Flashgun in hand she lights up the whole front of the stage, blinding Sid Vicious then taking off back through the crowd, not even a hundred percent sure she got the frame.
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Far from DC's biopolitical espionage, LA's flashgun feeding frenzy, or the Big Apple's paranoiac jungle vision, the spray painted eyes found on a wall in every district makes it feel like Miami's watching your back through every drug deal, even when it isn't.
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Casey, Crime Photographer, known by a variety of titles on radio (aka Crime Photographer, Flashgun Casey, Casey, Press Photographer) was a media franchise from the 1930s to the 1960s. The character was the creation of novelist George Harmon Coxe. Casey was featured in the pulp magazine, Black Mask, novels, comic books, radio, film, television and legitimate theatre. Jack "Flashgun" Casey, was a crime photographer for the newspaper The Morning Express.
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These techniques may restrict the ability of observers to count items by limiting the degree to which observers can shift their "zone of attention" successively to different elements within the display. Atkinson, Campbell, and Francis demonstrated that visual afterimages could be employed in order to achieve similar results. Using a flashgun to illuminate a line of white disks, they were able to generate intense afterimages in dark-adapted observers. Observers were required to verbally report how many disks had been presented, both at 10s and at 60s after the flashgun exposure.
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Casey, Crime Photographer (aka Crime photographer; Flashgun Casey; Casey, Press Photographer; Stephen Bristol, Crime Photographer) was a media franchise, in the 1930s until the 1960s. Created by George Harmon Coxe, the photographer Casey was featured in radio, film, theater, novels, magazines and comic books. Launched in a 1934 issue of the pulp magazine Black Mask, the character Jack "Flashgun" Casey, was a crime photographer for the newspaper The Morning Express. With the help of reporter Ann Williams (portrayed on radio and TV by Jan Miner), he solved crimes and recounted his stories to friends at The Blue Note, their favorite tavern.
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On July 7, 1943, the CBS Radio Network launched the long-running radio series called Casey, Crime Photographer, (originally called Flashgun Casey). The show was very successful. It was renamed in April 1944 to Casey, Press Photographer, and again in June 1945 to Crime Photographer.
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MINOX 110S, a 110 film format camera was also once sold. The Minox 110S has a Carl Zeiss Tessar 25 mm/2.8 unit focusing lens, and magicube flash. It is the only camera with a rangefinder made by Minox. An external electronic flashgun was also available.
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George Harmon Coxe (April 23,George Harmon Coxe on the Internet Movie Database 1901 - January 31, 1984) was an American writer of crime fiction. He is perhaps best known for his series featuring crime scene photographer Jack "Flashgun" Casey, which became a popular radio show airing through to the 1940s.
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Together they co-developed the early versions of GRASP for Wolfgram's company, Microtex Industries. Subsequent versions followed. Version 1.10c was released in September 1986. Starting with John and Doug's source code for PCPaint, the painting aspects were chopped out and instead a simple font editor for Doug's slideshow program FlashGun was created.
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Here's Flash Casey (1938) "Flashgun" Casey was featured in 21 short stories in Black Mask, a popular pulp magazine of the time. Collections of these stories were published in anthology form as well. Coxe wrote five novels featuring Casey from the 1930s to the 1960s. Two films Women Are Trouble and Here's Flash Casey were produced in the 1930s.
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It also featured a built-in flashgun for AG-1 "peanut" bulbs, a feature lacking in the 50. The lineup was soon expanded to include a variety of models from the basic but popular 100/104 to the automatic exposure 800/804, which featured an aluminum chassis, rangefinder, selenium light meter, and clockwork spring wind. (The 100/104 designation refers to the type of flash: models ending in 0 had a built-in flashgun, while those ending in 4 used flashcubes.) The best model made in the USA was the 814, which had a four-element lens and a coupled range-finder. The top-of-the-line model was the Instamatic Reflex SLR, which was made in Germany and could accept a variety of Retina S-mount lenses.
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PocketWizard, can also provide electrical isolation, as trigger and receiver unit are physically separate. The camera is only presented with the low voltage used by the local trigger unit, and the remote receiver unit is designed to tolerate up to 200 volts from its flash port. Slave flash, where the flash from a safe flash unit connected to the camera triggers an unconnected flashgun which, if connected, would present a dangerous voltage, is another way to use a flashgun which cannot be connected to a hot shoe; indeed, it can be used for a camera with built-in flash and no hot shoe. The trigger voltages provided by some modern flashes or radio triggers can also be too low to reliably trigger electronic circuits in the camera or receiver.
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With focal-plane shutters, exposures faster than the X-sync speed can cause the image area to be partially obscured by the closing curtain during the flash. A Leica "CEYOO"-model flashgun with folding reflector (1950–1959), which accepted "Midget" flashbulbs. The blue coating (type 5B) permitted use with color film. The photometric output of the GE Synchro-Press flashbulb is shown here.
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GRaphic Animation System for Professionals (GRASP) was the first multimedia animation program for the IBM PC family of computers. It was also at one time the most widely used animation format. Originally conceived by Doug Wolfgram under the name FlashGun, the first public version of GRASP was the Graphical System for Presentation. The original software was written by Doug Wolfgram and Rob Neville.
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Brock told his visitors that they were on private property. Although Brock tried to talk privately to King—who introduced himself as "Martin King"—microphones were pushed between them. Newsmen jockeyed for position, amid shouts of "duck your head" and "get that flashgun down". The delegation attempted to enter the restaurant, but Brock told that the restaurant did not serve blacks.
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Bruce Gilden (born 1946) is an American street photographer. He is best known for his candid close-up photographs of people on the streets of New York City, using a flashgun. He has had various books of his work published, has received the European Publishers Award for Photography and is a Guggenheim Fellow. Gilden has been a member of Magnum Photos since 1998.
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"Flashgun" Casey began in the March 1934 issue of Black Mask, in the story Return Engagement. This story was later used in the film "Here's Flash Casey". Twenty more stories appeared in the magazine over the next decades, and collections of these stories were published in anthology form as well. Two of the subsequent novels were serialized in the magazine, in addition to the 21 short stories.
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Casey, Crime Photographer premiered on Thursday April 19, 1951 on CBS. For the first season, actor Richard Carlyle portrayed the title role of Jack Casey, nicknamed "Flashgun". Casey is a reporter, specifically a photographer for the fictional newspaper, The Morning Express in New York. Casey usually reports at crimes photographing crime scenes and collaborates with the police and participates in the solving of these crimes.
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Coxe started writing around 1922, initially working as a newspaperman and penning stories for nickel-and-dime pulp fiction publications. To maximize his earnings, he originally wrote in many genres, including romance and adventure stories. But he was especially fond of crime fiction and soon made it his specialty. His series characters in the mystery genre are Jack "Flashgun" Casey, Kent Murdock, Leon Morley, Sam Crombie, Max Hale and Jack Fenner.
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The machete and shovel were used to cut down or remove anything from weeds to saplings that got in the way of his camera angle. The parasol, spotted and stained, replaced the usual flashgun reflector when he needed a softer light. The compass helped him figure his lighting when he was caught in strange territory without sunlight. The bee smoker provided wisps of smoke to create mood or hide a distracting element.
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He set up a darkroom in Boyle, County Roscommon. Parr's first publications, Bad Weather, published in 1982 by Zwemmer with an Arts Council subsidy, Calderdale Photographs (1984) and A Fair Day: Photographs from the West Coast of Ireland (1984), all featured photographs from mostly northern England, and Ireland, in black-and-white. He used a Leica M3 with a 35 mm lens; although for Bad Weather he quickly switched to an underwater camera with a flashgun.
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The story of Molly Leigh has been used as the inspiration for a feature film, Molly Crows, by Flashgun Films. Filmed in the Stoke area in 2012 and distributed through Disrify via Facebook in 2014.distrify.com/films/8749-molly-crows-award- winning-film The film plot involves the spirit of Molly returning to wreak revenge upon the descendants of those who wronged her. The story of Molly Leigh is featured in the finale of the Alton Towers Dungeon.
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Casey, Crime Photographer (also known simply as Crime Photographer) is an American crime drama television series that aired from April 19, 1951, to June 5, 1952, on the CBS Television Network. The series ran for 57 episodes over two seasons. It was based on the successful radio series of the same name which was based on the novels by George Harmon Coxe. The series starred Richard Carlyle originally as the title role of Jack "Flashgun" Casey.
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The graphics library was used to make a simple script playback that had a command for each graphics library function. It also originally used the assembly language fades from FlashGun for a "FADE" command, but those image fade routines were mode specific (CGA) and difficult to enhance. The routines were rewritten along with the script parts. It stored all the files in a ZIB archive, renaming John Bridges' program ZIB to GLIB and the archives it produced were GL files.
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Cohen was born and lived in Wilkes-Barre, Pennsylvania until 2013. He attended Penn State University and Wilkes College between 1961 and 1965, and opened a commercial photo studio in 1966. The majority of the photography for which Cohen is known is shot in the Scranton/Wilkes-Barre metropolitan area (also known as the Wyoming Valley), a historic industrialized region of northeastern Pennsylvania. Characteristically Cohen photographs people close-up, using a wide-angle lens and a flashgun, mostly in black and white, frequently cropping their heads from the frame, concentrating on small details.
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In 1958, MPP brought out the lever-wound Microflex, inspired by the Rolleiflex. This had excellent optics (by Taylor, Taylor and Hobson) and the camera was well made, but the crank invited hard use for which it was not designed. Shortly after its introduction, Britain dropped the high duty rates that had made Rollei equipment prohibitively expensive, and the Microflex had to be heavily discounted. Other products included enlargers (even for large format), projectors, dark slides, carrying cases and a flashgun that was similar in design and appearance to Graflex models.
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He is course leader of documentary photography at the University of Wales, Newport. In 2011/2012 Reas completed From a Distance, a year-long commission on the regeneration of the Elephant and Castle in South London, part of The Elephant Vanishes project, directed by Patrick Sutherland, for London College of Communication. He photographed people candidly, showing fraught and tense emotions (with the aid of an assistant with a boom mounted flashgun); portraits; cans of incense intended to provide help under specific social pressures; and discarded furniture. The photographs were exhibited in 2012 and published by Photography and the Archive Research Centre (PARC) in Fieldstudy 16: From a Distance.
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Using nearby surroundings to his advantage, he gains the upper hand but is eventually killed when a second werewolf intervenes. Wells and Cooper shoot through the floor upstairs to elude the werewolves, and drop into the kitchen, where they find Spoon's remains. As he begins to transform into a werewolf, Wells orders Cooper to take shelter in the cellar and gives him a roll of photographic film (which was in a flashgun camera used to stun the werewolves) to prove what has happened. The werewolves break into the kitchen and confront Wells as he cuts a gas line and blows up the house, killing himself and the werewolves.
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He changed to a larger format camera, which allowed smaller details to be easily read and understood, not requiring the bold graphic statements he considered necessary with 35 mm; and to using a flashgun. As influences and inspirations, Reas has also cited David Byrne and Talking Heads, and northern soul. In 1985 he and Ron McCormick were the first photographers commissioned by Ffotogallery in Wales as part of its Valleys Project to each produce a body of work which "focussed on the changing topographic landscape and the partial introduction of new technology into a latter day industrial wasteland". Other photographers commissioned were David Bailey, Mike Berry, John Davies, Peter Fraser, Francesca Odell, Roger Tiley and William Tsui.
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The rear LCD display gained a backlight so it could be viewed in dim lighting. The mass of the R9 was reduced by 100g (to 790g) from the R8, achieved by switching to a magnesium casting for the top plate (formerly zinc alloy) and substituting aluminum for steel at the bottom plate's frame. Electronic changes included the ability to tune the sensitivity of matrix metering in steps of 0.1 EV independently of the other metering modes, and several improvements to the flash support. Metz's HSS (High Speed Sync) flash mode was now supported, allowing fill flash at shutter speeds greater than the X-sync speed by the use of many repeated small flashes of the electronic flashgun.
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The Canon PowerShot G is a series of digital cameras introduced by Canon in its PowerShot line in 2000. The G series cameras are Canon's flagship compact models aimed at photography enthusiasts desiring more flexibility than a point-and-shoot without the bulk of a digital single-lens reflex camera. The G series has a lithium-ion battery, full manual exposure control, an articulated LCD screen (G7, G9, G10, G15, and G16 have a fixed screen), Raw image format capture (all models except G7), a lens with a wider maximum aperture than standard PowerShot models, remote capture (except G11), and faster image processing. The range also includes a hot shoe (except G7 X and G9 X) for an external flashgun, including Canon's EX range.
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Because the Speed Graphic had its historical origins as the quintessential press camera prior to the advent of 35mm and digital photography for use by press photographers, some still consider the use of a Graphlex obsolete. However, both the Speed Graphic and the Graflex SLR have focal plane shutters that allow use of large un-shuttered barrel lenses. These cameras are now being used by fine art photographers to make images that excel in depth of field control and image detail. As an example, a Kodak Aero Ektar 178 mm f/2.5 lens can be fitted to Speed Graphic 4x5 cameras and used to take soft/sharp photographs with complete control of the depth of focus. The lightsaber prop used in the 1977 release of Star Wars was a modified Graflex 3-cell flashgun which was designed to hold flash bulbs for vintage “Speed Graphic” cameras.
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Only a few significant changes were made to the original Kine Exakta (version 1) during its production run until it was replaced by the model II in 1948: Within a few months the circular focusing loupe, visible on top of the collapsed finder hood, was replaced by a rectangular one covering about 50% of the ground glass image (version 2). This version also appeared on the North American market as Exacta, spelled with a c (version 3). About a year later, a threaded hole was added at the right-hand front above the flashbulb synchronising contacts for securing the flashgun to the camera (version 4). After the 1939 to 1945 hostilities production of the Exacta version slowly resumed, but with several minor changes to the camera body, among these are: The Ihagee logo no longer appear in relief on the rectangular back door leather patch.
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