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109 Sentences With "fashionable society"

How to use fashionable society in a sentence? Find typical usage patterns (collocations)/phrases/context for "fashionable society" and check conjugation/comparative form for "fashionable society". Mastering all the usages of "fashionable society" from sentence examples published by news publications.

Boxing was not only acceptable to The Washington Post as a form of exercise; the fashionable society of New York flocked to the new, chic boxing gyms in droves.
Troy is credited with establishing the painting genre known as tableaux de mode (paintings of fashionable society), which depicts the lifestyle and social mores of the French elites in the 18813th century.
Word of the Day adjective: unrestrained by convention or morality adjective: recklessly wasteful noun: a dissolute man in fashionable society noun: a recklessly extravagant consumer _________ The word profligate has appeared in 31 articles on nytimes.
Within his first year in New York City, he launched a millinery business under the name William J. (the "J" was for John), one intended to give the fashionable society women of Manhattan the hats of their dreams.
In 1844, he married his cousin Marie-Caroline, the daughter of the Prince of Salerno and a grandniece of Marie Antoinette, and hired the fashionable society decorator and court painter Eugène Lami to design the interiors of the old private apartments in a ground-floor wing of the castle.
She was adept at capturing the tone of her contemporary fashionable society, and sometimes used Irish settings.
Sir William Duncan, 1st Baronet (died 1774) was a Scottish physician. He was a fashionable society doctor in London, and physician in ordinary to George III of Great Britain.
Stumfold, and of the group gathered around them. Near the end of the novel there is a London charity bazaar filled with fashionable society, which some critics have found amusingly ridiculous.
Another important aspect of Matilda's education is that, unlike Miss Milner, who participated widely in fashionable society as an heiress, Matilda is imprisoned in her father's house, and her daily experience is characterized by abjection.
James Joseph "J.J." Brown (September 27, 1854 – September 5, 1922), was an American mining engineer, inventor, and self-made member of fashionable "society". His wife was RMS Titanic survivor Molly Brown. J.J. was born in Waymart, Pennsylvania.
Florence Montgomery (1843–1923) was an English novelist and children's writer. Her 1869 novel Misunderstood was enjoyed by Lewis Carroll and George Du Maurier, and by Vladimir Nabokov as a child. Her writings are pious in tone and set in fashionable society.
Mingott was inspired by Edith Wharton's own portly great-great-aunt, Mary Mason Jones, who is said to have given rise to the phrase "Keeping up with the Joneses", due to her belief that fashionable society would always strive to keep up with her.
Impressions de voyage. From the late 1870s Sain devoted himself exclusively to the art of portrait and female nudes. For his portraits he often took members of fashionable society, and took care over the composition and accessories while also capturing the expression of the sitter. His portraits were generally simple and elegant.
Mrs. Medwin is a short story by Henry James, first published in Punch in 1900. The story slyly satirizes fashionable society in fin-de-siècle England. The central characters are an American brother and sister who both entertain and live off this society, which has grown bland and bored and almost exhausted.
The play has attracted critical comment for directing its satire both at fashionable society and at Puritans, and for the unusual scene of two prostitutes fighting each other with swords (Act IV, scene i). Some critics have complained of the play's "looseness of structure," even asserting that it "has no main plot."Schelling, Vol. 2, p. 272.
Miller, Grand Duke Serge Alexandrovich, p. 134 While shy and reserved, he made no secret of his disapproval of fashionable society and its lax ways, and he defied all criticism. He found it hard to cope with opposition and easily lost his temper. In his home, he demanded tidiness, order, and discipline, and he expected to be obeyed.
She accepted, although Elliott was about 18 years her senior. They were married on 19 October 1771 in London, when she was 17. The couple entered fashionable society, but eventually grew apart due to their difference in age and interests. In 1774 Elliott met and fell in love with Lord Valentia, with whom she entered into an affair.
In fashionable society, a girl was expected to have a suitably small waist. Girls' schools were preparation for society and some headmistresses treated that attainment as part of the girls' schooling. As the girl was not yet an adult, her opinion was not considered. A reader wrote to the editors of The Science of Health describing her experience.
Two key features of Alexander's management were his continual support of British playwrights; and his care to avoid alienating his key clientele, the fashionable society audience. The writer Hesketh Pearson commented that Alexander catered to the tastes and foibles of London Society in its theatre-going just as the Savoy Hotel catered to them in restaurant-going.Pearson, p.
They were the champions of old money and tradition. McAllister once stated that, amongst the vastly rich families of Gilded Age New York, there were only 400 people who could be counted as members of Fashionable Society. He did not, as is commonly written, arrive at this number based on the limitations of Mrs. Astor's New York City ballroom.
Quoted in Mace 57. According to literary historian J.R. Scafidel, Busy Moments was "praised lavishly" in The Charleston Daily Courier for its "wit and sophistication."Scafidel 102 In a review of Lily: A Novel, a critic from The Charleston Mercury remembered Busy Moments for portraying "the outer aspects of fashionable society with grace and spirit."Review of Lily.
A monument proposed satirically for Tom King. Black Betty, the famous barmaid, is one of the figures depicted. The coffee house was an immediate success. Moll, who had been befriended by many of the leading courtesans of day while running her stall, made connections with fashionable society during her dalliance with Murray, and Tom had aristocratic connections of his own.
Marcel L'Herbier, La Tête qui tourne. (Paris: Belfond, 1979). p. 105. One evening of location shooting became famous (4 October 1923). For the scene of Claire Lescot's concert L'Herbier hired the Théâtre des Champs-Élysées and invited over 2000 people from the film world and fashionable society to attend in evening dress and to play the part of an unruly audience.
Notes of the Theatres, The New York Times, October 23, 1904, p. 7 The production, a musical burlesque about fashionable society entitled In Newport, was staged at the Liberty Theatre,Peter Dailey Back Again, The New York Times, December 27, 1904, p. 7 234 West 42nd Street, New York City. Earle was in vaudeville for several seasons prior to becoming ill.
The first was performed at Drury Lane in 1774. In 1775 the opera diva Ann Cargill aged 15 ran away with him and she then had to be restrained at home by a court order. Andrews had several further plays performed at the Haymarket. Andrews lived in a mansion at Green Park where he entertained the fashionable society of London, and was a member of several clubs.
By this time, he had come to suspect his illegitimacy and, rightly, that his father's will was made in favour of Richard. William was intent on establishing himself in fashionable society and spent freely to realise his aim. By 1853, he was already £1,000 in debt and as early as 1850 he had already fraudulently mortgaged one of his father's properties at Norbiton Farm to raise funds.Harris (2001) p.
The Ball portrays people of fashionable society preparing for a Courtly ball. The main plot centers on the widowed Lady Lucina, a "scornful lady" who enjoys mocking her unwanted suitors. Three of them, Lamont, Travers, and Bostock, she successfully dismisses; a fourth, Colonel Winfield, she openly ridicules. Winfield, however, has won the good graces of Lady Lucina's maid; with inside information, he manipulates both the other suitors and the Lady herself.
David (1997), pp. 467–469. This, however, was a happy union, notwithstanding the disparity in their ages and Cardigan's disappointment that there were, again, no children. Adeline, excluded from fashionable society for the rest of her days, accustomed herself to life in the country, happily forsaking her previous interests of books, painting and music, while Cardigan spent large sums of money making their home together comfortable.David (1997), p. 471.
Drum beats and march music then signal the arrival of an Officer and a platoon of soldiers. On the lookout for girls, the soldiers engage the cocodettes and the Flower Girl in another dance. Suddenly, a fashionable society beauty, a courtesan known as La Lionne, arrives, accompanied by her escort, a Duke, and a companion, the Lady in Green. The room is now filled with people seeking an evening's diversion, entertainment, and, possibly, amorous adventure.
He says he wants to get into fashionable society; if she marries him, he will burn the bills and Gerald's IOU. Charles tells Lady Mereston and Fouldes that he knows of Fouldes' affair with Lady Frederick – he thinks she did not really love him. When Lady Mereston produces a letter written by Lady Frederick which seems to show that she was someone's mistress. Charles believes her explanation of the letter, that there was no affair.
Robert Adam submitted a proposal that was rejected as too expensive. John Wood, the Younger raised funding through a tontine, and construction started in 1769. The new or upper assembly rooms opened with a grand ball in 1771 and became the hub of fashionable society, being frequented by Jane Austen and Charles Dickens, along with the nobility of the time. The building, made of Bath stone, is arranged in a U shape.
One of the Pontalba Buildings Micaela had constructed in New Orleans' French Quarter In 1848 at the outbreak of revolution in France, Micaela and two of her sons, Alfred and Gaston, departed for New Orleans. There, she quickly became the leader of fashionable society, her salons drawing the city's most important and influential people. The wealthiest woman in New Orleans at the time,Ward, Martha (2004). Voodoo Queen: the spirited lives of Marie Laveau.
Le beau Monde (Fashionable Society), opus 199, is a quadrille composed by Johann Strauss II, written in 1857, while Strauss was conducting a tour of Russia with his orchestra. The work exudes the authentic musical flavour of Russia, and the St. Petersburg edition of the work describes the composition as a Quadrille sur des airs Russes (Quadrilles on Russian Airs). The title of the quadrille reflects the fashion then in Russia for the French language.
Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected.
In 1925 he was elected a member of the Art Workers Guild. In 1934 he was elected an Associate of the Royal Academy and in 1942 became a full member of the Academy. Frampton painted portraits of the Duke of York, who was to become King George VI, academics and scientists, and a series of full length portraits of women from fashionable society. He would often spend an entire year working on a single painting.
It drew in many people from fashionable society, or who were involved in the London theatre. There were seven hundred people at the dinner on the first day. On the second day bad weather began to disrupt the proceedings and flooded parts of the Rotunda when the banks of the River Avon broke. The highlights of the second day were the unveiling of the new statue at the Town Hall and a masquerade held in the evening.
Soveral was a friend of the Prince of Wales (later Edward VII) and a prominent member of the "Marlborough House set".Jane Ridley, ‘Marlborough House set (act. 1870s–1901)’, Oxford Dictionary of National Biography, Oxford University Press. accessed 4 March 2012, the group of aristocratic and other friends of Edward when Prince of Wales who were regarded as leading fashionable society, at a time when the royal court of Queen Victoria was sober and domestic in tone.
She moved to Cheltenham, Gloucestershire in 1805, where she met and fell in love with William Henry Lyttleton. Her family did not approve of the match, and thus the couple did not marry. She visited London frequently staying with her sister, Lady Olivia Kinnaird, and becoming known in fashionable society. She married Louis William de Rohan-Chabot, vicomte de Chabot (1780–1875), son of the comte de Jarnac, a French officer living in London in June 1809.
Margaretta Faugères (October 11, 1771 – January 9, 1801) was the daughter of Ann Eliza Bleecker. She was an American playwright, poet and political activist. She became distinguished after the American Revolutionary War, in New York City's fashionable society, as a gifted and accomplished woman, although her married life was rendered unhappy by a profligate husband. After his death in 1798, she assisted in a female academy in New Brunswick; but her sufferings were said to have "broken her heart".
Kitty was born in 1734 to Col. Johannes Van Rensselaer (1708–1783), called the "Patroon of Greenbush," and Engeltie "Angelica" Livingston (1698–1747). As a child, she was known as "The Morning Star." Due to her family's social position, she was a part of the society of Albany and, once a year, would visit relatives in order to acquire "the polish of fashionable society" by being at the Court of the Royal Governor of New York.
At the age of 19, while caring for her aunt, Gamelin spent time as a debutante in Montreal fashionable society and was frequently seen at the social events of the city. Between 1820 and 1822 Gamelin spent two stretches residing with one of her cousins, Julie Perrault, in Quebec city, ending in 1822 when Gamelin's aunt, Marie-Anne, died, resulting in Gamelin and her cousin Agathe Perrault moving together into a house in Montreal West.Bell (2008), p.91.
At her father's request, the name on her birth certificate was revised to read "Sibylle Aimée Marie Antoinette Gabrielle". Sibylle's mother, the comtesse de Mirabeau, née de Gonneville (1827–1903) was also a writer, who contributed to Le Figaro. In 1869, Sibylle married count Roger de Martel de Janville, by whom she had three children. Gyp wrote humorous sketches and novels which brazenly denounced her own fashionable society as well as the French republic's political class.
During his regency, Philippe II, Duke of Orléans helped popularize sparkling Champagne among the French nobility. Following the death of Louis XIV in 1715, his nephew Philippe II, Duke of Orléans became the Regent of France. The Duke of Orléans enjoyed the sparkling version of Champagne and featured it at his nightly petits soupers at the Palais-Royal. This sparked a craze in Paris as restaurants and fashionable society sought to emulate the Duke's tastes for the bubbling wine.
183 Having a famous father was difficult for him, and it was Philip's fate in life that his work was often compared unfavourably with that of his father. Upon his father's death in 1898, Philip succeeded to the title of baronet that had been bestowed on his father during 1894. It is said that his father had accepted the title only because Philip was keen to inherit it. Burne-Jones visited the United States during 1902, where he was popular in fashionable society.
Oldham settled in London and was introduced to John Dryden, with whom he became close friends. He entered fashionable society (said to be centred on Will's Coffee House), and was approached by the Earl of Kingston-upon-Hull to be a private chaplain to his household. Oldham turned down the post but did accept the hospitality of the Earl at his seat at Holme Pierrepont Hall in Nottinghamshire. It was here that he died of smallpox, on 9 December 1683, aged only 30.
Winterset warns Beaucaire not to appear in public in Bath again. Lady Mary, aghast, refuses to look at Beaucaire and orders her carriage to depart. That evening Lady Mary and Winterset are the center of attention in Bath as Nash and fashionable society anticipate the arrival of the French Ambassador and the Comte de Beaujolais, a French prince. The movement of the crowd impels Lady Mary to step aside into a small chamber where she finds Beaucaire and Molyneux gambling.
In the same year he married the painter Mary Edwards (1870–1941). In 1907 he held a one-person exhibition at the Carfax Gallery. In 1911 he was a founder-member of the National Portrait Society, and in 1913 he became a member of the International Society. His works that he exhibited at the NEAC were landscapes and interiors. But after about 1915 he established a reputation as a portrait painter of fashionable society beauties, often painted in watercolor in a rapid, sketchy style.
Duff Cooper (he was always known as "Duff" rather than "Alfred") was born at Cavendish Square.Matthew 2004, p240 He was the only son of fashionable society doctor Sir Alfred Cooper (1843–1908), a surgeon and specialist in the sexual problems of the upper classes, and Lady Agnes Duff, daughter of James Duff, 5th Earl Fife. She had already eloped with two husbands, the first of whom she deserted and the second of whom died, before marrying Cooper in 1882. Duff Cooper had three older sisters.
However, in time he became a really well known illustrator, with his work appearing in several periodicals such as the London Illustrated News. As his fame spread, he joined fashionable society, and frequently had works exhibited at the Royal Academy. He was also commissioned to paint the portraits of King Edward VII and Queen Alexandra on at least two occasions, and received letters signed personally by the Queen. In 1905—1906 he accompanied the Prince and Princess of Wales on their tour of India.
His doctors encouraged him to visit the resort to benefit from the sea air and salt water. The patronage of the king was important in drawing fashionable society to the south coast town. Having been a hotel for most of the 20th century, the building then became a private residence, having been renamed Gloucester Lodge after conversion into flats. The lower ground floor contains a pub and restaurant that was known as the Cork and Bottle, but has now changed names and is called The Gloucester.
Thomas Graham, National Gallery of Art It was Mary's looks that caused a stir when Gainsborough exhibited her full length portrait at the Royal Academy in London in 1777. It secured her reputation as an icon of contemporary beauty and helped her to quickly became a prominent figure in the fashionable society of Georgian London.The Scotsman She attracted many admirers from Robert Burns to Georgiana, Duchess of Devonshire who recalled ‘her goodness, her sense, her sweetness’.100 Masterpieces: National Galleries of Scotland, Edinburgh, 2015.
In the preface to Sir Patient Fancy she argued that she was being singled out because she was a woman, while male playwrights were free to live the most scandalous lives and write bawdy plays. Under Charles II of England prevailing Puritan ethics was reversed in the fashionable society of London. The King associated with playwrights that poured scorn on marriage and the idea of consistency in love. Among the King's favourite was the Earl of Rochester John Wilmot, who became famous for his cynical libertinism.
The novel is full of political lessons and conceits, and its pictures of aristocratic circles, with the semi-ministerial management of English affairs by the queens of fashionable society on behalf of their Endymions, not only expose the romance of Disraeli's own life, but also reveal the things behind the scenes which, perhaps, none so well could have done as this Jewish ex- premier of England in the literary winding up of his strange eventful life. It is this inner view of Disraeli's novel which gives its real significance.
Carved figures from 1480 in Munich, Germany, show "Moriskentänzer" with bells, including one of the ten extant having African features. Later evidence from France includes this quote from Thoinot Arbeau circa 1580: "In fashionable society when I was young, a small boy, his face daubed with black and his forehead swathed in a white or yellow handkerchief, would make an appearance after supper. He wore leggings covered with little bells and performed a morris". However, the precise linkage between the morris in France and England at that time remains unclear.
In his middle years he became a "fashionable" society doctor and was the personal physician of two of the sons of Queen Victoria. In 1868, he was appointed as Extra Surgeon-in-Ordinary to the Prince of Wales, later King Edward VII, and Surgeon-in-Ordinary to his brother, Prince Alfred, Duke of Edinburgh. This caused the Medical Press and Circular to comment acidly: Despite the misgivings of the medical press, in 1872 the Prince of Wales fell sick at Scarborough with typhoid fever, and Clayton correctly diagnosed the illness.
"The ton" is a term commonly used to refer to Britain's high society during the late Regency and the reign of George IV, and later. It is a French word meaning (in this sense) "manners" or "style" and is pronounced as in French (). The full phrase is le bon ton meaning étiquette, "good manners" or "good form" – characteristics held as ideal by the British beau monde. The term le beau monde (pronounced ), literally meaning "the beautiful crowd" (but here meaning "fashionable people," or "fashionable society"), was similar to le bon ton during the nineteenth century.
Wied wrote novels, short stories, poems and plays (including several satyr plays). His best-known work is the novel Livsens Ondskab (1899), depicting life in a small provincial Danish town. The story revolves around customs official Knagsted, a red- bearded satyrical Diogenes, who openly ridicules the hypocrisy of the snobbish bourgeois inhabitants, and Emanual Thomsen, a tragic struggler, trying to obtain the funds needed to regain his ancestral farm. In the sequel Knagsted (1902), Wied let Knagsted comment on the contemporary fashionable society in the Bohemian spa resort of Karlsbad (Karlovy Vary).
Bessy shrank from fashionable society to such an extent that many of her husband's friends never met her (some of them jokingly doubted her very existence). Those who did held her in high regard. The couple first set up house in London, then in the country in Lord Moira's neighbourhood at Mayfield Cottage in Derbyshire, and finally in Sloperton Cottage in Wiltshire near the country seat of another close friend, Henry Petty-Fitzmaurice, 3rd Marquess of Lansdowne. Tom and Bessy had five children, none of whom survived them.
In late 1524 or early 1525, she was married to George Boleyn (later Viscount Rochford), brother of Anne Boleyn, who later became the second queen of Henry VIII. At this stage, however, Anne was not completely attached to the King, although she was already one of the leaders of fashionable society. As a wedding present, King Henry gave Jane and George a mansion, Grimston Manor in Norfolk. Since she gained the courtesy title of Viscountess Rochford by marriage in 1529, she was usually known at Court (and by subsequent historians) as "Lady Rochford".
Hamilton was born at the family seat in Ecclesmachan, West Lothian. He was the second son of James Hamilton of Bangour, advocate, whose grandfather, James, second son of John Hamilton of Little Earnock, Lanarkshire, founded the Bangour family. On the death of his elder brother, without heir, in 1750, Hamilton succeeded to the estate. His naturally delicate constitution, as well as his tastes, had all along prevented him from going much into fashionable society, and from his early years he started writing poetry, receiving ready commendation from his friends.
The course was home for a while to top class racing, and was attended by fashionable society, but it drifted out of fashion when the Prince and his friends ceased to attend. By 1850 the railway had arrived in Brighton, allowing greater access for Londoners, and the course began to thrive again. A new stand was built and the Brighton Cup inaugurated. Brighton's main meeting formed part of the "Sussex Fortnight" in summer - where the Glorious Goodwood festival was followed up by big meetings at Brighton and Lewes.
The land was purchased in 1898 in secrecy by Carnegie, more than a mile north of what was then fashionable society, in part to ensure there was enough space for a garden.Cooper-Hewitt History of Mansion He asked his architects Babb, Cook & Willard for the "most modest, plainest, and most roomy house in New York". However, it was also the first American residence to have a steel frame and among the first to have a private Otis Elevator and central heating. His wife, Louise, lived in the house until she died in 1946.
He remained a bachelor and, according to art historian Richard Louis Ormond who together with his wife Leonée wrote Leighton's biography, acknowledged he "fulfilled some part of himself in the company of young men". However, Leighton's friend, Italian artist Giovanni Costa makes some mysterious references to the artist's "wife" in letters to their mutual friend George Howard, 9th Earl of Carlisle. It has been speculated that they refer to Dene. Leighton assisted Dene in her acting career; educating her and introducing her to "fashionable society", and it has been speculated that George Bernard Shaw "drew upon their relationship" for his play Pygmalion.
William Roupell was the illegitimate son of Richard Palmer Roupell who possessed extensive properties in London and the Home Counties. By 1853, William, who spent unwisely seeking to establish himself in fashionable society, was already in debt and launched a sequence of deceptions and forgeries, dishonestly to obtain much of his father's property. In particular, he forged a deed conveying Norbiton Estate to himself and then sold it to Mr Waite. Further, he destroyed his father's will, which had left much of his property to William's brother Richard, and forged a will leaving it to William's mother, with himself as executor.
The column chronicled the doings of fashionable society at such storied restaurants and nightclubs as El Morocco, the 21 Club, the Stork Club, and The Colony. Beebe is credited with popularizing the term "cafe society", which was used to describe the people mentioned in his column. In 1950, Beebe and his long-time romantic partner, photographer Charles Clegg, moved to Virginia City, Nevada, where they purchased and restored the Piper family home and later purchased the dormant Territorial Enterprise newspaper. The newspaper was relaunched in 1952, and by 1954 had achieved the highest circulation in the West for a weekly newspaper.
The story begins with a scene between the cousins' patron, Uncle John, and his sister- in-law, Louise's mother. Mrs. Merrick insists that the girls are suffering a disadvantage in not being active in "Fashionable Society." Though Uncle John knows that his sister-in-law is a vain and foolish woman, her criticism hits him in his most vulnerable spot; he cannot stand to think that his beloved nieces are lacking any of the good things in life. Uncle John capitalizes on a business contact with Hedrik Von Taer, a fixture of the Four Hundred, the social elite of New York City.
Nigel takes to Lord Dalgarno on their first meeting, but Dalgarno mocks his desire to return to Scotland. Ch. 11: Dalgarno persuades Nigel to pay a visit to an ordinary, or gambling tavern. Volume Two Ch. 1 (12): At the ordinary, run by the Chevalier Beaujeu, a soldier [Captain Colepepper] is apparently run through (but actually unhurt) in a quarrel with a citizen [Jin Vin], after which Dalgarno takes Nigel to the Fortune Theatre. Ch. 2 (13): Over several weeks, Nigel becomes used to fashionable society, partly under the influence of Dalgarno's sister, the Countess of Blackchester.
In October 1844 Transmutation became a middle class talking point with the anonymous publication of Vestiges of the Natural History of Creation by Robert Chambers presenting Lamarckian views. It brought the notion of transmutation out into the public arena and was a sensation, quickly becoming a best-seller in fashionable society circles and going into new editions. Darwin read it in November,15v–16v and when questioned by Hooker in January he admired its prose, but wrote that the "geology strikes me as bad, & his zoology far worse". The book was liked by many Quakers and Unitarians.
In 1913, he married Eugenie Nell, who gave birth to their first daughter, Helene, in 1914. A year later he would join the army as a soldier, only to become a military artist shortly after. He painted the Emperor Charles I in 1917 and exhibited at the War Exhibition of Austrian Painters and Sculptors in 1920. The period after the First World War, saw Czedekowski gain prominence as a portrait painter. In 1920, he and his family would move to the US, where a short but successful spell, announced himself to fashionable society on that side of the Atlantic.
When his premises were searched, many of the other things the men had stolen, including Lord Eglington's blunderbuss and coat, were uncovered. Walpole writes: Such accounts were fictionalised in books written soon after the trial and later versions are based on these books rather than on the facts of the charges as stated by the Derby Mercury, written four weeks before Maclaine's execution. Maclaine's trial at the Old Bailey became a fashionable society occasion, and he reputedly received nearly 3,000 guests while imprisoned at Newgate. He was convicted and hanged at Tyburn on 3 October 1750.
Shackleton's photographer: the annotated diaries of Frank Hurley, expedition photographer, Imperial Trans-Antarctic Expedition, 1914–17 : a book (2nd electronic ed). Shane Murphy, Scottsdale, Arizona Cato travelled that year in Europe finding work with photographers in London, among them H. Walter Barnett, the fashionable society and vice-regal portraitist, and theatre photographer Claude Harris. Through the latter, and with encouragement from Dame Nellie Melba, he pursued freelance work in the theatrical world. Having contracted tuberculosis and, seeking the relief of a warm climate, Cato left England in 1914 to photograph on the expeditions in Rhodesia of Professor Cory of Grahamstown University.
Sir Henry Seymour Rawlinson, 2nd Baronet. In 1904, Jacques-Émile Blanche painted a portrait of Roy "which captures him at the age of 19 as a young dandy, as he was renowned in fashionable society for his good looks." His mother, a close friend of Oscar Wilde, reportedly strongly disapproved of the portrait of her son as a tall, slender man with long tapered fingers caused a "life-long rift" between his mother and Blanche and was not exhibited between 1908 and 1924. Roy, however, agreed to exhibit the painting as long as his name was not disclosed.
He preached during this period, by virtue of a benefice which his father had obtained for him. The young student became a man of great ambition; he also frequented fashionable society, which caused anxiety to those interested in his spiritual welfare. He lived in the grand manner of the day, having two carriages and many servants. His success in defending theses in Latin and Greek led him to go to Rome for the purpose of learning Hebrew so as to gain greater notice by being able to defend his theses in that language at the Sorbonne.
The Oxford Street facade. The Pantheon was promoted by Philip Elias Turst, of whose life very little else is known. In 1769 he inherited a plot of land which had a frontage of on Oxford Street and contained two houses, behind which there was a large piece of ground enclosed by the gardens of houses in Great Marlborough Street, Poland Street and Oxford Street. He had some connections with fashionable society, including a lady of means named Margaretta Maria Ellice, who was involved in the management of a fashionable set of assembly rooms in Soho Square.
He is also known for enabling the public to witness these emotional displays by establishing his renowned weekly "theatre of the passions" for the fashionable society of the day to witness the expressions of the insane. This provided much inspiration for popular culture, including the Grand Guignol theatre which opened in 1897, and to which Alfred Binet made numerous contributions.Gordon, Rae Beth (2009) Dances with Darwin 1875 - 1910: Vernacular Modernity in France London: Ashgate Publishing. Gordon provides a scholarly overview of the impact of Darwinism on French neurology, and on the popular Parisian culture of the day.
He was succeeded in the barony by his eldest son John George Weld-Forester. Lady Forester died in 1829. His descendants would later be in the British line of succession to the throne through his descendant Princess Alice, Duchess of Gloucester, and Mary, Princess Royal and Countess of Harewood, the wife of his great-grandson, Henry Lascelles, 6th Earl of Harewood. Of his five daughters, Lady Anne, who married George Stanhope, 6th Earl of Chesterfield, and Lady Selina, who married Orlando Bridgeman, 3rd Earl of Bradford, were leaders of fashionable society, and both were intimate friends of Benjamin Disraeli.
After the Congress of Vienna (1815) he was appointed as ambassador to the United Kingdom at the request of the Prince Regent. His wife Maria Theresia became extremely popular in London, and was a patroness of Almack's club, the centre of fashionable society. In 1824 he represented Austria as ambassador extraordinary at the coronation of Charles X of France, and was the premier Austrian commissioner at the London conferences of 1830–1836. In 1842 Paul returned to Hungary and became a member of the Conservative Party, which supported the Habsburg supremacy and did not favour the reform experiments.
Ossip Schubin, ca. 1896 Aloisia Kirschner (June 17, 1854 - February 10, 1934) was an Austrian novelist, born in Prague and favorably known under her pseudonym Ossip Schubin, which she borrowed from the novel Helena by Ivan Turgenev. Brought up on her parents' estate at Lochkov, she afterward spent several winters in Brussels, Paris, and Rome, receiving there, undoubtedly, many inspirations for her clever descriptions of artistic Bohemianism and international fashionable society, which were her favorite themes. An uncommonly keen observer, her great gift for striking characterization, frequently seasoned with sarcasm, is especially apparent in her delineations of the military and artistic circles in Austria-Hungary.
From 1774 till 1780 he was an exhibitor of chalk drawings and of engravings in the Royal Academy. Establishing himself in St James's Street as a painter, designer and engraver, he attained popularity and began to mix in fashionable society. His drawing of the "Finding of Moses", a work of but slight artistic merit, which introduced portraits of the princess royal of England and other leading ladies of the aristocracy, hit the public taste, and, as reproduced by his burin, sold largely. In 1785 he succeeded William Woollett as engraver to the king, and he also held the appointment of engraver to the Prince of Wales.
Spry gave up teaching in 1928, to open her first shop, "Flower Decoration", in 1929. After securing a regular order from Granada Cinemas, she caused a sensation in fashionable society by creating an exquisite arrangement of hedgerow flowers in the windows of Atkinsons, an Old Bond Street perfumery. Constance Spry ransacked attics for unusual objects to use as containers and drew inspiration from the Dutch 17th- and 18th-century flower painters, while she popularized unusual plant materials to offset flowers, like pussy willow, weeds and grasses and ornamental kale. When she opened a larger shop in South Audley Street in Mayfair in 1934, Spry was already employing seventy people.
In the 18th century the economy diversified as the town grew. Small-scale foundries were established, especially in the North Laine area; coal importers such as the Brighthelmston Coal Company set up business to receive fuel sent from Newcastle; and the rise of tourism and fashionable society was reflected in the proliferation of lodging house keepers, day and boarding school proprietors, dressmakers, milliners and jewellers. Many women worked: more than half of working women in Brighton in the late 18th century were in charge of lodging houses, and domestic service and large-scale laundries were other major employers. Brewing was another of Brighton's early specialisms.
In 1931, John Perona (born Enrione Giovanni Perona in Chiaverano in the Province of Turin, Italy), an Italian immigrant, with Martín de Alzaga opened El Morocco as a speakeasy at 154 East 54th Street, on the south side of 54th Street in the middle of the block between Lexington Avenue and Third Avenue, where the Citigroup Center now stands. After prohibition was repealed, it became one of the most popular establishments in New York City. Its regular clientele consisted of fashionable society, politicians, and entertainers. Part of what made the club the 'place to be' was the photographs taken by Jerome Zerbe which were always in the news the next day.
The Society met twelve times a year, starting in late November, and continuing every other Wednesday evening. Each meeting began at half past seven with a lengthy concert, featuring "the best performers in London", who were made honorary members of the Society. Following the concert, the members adjourned to another room for a meal, after which the members would participate in "catches and glees", "songs", "miniature puppet-shews", and "everything that mirth can suggest".Anonymous, "History of the Anacreontic Society", in The members, who paid a subscription fee of three guineas, were generally of "fashionable society" including "several noblemen and gentlemen of the first distinction".
284–288 Other features of his management noted by Wearing were his continual support of British playwrights; his concern for his employees; and his care to avoid alienating his key clientele, the fashionable society audience. The writer Hesketh Pearson commented that Alexander catered to the tastes and foibles of London Society in its theatre-going just as the Savoy Hotel catered to them in restaurant-going.Pearson, p. 74 With Mrs Patrick Campbell in The Second Mrs Tanqueray, 1893 Within a year of taking over the St James's, Alexander began a mutually beneficial professional association with Oscar Wilde, whose Lady Windermere's Fan he presented in February 1892.
Whatever their reasons, the couple were married on 6 November 1815 at St Michael's Church, Houghton-le-Spring.Bishop of Durham's Transcripts for St Michael's, Houghton-le-Spring Peat had tried to introduce his wife to fashionable society in London, but as she was seemingly unfit for it, he returned her to Sunderland. He lived apart from her at his vicarage in New Brentford and visited her just once a year. Peat's other royal connections included being mentioned by Mary Anne Clarke (the mistress of the Duke of York) at her public enquiry, as having attended the theatre with her one night, but he was not involved any further in the case.
Rejecting a religious calling, Loutherbourg decided to become a painter, and in 1755 placed himself under Charles-André van Loo in Paris and later under Francesco Giuseppe Casanova. His talent developed rapidly, and he became a figure in the fashionable society of the day. In 1767 he was elected to the French Academy, although below the age required by the rules of the institution, and painted landscapes, sea storms, and battles, all of which work had a celebrity above those of the specialists then working in Paris. He made his debut with the exhibition of twelve pictures, including Storm at Sunset, Night, and Morning after Rain.
In the early 1900s, Eton-educated American Charles Tuller Garland, son of the co-founder of the New York based National City Bank, decided to build a house in South Warwickshire countryside, with views over the River Avon valley. Designed by the fashionable society architect and decorator W. H. Romaine-Walker, it was inspired by Wilton House near Salisbury, and given a Palladian style. Built in 1906/7, designed for lavish entertaining, the Hall has sumptuous plasterwork, particularly in the barrel-vaulted great hall, library and dining room. Romaine-Walker also landscaped the grounds, with a Wellingtonia-lined drive leading to the hall, its manicured blue garden, polo school and other equestrian facilities.
His wealthy wife Florence (1845-1878) had previously been married, in 1864, to Alexander Louis Ricardo, son of John Ricardo MP, but had been separated from him because of his affairs and violent alcoholism. She herself had had an extramarital affair with the much older Dr James Manby Gully, a fashionable society doctor who was also married at the time, and she had fallen out of favour with her family and society. Ricardo died in 1871 and Florence married Charles, a respected up- and-coming barrister, on 7 December 1875, terminating her affair with Gully. Police inquiries in the case revealed that Charles's behaviour towards Florence was controlling, mean, violent and bullying.
In May 1766 Hall began to work as an artist in Paris. Three years later, at the age of 30, he was elected to the French Academy of Fine Arts. He painted portraits of the Dauphin of France, the prospective Louis XVI, as of his two brothers, who also would ascend the throne eventually, after the Revolution and the Napoleonic period, namely, Louis XVIII and Charles X. Peter Adolf Hall was then appointed a court painter or Peintre du Roi et des Enfants de France. According to an account book kept by his wife, between the years 1782-87 Hall painted an average of 70 portraits a year, of nobilities in general and people from the fashionable society.
Seaforth (1878) is a full- length novel for adults. Almost all her works are pious in tone and set in fashionable society. They continued to sell into the 20th century, but by the end of that century they appear to have lost their appeal. One reference book of 1990 comments that "her later works, such as Seaforth, 1878, and Colonel Norton, 1895, have vapid plots and characters." Charlotte Mitchell, in her entry for the Oxford Dictionary of National Biography, notes "an undercurrent of animosity against the modern young woman... for example Lady Jane Marton in Tony: a Sketch (1898), a hard, selfish, bicycling creature..."Charlotte Mitchell: Montgomery, Florence... In: Oxford Dictionary of National Biography (Oxford: Oxford UP, 2004).
In 1761, he began to send work to the Society of Arts exhibition in London (now the Royal Society of Arts, of which he was one of the earliest members); and from 1769 he submitted works to the Royal Academy's annual exhibitions. The exhibitions helped him enhance his reputation, and he was invited to become a founding member of the Royal Academy in 1769. His relationship with the Academy was not an easy one and he stopped exhibiting his paintings in 1773. Despite Gainsborough's increasing popularity and success in painting portraits for fashionable society, he expressed frustration during his Bath period at the demands of such work and that it prevented him from pursuing his preferred artistic interests.
Boulez proved an energetic and accomplished administrator and the concerts were an immediate success.Heyworth (1986), 21; Jameux, 62–64; Campbell and O'Hagan, 9; Aguila, 55. They attracted musicians, painters and writers, as well as fashionable society, but they were so costly that Boulez had to turn to wealthy private patrons for support.Jameux, 65–67; Peyser (1976), 111–112. Key events in the Domaine's history included a Webern festival (1955), the European premiere of Stravinsky's Agon (1957) and first performances of Messiaen's Oiseaux exotiques (1955) and Sept Haïkaï (1963). The concerts moved to the Salle Gaveau (1956–1959) and then to the Théâtre de l'Odéon (1959–1968). Boulez remained director until 1967, when Gilbert Amy succeeded him.Steinegger, 64–66; Hill and Simeone, 211 and 253.
Moll King On Tom's death, the coffee house became known as Moll King's Coffee House, but business continued much as before. Moll, however, took to drinking and became more quarrelsome, and the reputation of the shacks for bad behaviour and violence worsened. Moll would also occasionally fleece inebriated patrons by littering their tables with broken crockery and then presenting them a bill for the damages, confident that they were too drunk to realise that they were being taken advantage of. The patronage of fashionable society continued though: on one occasion, even George II paid a visit, accompanied by his equerry Viscount Gage, but having been challenged to a fight for admiring the companion of one of his neighbours (who had not recognised him), he left immediately.
His portraits in oil and pastel enjoyed some vogue, his first reputation was made by his miniature portraits. In middle life his most popular work consisted of heads in blacklead pencil, for which he charged two guineas; leaders of fashionable society employed him to make these drawing. Later he concentrated his energies on etching in the style of Rembrandt, using a dry-needle with triangular point. He copied some of Rembrandt's prints, among them the artist's portrait of himself and the hundred-guelder plate. An etching after Rembrandt's portrait of Sir John Astley was described by Horace Walpole as Worlidge's ‘best piece.’ Worlidge drew a pencil portrait of himself, which is reproduced in Walpole's Anecdotes (edition by Ralph Nicholson Wornum).
68 (1971), pp. 362–3. The play shows that the Garden makes its money through private dining rooms made available to its customers – with a clear sexual innuendo in the arrangement: when Sam, Wat, and Gilbert show up at the Garden without female companionship, they are refused a private dining room. Sir Hugh Moneylack also is part of a group of charlatans; with his confederates Springe and Brittleware, he targets a naive countryman named Tim Hoyden who longs to be made a gentleman. The tricksters take every advantage of the man, physically abusing him with "bleeding" (bloodletting), "purging" (vomiting and enemas), and a starvation diet, and cheating him of £400 as they pretend to teach him the ways of fashionable society.
Coombs was active as photographer in the 1850s on the West Coast. Some time before 1863 he appeared in San Francisco, either claiming to be George Washington from the outset, or by other accounts, setting up his phrenology business and entertaining fashionable society with readings of their skulls. According to this second story, he was generally known as "Professor" Freddy Coombs and resembled George Washington so much that after many comments, he became convinced that he was the former President of The United States and took to dressing in uniform. He wore a Continental Army uniform of tanned buckskin, and set up his headquarters at the saloon of Martin and Horton, where he would study maps while planning his campaigns for the Revolutionary War.
Originally built as a private home, the main structure was started in 1821 for the American millionaire William Bingham (1800-1852), only son of Senator Bingham, in preparation for his marriage the following year to Marie-Charlotte Chartier de Lotbinière (1805-1866), daughter and co-heiress of the 2nd Marquis de Lotbinière. The Bingham house became a centre for fashionable society living in, and visiting, Montreal.The New Dominion Monthly, 1868 In 1834, the Binghams left Montreal for Paris, and for a time they leased their old home to Lord Seaton.A Journal of Visitation to the Western Portion of his Diocese - John Strachan, 1846 In 1837, Lord Durham, the newly appointed Governor General of Canada, took lease of the house having chosen the imposing mansion over the run-down Château de Ramezay for his official residence.
Judy's attitude toward Lily has cooled, partly due to Lily's financial relationship with Gus and partly because Lily now avoids Bellomont because she does not wish to hold up her end on what everybody else believes to be a pay-for-play relationship. To avoid having to spend time alone with her aunt, the Trenors, Simon Rosedale, or anyone else she considers a possible source of embarrassment or boredom, Lily begins to accept invitations from people with whom she would not ordinarily socialize. These include the Wellington Brys, who are newcomers to the New York social scene whose social rise is being engineered by Carry Fisher. Carry, who earns money by acting as a social secretary to usher newly wealthy people into fashionable society, invites Lily to social events hosted by Louisa Bry.
Beer Street and Gin Lane (1751) Beer Street and Gin Lane are two prints issued in 1751 by English artist William Hogarth in support of what would become the Gin Act. Designed to be viewed alongside each other, they depict the evils of the consumption of gin as a contrast to the merits of drinking beer. At almost the same time and on the same subject, Hogarth's friend Henry Fielding published An Inquiry into the Late Increase in Robbers. Issued together with The Four Stages of Cruelty, the prints continued a movement started in Industry and Idleness, away from depicting the laughable foibles of fashionable society (as he had done with Marriage A-la-Mode) and towards a more cutting satire on the problems of poverty and crime.
Elizabeth Needham (right foreground) as portrayed in William Hogarth's A Harlot's Progress Elizabeth Needham (died 3 May 1731), also known as Mother Needham, was an English procuress and brothel-keeper of 18th-century London, who has been identified as the bawd greeting Moll Hackabout in the first plate of William Hogarth's series of satirical etchings, A Harlot's Progress. Although Needham was notorious in London at the time, little is recorded of her life, and no genuine portraits of her survive. Her house was the most exclusive in London and her customers came from the highest strata of fashionable society, but she eventually ran afoul of the moral reformers of the day and died as a result of the severe treatment she received after being sentenced to stand in the pillory.
After recuperating until 1802, she decided to re-enlist, rejoining the 9th Dragoons, now garrisoned in Paris, as a gentleman volunteer. The memoirs claim that she was accorded many of the privileges of an officer, and she found herself an object of curiosity in fashionable society, culminating in a dinner invitation with Napoleon, now First Consul of the Republic. For ten days, she became an attendant to Josephine, but she found it hard to adapt to the informal idleness of the Château de Saint-Cloud, so she returned to her regiment in the Paris garrison until 1805, when Marshal Augereau recruited her as a uniformed aide-de-camp for his wife, who, like her, enjoyed both riding and shooting – a more conducive household than Saint- Cloud.Les campagnes, pp. 113–148.
Fawkes was not the first fair conjurer and neither was he particularly innovative in his routines (though he did make copious use of the recently invented Egg Bag),Jay. pp.56–57 but by consciously rejecting the association of conjuring with black magic and mysterious forces and making it clear that his show was not designed to defraud his audience, he was among the first to successfully market his act to fashionable society outside the fairs. Fawkes eschewed the stereotypical voluminous cloak and hat of the traditional fair conjurer and instead presented himself in gentrified dress with a powdered wig and smart suit. His act was squarely presented as entertainment; he emphasised his skills of dexterity and if he did mention the dark forces it was only to mock those of his contemporaries that claimed a connection with the supernatural.
He sat subsequently for the Irish county constituency of County Kilkenny and was member of the UK House of Commons from 1801, until he succeeded to the peerage, as 19th Earl of Ormonde, in 1820, on the death of his elder brother, Walter, the 18th Earl and 1st Marquess of Ormonde in the Irish peerage (the latter title becoming extinct upon his death). He was a well known advocate for the Irish people with his first speech at Westminster condemning the Irish Window tax and defending the right of Irish landowners. Having joined fashionable society in London, he became a companion of the Prince Regent. Subsequently, at the Prince's coronation as George IV, he was created a Peer of the United Kingdom, as Baron Ormonde, of Llanthony, in the county of Monmouth and in 1825, Marquess of Ormonde.
" Sir William Joynson-Hicks, the Home Office and the "Roaring Twenties" in London, 1924–1929" Aberystwyth University PhD thesis (2009) He wanted to stem what he called "the flood of filth coming across the Channel". He clamped down on the work of D. H. Lawrence (he helped to force the publication of Lady Chatterley's Lover in an expurgated version), as well as on books on birth control and the translation of The Decameron. He ordered the raiding of nightclubs, where a great deal of after-hours drinking took place, with many members of fashionable society being arrested. The nightclub owner Kate Meyrick was in and out of prison at least three times, her release parties being causes for big champagne celebrations. All of this was satirised in A.P. Herbert’s one act play The Two Gentlemen of Soho (1927).
He became fashionable society architect and designed Caerleon in Bellevue Hill for Charles Fairyase. The construction of this house was supervised by Harvey Kent. The Smith family lived at Anglewood for 10 years from its completion in 1894 until 1904. It has been falsely rumoured that Smith decided it was too far to go all the way to Bowral to catch the train and that he built his own private railway station (Burradoo railway station), just outside his front gate so he could more conveniently board a train there. However Burradoo Station had actually existed since 1870 (24 years prior to Smith residing at Anglewood). As a result of the 1890s bank crash, the house was sold to George James Sly, founder of the firm Sly and Russell Solicitors, a large well known firm in the city of Sydney.
It was northeast of the Steine (later called Old Steine), the centre of fashionable society in the 18th century, and rose steeply eastwards from an area of sheltered flatter land close to the Steine. Some fields were used for small-scale activities such as limeburning and market gardening, but most were farmed by individuals. The laine had several furlongs; the second of these, which now forms the heart of the conservation area, was separated from its neighbours by leakways which became Carlton Hill (the road) and Sussex Street. Much of the land in this area was owned by Dr Benjamin Scutt, whose landholdings extended into the neighbouring village of Hove (the Brunswick estate was built on land he sold in the 1820s). Starting around 1800, the land was gradually sold to developers; Edward Street was laid out in 1804 and quickly experienced a "mini building boom" with inns, stables and small workshops.
During the 18th century, the term was often used as a synonym for a still vaguer man of taste or a pretend critic. In 1760, Oliver Goldsmith said, "Painting is and has been and now will someday become the sole object of fashionable care; the title of connoisseur in that art is at present the safest passport into every fashionable Society; a well timed shrug, an admiring attitude and one or two exotic tones of exclamation are sufficient qualifications for men of low circumstances to curry favour." In 1890, Giovanni Morelli wrote, "art connoisseurs say of art historians that they write about what they do not understand; art historians, on their side, disparage the connoisseurs, and only look upon them as the drudges who collect materials for them, but who personally have not the slightest knowledge of the physiology of art." The attributions of painted pottery were an important project to the History of Ancient Art and Classical Archeology (Ancient Greece and South Italy).
The city's stock of such churches is one of the best outside London: this is attributable to the influence of fashionable society and the money it brought, and to the efforts of two Vicars of Brighton, Henry Michell Wagner and his son Arthur, to endow and build new churches throughout Brighton's rapidly developing suburbs and poor districts. Both men were rich and were willing to pay for well-designed, attractive and even flamboyant buildings by well-known architects such as Benjamin Ferrey, Richard Cromwell Carpenter and George Frederick Bodley. An early preference for the Classical style, as at Christ Church (now demolished) and St John the Evangelist's at Carlton Hill, gave way to various forms of Gothic Revival design—principally in the starkly plain form of the gigantic St Bartholomew's Church and the even larger St Martin's, whose fixtures and furnishings are classed among the best in England. However, Charles Barry's imposingly sited St Paul's Church (1824), which began the Gothic trend, was not commissioned by the Wagners; nor were Hove's new parish church, the Grade I-listed All Saints (1889–91) or Cliftonville's St Barnabas' (1882–83), both by John Loughborough Pearson.
Hermann Hoppe (, German Dmitriyevich Goppe; 6 May 1836 — 27 April 1885) was a prominent Russian publisher, the founder of the Hermann Hoppe Publishing House (Книгоиздательство Германъ Гоппе) which functioned in Saint Petersburg in 1867—1914. He is best remembered as a founder and publisher of Vsemirnaya Illyustratsiya (1869-1898), the first Russian illustrated weekly for family reading.Peregudov, G. Y. The History of Russian Weeklies // История возникновения еженедельников в России. Herman Герман Гоппе в Большой биографической энциклопедииHerman Hoppe at the Russian Biographical Dictionary // Герман Гоппе в Биографическом словаре. His other projects included the journal Graphic Art Review (Обзор графических искусств), the Common Saint Petersburg Address Book (1867—1868), the highly popular Common Calendar (Всеобщий календарь, 1867—1900), a book of general recommendations called Good Manners (Хороший тон, 1881), as well as Fashion and News (Моды и новости, 1867—1868), later to be known as Modny Svet (Fashionable Society, 1867—1883), the extravagantly illustrated fashion magazine for ladies which Anton Chekhov was well acquainted with and often mentioned in his early stories.Ivanova, N. F. Иванова, Н. Ф. О Чехове и дамской моде // Of Chekhov and Ladies' Fashion / Журнал «Нева», № 1 (Neva magazine), 2010 .

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