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73 Sentences With "fat of the land"

How to use fat of the land in a sentence? Find typical usage patterns (collocations)/phrases/context for "fat of the land" and check conjugation/comparative form for "fat of the land". Mastering all the usages of "fat of the land" from sentence examples published by news publications.

I'm accused of "living off the fat of the land".
A five-year hiatus came after The Fat of the Land.
"Firestarter" appeared on The Prodigy's third album, The Fat of the Land.
After The Fat of the Land, the band took a brief hiatus but later returned in 2002.
I wish to live off the fat of the land,And put acid in my father's coffee.
Yet here Mr. Pul's trophies represented respect for old gods and old ways of sharing the fat of the land.
Their punk-techno record The Fat of the Land hit No. 1 in Britain and in the States in 1997.
British music magazine NME said the 1997 "Fat Of The Land" album, which included "Firestarter" and "Breathe", had sold 10 million copies to date.
"Firestarter," the first single from the Prodigy's third album, "The Fat of the Land," marked a change in direction, mixing rave music with rock guitars.
" He feels that XL became a "real" label when he renewed the Prodigy's contract, which had expired after the release of "The Fat of the Land.
They are designed to codify the myth of the self-sufficient pioneers, pulling themselves up by their bootstraps and living off the fat of the land.
With its third album, The Fat of the Land, led by the massive singles "Firestarter" and "Breathe," The Prodigy became the first of the 19903s British dance acts to cross the Atlantic.
The Earthbound records went on to form part of The Prodigy's second album, Music for the Jilted Generation, but it was only with Fat of the Land that the band truly became huge.
Three years later, the Prodigy's third album, "The Fat of the Land," became the first electronic album to reach No. 1 in the U.S. Russell had succeeded on his own terms, but felt pressure to sustain the momentum.
News Analysis IN a tradition dating to the 1600s, the departing municipal officials of High Wycombe in England are weighed each May to assess whether they have literally gained off the fat of the land, perhaps at public expense.
The Prodigy came to prominence in 1997 with "The Fat of the Land," the group's third studio album, which went to No. 20093 in Britain and the United States and made underground British dance music a hit across the Atlantic.
When Keanu Reeves' Neo and Carrie Anne-Moss' Trinity meet for the first time in a club in the original movie, their initial introduction is scored by the Prodigy's "Mindfields," a track from the UK electronica pioneers' third album, The Fat of the Land.
That's not surprising: though he still DJs and performs at dance events, Moby had separated from the center of the rave scene proper by the mid-21997s, before it even finished growing legs in America—say, when the Prodigy's Fat of the Land hit number one in 214.
It's a story that pits civilization against nature in an interesting way—"civilization" being the police detective, and "nature" being the creepy, pre-Christian villagers who live outside of the law and live off the fat of the land and make ritual sacrifices to the earth in order to ensure a good harvest.
"Despite the sometimes seductive lure of techno, there was an anonymity in the whiplash beats and silky, ambient sounds that made it a hard sell on record," the Los Angeles Times' Robert Hilburn wrote at the end of 25, the year the Prodigy's Fat of the Land reached number one on the Billboard album chart.
The published volume, under the title The Fat of the Land, would be the last edited by Harlan Walker.Harlan Walker, ed., The Fat of the Land. Footwork, 2003Review by Ruth Fairchild in British Food Journal vol.
Smith authored the vegetarian book, The Fat of the Land and How to Live on It in 1896.Anonymous. (1898). The Fat of the Land and How to Live on It. The Medical News 72 (12): 384.Spencer, Colin. (1995). The Heretic's Feast: A History of Vegetarianism.
"The Fat of the Land" and "Keep Your Temper, Walter" were published in This Week with illustrations by James Williamson.McIlvaine (1990), p. 159, D65.13. and D65.11.
Soyinfo Center. pp. 52-53 She omitted butter, cream, milk, salt and sugar from her recipes.Anonymous. (1896). The Fat of the Land. The American Kitchen Magazine 6 (5): 238.
He also notes that his intention was to use vocals mostly as an extension of the sound rather than the main focal point, as was the case in The Fat of the Land.
Earning a platinum certification from the BPI, Music for the Jilted Generation spawned the UK top ten singles "One Love" and "No Good (Start the Dance)". The Prodigy's third studio album The Fat of the Land was released in June 1997, becoming a huge commercial success. The album peaked at number one in multiple countries, including the United Kingdom and the United States. The Fat of the Land received multi-platinum certifications from the BPI, the Australian Recording Industry Association (ARIA), and the Recording Industry Association of America (RIAA).
123, B16. "The Fat of the Land", "The Word in Season", "Leave it to Algy", and "Oofy, Freddie and the Beef Trust" were included in the 1982 short story collection, Tales from the Drones Club.McIlvaine (1990), p. 126, B25.
McGarry is a fictional character in the Drones Club stories. He is the only named bartender at the Drones Club and can estimate the weight of anything simply by looking at it. McGarry is mentioned in "The Fat of the Land" and "Stylish Stouts".Garrison (1991), p. 116.
While Liam Howlett is generally responsible for the compositions and Maxim Reality is featured on two tracks, this is the first record to include contributions by Keith Flint, who provides vocals on four of the songs and co-wrote three songs, including the two biggest hits, both of which reached No. 1 on the UK singles chart. He is also the vocalist on a cover of the L7 song "Fuel My Fire" (from the 1994 album Hungry for Stink). The Fat of the Land album cover featured a new logo, dropping "The" and adding an ant silhouette. The album title comes from the old English phrase 'living off the fat of the land', which means living well or being wealthy.
Choosing to ignore the Beastie Boys' plea, Maxim introduced "Smack My Bitch Up" with the declaration "They didn't want us to play this fucking tune. But the way things go, I do what the fuck I want". Wal-Mart and Kmart later announced they would pull The Fat of the Land off their shelves.
A sequel was released in 2000, to mixed critical reception ranging from good-to-generally unfavorable and negative reviews, and though it fared well financially it was far from the success of its predecessor.Lane, Anthony. The New Yorker, August 7, 2000. The Fat of the Land A reboot is in development, from Project X Entertainment.
While Wodehouse's stories generally do not reference specific years, "The Fat of the Land" is an exception; it is stated in this story that one of Oofy Prosser's uncles, Hildebrand, died of an apoplectic stroke in 1947, and his other uncle, Stanley, died of cirrhosis of the liver in 1949.Garrison (1991), p. 156.
He has toured with Radiohead and was commissioned by David Bowie. His work is used in the packaging of the albums Suede (1993), the debut by the band of the same name, and The Fat of the Land (1997) by The Prodigy. His 2001 photograph of Dido, taken in Madrid, is in the collection of the United Kingdom's National Portrait Gallery.
In 1994, the label released The Prodigy's second album, Music for the Jilted Generation which debuted in the UK Albums Chart at number one, and in 1997 it released the third album by The Prodigy, The Fat of the Land which entered the British and American charts at number one and went on to be number one in 26 countries.
Davies first played live with The Prodigy in 1995, including that year's Glastonbury Festival. After a year of touring worldwide with the band, he contributed to their album, The Fat of the Land. This included playing guitar on the subsequent single releases "Firestarter" and "Breathe". In 2010, Total Guitar magazine voted Davies' "Firestarter" riff as one of the top 10 guitar riffs of all time.
The next day they marched to Shelbyville and camped three miles north. While in this vicinity the camp was moved several times. On July 3 it marched to Wartrace, Tennessee, where the regiment rested until August twelfth, living upon the fat of the land. Chickens, green corn, potatoes, peaches and other luxuries were plentiful, and the men improved in health upon the change of diet.
It was produced by The New Theatre at The Theatre District in Los Angeles. The Fat of the Land was one of fifteen finalists for the Kaufman & Hart Prize for New American Comedy awarded by Arkansas Repertory Theatre. Dan Alemshah received The L.A. Ovation Award for best featured actor in a play for his portrayal of the humorous, heartfelt transsexual role of Claudia Vestibule.
Whatever Happened to Cousin Mickey? was published in Cagibi, Issue 4. A Body of Work: The Tour was published by Rain Taxi. The Body, the Self, a Book was published by Cagibi Express. The Fat of the Land had a workshop production in Los Angeles at West Coast Ensemble and was presented in New York City in Ensemble Studio Theatre’s Octoberfest directed by Billy Hopkins, featuring Henry Wolfe Gummer.
The Fat of the Land is the third studio album by English electronic music group The Prodigy. It was first released on 30 June 1997 by XL Recordings in the United Kingdom and on 1 July 1997 by Maverick Records in the United States. The album received critical acclaim and topped the UK Albums Chart and the US Billboard 200. It has sold over 10 million copies worldwide as of 2019.
Big beat achieved mainstream success in the 1990s and early 2000s. During the 1990s, The Prodigy had several songs in the top ten of the UK Singles Chart and two of those songs went to number 1 on the chart. The Prodigy also had a lot of popularity in the United States during the 1990s. The Prodigy's album The Fat of the Land went to number 1 on the Billboard 200 in July 1997.
The Prodigy performed at the 1997 MTV Video Music Awards won the Viewer's Choice Award there. The Prodigy's song "Firestarter" went to number 30 on the Billboard Hot 100. The Prodigy's song "Smack My Bitch Up" went to number 89 on the Billboard Hot 100. The Fat of the Land by the Prodigy sold 2,600,000 copies in the United States and was certified 2x platinum by the Recording Industry Association of America (RIAA).
Released in the last week of June, the album hit number one on the Billboard chart on 19 July 1997. Certified double platinum on 2 December that year, it sold 2,600,000 copies in the United States. In 1999, The Fat of the Land entered the Guinness World Records as the fastest-selling UK album. The album was also nominated for the 1998 Grammy Award for Best Alternative Music Album, but lost to Radiohead's OK Computer.
Her literary endeavors received more recognition when her rags-to-riches story, "The Fat of the Land," appeared in noted editor Edward J. O'Brien's collection, Best Short Stories of 1919. Yezierska's early fiction was eventually collected by publisher Houghton Mifflin and released as a book titled Hungry Hearts in 1920. Another collection of stories, Children of Loneliness, followed two years later. These stories focus on the children of immigrants and their pursuit of the American Dream.
"Breathe" is a song by English band the Prodigy. It was released in November 1996 as the second single from the album The Fat of the Land. The song became the group's second consecutive number-one in the United Kingdom and also topped the charts in the Czech Republic, Denmark, Finland, Hungary, Ireland, Norway, and Sweden. The song features a drum break from the song "Johnny the Fox Meets Jimmy the Weed" of the group Thin Lizzy.
The band did not actually write the lyric, but rather, sampled it from the hip hop Ultramagnetic MCs' track "Give the Drummer Some"The Fat of the Land liner notes. which also appears on the Dirtchamber Sessions; they had also sampled another Ultramagnetic MCs song "Critical Beatdown" on their earlier "Out of Space" single.Liner notes from "Out of Space" single and Experience album. The National Organization for Women also believed that the lyrics are in reference to administering heroin (smack) to another person.
These 5 acres are still called Seymour's Bit by the current owner. The manner in which they developed self-sufficiency on this smallholding is recounted in The Fat of the Land (1961). At the end of the 1960s, Seymour, along with other radical voices like Herbert Read, Edward Goldsmith, Leopold Kohr and Fritz Schumacher, provided a stream of articles for the journal Resurgence edited from 1966–1970 by John Papworth. In 1964 the family moved to a farm near Newport, Pembrokeshire.
He attends the engagement dinner of Gussie Fink-Nottle in The Code of the Woosters. He appears in the Drones Club short story "Tried in the Furnace" (collected in Young Men in Spats), in which he is in a cross-talk act with Pongo Twistleton, and has a brief appearance with Catsmeat Potter-Pirbright in "The Shadow Passes" (collected in Nothing Serious). He stars in the novel Barmy in Wonderland. He is mentioned in "The Fat of the Land" and Cocktail Time.
XL also won awards for 'Best A&R;' and 'Best Artist Campaign'. Label head, Richard Russell, became the youngest ever recipient of the lifetime achievement 'Strat Award'. Sales of Adele's 21 helped increase XL Recordings' bank balance from £3 million to £32 million in the space of 12 months. As of March 2011, XL Recordings had released three albums that had sold over a million copies in the UK: The Prodigy's The Fat of the Land, Adele's 19, and Adele's 21.
The four core members of Front 242 regrouped in 1998 to compose radically reworked versions of many of their songs, which they then performed on their first tour in five years, appropriately called the Re:Boot tour. They acknowledged the influence of The Prodigy and their Fat of the Land album in crafting the new, more techno style of Re:Boot. The new tour material was the subject of Front 242's new recording contract in the U.S. with Metropolis Records. Front 242 also indicated at this time that they were recording new material.
Invaders Must Die is the fifth studio album by English electronic dance music group The Prodigy. The album was released on 23 February 2009 on the band's new record label Take Me to the Hospital, and was distributed by Cooking Vinyl. Although Liam Howlett, Maxim and Keith Flint all contributed material for "The Fat Of the Land", Invaders Must Die is the first Prodigy record where, since the departure of Leeroy Thornhill, all band members took part in the creative process. The album was a commercial success, faring better than Always Outnumbered, Never Outgunned.
In this year the Prodigy also headlined the prestigious Lollapalooza festival. The long-awaited third Prodigy album, The Fat of the Land, was released in 1997, just as the band headlined the Glastonbury Festival on its opening night. Featuring simplified melodies, sparser sampling, less rave music influences, and punk-like vocals supplied by a shockingly madeover Flint, the album nevertheless retained the bone-jarring breaks and buzzsaw synths so idiomatic of the band. The album cemented the band's position as one of the most internationally successful acts in the dance genre, entering the UK and US charts at number one.
The London School of Economics now has an archive dedicated to her Parliamentary and university work as an early adopter of broadcast web journalism: the "Boni Sones Archive". The British Library has a collection of 82 audio interviews Boni and her team conducted for a book on women in politics. Boni named the archive "The Harman Shephard" collection. Boni used her web skills and modern developments in technology to self-publish books about her childhood growing up in Sizewell in Suffolk in the 1950s and being part of a family who lived off "the fat of the land".
"Firestarter" is a song by the British band the Prodigy, released on 18 March 1996. It was the first single from their third album The Fat of the Land, and their tenth single overall. It was the group's first number-one single on the UK Singles Chart, staying on top for three weeks, and their first big international hit, topping the charts in the Czech Republic, Finland, Hungary, and Norway. It showcased Keith Flint, with punk rock-style vocals, as the group's frontman and is an important crossover song, meshing electronic beats, with industrial metal and punk rock.
In 2007, Cooper coined the term "headless fatty" to describe negative media representations of fat people Obesity. In 2010, Cooper was a Government of Ireland Ph.D scholar at Limerick University date where she wrote a history of the fat activist movement in which she argued that it is closely allied with the feminist movement and, like it, has undergone waves of activity. Cooper has co-produced a number of events with fat activism themes including 'The Fat of the Land', 'Big Bum Jumble' and 2012's 'Fattylympics', a protest against both attitudes to fat and the London 2012 Olympics, held in Stratford, where she lives.
She has worked with musicians and producers such as A. R. Rahman, Liam Howlett, Tim Deluxe, Fraser T Smith, Indian Ropeman, Jah Wobble, Twista, Juliette Lewis, Bobina. She supported 50 Cent and worked with director Ang Lee on the film The Hulk. Several of Badar's collaborations have charted in the UK Charts top ten singles, Independent, Dance, Radio and Bhangra charts with inclusions on three The Prodigy UK No.1 albums: The Fat of the Land, Always Outnumbered Never Outgunned, and Their Law: The Singles 1990-2005. Her most notable hit is "Smack My Bitch Up", released in 1997, in 2013, she received a quadruple platinum disc for her contributions.
The group attracted positive press coverage. Emerging after a wave of female-fronted rock bands (such as Elastica, Lush, Sleeper, Echobelly and Kenickie), they had, like Curve and Garbage, a notably more aggressive and electronic sound. In 1997, they contributed a cover of "Are 'Friends' Electric?" to the Gary Numan tribute album Random. That same year, Saffron performed vocals for The Prodigy's "Fuel My Fire" from their album The Fat of the Land. The second album, Speed Ballads, was released in 1998 and reached No. 37 in UK Albums Chart. Its lead single, "From Rush Hour With Love", peaked at No. 20 in UK Singles Chart.
He is known in the club for often falling in love and getting rejected. One Egg says "I wish I had a quid for every girl Freddie Widgeon has loved and lost", and a Bean says "I'll bet that if all the girls Freddie Widgeon has loved and lost were placed end to end they would reach half-way down Piccadilly". He eventually goes coffee-farming in Kenya with Sally Foster. Freddie appears in the short stories "Fate", "Trouble Down at Tudsleigh", "Goodbye to All Cats", "Noblesse Oblige", "The Masked Troubadour", "Bramley Is So Bracing", "The Fat of the Land", "Oofy, Freddie and the Beef Trust", and "Bingo Bans the Bomb".
The Prodigy and The Chemical Brothers are two prominent examples of the 1990s British scene, while in the US, Chicago's Liquid Soul to San Francisco's Dubtribe expanded dance music "beyond its old identity as a singles-driven genre with no identifiable, long-term artists". Icelandic musician Björk found international success in the early 1990s with her albums Debut and Post, which incorporated alternative dance elements. The American scene rarely received radio airplay and most of the innovative work continued underground or was imported. The Prodigy's third studio album The Fat of the Land was the first international alternative dance hit after debuting at number one in 25 countries, including the US, in 1997.
After the recording was finished, Taylor, Mastered and Lazar mixed the album with Pro Tools, completing development on the album. Of the three members of the Prodigy, only Howlett is present on the album musically. Actress Juliette Lewis, Oasis frontmen Liam and Noel Gallagher, Kool Keith of the Ultramagnetic MCs, who was previously featured in "Diesel Power" from The Fat of the Land, American rapper Twista, Shahin Badar, American hip hop musician Princess Superstar and the Magnificent Ping Pong Bitches were guest musicians on the album. "This album is about reminding people what The Prodigy was always about—the beats and the music", Howlett wrote in a blog of a fansite after finishing the album.
In later 2012, Noisia also remixed Mark Knight's track, "Nothing Matters", and also "Smack My Bitch Up" for The Prodigy for the re-release of The Fat of the Land. Noisia have also written music for short films as well as various video games, including Midnight Club 3: Dub Edition, Wipeout Pulse, Wipeout HD, and Wipeout HD Fury. They also produced "The Tide", which was featured on Dance Dance Revolution Universe 2 and "Stigma" was used in the intro of Gran Turismo PSP. Their song "Groundhog" was featured twice in DJ Hero, first as a mashup with Motörhead's "Ace of Spades '08" then later as a beat juggle by the Scratch Perverts.
Always Outnumbered, Never Outgunned is the fourth studio album by English electronic music group the Prodigy. It was first released on 11 August 2004 in Japan, on 23 August 2004 in the United Kingdom by XL Recordings, and on 15 September 2004 in the United States by Maverick Records. Recorded almost entirely using Propellerhead Reason and mastered with Pro Tools, the album contrasts with the group's previous releases, and features a larger use of vocals than their previous album The Fat of the Land (1997). Keith Flint and Maxim Reality do not provide any contribution to the official record, which leaves Liam Howlett as the sole band member to do so for a first and last time in group's history.
In 1996, the Prodigy rose to fame outside their native UK with "Firestarter", the lead single from The Fat of the Land which was released in 1997 and topped several charts, including the Billboard 200. The band ended the tour that promoted the album, taking a break from touring and recording and writing material for their fourth studio album. To coincide with the departure of Leeroy Thornhill during the period, the band shut down their official website for over two years, with its home page replaced with a logo of the band and the text "We will be back" set against a black background, leading to rumours that the band went on hiatus. The website was relaunched prior to releasing a new single in 2002.
Following the breakup of Republica, Saffron worked with the band The Cure, appearing on the track, "Just Say Yes". She had previously featured on the Prodigy's cover of L7's "Fuel My Fire" (from their 1997 album, The Fat of the Land); Deepsky's "Smile" (from the 2002 album, In Silico); Jeff Beck's "Pork-U-Pine" (from the 2003 album, Jeff) and Junkie XL's songs, "Crusher", "Spirits", and "Beauty Never Fades" (from his 2003 album, Radio JXL: A Broadcast From the Computer Hell Cabin). In 2010, Republica reformed and released a re-recording of their 1996 hit, "Ready to Go" on 7 June 2010. During early October and November 2014, Saffron and Republica toured the United Kingdom in support of The Boomtown Rats "Ratlife" tour.
In 1997, Mills contributed vocals to the nine-minute breakbeat song "Narayan" on The Prodigy's third album The Fat of the Land. Following Kula Shaker's break-up in 1999, he spent two years experimenting with new musical ideas, touring briefly in the UK with as part of a band called Pi. A disagreement over the quality of an album proposed for release saw Mills depart from his UK record company in 2001. In early 2002 the speedy formation of a new band called The Jeevas with Andy Nixon and Dan McKinna (previously both of the band Straw) led to relative success, with the first album selling over 100,000 copies in Japan. Sales elsewhere were low but the band remained a hot ticket in smaller UK venues.
The Biblical elements in Melville's style can be divided into three categories. In the first, allusion is more within the narrative rather than formal quotation. Several preferred Biblical allusions appear repeatedly throughout his body of work, taking on the nature of refrains. Examples are the injunctions to be 'as wise as serpents and as harmless as doves,' 'death on a pale horse,' 'the man of sorrows', the 'many mansions of heaven;' proverbs 'as the hairs on our heads are numbered,' 'pride goes before a fall,' 'the wages of sin is death;' adverbs and pronouns as 'verily, whoso, forasmuch as; phrases as come to pass, children's children, the fat of the land, vanity of vanities, outer darkness, the apple of his eye, Ancient of Days, the rose of Sharon.
The track "Song of Love/Narayana" on the album incorporates elements from the tracks "Narayan" and "Climbatize", both of which can be found on The Prodigy's The Fat of the Land. Narayan was co-written by Mills and included a vocal performance by him. The album reached No. 32 in Japan and No. 69 in the UK. To capitalise on publicity surrounding the band's comeback, the re-release record label Music Club issued a hastily compiled double album Tattva : The Very Best Of Kula Shaker on 16 July 2007, which included all the tracks from the band's first two albums and a handful of previously released non-album tracks. The band had no input into any aspect of the release and their consent was not obtained for its release.
Red Snapper at Milk Club, Moscow, 2009 The band released three EPs on Flaw Recordings before signing to Warp Records for their debut album, Prince Blimey (1996). The band were a somewhat unusual feature of Warp Records' 1990s roster: in contrast to the studio-oriented IDM the record label primarily dealt in, the band had a live and organic sound: a smoky mixture of dub, jazz and all tempos of breakbeat from trip hop to drum and bass. In 1997, Red Snapper (along with the Foo Fighters) supported the Prodigy on their Fat of the Land tour in the UK. For their follow-up Making Bones they were joined by jungle MC Det, Byron Wallen the jazz trumpeter, and singer Alison David. The latter was replaced by Karim Kendra by their third album, Our Aim Is to Satisfy (2000).
Often described as the Drones Club millionaire,For example, Oofy is called "the Drones Club millionaire" in "Leave it to Algy", and "the club millionaire" in "The Fat of the Land" and Aunts Aren't Gentleman, chapter 16. Oofy Prosser is the richest member of the club. Oofy and the second richest club member, Monty Bodkin, are apparently significantly wealthier than any other members, since it is stated in the novel Pearls, Girls and Monty Bodkin that Oofy Prosser and Monty Bodkin are "the only two really moneyed members of the Drones Club". Because Oofy is both constantly being asked for £5 or £10 and a miser for loans, "a man in whose wallet moths nest and raise large families", he is considered ugly on both the inside and the outside – the pimples on his face being quite famous.
In contrast to their two previous albums, critical response to The Day Is My Enemy was positive. It currently has an aggregate score of 67 out of 100 on Metacritic, indicating generally favorable reviews. Kerrang! awarded the album their highest rating, describing it as "simultaneously galvanised by both a thrilling creative resurgence and the social unrest that comes when people are cocooned by a culture of fear", and called it the most exciting and angrily British album of the year. NME thought of the tracks as being written mainly for live performances, but nonetheless cited it as "the strongest and most confident Prodigy album since The Fat of the Land". Consequence of Sound cited "Beyond the Deathray" as the highlight of the album, stating that it "epitomizes this new band-focused approach, and it’s probably the most beautiful track in The Prodigy’s discography".
Fariña died in a motorcycle crash on April 30, 1966, on his way home from a launch party for his debut novel, Been Down So Long It Looks Like Up to Me, so the song may be an homage to a departed friend. Danko thought Dylan changed the title from Richard to Homer because Richard was already there—in the shape of Richard Manuel. "The song lopes along jauntily", writes Gill, "tendering obscure bits of baffling advice, some common sense, others with the cryptic power of folk remedies: value your memories properly, they won't come again; flush out your house if you don't want to be housing flushes; swim a certain way if you want to live off the fat of the land; and forgive the sick before you try to heal them. The sensible ones lend a sort of bogus credence to the less sensible".
The Prodigy tested a few of the new tracks at Rainbow Warehouse Birmingham and Plug in Sheffield in May 2008. The Prodigy showcased four new songs at the Oxegen Festival in the early hours of 13 July 2008. Among the tracks previewed were "Worlds on Fire", "Warriors Dance", "Mescaline", and "First Warning", which was featured in the gangster movie Smokin' Aces and among the songs on the soundtrack for the Electronic Arts video game Need for Speed: Undercover. The Prodigy frontman Keith Flint and live member, Rob Holliday. On 5 November 2008, it was announced that the band's fifth studio album would be called Invaders Must Die and would be released on the band's new label, Take Me to the Hospital. It was released in the U.S. on 3 March 2009, and was the first Prodigy album since 1997's The Fat of the Land to feature all three members of the band.
River Cottage Forever is the third in the "River Cottage" Channel 4 series franchise, following on from Escape to River Cottage and Return to River Cottage in which chef and journalist Hugh Fearnley-Whittingstall de-camped from the rat-race of city living to move to the rolling hills of the Dorset countryside, which provided the perfect backdrop for his experiment to live off the fat of the land in as self-sufficient a style as possible; tucked away at the bottom of one of the Dorset valleys is the ideal home: River Cottage. In his first year Hugh had just the cottage and the garden but he soon found he needed more land. In his second year he negotiated a deal with a neighbour to rent four acres (≃16,200 m²). His smallholding now boasted a polytunnel for growing vegetables, a fox-proof high rise chicken accommodation and a pasture for his sheep, cows and pigs.
Debar was overrun once again by the Turks, and became known as Debre. The city constantly rebelled against Turkish rule, however, not least because of the wealth of the many Turkish bey and aga who lived there off local taxes and the fat of the land. Turkish rule also brought trade to Debar and the city centre grew and became known for its crafts industry. Much of the architect from that period still survives. In the early 19th century, when Debar rebelled against the Turkish Sultan, the French traveller, publicist, and scientist Ami Boue observed that Debar had 64 shops and 4,200 residents. It was first a sanjak centre in Scutari Vilayet before 1877, and afterwards in Manastir Vilayet between 1877-1912 as Debre or Debre-i Bala ("Upper Debre" in Ottoman Turkish, as contrasted with Debre-i Zir, which was Peshkopi's Turkish name). In the late Ottoman period, Debre (Debar) was a town with 20,000 inhabitants, 420 shops, 9 mosques, 10 madrasas, 5 tekkes, 11 government run primary schools, 1 secondary school, 3 Christian primary schools and 1 church. An Ottoman army division was also stationed within the town.

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