The beats are lighter and more ornate, decorated with splashy keyboard filigrees and showers of glitter.
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Mr. Richards usually has the gut-level rhythm parts while Mr. Wood takes the smoother high filigrees and slide-guitar wails.
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This album won't settle into the background, as Wakeman embellishes and obscures familiar melodies with trills, squiggles, filigrees, and improvised flights of fancy.
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In an essay on circuits and screens, capitalism's inventiveness is acknowledged, along with the complexities of its flow, over filigrees, planes, and curls.
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In the YouTube series, you see Poo Bear recording guide-vocal demos for various songs and, later, Bieber rerecording them with his own little filigrees.
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The new style of peasant dresses look like they're spun from invisible spiderwebs and are completely sheer (save for a smattering of shimmering filigrees and floral patterns).
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By contrast, the version reviewed here was recorded with a 12-piece orchestra that beefs up Olsen's jangly folk-rock sound and inserts fruity textural filigrees wherever possible.
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These accidental infinity symbols suddenly feel of a piece with the truncated filigrees and geometric designs lining the pennants' edges, prompting potential connections between the numbers and the abstractions.
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"Song for Andrew," which Mr. Frisell wrote for the drummer Andrew Cyrille, begins with a few major filigrees, Mr. Frisell and Mr. Morgan in a wavering, improvised dance step.
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The "Apricot Toddler," as he was dubbed in Britain, pounds the high chair, makes messes, pushes buttons, stage-manages cliffhangers and filigrees his "labyrinth of lies," as Jaron Lanier calls it.
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What the films provide, as compensation, is a banquet of the decent and the sumptuous, where filigrees of gold float through the air and land on the silk of a dress.
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Other than her spindly filigrees of mandola and violin, Bruun does her patented thing and snarls and coos all over the song, which matches its pendulum swing between raging blastbeats and shoegaze-inspired fog.
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Her first two albums, The ArchAndroid (2010) and The Electric Lady (2013), bury a smattering of catchy pop-funk beats beneath fussy arrangements, orchestral interludes, florid filigrees, and social commentary obscured by flights of fancy.
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That may be because it's connected to an opulent residential program called reSTART ($37,000 for nine weeks) that heavily filigrees the 12 steps with behavioral therapy, classes in horticulture, and no end of physical exertion.
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On "Sunset Park, After the Sun Sets," Brandley starts on the ney, a Middle Eastern flute with a chalky tone, and moves to the alto clarinet, improvising in miniature filigrees and small, tumbling phrases as the trio creates a pebbly path below him. RUSSONELLO
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CARAMANICA Agnes Obel's hybrid of Minimalist chamber music and pop song is at once transparent and steely: plucked and bowed strings circling through four chords, interwoven with Obel's silvery piano filigrees and multitracked, overlapping vocals as she lies awake longing for repose, singing an insomniac lullaby.
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Inspired by Cale's version, Buckley recorded his own for his 1994 album Grace, and his gentle electric guitar filigrees and unearthly falsetto — at one point he sings the title across 23 seconds — remain the definitive version of the song for many listeners, no doubt bolstered by Buckley's tragic death.
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In the Corning's recently opened Contemporary Art + Design Wing, Fred Wilson's "To Die Upon a Kiss" (2011) has a Murano glass chandelier with dark colors draining from its filigrees, while Javier Pérez's "Carroña (Carrion)" (2011) considers the decline of Murano's industry with a broken ruby-red chandelier swarmed with taxidermied crows.
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With smoothing touches and sonic filigrees courtesy of producer Danger Mouse, Parquet Courts havee expanded their musical template, augmenting their chunky, jaunty guitar grooves with ominous keyboard effects, dreamy waves of amplifier feedback, angular funk riffs, and, on "Back to Earth," an accordion-esque synthesizer that flips the song on its head.
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A large corps of musicians, including a full string section, launch into an expansive version of the original; it features both a guitar solo, complete with Surprised At How Hot These Licks Are faces from the soloist, and some violin filigrees courtesy of a gamboling fiddler in an epaulet-adorned Napoleon-style coat.
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At a party one night in January, I saw Pusha-T wearing the Dover Street Market limited-edition Triple S in my size — you can read the size right on the toe box, one of the shoe's signature filigrees — and seriously considered asking to buy them from him when he was through wearing them.
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Kulchytska’s first solo exhibition took place in Lviv in 1909. It showcased her engravings, prints, watercolours, woodcuts, and filigrees. The exhibition was celebrated by the early-modernist Ukrainian artists, for instance, Ivan Trush. Kulchytska’s work combined the folk art traditions of the Western Ukraine, particularly, the Hutsuls, with the stylistic innovations of the European Sezession.
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The provosts Michael Doegger (r. 1688-1706) and Patricius Stöttner (r. 1707-37) led the conversion and new construction of the monastery buildings. On the occasion of the 600th anniversary of consecration in 1755 the architect Franz Alois Mayr from Trostberg built the present church of St. Margareta in the Rococo style with stucco filigrees and frescoes.
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Production of one-dollar Federal Reserve Notes was undertaken in late 1963 to replace the soon-to-be obsolete $1 Silver Certificate. The design on the reverse remained the same, but the border design on the obverse underwent considerable modification, as the mostly abstract filigrees were replaced with designs that were mostly botanical in nature. In addition, the word "one," which appeared eight times around the border in small type, was eliminated. The serial numbers and treasury seal were printed in green ink.
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Parade eschews the guitar and rock elements of Prince's 1984 album Purple Rain in favor of the neo- psychedelic style he explored on Around the World in a Day (1985), austerely produced funk, and soundtrack compositions. According to Blender magazine's Keith Harris, Parade "makes a pop cavalcade out of the same psychedelic affectations" of Around the World in a Day. Robert Christgau of The Village Voice viewed it as a modern "fusion of Freshs foundation and Sgt. Peppers filigrees", with songs he described as baroque pop creations.
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Among the filigrees is the representation of a bird, an unusual zoomorphic figure in Islamic art that could represent a pigeon, a pheasant or a symbol of the king as winged. The traces of interlocking mixtilinear arches are characteristic of this palace and are given for the first time in the Aljafería, from where they will be diffused to the future Islamic constructions. On the eastern side of the portico is a sacred space, the mosque, which is accessed through a portal inspired by caliph art and described below.
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Allmusic's Jo-Ann Greene called the album a "masterpiece", stating "There's not a mis-step within the entire set, and every song is so high-caliber that's it's useless to try to pick favorites". Robert Christgau rated the album B+, commenting "there's a light touch to this music--Isaacs whispering and murmuring around diffident horn-section filigrees--that I'd call sexy".Christgau, Robert "Gregory Isaacs", in Christgau's Record Guide: the '80s, 1990, Pantheon Books, , reproduced at robertchristgau.com, retrieved 2011-04-29 Trouser Press described Private Beach Party as "his best album in years — a fresh, diverse package".
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Stephen loved the idea and sat down with Jason to help expand the idea and bring his vision to life. For the main image on the cover, Jason wanted to feature the band's faces carved over the sculpture of Mount Rushmore with a radio antenna on the top of the mountain spreading the AM Conspiracy message. The photo would appear as part of the engraving on an altered one dollar bill (to symbolize their first album). Stephen used some of the stylized filigrees that appear on the one dollar bill and played into the conspiracy theories regarding hidden imagery that are mixed into the engravings on the original currency design.
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The third movement forms the core of the piece, taking the form of a dark, slow-building chaconne beginning with a ground bass in the cellos and violas. The rest of the orchestra joins the pattern with each repeat, setting in place a layered effect before a solo violin introduces a high, keening cantabile melody over the accumulated rhythmical tissue. The melody passes to a different member of the violin section with each repeat, as the other instruments continue to build the underlying structure. The melody is eventually subsumed beneath contrapuntal filigrees and trills from the rest of the violin section, disappearing almost entirely within the texture, and the movement ends abruptly once the theme has reached its peak and all instruments have been included.
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A Greek glass amphora, 2nd half of the 2nd century BC, from Olbia, Roman-era Sardinia, now in the Altes Museum The Derveni Krater, from near Thessaloniki, is a large bronze volute krater from about 320 BC, weighing 40 kilograms, and finely decorated with a 32-centimetre-tall frieze of figures in relief representing Dionysus surrounded by Ariadne and her procession of satyrs and maenads. The neck is decorated with ornamental motifs while four satyrs in high relief are casually seated on the shoulders of the vase. The evolution is similar for the art of jewelry. The jewelers of the time excelled at handling details and filigrees: thus, the funeral wreaths present very realistic leaves of trees or stalks of wheat.
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Gold, copper and tumbaga objects started being produced in Panama and Costa Rica between 300-500 CE. Open-molded casting with oxidation gilding and cast filigrees were in use. By 700-800 CE, small metal sculptures were common and an extensive range of gold and tumbaga ornaments comprised the usual regalia of persons of high status in Panama and Costa Rica. The earliest specimen of metalwork from the Caribbean is a gold-alloy sheet carbon dated to 70-374 CE. Most Caribbean metallurgy has been dated to between 1200 and 1500 CE and consists of simple, small pieces such as sheets, pendants, beads and bells. These are mostly gold or a gold alloy (with copper or silver) and have been found to be largely cold hammered and sand-polished alluvial nuggets, although a few items seem to have been produced by lost wax casting.
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BBC Music praised the two new members of the band as fundamental to Genesis's artistic success, remarking "Collins' snappy drums were augmented by his uncanny ability to sound not unlike Gabriel ... Hackett's armoury of tapping and swell techniques really broadened the palette of the band, giving Tony Banks more room for his Delius-lite organ filigrees, not to mention their newly purchased Mellotron", and gushed that "Genesis had virtually invented their own genre, Edwardian rock". Although Stephen Thomas Erlewine of AllMusic deemed the album highly uneven, he considered "The Musical Box" and "The Return of the Giant Hogweed" to be "genuine masterpieces", and concluded that even if the rest of the album "isn't quite as compelling or quite as structured, it doesn't quite matter because these are the songs that showed what Genesis could do, and they still stand as pinnacles of what the band could achieve". Geddy Lee of Rush included this album among his favourites in a list from an interview with The Quietus.
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