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20 Sentences With "finds the way"

How to use finds the way in a sentence? Find typical usage patterns (collocations)/phrases/context for "finds the way" and check conjugation/comparative form for "finds the way". Mastering all the usages of "finds the way" from sentence examples published by news publications.

Like Amazon, Apple argued that Congress sets the rules, and it simply finds the way to pay the least taxes within that framework.
The prospect of a more challenging global liquidity environment makes it all the more urgent that Italy somehow finds the way to reform its economy to deliver the economic growth that would allow it to reduce its economic vulnerabilities.
Oscar Beringer as a curtain raiser. (Fiske starred in both plays.) Love Finds the Way is a comedy-drama about a young woman who seeks romance despite an injury that has left her unhappy and alienated from her family.
Love Finds the Way (originally titled The Right to Happiness) is a three-act play written by Marguerite Merington and first performed in 1896. Theatrical manager A. M. Palmer acquired the rights to a German play by Olga Wohlbrück, which Merington adapted into English. The adaptation debuted at the Grand Opera House in Wilmington, Delaware on November 30, 1896, with actress Minnie Maddern Fiske in the lead role. The title was changed to Love Finds the Way for Broadway, where it opened at the Fifth Avenue Theatre on April 11, 1898, with A Bit of Old Chelsea by Mrs.
To that, Hercules responded, "The world needs Xena, too". As the years progress, Xena and Hercules come to each other's aid at different times as well as acting as a source of comfort to the other. However, after first meeting Hercules, Xena finds the way to redemption to be more painful than she anticipated.
Just he is about to start his new happy life in the village, Robert and Julie come searching for him to open another safe that they have stolen. They do blackmail Ravi. Ravi is trapped again. In a series of different situations, Ravi finds the way to overcome the villains and again live a happy life.
Arriving at the church, Polly admires a stained glass window. Magically it spins and disappears to reveal visions of Santa, children finding Christmas presents, and angels bestowing blessings. Leaving the church, Polly finds the way to Santa's palace. In the palace, where angels are loading an airplane full of toys for Santa to deliver, Polly finds an enormous box holding a doll as large as she is.
He tells his senior about Fedot's new pretty wife, and Tsar begins to plan how to steal Marusya from Fedot. He orders General to find a task for Fedot which he would be impossible to complete and it would let Tsar to execute Fedot for incompetency. General goes to the forest, where old witch Baba Yaga lives, and asks her advice. With her magic, Yaga finds the way.
They swim to a nearby hole and see one of Sun's missing tribe members, Kinsee, stuck in a trap. Klik finds the way to free Kinsee from the trap, but the creature finds the group. Klik, Ooga, and Sun go and try to free Kinsee, but she points out that it's too late. Ooga lets go of one of the levers in anger and the trap activates into a whirlpool.
T. Rama Rao) is a kind-hearted robber whose goal is to rob the rich and feed the poor. Dilipa (Kanta Rao) with his intelligent attitude, acquires the riches from his subordinate kings and utilises it to the welfare of the people. Once Dilipa meets the Panchalapuram Princess Padmavathi (Krishna Kumari) and both fall in love. But the Panchalapuram King says that whoever finds the way to the Bhuvaneshwari treasure will win his daughter's hand.
The critic writing for Manga-News also notes that the exchanges between Saints and Titans can become repetitive. Meanwhile, for Brazilian critic Pedro Hunter of Omelete, Episode.G sets itself apart from the usual shōnen manga by not featuring only endless battles and undeveloped storylines. He finds the way Okada depicts his characters as an integrating part of the real world particularly interesting and highlights the inclusion of real life events like the Three Mile Island accident into the plot.
He does not know what to do to get her attention and he asks for Jay's (Ed O'Neill) advice. Jay tells him that girls go for power and success and since he does not have any of those, he should be the funny guy. Manny's attempts to be funny do not have much of success but he finally finds the way to impress Bianca. Cameron (Eric Stonestreet) dresses up as Fizbo the clown, despite Mitchell's (Jesse Tyler Ferguson) disagreement.
Max returns in a Land Rover and pursues Lucy. When Lucy is able to stop the car, she finds a tube running from the exhaust pipe into the boot. She opens the boot and discovers Tom bound inside, dead from carbon monoxide poisoning from the tube forced into his throat. As day breaks, Lucy finds the way back to the main road, but as she drives over a lonely moor towards it she sees Max standing in road in the distance.
Mrs. Fiske and her company, presenting Tess of the D'Urbervilles by Lorimer Stoddard, Love finds the way by Marguerite Merington, Divorćons by Victorien Sardou, A Bit of Old Chelsea by Mrs. Oscar Baringer, Little Italy by Horace B. Fry; LCCN 2014637440 In 1896, To-day magazine described Aimée Daniell Beringer as "one of the most popular personalities in literary and theatrical Bohemia.""Mrs. Oscar Beringer" To-day (May 23, 1896): 69. Beringer was manager of the Opera Comique Theatre in London.
Tatjana Doll, Ferrari F430, 2005 In her works, Tatjana Doll investigates the possibilities and the borders of painting as well as "its potential to disclose social processes and our perception of them". The predominantly realistic style appears even stronger due to the oversized formats. The artist often works with the same motive across a series of pictures and therefore lets the moment of accident integrate the pictorial interplay. Tatjana Doll finds the way to express the confrontation of perfection and failure, integrity and breach.
Maruška expelled from the country of her father undergoes a journey of finding her lost love Salt prince. She finds the way to the kingdom of Underworld, the kingdom of Salt prince's father. Meanwhile Pravoslav and his other two daughters enjoy the gold they have, but after a while when the food is dry in taste the two bridegrooms starts quarreling about the money and people of the kingdom strive for an ingredient which makes their bread tasteful. When illnesses start to spread, Pravoslav decides to give up gold and exchange it for salt in the neighboring country.
She was a principal singer at the Royal Opera House from 6 December 1776 in Arne's opera Caractacus. Her performances were praised by The Morning Post, particularly a duet with Leoni. Her contralto pitch and relatively heavy build suited her for breeches roles, and she played the title role in Arne's Artaxerxes on 25 January 1777, Belford in Thomas Hull's Love Finds the Way, Colin in Charles Dibdin's Rose and Colin, and most notably Captain Macheath in John Gay's The Beggar's Opera where in 1777 she was the first person to sing "A-Hunting We Will Go", a song written by Arne for that performance.Boucé, Paul-Gabriel (ed.) (1982).
In addition, he's totally honest when it comes to giving feedback of the creative ideas. He always finds the way to make the idea richer and establish clear production criteria (meaning he finds the right actor, location and other elements that were visualized in the initial idea). He directs commercials in a very special way: he achieves credibility and makes the target identified with them. We work in each commercial just as we would work on a feature film: my creative labor is to make the script and then he takes that idea into the screen taking care of each element on the scene.
Lotta Linthicum had a long career on the stage,"Miss Lotta Linthicum, an Actress of Prominence and Artistic Ability" Broadway Weekly (March 10, 1904): 10. from the 1890s to the 1930s, mainiy in London, Montreal, and New York. Broadway appearances by Lotta Linthicum included roles in Love Finds the Way (1898), The Royal Box (1898), Lady Rose's Daughter (1903), The Deserters (1910), Frou-Frou (1912), Cheer Up (1912-1913), A Tailor-Made Man (1917-1918, 1929), The Little Whopper (1919-1920), Blue Eyes (1921), Icebound (1923), The Shelf (1926), Piggy (1927), The Wild Man of Borneo (1927), Atlas and Eva (1928), Skyrocket (1929), Nice Women (1929), She Lived Next to the Firehouse (1931), and Papavert (1931-1932). She was also seen in other shows, including The Sign of the Cross (1896), Weather-Beaten Benson (1904), Skipper & Co. (1911) Madame Sherry (1913), The Crinoline Girl (1914), Don't Do It Dodo (1936), and the suffrage production A Pageant of Protests.
He grouped Brown's work with Marcuse's Eros and Civilization, Rieff's Freud: The Mind of the Moralist, the philosopher Paul Ricœur's Freud and Philosophy (1965), and the philosopher Jürgen Habermas's Knowledge and Human Interests (1968), arguing that they jointly placed Freud at the center of moral and philosophical inquiry. The philosopher Roger Scruton criticized Brown, describing his proposals for sexual liberation, like those of Marcuse in Eros and Civilization, as "another expression of the alienation" he condemned and an attempt to "dress up the outlook of the alienated individual in the attributes of virtue." Stephen Frosh found Life Against Death and Eros and Civilization to be among the most important advances towards a psychoanalytic theory of art and culture, although he finds the way these works turn the internal psychological process of repression into a model for social existence as a whole to be disputable. The poet and cultural critic Wayne Koestenbaum criticized Brown for affirming the anus as "a bodily and symbolic zone" while ignoring its connection to sodomy and homosexual desire.

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