair with Happy's wife Jill. Edith Blair (Dorothy Petersen) spots a drunken Michael Rand sitting alone at a table. Edith was the 'other woman' in the murder of Michael's father.
Detailed photographs of the floor show that it is covered in a criss-crossing array of cracks and small hills. The central peaks rise above the floor, and a lesser peak stands just to the northeast of the primary massif. Infrared observations of the lunar surface during an eclipse have demonstrated that Tycho cools at a slower rate than other parts of the surface, making the crater a "hot spot". This effect is caused by the difference in materials that cover the crater.
By the mid-1930s, vaudeville was effectively dead, so Marsh turned instead to the booming nightclub industry, which had burgeoned following the end of Prohibition. In 1935, he headlined the gala floor show at the Blue Ribbon Night Club in Albuquerque, New Mexico, where he was described as "America's foremost female impersonator, presenting his famous impressions in dazzling gowns.""Blue Ribbon Night Club" [advertisement], Albuquerque Journal, August 31, 1935, p 11. During a subsequent nightclub appearance, Marsh was seen by Mrs.
After dressing them in cabaret costumes, Frank "unfreezes" them, and they perform a live cabaret floor show, complete with an RKO tower and a swimming pool, with Frank as the leader. Riff Raff and Magenta interrupt the performance, revealing themselves and Frank to be aliens from the planet Transsexual in the galaxy of Transylvania. They stage a coup and announce a plan to return to their home planet. In the process, they kill Columbia and Frank, who has "failed his mission".
She is brought to the Crossroads between Heaven and Hell, and initially she is tempted by the slick Judas Green (Frank H. McClennan), who is an agent for Satan (James B. Jones). Judas takes Martha to a nightclub, where the floor show includes an acrobat and a jazz singer. Judas arranges to have Martha employed by the roadhouse owner Rufus Brown, but the angel returns and advises Martha to flee. As she is escaping, a nightclub patron mistakenly believes Martha is a pickpocket who robbed him.
The entertainment at Smalls Paradise was not limited to the stage; waiters danced the Charleston or roller-skated as they delivered orders to customers. Waiters were also known to vocalize during the club's floor shows. Unlike most of the Harlem clubs which closed between 3 and 4am, Smalls was open all night, offering a breakfast dance which featured a full floor show beginning at 6am. After 30 years as the owner of the night club, Ed Smalls sold the club to Tommy Smalls (no relation) in 1955.
Des McLean is a Scottish stand-up comedian, actor, and a presenter for radio and television from Glasgow. Billy Connolly has cited McLean as his favourite comedian. McLean started working in comedy in 1999, and was a finalist in both the BBC New Comedy Awards and the Channel 4 programme So You Think You’re Funny. In 2002 McLean made his debut at the Edinburgh Festival Fringe with his one-man show Des McLean 5 Stars and appeared on the BBC series The Live Floor Show.
At the northeast corner of the grounds (now the KCTS-TV studios), Show Street was the "adult entertainment" portion of the fair. Attractions included Gracie Hansen's Paradise International (a Vegas-style floor show (rivalled next door by LeRoy Prinz's "Backstage USA")), Sid and Marty Krofft's adults-only puppet show, Les Poupées de Paris, and (briefly, until it was shut down) a show featuring naked "Girls of the Galaxy".Alan J. Stein, Century 21 – The 1962 Seattle World's Fair, Part 2, HistoryLink.org Essay 2291, April 19, 2000.
The first novel focuses on Caesar Hallelujah, a busboy at Chinese restaurant the Guangdong Factory. The restaurant's walls are infested with monsters; when they periodically attack, Caesar eats a magical fortune cookie and transforms into the bio-mechanical ninja warrior Sharknife. Sharknife's task is to defend the Guangdong Factory and its customers, staff and food. Rather than scaring customers away, this has made the Guangdong Factory extremely popular, and Sharknife's battles with the monsters act almost as a floor show while the guests eat.
But Lane also performed songs that were new at the time such as "I Still Call Australia Home", "They're Playing Our Song" and "'She's Out of My life"'. Each song was arranged to accommodate Lane's "crooning" style by musical director Graeme Lyall. Entertainment reporter Peter Ford of radio 2UE described Lane's club act: > Don was a terrific television personality. But when you saw Don doing his > floor show, whether in clubs or theatres, when he had a live audience and > band he really owned that stage.
The effect was accomplished by painting eyes and a nose on his chin, then adding a "body" covering the rest of his face, and finally electronically turning the camera image upside down. In 1961, Berwin Novelties introduced a home version of the character that included an Oswald body, creative pencils to draw the eyes and nose and a "magic mirror" that automatically turned a reflection upside down. In 1948, Winchell and Joseph Dunninger were featured on Floor Show on NBC. Recorded via kinescope and replayed on WNBQ-TV in Chicago, the 8:30-9 p.m.
Jupp played Archie the Inventor in CBeebies' Balamory. He also had a role in the BBC Scotland comedy programme Live Floor Show, where he played an eccentric, foul mouthed comedian. In 2007, Jupp appeared fleetingly in Harry Potter and the Order of the Phoenix as a television weatherman, who complained about an incredibly hot drought. Jupp appeared in Series 3 and 4 of political comedy The Thick of It as John Duggan, an incompetent press officer with a habit of making inappropriate comments, prompting the remark that his fringe is to "hide the lobotomy scars".
On June 13, 2018, Mizanekristos was featured on the Girl Unit remix of the song "WYWD", which served as the lead single from his upcoming album, Song Feel. The two have previously worked together on Cut 4 Mes "Floor Show" and Hallucinogens "Rewind". On September 12, 2018, Mizanekristos announced Take Me a_Part, the Remixes, a remix album consisting of remixes from her debut album, and shared a remix for "LMK" featuring Princess Nokia, Junglepussy, Cupcakke and Ms. Boogie. The album features contributions from Kaytranada, Rare Essence, Serpentwithfeet and more.
Centennial Hall opened in 1888 and was located in Adelaide Street, between Albert and Edward Streets (where the present day Reserve Bank of Australia building is located). Its entrance faced the Brisbane Arcade. Its remodel with a design by Lange Leopold Powell in the 1920s emphasised Art Deco decoration and the building included marble stairs and a flat auditorium floor which could seat 700 people when not in use as a dance hall. It had a gallery area which could also seat 300 people if a floor show was playing that evening.
Both establishments were managed by Victor Herz, who would later become controller of the Trommer Brewery. Herz introduced the modern floor show to Brooklyn audiences, and the entertainers who performed at the Shelbourne included Sophie Tucker, George Jessel, Lila Lee, Ben Bernie, and Harry Richman. The Casino closed during prohibition and was replaced by a bathhouse, Publix Baths, and, in the early 1950s, a bingo parlor and event hall, Club 28. The building was demolished after an 1980 fire, likely caused by arson, and was replaced by a high-rise apartment building.
Exhibits on this floor show how ancient single- celled organisms evolved into dinosaurs and mammals such as human beings. Images of the exhibition hall have been disclosed on Google Street View Fukui Prefectural Dinosaur Museum on the Google Street View. Some exhibits are on the outside of the museum building such as many kinds of rock specimens, a triassic tree trunk, and a replica of tyrannosaur skeleton (Wankel) laying in rocks. From the spring to the fall, visitors can experience excavation activities at the park and the field station.
Her nightclub commitments prevented her from taking the offer but several years later Oscar Hammerstein recommended her for the same role in the Sacramento Music Circus. While singing at Slapsy Maxie's, Director Mervyn LeRoy and Producer Jesse L. Lasky signed her for movies at RKO where she made three movies, one with John Wayne. It was reported that Triola was in the floor show at Slapsy Maxie Rosenbloom's when Lasky and LeRoy found her and immediately offered her a contract. From those movies, Without Reservations stood out where she had a feature role.
The second song starts with a fanfare sound announcing Frank N. Furter's appearance on stage. Frank expresses his admiration of Hollywood film star Fay Wray's performance in King Kong, as Frank wishes he could be dressed as delicately as she was. He breaks into the soft "don't dream it, be it" melody with all of the members of the Floor Show. Dr. Scott interjects with a short monologue describing the need to get away from the trap that Frank set – he fails to convince himself and hands himself over to the sensation.
In Chicago in 1940, Darnay was a member of Winnie Hoveler's Dancing Darlings, performing in the floor show at Harry's New Yorker. Darnay acted in stock theater companies at Oconomowac Walk, Wisconsin, and Bridgehampton, Long Island, among other places. She toured with a company of Arsenic and Old Lace, as the ingenue lead, and acted in Black Narcissus, The Duenna, and Name Your Own Poison. On Broadway, Darnay danced in Sadie Thompson (1944), was an understudy in The Women (1973), and was both a performer and an understudy in Molly (1973), The Heiress (1976), and Vieux Carre (1977).
After Ray McDermott died of pneumonia in 1937, The King's Jesters and their band opened a new floor show in the Blue Fountain Room at the La Salle Hotel current site for the State of Illinois Building Thompson Center, 2013 in Chicago. In July 1937, The King's Jesters orchestra received much publicity when their band's picture was used on the front cover of the July 3, 1937 issue of the Billboard, one of America's foremost amusement weeklies. The King's Jesters are recognized as "America's Biggest Little Band." They were under the management of Consolidated Radio Artists, Inc.
PAM's three month exhibit "Marking Portland: The Art of Tattoo" included a one-day expo and floor show. Haake organized a historic exhibit for Skinvisible that included powdered pigment and the Listerine they mixed it with, old handmade tattoo machines, Bert Grimm flash, historic photos, and Elizabeth Weinzirl, "The World's Greatest Tattoo Fan", images and memorabilia. On August 2, 2009, Haake also moderated a panel on the History of Tattoos in Portland which included Don Deaton, Jeff Johnson and Cherie Hiser. Haake has written a number of articlesMary Jane Haake, "Grimm's Tattoo Fairy Tales", International Tattoo Art Magazine, April 1995, pg.
In each scene, the girls cavort and eat much food while mocking their date, who is driven to the end of his patience, at which point the girls say that they are late for a train, and then ditch the man at the train station. The girls eventually go to a Prague nightclub where they upstage a 1920s-style dancing couple's floor show and annoy patrons with their drunken antics.Hoberman, J. "Perfect Chaos: Vera Chytilová’s Sedmikrásky (Daisies)," Artforum, April 2019. Retrieved October 10, 2020 Marie II also goes to the apartment of a man who is a butterfly collector.
The Columbus Avenue site was originally known as the Bal Tabarin, a nightclub that featured dancing to famous bands and a multi-act floor show including a line of showgirls. Restaurateur and businessman Bob Grison partnered with popular bandleader Tom Gerun (born Gerunovich) and Frank Martinelli, manager of a nightclub called the Roof Garden, to establish a nightclub in 1930. Gerunovich's orchestra had played at the Roof Garden (northwest corner of Broadway and Kearny streets) from 1928 to 1930 and made several 78 rpm records for the Brunswick label. During a nationwide tour in mid-1929 he anglicized his name to Gerun.
As a child, Briscoe performed in New Orleans at the St. Bernard Alley Cabaret as an acrobatic dancer in a floor show in which she was the sole child performer. A natural on the stage, Briscoe continued to perform as an acrobatic dancer and singer in such New Orleans cabarets as the Astoria, Entertainers, and the Owl in her early teenage years, often mentioned in newspaper articles as a cabaret's main draw. In February 1931, at the age of seventeen, Briscoe moved to New York City to pursue a career as a dancer. She was employed by Small's Paradise Club.
The song's use of the word "wanking" led to it being banned by the BBC from radio stations; Bowie altered the word to "swanking" for NBC's The 1980 Floor Show. Garson's piano, described by Pegg and O'Leary as stride and by Doggett as Brechtian cabaret-style, dominates the track while Ronson plays a similar line on guitar, at one point quoting "Ode to Joy" from Beethoven's Ninth symphony. Bowie's voice is fitted with a "lingering echo delay", which Doggett considers as representing time "in action". The middle section features Bowie's heavy breathing, which was brought to the forefront in the mix by Scott.
The Flamenco dance in the "Floor Show" chapter evokes similar feelings of desolation in Sandra, as Mrs. Fanning's drunken interruption of the distinctly Hispanic dance performance makes "a parody of it, a second-rate combination of cultures that Sandi cannot find fulfilling. She is searching for a unified self, something noble, true, beautiful. Just as she gets close to it, however, it is ruined, dissolving into a gauche pastiche too similar to her own divided life in the States". Latin American literature scholar, Jacqueline Stefanko, along with several of her peers, has made pointed mention of the significant implications Yolanda’s multiple nicknames hold for her fragile and fragmented sense of self.
The station's first mid-week broadcast came the month following its sign-on when Paul Winchell and Joseph Dunninger were featured on the NBC variety series, The Floor Show. The half- hour program was recorded via kinescope and rebroadcast on WNBQ at 8:30 p.m. on Thursdays. WMAQ-TV originated several programs for the NBC television network from its original studio facilities—a studio on the 19th floor of the Merchandise Mart on the city's Near North Side—during the 1950s, including Kukla, Fran, and Ollie, featuring Burr Tillstrom and Fran Allison; Garroway at Large, starring Dave Garroway; and Studs' Place, hosted by Studs Terkel.
Vigran had a small but significant role in Charlie Chaplin's Monsieur Verdoux (1947) as a reporter who interviews Chaplin as the title character while he is awaiting execution. 1954's White Christmas starring Bing Crosby and Danny Kaye saw Vigran in the role of Novello, a nightclub owner who ushers in the stars to see his floor show attraction, The Haines Sisters. In the rock and roll movie Go, Johnny, Go (1959), Vigran played an assistant to promoter Alan Freed and performed dialogue scenes with rock legend Chuck Berry. He also provided the voice of "Whitney's boss" on the Arrowhead bottled-water television (animated) and radio commercials in the 1960s.
Still image from the 1980 Floor Show, segment featuring Marianne Faithfull and David Bowie The lineup included songs from the albums Aladdin Sane and Pin Ups, as well as a medley of "1984" with the then- unreleased song "Dodo". The title of the show was a play-on-words, referring to the song "1984" and "floor shows", capturing a transitional moment between the glamorous science fiction of the previous year's The Rise and Fall of Ziggy Stardust and the Spiders from Mars album and the dark dystopia of the Diamond Dogs album, released six months later. The live audience was made up of 200 fan club members.
Queen performed at the club three times in the beginning of their career. First on 8 January 1971, then on 20 December 1972, and on 9 April 1973, as their first gig after signing with the Trident record company. In 1972, Status Quo took to the stage with a blistering set, including "Paper Plane", the video for which was filmed during this gig. On 18, 19 & 20 October 1973, Be-Bop Deluxe and String Driven Thing appeared on the same bill in 1974, David Bowie filmed The 1980 Floor Show at the Marquee for the American NBC TV late night show The Midnight Special.
James Lambie (born 1964 in Glasgow, Scotland) is a contemporary visual artist, and was shortlisted for the 2005 Turner Prize with an installation called Mental Oyster. Jim Lambie graduated from the Glasgow School of Art (1990-1994) with an Honours Bachelor of Arts degree. He lives and works in Glasgow, and also operates as a musician and DJ.Two Glasgow boys stake Scottish claim to Turner Prize, Anna Millar, Scotland on Sunday, 5 June 2005. NewsBank. With Norman Blake, Lambie formed the Glaswegian band The Boy Hairdressers,Lambie takes steps to add to floor show, David Pollock, Edinburgh Evening News, Scotland, 5 February 2003. NewsBank.
Many regular visitors of Harlem's night clubs also found the food better at Smalls Paradise than at either The Cotton Club or Connie's Inn. While most of the night spots shut their doors between 3 and 4am, Smalls Paradise began breakfast dances at 6am with a floor show of up to 30 dancers and a full jazz band. Smalls Paradise celebrated its fourth anniversary in 1929 and by 1930, it began an arrangement with WMCA Radio to have twice weekly broadcasts from the club. During Ed Small's ownership of the club, he organized many gala charity events which were held at Smalls Paradise with the proceeds donated to help the needy of the Harlem community.
Above the medallions is a frieze depicting such characters and places as King Solomon, the Queen of Sheba, gates of Jerusalem, Hiram, king of Tyre, Negroes and an Indian, and the three wise men giving and receiving gifts. $150,000 of alterations to the ground-floor show-window area in 1951 included a granite base and Tyndall stone facings surrounding the solid bronze show windows, as well as corner columns and vestibule walls lined with Travertine marble. The building was the Winnipeg showpiece for Birks for nearly eighty years. By 1991, the basement, first, second and third floors had all been substantially altered by the Birks Company, leaving only the fourth floor of dormitories unaltered from YMCA's era.
As another act performs first ("Boogie Wonderland"), the trio gets ready to perform a variety of songs that they sang or lip-synced on their journey ("The Floor Show"). Afterwards, Tick finally meets his son, Benji, who accepts his father's sexuality and lifestyle ("Always on My Mind/I Say a Little Prayer") and Adam gets to perform his own solo Madonna hit, ("Like A Prayer" [Broadway]; "Confide in Me/Kylie Medley" [Australia and West End]), his favorite singer. Afterwards the gang talks about their plans after Alice Springs, and realize they can't leave each other ("We Belong"). They go off stage together and the company performs a medley of songs to close the show ("Finally (Finale)").
Following the release of Somebody Loves Me, they recorded three LP albums for the Decca, MGM and Mercury labels and made occasional TV appearances on The Ed Sullivan Show. Following Fields' 1956 heart attack, the couple had few engagements; Fields' medical expenses wiped out the payments they had received from Somebody Loves Me. In 1959, Fields asked Ed Sullivan, who was arranging a floor show for the Nevada hotel and casino, the Desert Inn for a spot on the bill for himself and his wife. Sullivan agreed; the couple played at the Desert Inn, for a month, making a comeback with the engagement, which ended two weeks before Fields' death in New York City on August 16, 1959.
Detective Chick Carter (Lyle Talbot) finds himself in a complex case when Sherry Martin (Julie Gibson), a singer at the Century Club, reports the robbery of the famous Blue Diamond, owned by Joe Carney (Charles King), the owner of the nightclub. Joe planned the theft in order to pay a debt to Nick Pollo (George Meeker) with the $100,000 insurance money he would collect. Sherry double-crossed Joe by wearing an imitation one, while she threw the real one, hidden in a cotton snowball, to Nick during the floor show. But Spud Warner (Eddie Acuff), a newspaper photographer, there with newspaper reporter Rusty Farrell (Douglas Fowley), takes a snowball from her basket and Nick receives an empty one.
Danger was again at their doorstep as the Germans turned their attentions on France early 1940, Paquita and Zarate departed for a Middle Eastern tour, travelling across Egypt and Iraq during the early years of the war. By the summer of 1941, they made their way into India, with major success in Lahore's Hotel as well as Bombay's Taj Mahal and Green's Hotels. This attracted the attention from Calcutta's Grand Hotel which housed the popular American jazz musician, Teddy Weatherford, whom she met briefly in 1937 and who had just arrived from Ceylon and was now the music director of the hotel's ballroom. In November, the Grand Ballroom floor-show featured Myrtle dancing and singing Latin American numbers.
The lineaments, extremely damaged, still preserve two nested circles representing eyes, identical to those of the statues of Mont'e Prama, and a sharp chin. Other fragments from the same site seem to belong to a human trunk with a cross belt, with a clear image of a small palm tree, sculpted in relief and partially painted in red.Quoted by . Possible fragments of statues have been found in the sacred building of "Sa Sedda 'e Sos Carros" (Oliena), dedicated to the cult of water; some quoins, used as raw stone material to level out the stone floor, show traces of relief decorations reminiscent of those on the fragments of shields from Mont'e Prama; this possible link is reinforced by the finding of a putative fragment of a foot.
Sandra is the second daughter in the novel, the pretty one who could "pass as an American, with soft blue eyes and fair skin". We see the loving and caring part of her personality emerge in "Floor Show" where at a very young age she decides that if her family got into a really bad financial situation, she would attempt to get adopted by a rich family, get an allowance "like other American girls got" which she would then pass onto her family. The spot-light falls on her again when she goes away to a graduate program and her parents receive a letter from the dean saying Sandra has been hospitalized after an extreme diet, revealing that she is anorexic. She dreams of being an artist.
Carla becomes the victim of racism in the third chapter, "Trespass", with school boys telling her to "Go back to where you came from, you dirty spic!" Later she is subjected to a child molester who masturbates in his car while pulling up at the curb and talking lecherously to her through the open window. The second part of the novel finishes with the chapter "Floor Show", in which the García family goes to a Spanish restaurant and Sandra witnesses the host's wife amorously attempting to kiss her father on the way to the bathroom. Overall, Part II presents the unexpected aspects of living in the United States and becoming Americans, and explores the tensions that develop with the immigrant experience.
The Panel was hosted by Ó Briain. Three times nominated for the Best Entertainment show IFTA (Irish Film and Television Awards) the show has a rotating cast of panellists, usually drawn from the world of Irish comedy, discussing the events of the week and interviewing guests. The most regular panellists have been Colin Murphy, Ed Byrne, Neil Delamere, Andrew Maxwell and Mairéad Farrell. Around 2002, with his profile rising in the UK due to his one-man shows at the Edinburgh Festival Fringe, Ó Briain began making appearances on UK television shows such as Bring Me the Head of Light Entertainment (a Channel 5 production) and Never Mind the Buzzcocks. In early 2003, he hosted the second series of BBC Scotland's Live Floor Show.
The drink menu included well known tiki drinks such as the Sharks Tooth, Head Hunter, and Fog Cutter, as well as the Chin Tiki Punch and the Chin Tiki Special, which was a communal drink meant for sharing, served in a large clam shell with long straws, and described as "a fusing of fine rums, brandy, liqueurs and fresh fruit juices crowned with a gardenia". The second floor housed a spacious nightclub with an even larger waterfall, imitation rock walls and a rattan covered stage. The Chin Tiki hosted live music and an authentic Polynesian floor show with Hawaiian dancers and fire-breathers. The restaurant was said to be frequented by such celebrities as Muhammad Ali, Barbra Streisand and Joe DiMaggio.
Tommy Graham joined his first band in Scarborough, a Toronto suburb in 1958. Along with his good friend, Brian Massey, this band became the original “Regents” ... The Regents members evolved, when gigging around Toronto over the following 2 years. Kay Taylor, singer extraordinaire, joined the band in 1961 ... This led to Kay Taylor and the Regents becoming the house band at the famous original Club Bluenote, on Yonge Street. During its time, this first and original R&B; club, hosted many of the recording R&B; artists who came Toronto for single night appearances ... These artists would gravitate to the Club Bluenote after their gigs. Club owner, Al Steiner, would always encourage them to get up and sing a couple of songs during the famous “Floor Show” in the middle of the evening.
Susan Graham (Carol Marsh) is a discontented heiress whose joint guardians (Mervyn Johns and Peter Haddon) are both trying to get her married to their odious nephews (Peter Hammond and Geoffrey Sumner, respectively). On her nineteenth birthday, the five of them visit a nightclub called the Magnolia Club; also present happens to be radio star Nick Martin (David Tomlinson), whom Susan detests. When she is inadvertently seated at Martin's table directly in front of the floor show, she refuses to move, and Martin, despite his radio reputation as a fearless detective, is too intimidated by her hauteur to insist. This, however, proves to be a mixed blessing for Susan; when the evening's principal performer, a ventriloquist, comes out, she laughs so hard at his routine that she gets a bad case of the hiccups.
By the end of 1962, Barber was a leading Perth radio announcer as well as the star of a weekly floor show at the Charles Hotel and another twice-weekly event at the Lido Coral Room where he performed impressions of Johnny Mathis and Paul Anka. Before leaving Western Australia for New South Wales he also appeared in a number of plays with the Scarborough players. After moving to Sydney, Barber appeared at numerous hotel talent quests, a regular role as resident compere and vocalist at the Spellsons nitery in Pitt Street. This was in addition to holding down a regular job as an advertising executive, where at one point he cast himself as the "Cambridge Whistler", a central character in a 1960s cigarette commercial which brought him under national scrutiny.
This part concludes the Floor Show, as Riff Raff begins to fire on the group, demanding that Frank returns to Transsexual, in the galaxy Transylvania. The title of the preceding section originated from an advertisement for the lingerie company Frederick's of Hollywood, featured in every issue on the back page of a film magazine popular in Richard O'Brien's boyhood town. The advertisement presented gender-ambiguous models in a line- drawn style wearing lingerie, accompanied by the statement in a large font: "DON'T DREAM IT, BE IT!". O'Brien states in a retrospective interview for the film it was somewhat known amongst readers that the ad was directed discreetly towards 'cross dressers' and other purveyors of lingerie besides women; transvestism and gender-fluidity being highly controversial subjects at the time.
The projecting marquee emulates a drawbridge to the outer lobby with its stenciled detail, faux painted walls and original terrazzo floor, show boards and ticket window. The Art Deco influence of the 1930s construction period is most evident in the paint colours and stencils used in the lobby and auditorium. From the inner lobby with its original furniture, one ascends the steps to the auditorium where frescoed walls and ceiling suggest one is sitting in a medieval castle courtyard, which was created with the use of faux plaster work walls that are finished in 17 different colours. Ceiling plaster was applied in one continuous operation by recruiting a large team of plasterers from miles around, who worked around the clock standing on cedar pole scaffolding, to obtain a seamless sky before the plaster had a chance to dry.
On August 18, 2010, the Standard New York Hotel was the setting for a harmonically synchronized light and sound show produced by Spiegel. The Target Kaleidoscopic Fashion Spectacular featured a fashion show on the street level, while inside the hotel, 66 dancers performed choreography synchronized with fast-paced lighting patterns set to Spiegel's music score in 150 different rooms, using the glass walls of the hotel to display a multi-floor show, highlighting that year's fall styles. Spiegel was pivotal to the project as he not only created the score but brought together many of the other contributing artists as well. The show featured the creative direction of Mother New York, the directors at LEGS, lighting choreographers at Bionic League (who have worked with Daft Punk and Kanye West), and the dance choreographer Sir Ryan Heffington.
By this time Scott wanted to move into production, and Bowie said he was about to start a new album and didn't feel comfortable about solely producing himself, so it was agreed that they would co-produce what became Hunky Dory. After the album was completed, but before it was even released, work began on his next album – The Rise and Fall of Ziggy Stardust and the Spiders from Mars – again with Scott as co-producer. Scott went on to co- produce Bowie's Aladdin Sane and Pin Ups albums, as well as the little-seen Midnight Special television program episode "The 1980 Floor Show". During his time at Trident Studios, Scott also teamed up with Supertramp for Crime of the Century in what amounted to a breakthrough album nearly everywhere in the world except the United States.
In the next installation, members of a dysfunctional family stood on a platform that spanned the width of the space forming a kinetic frieze, their arguments abstracted through multiple distancing layers of time, space and verbal embellishment. At one end of the frieze stood a clutch of Nazi soldiers speaking German, at the other, a girl in a red dress reciting text on a swing. A hanged man in a fedora clutching a violin case appeared, and a chorus of dancers performed a Vegas floor show decked out in headdresses, shiny bikinis and high heels, first fully costumed but later either nude or bare-breasted wearing an assortment of briefs. The next space featured a floor covered with sand and a Florentine stone wall where an ailing Pope delivered a monologue as Dante and two clerics looked on.
Grosvenor House Hotel where she met the Sultan On 25 June 1934, it was announced in the Court Circular that Ibrahim, Sultan of Johor had arrived at the Grosvenor House Hotel in Park Lane at the West End of London, during part of his world tour that year. He left for continental Europe, but returned to the Grosvenor House Hotel on 6 September. Cissie was appearing as a dancer in the floor show at the same hotel, and first met him there. She became his favourite, and the Sultan was "fabulously wealthy": in 1935 he gave £500,000 to the British Government for the defence of Singapore, and in 1940 he gave £250,000 towards the cost of World War II. He was also a six-foot-six-inch-tall playboy, whose playgrounds included Sumatra and London, and the relationship with Cissie continued.
The impetus for producing the Chocolate Kiddies was partly a culmination or outgrowth of (i) the success of a Harlem (and Atlantic City) jazz band led by Sam Wooding (1895–1985) and a floor show, initially developed for the 1923 opening of the Nest Club and (ii) the success of Eubie Blake and Noble Sissle's Broadway musical, The Chocolate Dandies, which, after 96 performances, closed November 22, 1924 leaving some of the cast available, from which, the Chocolate Kiddies picked up choreographer Charlie Davis and singer Lottie Gee. The cast included singer Adelaide Hall, who came from the Miller and Lyles Broadway production Runnin' Wild, The Three Eddies, Rufus Greenlee and Thaddeus Drayton, Bobbie and Babe Goins, Charles Davis and Sam Wooding and his Orchestra. Leoni Leonidoff (né Leonid Davydovich Leonidoff-Bermann; born abt. 1886) became the owner-producer of the Chocolate Kiddies tour.
David Bowie's 1980 Floor Show (retrieved 2 July 2018) NBC used the Marquee Studios (housed beside the venue) as dressing rooms for the cast. Although never a seminal punk venue, the club nevertheless embraced the burgeoning punk rock movement of the late 1970s and regularly promoted punk and new wave nights into the 1980s. Bands such as Sex Pistols, X-Ray Spex, the Boys, Eddie and the Hot Rods, the Stranglers, Generation X, London, the Police, XTC, Skrewdriver, the Sinceros, Buzzcocks, the early Adam & the Ants, the Jam, Joy Division, the Sound and the Cure all trod the famous Wardour Street stage. Mainstream rock acts like Dire Straits (on their first tour, 5 and 6 July 1978), Alexis Korner, Steve Hillage, Rory Gallagher, Racing Cars, the Enid, Hanoi Rocks, the Tyla Gang, Universe and Karakorum (featuring Martin Chambers, later of the Pretenders) also appeared regularly at the venue.
Also converging on the hotel are four-times-divorced American celebrity Peggy Hopkins Joyce (playing herself) avoiding one of her ex-husbands, violently jealous Russian General Petronovich (Bela Lugosi); Tommy (Stuart Erwin), the representative of an American electric company, hoping to buy Wong's invention and finally wed his sweetheart Carol (Sari Maritza); resident physician Dr. Burns (George Burns) and his goofy aide Nurse Allen (Gracie Allen) dealing with a quarantine on the hotel; and the exasperation of the hotel's fussy and frustrated manager (Franklin Pangborn). Dr. Wong is particularly eager to look in on a six-day indoor bicycle race in New York, but instead somehow brings in performances by popular crooner Rudy Vallée, bandleader-vocalist Cab Calloway, and precocious torch singer Baby Rose Marie, and comedians Stoopnagle and Budd. A floor show (featuring Sterling Holloway and Lona Andre) is also performed in the hotel's rooftop garden restaurant. Ultimately, Tommy wins both the rights to the radioscope and his sweetheart, and Peggy Hopkins Joyce, having learned that Prof.
From 1947, she started to work on her own records, primarily with arranger and bandleader Pete Rugolo. In 1954, she released a 10" LP entitled Something Cool, recorded with Rugolo and his orchestra, a gathering of notable Los Angeles jazz musicians that included her husband, multi-instrumentalist Bob Cooper and alto saxophonist Bud Shank. Something Cool was re-released as a 12" LP in 1955 with additional selections, and then entirely rerecorded in stereo in 1960 with a somewhat different personnel. Christy would later say the album was "the only thing I've recorded that I'm not unhappy with". Something Cool was also important in launching the vocal cool movement of the 1950s, and it hit the Top 20 Charts, as did her third album, The Misty Miss Christy. Bob Cooper and June Christy In the 1950s and 1960s, Christy appeared on a number of television programs, including the short-lived CBS show Adventures in Jazz (1949), Eddie Condon's Floor Show (1949), The Jackie Gleason Show (1953), The Tonight Show (1955), The Nat King Cole Show (1957), Stars of Jazz (1958), The Steve Allen Show (1959), The Lively Ones (1963), and The Joey Bishop Show (1967).

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