So it'll take some time to feel at one with your strap-on.
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They reflect the immediate surroundings, making the viewer feel at one with the river.
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Rest under the palm trees, swim with the dolphins and feel at one with nature.
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I will feel at one with all of the people of my island homeland, no matter their race, creed, or gender.
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They'd be gentler with each other because they would have felt at one with each other, gentler with environment because they'd feel at one with the environment.
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At low doses, this can be a pleasant experience, making someone feel "at one with the universe," says James Giordano, professor of neurology and biochemistry at Georgetown University Medical Center.
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Meant to be the ultimate pose of relaxation, it asks us to feel the ground that supports us along the entire length of our bodies, and to feel at one with it.
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Here, without any need to swing a sword or open my life-preserving Estus Flask, I do feel at one with this game, I get it, and I think there's something here for me.
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The Oscars are the biggest, most glamorous, most artificially self-inflated event American culture has to offer, and no one with their own story and background will ever feel at one with it; the Oscars exist to be punctured.
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Knowledge is power and before I was loaded with the knowledge I now have, I definitely felt powerless in my journey—and that's something that I have come to learn that many folks feel at one point or another throughout their TBI recovery.
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She actively involved herself in the daily therapeutic activities, often inspired by her artistic childhood and build closer relationships between patients and staff, creating a community feel. At one point she even cast herself in Dorset House's drama production, playing Mr. William Collins in their 1934 rendition of Pride and Prejudice. Days would be structured so that activities would be planned throughout, with occupational therapy carrying on into evenings and at weekends. A typical day would include breakfast then flower arranging until 10:30, followed by an hour in the occupation room for therapy.
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The six exhibitions of the 2nd Athens Biennale took the form of autonomous approaches to that broad subject which nevertheless communicated creatively and claimed a degree of narrative cohesion. > “They say a human body becomes lighter by twenty-one grams, once it has > ceased living. This is how much a soul weighs. Although no science would > confirm this, and although not all people believe that God ever breathed on > Adam, most of them probably feel at one point or another that there must > somehow be an ‘essence’ of life, something more than a mere body, something > that encapsulates all that we are.
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"Hatching by Lord, J.V. In 1986, he was appointed Professor of Illustration at University of Brighton and his inaugural lecture Illustrating Lear's Nonsense was published a few years later. Robert Mason reviewing Lord's lecture A Journey of Drawing An Illustration of a Fable writes: > Lord's fastidious verbal dissection of the process of making a single pen > and ink illustration, The Crow And The Sheep, over a period of 11 hours and > 11 minutes on the 10th and 11th of February 1985, was intimate and unique. > Its very length, and its combination of intense focus interspersed with > frequent digressions – about how to avoid actually working, the tendency of > Rotring pens to clog, contemporary news topics (mortgage rate increases / > African famines / American defence spending…) and the maximum and minimum > temperatures of the days in question (minus 3 and minus 7 degrees > Fahrenheit) made the audience feel at one with the process..."The Journal of > the Association of Illustrators August / September 2003 Robert mason reviews > John Vernon Lord.
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