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"fire-eating" Definitions
  1. violent or highly militant in disposition, bearing, or policy

102 Sentences With "fire eating"

How to use fire eating in a sentence? Find typical usage patterns (collocations)/phrases/context for "fire eating" and check conjugation/comparative form for "fire eating". Mastering all the usages of "fire eating" from sentence examples published by news publications.

I learned it all: fire eating, sword swallowing, walking on broken glass.
I came to fire eating, like most performers in sideshow acts, as an apprentice.
She was too busy just being a kid, dabbling in everything from the Boy Scouts to fire-eating.
SLEEPY HOLLOW "A Night on Fire," choreographed display of fire arts with seven flame-wielding, fire-eating performers.
SLEEPY HOLLOW "A Night on Fire," choreographed, live display of fire arts featuring seven flame-wielding, fire-eating performers.
On a recent evening at a fire-eating class, Ms. McManus was demonstrating a technique called "candling" to several students.
Once enamoured of Mr Mattis's image as a fire-eating war-fighter, he recently suggested he was "sort of a Democrat".
"There is no trick," Tessa Fontaine discovers in her first "Introduction to Fire Eating" class at the start of her memoir.
Her stamp will join others honoring STEM education, bioluminescent life, Mister Rogers, "mythological fire-eating dragons," John Lennon, magic tricks, and more.
According to Bethesda's official release, cold can be countered by "standing near a fire, eating hot soup, or moving to a warmer location".
A few days after graduation, once my fire-eating burns had healed, I called Realman to talk about the history of disabled performers and the sideshow.
Fire eating, angle grinding, and sex acts instead of human blood raining from the ceiling and Wesley Snipes attacking a load of vampires with a shotgun.
This celebrated, 30-year-old, Welsh-born company makes its American debut with a rowdy festival of muscle, bending, air-swimming and fire-eating, among other activities.
This celebrated, 420033-year-old, Welsh-born company makes its American debut with a rowdy festival of muscle, bending, air-swimming and fire-eating, among other activities.
For much of the 1980s, Bruce Pfeffer used an Apple IIe to help run his company, which teaches children to perform circus arts such as juggling and fire-eating.
This celebrated 30-year-old, Welsh-born company is making its American debut with "Bianco," a rowdy festival of muscle-bending, air-swimming and fire-eating, among other activities.
There are regular classes taught by an array of teachers, both outdoors and in the basement dance studio (no fire), covering all manner of props, fire eating and breathing, conditioning, and fire safety.
Chansa is co-founder of Circus Zambia, the country's first social circus, which provides disadvantaged young people with education and job opportunities while teaching them everything from unicycling and fire-eating to tumbling and juggling.
And after learning fire-eating from Ms. McManus, who pushed her to perform to get over her stage fright, Ms. Furillo landed a gig as a resident fire-eater at the Coney Island Circus Sideshow, under the stage name Nola Star.
In the past, if you wanted to learn a skill like fire eating or sword swallowing, you had to find a more senior practitioner and ask to be taught the secrets that would get you into a very small circle of performers.
I learned fire eating myself from an artist named A. V. Phibes (born Alia Madden) in her Williamsburg living room after she decided to retire her Vulnavia, Queen of Nails persona and was casually passing down her skills to a couple of friends.
Image: Serena Valenti, via Thom Britton/Freak Show and TellThe dragons on Game of Thrones may breathe fire, but it's not the kind of thing mere mortals should attempt—unless said mortal is Thom Britton, self-described fire-eating science clown with Freak Show and Tell ("Science+History+Insanity").
"They probably wouldn't have the opportunity to see us otherwise," said the heavily tattooed Mr. Valenz, who performs in the opera — and at Coney Island — with a partner, Betty Bloomerz, whose real name is Kiri Hochendoner and whose skills include fire-eating and being a human pin cushion.
A fire eater performing a vapor pull at Transformus, 2013. Brian Brushwood performing fire eating tricks. A fire eating trick performed at a bar in New York City A set of simple cast iron fire eating torches Video of fire eating. Fire eating is the act of putting a flaming object into the mouth and extinguishing it.
The citronella oil in our second case is an unusual pyrochemical for fire-eating.
Conway also was a founding member of Soapbox Circus and Circus Oz. Conway plays an assortment of oddball instruments, and performs magic, juggling, tap dancing and fire eating.
Many other fire eaters dismiss this, claiming that skilled fire eaters should not burn themselves. The most common method of safely performing fire eating acts relies on the fact that it takes time to transfer heat, and that heat rises in air. Fire eating and fire breathing (and all variants) is a skill which should be passed on from a skilled master to an appropriate student and almost all teachings include instructions on first aid, fire safety, chemistry and other appropriate skills.Safety for Fire Eating and Contact Fire (Retrieved from the MIT students portal) Accidental ingestion of fuel or improper technique can lead to a serious condition known as fire eater's pneumonia.
During the mid-1980s the BMSB was primarily a busking band,Otago Daily Times. (30 July 1986). p. 12Trought, K. (21 January 1988). Fire eating, mime and music entertain.
Freddie arrives and takes him home. In "Freddie", JJ witnesses Effy's destructive influence over his closest friends. He performs an elaborate fire eating stunt which impresses Effy, Freddie and Cook.
Schillaci said that her throat becomes faintly sore after sword swallowing a few times per week. Besides sword swallowing, her acts include fire eating, fire breathing, human blockhead, human pincushion, and bed of nails. She calls her overall act "Odd Girl".
Circus Insane is a United Kingdom circus sideshow, ran by and featuring performer Doc Insane, who performs both classic and modern sideshow acts such as fire eating, bed of nails, human blockhead, face in broken glass, and the human dartboard.
It wasn't the fire-eating that ended her modeling career, however, but a near- fatal bout with brain cancer and Cushing's Disease. In the mid 1990s, Perkins gained 70 pounds, developed a hump on her back and a round face.
By this time, he learned fire-eating, mind-reading and ventriloquism. In 1927, at 16 years old, he joined the Ralph Richards touring magic show for 6 months, traveling across North America until the tour ended in Winnipeg, Manitoba. By the 1930s, he traveled with his own magic show.
Mandrake the Magician often went back out on the road with wife and assistant Velvet. As the nightclub shows became less and less popular, they brought back old carnival acts such as fire-eating, palm reading, balloon tricks, and ventriloquism to street fairs in the summers, home shows, conventions.
Schave and Reilly, true to the spirit of vaudeville, learn and perform a variety of vaudeville skills rather than working as part of a large troupe in which each individual focuses on their own specialization. The duo has mastered and practices fire eating, juggling, stilt-walking, roller-skating and other skills.
Aside from her entertainment career, Steen is an environmentalist and animal rights supporter. She supports David Suzuki, the World Society for the Protection of Animals and the Western Canadian Wilderness Committee, among others. She is a certified diver, and is skilled at several circus arts – including stilt- walking, fire-twirling, and fire-eating.
Fire eating was a common part of Hindu, Sadhu, and Fakir performances to show spiritual attainment. It became a part of the standard sideshow acts in the late 1880s and was often seen as one of the entry-level skills for sideshow performers,Blitz' book of magic and fire eating made easy, Library of Congress catalog first published in 1880. (Following a series of books published since 1875) A famous fire eater from the 18th century was Robert Powell who allegedly not only swallowed fire but also red-hot coals, melted sealing wax and even brimstone. He performed, often in front of British and other European royalty and nobility, for nearly sixty years and, in 1751, was awarded a purse of gold and a large silver medal.
Silverlock is a novel by John Myers Myers published in 1949. The novel's settings and characters, aside from the protagonist, are all drawn from history, mythology, and other works of literature. In 1981, The Moon's Fire- Eating Daughter was published. Thematically related to Silverlock, it was billed as a "sequel to Silverlock" on the cover.
She complains about the food and tells another diner she hopes there will be entertainment. She guesses that Ronnie is pregnant and Roxy Mitchell (Rita Simons) tells her about the Mitchells' debt problems. When the diners demand entertainment, she helps out by performing her fire eating routine. She later accidentally reveals that Ronnie is pregnant.
A fire swords performer A flaming sword is a sword that has been coated with some type of combustible fuel, with the fuel being set on fire. This is most widely done for entertainment purposes in circuses, magic performances and other forms of display as a side act of sword swallowers, fire eating, etc.
In Lawton's adaptation, each of Screwtape's letters is punctuated by varied dances including tap, Latin ballroom, jazz, martial arts, and rock – and whips and fire-eating. Screwtape performs these dances with his secretary, Toadpipe. The Fellowship for the Performing Arts obtained from the Lewis estate the rights to adapt The Screwtape Letters for the stage.
Armstrong has been a professional entertainer since leaving college. She started dancing in clubs at the age of 19. Armstrong has worked several seasons in Ibiza, notably for parties of international fame such as Cream and Manumission. She learned skills such as fire eating, angle grinding, stilt walking and trapeze 'ribbon' acrobatics whilst working as a dancer.
James Wilder (born August 5, 1968) is an American film and television actor. Wilder was born in Cleveland, Ohio, and raised in Sausalito, California. The son of a French mother and an Italian father, Wilder performed as a fire eating street performer before he became an actor. Wilder portrayed Adam Louder on the Fox soap opera Models Inc.
In 1978, Gibb decided to change her career and began training as a clown. She learnt fire-eating, conjuring, juggling, mime, and escapology. She was awarded Time Out's Street Magician of the Year for her participation in the International Festival of Street Magicians. Having initially busked in London and Brighton, she later performed in libraries, schools, children's theatres and community centres.
Leiden Council began in 2001 to remove young people, homeless and alcohol drinkers from the city parks, including the Burcht van Leiden. To protest this, Eurodusnie organised a party at the castle on 2 June, 2002. There was music, drumming, drinking and fire-eating. At 23.30 the police asked for the party to stop and at midnight it was violently evicted.
Common yarrow is used by Plains indigenous peoples such as the Pawnee, who use the stalk for pain relief. The Cherokee drink a tea of common yarrow to reduce fever and aid in restful sleep. The occidentalis variety is used medicinally by the Zuni people. The blossoms and root are chewed and the juice applied before fire- walking or fire-eating.
In Burma, where the Northern subspecies once lived, the belief was once widespread that the Sumatran rhino ate fire. Tales described the fire-eating rhino following smoke to its source, especially campfires, and then attacking the camp. There was also a Burmese belief that the best time to hunt was every July, when the Sumatran rhinos would congregate beneath the full moon.
Zamora the Torture King is the stage name of Tim Cridland, an American sideshow performer. Zamora was an original member of the Jim Rose Circus, where he performed painful feats as entertainment. His stunts include fire eating, sword swallowing, body skewering and electric shock. Zamora co- authored (with Jan Gregor) Circus of the Scars, a history of the Jim Rose Circus.
However, improper technique or an accident can lead to ingestion, inhalation, or aspiration of fine droplets or vapors. Fire breathing and fire eating are separate acts, but the terms are sometimes erroneously used interchangeably in the literature. Fuel ingestion can also occur due to siphoning by mouth of fuel products. Once inhaled, these fuels induce an inflammatory reaction in lung tissue.
Andrews later learned performance arts such as fire eating, escape artistry and sword swallowing. In 1996 he traveled to Europe to work as a street performer. He made television appearances in several countries and performed as a part of Commedia dell'arte in Italy. While in Europe, Andrews picked up the idea of swallowing a curved blade from a performer named Wasp Boy at England's Circus of Horrors.
Jackson married a fellow performer, fire-eating magician Nisan Mark Eventoff, in 1984, and had a daughter, Scarlet (born 1986). They divorced in 1991. Shortly thereafter, she reconnected with her high school sweetheart, Paul Wessel, then a Miami-Dade SWAT team police officer, and they married and had a daughter, Aubrey (born 1994). When her husband retired in 2013, the couple moved to Nashville, Tennessee.
Sanal Edamaruku, president of the Indian Rationalist Association, has criticized TV channels for broadcasting shows featuring godmen. Narendra Nayak, president of Federation of Indian Rationalist Associations, has stated that politicians patronizing godmen serves to sanction superstitions of the general public. Nayak has also debunked several so-called miracles of godmen like psychic surgery, materializing vibhuti, money, jewelry, and fire eating. He travels through villages demonstrating the tricks behind these miracles.
The castle features a moat and drawbridge, a maze, castle towers, stocks, and an armoury. There are also shows involving jousting, live theatre, a jester, juggler and fire eating, as well as a "Wax Of Torture" museum. The castle also provides accommodation and hosts weddings and conferences. In 2007 the property was listed for sale with an asking price of $10 million, but failed to find a buyer.
These include paraffin candles, plastic, and thick multithreaded rope.Fire eating instructions including instructions repeatedly stressing the importance of an attending experienced skilled master, and giving instructions as to the recommended materials to be used. (juggling.org website) According to Daniel Mannix's 1951 sideshow memoir Step right up!, the real "secret" to fire eating is enduring pain; he mentions that tolerating constant blisters on your tongue, lips and throat is also necessary.
He soon moved on from simple tricks to performing feats such as fire-eating and fire- breathing. Stock is also the creator and originator of several sideshow stunts performed around the world, notably his signature piece entitled "The Human MeatHead", created in 2000. This stunt involves forcing a large meat hook into his nose and out his mouth, from which he then hangs weight (up to 70 lbs) from the hook.
Use of fire and fire-eating became something of a symbol for the Lesbian Avengers, and spread from the New York group to many others. The New York Times, in one of its few articles on the Avengers, explained: > [It] grew out of tragedy. Last year, a lesbian and a gay man, Hattie Mae > Cohens and Brian Mock, burned to death in Salem, Ore., after a Molotov > cocktail was tossed into the apartment they shared.
After school, Laliberté left Canada to hitchhike around Europe at the age of 18. While traveling, he made his money by playing the accordion. Also, he learnt the craft of fire eating and stilt walking during his time abroad, becoming upon his return home a real street performer on the streets of Quebec. Laliberté joined a performing troupe called Les Échassiers, which included fire-breathers, jugglers, and acrobats who hitchhiked around the country to shows.
About five minutes after take-off the port wing clipped a hedge causing the port engines to hit the ground in a field of sugar beet at Elvetham, east of Hartley Wintney. The aircraft cartwheeled, disintegrated and burst into flames. The field was part of the Elvetham Hall estate of Sir Fitzroy Calthorpe, Baronet. A group of gypsies had been trimming the sugar beet and were sitting around a log fire eating a meal.
In her limited fine art career, she has done solo shows at Blue Ruin gallery in Pittsburgh and at Trinity Art Gallery in Philadelphia, Pennsylvania. She has also shown works in the Seattle Erotic Art Festival and the Dirty Show in Detroit. In 2005, she co-founded Dr. Sketchy’s Anti-Art School, with Molly Crabapple. Phibes also spent a few years as a sideshow performer, doing fire-eating, escapism, glass walking, a bed of nails act and human blockhead.
Miami Man tries to discourage her, deeming her unable to survive out in the harsh desert, but does not send her away. The daughter asks for spaghetti, as she had grown accustomed to good things in the mansion. Instead, Miami Man takes his daughter's pet rabbit, and later the three of them lounge by a fire eating it. Miami Man rubs his teary daughter's back, and then he and Arlen look into each other's eyes, smiling.
In Burma, the belief was once widespread that the Sumatran rhino ate fire. Tales described the fire-eating rhino following smoke to its source, especially campfires, and then attacking the camp. There was also a Burmese belief that the best time to hunt was every July, when the Sumatran rhinos would congregate beneath the full moon. In Malaya, it was said that the rhino's horn was hollow and could be used as a sort of hose for breathing air and squirting water.
Two schools of thought exist in weizza medicine: # The datsayās, whose primary focus is on diets # #The beindawsayās, who work with potent drugs In both schools, the human body is divided into four elements (dats): earth (patawi dat), fire (tezaw dat), water (apaw dat), and air (wayaw dat). Some practitioners also include ether (akatha), though this element is disregarded by doctors. #Earth: the flesh, bones, hair, intestines, etc. # #Fire: eating, drinking, chewing, and licking # #Water: the fat, blood, bile, spittle, mucus, etc.
Two performance stages were set up for DJs, bands and belly dancers. The Mystic Art Grove had a score of art installations. Numerous theme camps were established, including the Purple Turtle Chill Zone, Liquid O, BubbleLounge, Fahrenheit 451, Vibestation, BRC Zendo, Satreheedn, Cantina de los Muertos and Haunted Chill Zone, Camp RVIP, Xara, the Massage Confessional, the Space Bars, Phat Elvis, and more. A wide variety of events took place including a fire eating workshop, Zen meditation, massages, and even a wedding.
Fire breather's pneumonia is a distinct type of exogenous—that is, originating outside the body—lipoid pneumonia (chemical pneumonitis) that results from inhalation or aspiration of hydrocarbons of different types, such as lamp oil. Accidental inhalation of hydrocarbon fuels can occur during fire breathing, fire eating, or other fire performance, and may lead to pneumonitis. Symptoms can vary significantly among individuals, ranging from asymptomatic to a severe, life-threatening disease. Onset usually occurs within hours, though symptoms may not appear for several days.
Ace Books, 1966 (fifth printing), The novel's settings and characters, other than the protagonist, are drawn entirely from numerous other works of literature, such as the Odyssey and Don Quixote. His last book, The Moon's Fire-Eating Daughter (1981), was advertised as a sequel to Silverlock. Myers' non-fiction works included a history of the Alamo, the first biography of Doc Holliday, a study of the vigilante movement in San Francisco, and a well-researched biography of Hugh Glass, an early American fur trapper and frontiersman.
An homage to the freak shows of the original traveling circuses, the Ten-in-One show features acts such as fire-eating, sword swallowing, and the human dartboard. The freak show also involves a guillotine and an electric chair, an act that leaves audiences with "clasped hands over gaping mouths and (holding) their collective breath in awe." The Ten-in-One show is produced for Carnivàle Lune Bleue by Scott McClelland of Carnival Diablo (a successful Canadian touring freak show).Carnival Diablo's Official Website.
The show had a small menagerie of performing animals that consisted at various times of bears, monkeys, miniature horses, foxes, pheasants, pigmy goats, dogs, parrots, ducks, and domestic cats. Time dubbed the performance "an amiable blend of circus acts and low-key morality plays." Drawing inspiration from the emerging New Vaudeville movement, acts could vary to include fire eating, dance, juggling, mime, parables, wire- walking and single trapeze, aerial roman rings, magic (including a version of Harry Houdini's Milk Can Escape)Circus Magic Milwaukee Journal April 2, 1977 and clown antics.
Fire performance typically involves equipment or other objects made with one or more wicks which are designed to sustain a large enough flame to create a visual effect. Fire performance includes skills based on juggling, baton twirling, poi spinning, and other forms of object manipulation. It also includes skills such as fire breathing, fire eating, and body burning; sometimes called fakir skills. Fire performance has various styles of performance including fire dancing; the use of fire as a finale in an otherwise non-fire performance; and the use of fire skills as 'dangerous' stunts.
Aerial enrolled at the National Institute of Circus Arts (NICA) at age 19, and completed his training at the school with his graduating performance during the 2007 NICA production of DiVino. While studying at NICA, Aerial focused on sideshow and mind-over-matter stunts as well as being trained Aerial Dance under Holly Rollins, an ex-Cirque Du Soleil performer. After leaving NICA in 2007, Aerial began his professional performing career performing fire eating in various nightclubs throughout Melbourne. During this initial stage, Aerial also began performing street theatre on the streets of Melbourne CBD.
Returning to London, O'Grady moved to Purley and then Streatham with a drag act, the Glamazons. With one of them, nicknamed "Hush", he founded a two-man drag mime act, the Playgirls, although found little work in London. Agreeing to a tour of the North of England, they moved to Slaithwaite, Yorkshire, also accepting a month's work at a club in Copenhagen, Denmark. Living up north, they diversified their act, with O'Grady performing a striptease while wearing a fat suit he named "Biddy", also learning fire eating from a hotel manager in Bradford.
Toby Philpott in 1968, during a mining job at Sandal Castle in Wakefield, West Yorkshire.Philpott spent the next several years traveling and performing in both Raree and solo gigs, in such places as Liverpool, Sweden, Germany, Mexico and the United States. His acts included juggling, magic, fire eating, acrobatics, unicycling, fireworks, clowning, and slapstick comedy in such venues as schools, theatres, Medieval festivals, street markets and children's television. He also ran theatre workshops for children and learned how to play various musical instruments and apply stage make-up.
However, at least Florus identified it as a fire eating act. According to him, Eunus hid a small, perforated nutshell containing burning material on his mouth, which he would blow through in order to emit fire and sparks.Joe Nickell, Secrets of the Sideshows, University Press of Kentucky, 2005 After the First Servile War started, Eunus placed himself in a leading role, claiming their revolt was backed by the gods. He participated in the storming of Enna, where Diodorus describes him standing in the front ranks of the assault, blowing fire from his mouth.
Famous circus clowns have included Austin Miles, the Fratellini Family, Rusty Russell, Emmett Kelly, Grock, and Bill Irwin. Daredevil stunt acts, freak shows, and sideshow acts are also parts of some circus acts, these activities may include human cannonball, chapeaugraphy, fire eating, breathing, and dancing, knife throwing, magic shows, sword swallowing, or strongman. Famous sideshow performers include Zip the Pinhead and The Doll Family. A popular sideshow attraction from the early 19th century was the flea circus, where fleas were attached to props and viewed through a Fresnel lens.
There may now be several fire-eating piano virtuosos who can execute the original notes, but few can liberate the prophetic music they contain as masterfully as Janice Weber does here.” Her eclectic recordings include Rachmaninoff’s complete transcriptions (IMP); with the Lydian Quartet, Leo Ornstein’s vast Piano Quintet (New World Records); flute and piano works of Sigfrid Karg-Elert; and waltz transcriptions of Godowsky, Rosenthal, and Friedman (IMP). For VAI, Weber recorded Liszt’s last Hungarian Rhapsody, one of only two living pianists to be included in a compendium of historic performances by nineteen artists.
HIAG never grew to the size of other West German veterans' organisations, the most successful of which, VdH, had membership approaching 500,000. Diehl, who studied postwar veterans' movements in West Germany, writes that the overwhelming majority of Waffen-SS veterans, who were more interested in rebuilding their civilian lives or getting too old to consider returning to military service, ignored Der Freiwilliges "fire-eating editorials". HIAG's membership began to fall sharply in the 1960s, while the organisation itself was never a significant threat to democracy. "HIAG's main goal was pensions, not a restoration of the Third Reich," he notes.
Instead of vertical prison-like cages, cattle grids were laid all over the park to prevent hoofed animals from moving one habitat to another. These are grille- like metal sheets with gaps wide enough for animals' legs to go through. Moats were designed to look like streams and rivers to enable fishing cats and servals to be put on show in open areas, and hot wires were designed to look like twigs to keep animals away from the boundaries of their enclosures. Cultural performances are a regular feature at the safari, and include tribal dances, blowpipe demonstrations and fire eating displays.
Carnival Diablo the Ultimate Sideshow is an award winning travelling sideshow operating primarily in Spencerville Ontario, Canada. Performances by the troupe follow a traditional Ten-in-One format featuring such acts as fire- eating, sword swallowing and a human blockhead, with show times lasting two and a half hours. Carnival Diablo opened on April Fools' Day 1992 by Scott McClelland, whose family goes back three generations in the carnival and side show business. Shows have been performed across Canada, including shows at The Calgary Stampede, Edmonton's Klondike Days (now K-Days,) Regina's Buffalo Days, and the Canadian Tulip Festival.
On stage, Jigsaw were a wild rock band who had a high energy live show; drum kits were set on fire, explosions were set off as an effect, Tony Britnell performed fire eating and Clive Scott would make his Marshall stack explode and disintegrate. However, during the early 1970s they began writing and recording more mainstream pop. Jigsaw's arrangement of the Johann Sebastian Bach tune, Jesu, Joy of Man's Desiring was featured on their 1970 debut album Letherslade Farm. The group give credit to their producer and manager, Chas Peate, for inspiration to get songs completed.
Fire breather’s pneumonia is caused by the entrance of hydrocarbon fuels into the bronchial tree, usually due to accidental aspiration or inhalation during a fire performance show. Fire breathing, or fire blowing, is the act of creating a plume of fire by blowing a mouthful of fuel in a fine mist (atomization) over a source of ignition. Fire eating, or fire swallowing, is the act of putting a flaming object into the mouth and extinguishing it. In both disciplines, the performer holds their breath until the air is clear of vapors, so as to not inhale the hazardous fumes.
Fire breathing is typically performed with a high flash point fuel, such as lamp oil (liquid paraffin), while fire eating is performed with low flash point fuels, such as white gas or naphtha. Highly purified fuels are preferred by fire performers due to their minimized toxicity, but other, more dangerous fuels may sometimes be used, such as ethanol, isopropanol, kerosene, gasoline, or charcoal lighter fluid. All fuels run the risk of causing pneumonitis if inhaled, however longer chain oils are more persistent than smaller molecules. Alcohols and volatile naphthas are likely to be absorbed or expelled from the body by evaporation and respiration.
619-21 In April 1943 a confidential report by Isaiah Berlin of the Senate Foreign Relations Committee for the British Foreign Office stated that Nye: :is a notorious fire-eating Anglophobe Isolationist. His principal claim to fame rests on his committee which investigated the American armament industry a few years before the war, and much popular anti- British feeling stems from publicity which was accorded to that committee. He is a member of the Farm Bloc, and possesses some influence in the Republican senatorial caucus. He has Fascist connexions, and works closely with Wheeler and Reynolds inside and outside the Senate.
Coney Island and its popular ongoing freak show in August 2008. A freak show is an exhibition of biological rarities, referred to in popular culture as "freaks of nature". Typical features would be physically unusual humans, such as those uncommonly large or small, those with intersex variations, those with extraordinary diseases and conditions, and others with performances expected to be shocking to viewers. Heavily tattooed or pierced people have sometimes been seen in freak shows, (more common in modern times as a side show act) as have attention-getting physical performers such as fire-eating and sword- swallowing acts.
Attempts to extinguish the fire from the waterboard, from shore, or from the decks did nothing to stop the fire eating away on the inside. There was so much water put on the ship, that is listed, but water in the hold did not put out a fire higher up in the ship. P.C. Hooft burning near Schellingwoude At 2:30 AM the rear of the ship also started to burn, and the fight was lost. Now the SMN and the fire department wanted to prevent the burning ship from causing damage on shore. A scenario that would be very likely once the fire reached the 1,000 tons of fuel stored at the bottom of the ship.
Many of the actors in his company had experience from London and Dublin and the company's repertoire included works by Congreve, Dryden, Lee, Rowe, Shakespeare, Steele, and Vanbrugh, as well as more populist fare including pantomime, music and dance. Developments in Birmingham's theatrical culture were not confined just to the new theatre. The Playhouse in New Street and the Theatre in Smallbrook Street – successors to booths recorded earlier in the century – continued to operate through the 1740s, though both had disappeared by 1751. Serious plays co-existed with more vulgar entertainments at all Birmingham's theatres – from musical concerts to fire-eating, rope-dancing to ventriloquism – often at the same venue, sometimes even on the same evening.
He was awarded the Gold Cross and three clasps for his Peninsula service. Barnes served in the campaign of 1815 as adjutant-general, and was wounded at the Battle of Waterloo, where he was known as "our fire eating adjutant general". Already a KCB, he was a recipient of the Austrian Order of Maria Theresa 3rd Class, and the Russian Order of St Anne. In 1819, his connection with Ceylon began. Lieutenant-General Barnes was acting governor of Ceylon from 1 February 1820 to 2 February 1822, succeeding Robert Brownrigg. He was governor of Ceylon from 18 January 1824 to 13 October 1831, succeeded by Robert Wilmot-Horton (1784–1841, governor 13 to 23 October 1831).
Johnny Strange began his career as an amateur escapologist after studying the works of Harry Houdini. He began picking handcuffs and escaping from straight jackets, padlocks and chains; this led to him becoming fascinated with Victorian sideshows and freak shows. He has since studied various skills such as juggling running chainsaws, target whip cracking, lifting weights attached to his ear piercings, sharpshooting and prop manipulation as well as classic sideshow and fakir stunts such as sword swallowing, the human blockhead, walking across broken glass, fire eating and breathing, eating broken glass and the bed of nails. Other stunts and variations include swallowing a magnet then retrieving it by swallowing a sword, swallowing a 2000v glass neon tube, multiple chainsaw stunts and target whip cracking routines.
Members have been sighted using stilts, hula hoops, fire fans, poi, aerial silk, lyra, trapeze, contortion, glass walking, sword swallowing, fire eating, rhythmic gymnastics and combinations thereof across a variety of venues including warehouse parties, galas, benefits, parades, art openings, and private events presenting a diverse skill-set. Lady Circus also participates in, and at times hosts, "circus skill share." Circus skill share is a free community effort where performers gather in a public place with their performance tools and share their knowledge and skills with people of the community and with each other. Teaching circus to children and adults that otherwise may not have exposure or opportunity to experience circus arts and providing fun opportunities to improve body strength, coordination, and balance.
To commemorate Gaia's opening, on the eve of the millennium, she co-directed A Millennium Night's Dream, a fourteen-hour show involving 84 actors, inspired by the mythical conflict between Dionysus (god of pleasure) and Pentheus (lord of reason) involving promenade performances, fire-eating, acrobatics, dance, poetry, and Cuban story-telling. In 2005, Cardoso directed and produced, 'Las cenizas de Ruth', a radical reinterpretation of the biblical story of Ruth. In 2006, she starred in the movies 'Gozar Comer y Partir', and 'La Edad de la Peseta', The following year, she took the leading role in 'La Piel de Elisa,' the Cuban premiere of a play by Carole Frechette. She currently runs a permanent research workshop on the art of the actor, based at Gaia.
En Esch performing with Slick Idiot in Washington D.C. in May 2006 Sturm left early on, but Konietzko continued performing, at one point having twenty people in his troupe, which by then was engaged in antics such as fire eating and throwing entrails at audiences. Konietzko then returned to Hamburg, where he joined up with Peter Missing in his new band Missing Foundation. Drummer Nicklaus Schandelmaier, who had recently moved to Hamburg from Frankfurt, also joined the group, and took the stage name En Esch. Although the group did some live performances, Konietzko and Esch dropped out of Missing Foundation before any recordings were made and went back to work as KMFDM, collaborating with Hamburg-based studio owner Raymond Watts.
Guinness World Records Primetime (AKA Guinness Primetime) is a TV show based on the Guinness World Records, and aired on the Fox television network from July 27, 1998 to October 4, 2001. It was hosted by Cris Collinsworth and Mark Thompson and reported on existing record-holders or on new record attempts. These new record attempts included many unusual or bizarre categories such as a 300-pound tumor, squirting milk from one's eye, covering one's self with bees, sitting in a tub of snakes, regurgitating, burping, setting one's self on fire, eating metal, worms, and ketchup, kissing cobras, acting as a human speed bump, and entering a coffin full of cockroaches. Most of these attempts never found their way into the Guinness Book.
Fire eating relies on the quick extinction of the fire in the mouth or on the touched surfaces and on the short term cooling effects of water evaporation at the surface on the source of fire (usually with a low percentage of alcohol mixed in the water) or saliva in the mouth. This allows for igniting a damp handkerchief or a bill of money without it burning. Closing the mouth, or covering it with a slap of the hand cuts off the oxygen to the fire. Blowing on it can remove the very thin area of reaction from the source of fuel, and thus extinguish the fire in some cases, where the blown air is faster than the fire front and the flame is small enough to be entirely removed.
Toby Philpott (born 14 February 1946) is an English puppeteer best known for his work in motion picture animatronics during the 1980s in such films as The Dark Crystal and Return of the Jedi. Born into a family of entertainers, Philpott dropped out of school and traveled the world during the 1960s, squatting in various locations and surviving off money he earned from his work as a street performer, which included juggling, fire eating, magic shows, clowning and acrobatics. He began his film career after Jim Henson personally selected Philpott to work on the 1982 fantasy film The Dark Crystal, in which he worked side-by-side with Henson. The next year, Philpott was approached to serve as one of the puppeteers controlling Jabba the Hutt in Return of the Jedi.
Over the years, several variations of the act have been developed by numerous performers, using objects including running power drills, fireworks, lit fire-eating rods, condoms, balloons, cork screws, letter openers, straws, spoons, forks, and much more. In 2005, scientific skeptic and investigator James Randi criticized faith healer John of God of Brazil for his use of this carnival trick to convince unsuspecting people, some desperately ill, of his paranormal healing powers. Randi and others also criticized news media outlets ABC, CNN, and Oprah Winfrey for uncritically promoting the faith healer's quackery. On November 23, 2009, The National Geographic Channel's Humanly Impossible series aired an episode "Human Blockhead" examining this trick with a visual camera probe inserted through the nostril and up to four inches into the sinus cavity.
Peter Allatt (lead vocals & percussion) then completed the group as a five-piece. Playing one night stands around the country, The Pheasantry (London), California Ballroom (Dunstable) and the Cavern Club (Liverpool), where they have a brick in the Wall of Fame, were but three of many favourite venues played. The band's stage gear was made by The Carnaby Cavern in Ganton Street, just off Carnaby Street. A stage act was later suggested whereupon, Martin incorporated a pyrotechnic display of fire eating. Heatwave was invited to appear on the Terry Wogan radio show without having the usual audition and, from that, were given the opportunity to record for the Dave Cash, Kenny Everett, Dave Lee Travis, Jimmy Young and Radio One Club shows – Heatwave became one of the most-oft heard 'live' professional bands on BBC Radio One between 1969 and 1970.
Cai dislikes being typecast as the typical female in magic who plays submissive roles to males and only performs magic with silks, flowers, umbrellas or rabbits and has incorporated fire-eating, choreography with samurai swords, twirling fire balls, spikes and weapons in her shows. Her influences in magic when she was growing up include David Copperfield and Princess Tenko. Over the years, she has grown from performing simple magic tricks to more elaborate and death defying ones. Cai collaborated with her former manager, J C Sum, in various illusion shows across Asia. Channel News Asia has highlighted that they represent "the new faces of an age-old art form", and called them "Singapore’s celebrity magic duo". They have been hailed as "Asia’s most famous illusionists" by Straits Times and have been lauded as "the hottest duo in town" by AsiaOne.
There is a priggishly good-mannered poor-but-virtuous heroine, a villain who carries off the maiden, a hero in disguise and his faithful old retainer who dreams of their former glory days, the snake-in-the-grass sailor who claims to be following his heart, the wild, mad girl, the swagger of fire-eating patriotism, ghosts coming to life to enforce a family curse,Although the dramatic ghost music has become a popular feature of productions of Ruddigore, W. S. Gilbert wrote that he wished that the music had been more comic. See Stedman, p. 242 and so forth. But Gilbert, in his customary topsy-turvy fashion, turns the moral absolutes of melodrama upside down: The hero becomes evil, the villain becomes good, and the virtuous maiden changes fiancés at the drop of a hat.
One of the themes is recurring "flaps" or chaos – embarking and disembarking from ships and railway carriages that go nowhere. Crouchback meets the fire-eating Brigadier Ben Ritchie-Hook (probably based on Lieutenant General Sir Adrian Carton de Wiart, a college friend of Waugh's father-in-law whom Waugh knew somewhat from his club), and Apthorpe, a very eccentric fellow officer; in an episode of high farce, the latter two have a battle of wits and military discipline over an Edwardian thunder-box (portable toilet) which Crouchback observes, amused and detached. Before being sent on active service, he attempts to seduce his ex-wife Virginia, secure in the knowledge that the Catholic Church still regards her as his wife; she refuses him. He and Ben Ritchie-Hook share an adventure during the Battle of Dakar in 1940.
Then the magician enters, stripped to the waist, and puts on a most impressive performance, face white and eyes rolled back. The narrator recognises the fire-eating and the ventriloquism, and realises that, however impressive - and frightening - the performance is, it is a fraud, as Janoo says in her own language hearing him twice claim a very precise fee. (It is, of course, the central fraud in the tale.) She is upset that Suddhoo is spending all his money, some of which she had counted on acquiring (by "wheedling", which may be accounted as another form of deception). Kipling summarises the narrator's problems: he has aided and abetted the seal-cutter in obtaining money under false pretences, so is guilty under British law; he cannot tackle the seal- cutter, as the latter will poison Janoo; and he fears that Janoo will poison the seal-cutter anyway.
Aerial's busking show started out with basic skills, gradually building up to a duo show with The Great Gordo Gamsby, and has since built up to be a highly energetic solo circle busking show that showcases his skills in contortion, contact juggling, acrobatics and his signature stunts in the field of sword swallowing acrobats. Aerial has performed his busking show throughout the UK, Europe, South East Asia and the vast majority of Australia. At the 2007/8 Woodford Folk Music Festival, Aerial performed his first "world first" stunt with a double neon-tube swallow, swallowing two separate 2,000v simultaneously. Earlier in his career, Aerial was a member of the Kaos Kreepshow as well as the Opposable Thumbs Sideshow, and now performs group shows predominantly with The League of Sideshow Superstars and Solid State Circus Aerial continues to maintain excellent skill levels in Contact Juggling, Juggling, Acrobatics, Contortion, Fire Eating, Glass walking, Blockhead, Suspension/Suspension Dance and various other forms of prop manipulation.
Their manager at the time, Mike Rosen, also drove their Transit van and, being a trumpet player (he later joined Mogul Thrash), occasionally joined the band on stage for some of their more extended numbers. But Rosen soon fell out with producer Ossie Byrne (of early Bee Gees fame), and from that point Mel Baister assumed managerial duties. Other forays into Europe included a trip to Bratislava in November 1969, where they performed at the end of a week's competition between various bands from the Eastern bloc; a week supporting Black Sabbath at Brussels' Theatre 140; and a performance at the Open Circus (an event held in a large tent with lion taming, fire eating and other side shows) in Rouen, France, alongside Brian Auger, Barclay James Harvest, Man and Circus. Cressida mostly played the university and college circuits, as well as London clubs such as the Speakeasy, Revolution, Blaises and the Marquee Club.
55 This latter tactic apparently succeeded in reconciling him with the new authorities, for in 1917 or 1918 he was back in Addis Ababa. By 1922 he had become the Nagadras of Dire Dawa in 1922, then between 1925 and 1930 Afaworq served as president of the special court that heard cases involving foreigners and Ethiopians. He was appointed charge d'affairs in Rome for the Ethiopian government, a position which Bahru Zewde notes that, due to "his known predilection for the Italians and his record of treason" might not have made him the best candidate for this position, but Bahru goes on to quote the American representative in Ethiopia, Addison E. Southard, who observed Haile Selassie wanted "to get rid of Afawork locally who has the reputation for being an obstreperous and fire-eating old gentleman with potentialities for stirring ... trouble." Regardless of his deeper allegiances, Afawork found himself in a difficult situation, being forced to rely on the Italian Ministry of Foreign Affairs to send his telegrams home.
In March 1990 Hens' Teeth was included in the biennial New Zealand International Festival of the Arts with the title Daughter of Hen's Teeth with design by Debra Bustin and choreography by Jamie Bull; the performances were in the Illott Concert Chamber of the Wellington Town Hall; music was by Michelle Scullion and performers included Sandra McKay, Madeline McNamara, Helen Moulder, Lorae Parry, and Sally Rodwell. The September 1991 Circa Theatre season, Hens’ Teeth squawk this way: a season of women comedians included Lee Hatherly, Rose Beauchamp, Bub Bridger, Sue Dunlop, Madeline McNamara, Prue Langbein, Helen Moulder, Lorae Parry, and Dame Kate Harcourt. A group of performers may also have appeared on the night including Beryl Te Wiata, Sally Rodwell, Jane Waddell, and more. The March 1996 Circa Theatre season, Hen's Teeth: Raw eggs and old boilers, featured Lee Hatherly, with Rose Beauchamp, Bub Bridger, Kate Harcourt, Lorae Parry, Madeline McNamara, Lindy Hatherly (Lee Hatherly's daughter, performing a fire-eating act), Sally Rodwell, Prue Langbein, Sue Dunlop, Marg Layton, Cathie Sheat, Pinky Agnew, April Mardle, Carmel McGlone, Ann Pacey, and Dorothy McKegg.

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