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57 Sentences With "familiar tune"

How to use familiar tune in a sentence? Find typical usage patterns (collocations)/phrases/context for "familiar tune" and check conjugation/comparative form for "familiar tune". Mastering all the usages of "familiar tune" from sentence examples published by news publications.

In the background, the DJ starts to play a familiar tune.
"Stit, stit, stit, scratch" is a familiar tune in my home.
" Once the break is over, in comes a familiar tune—Truss' "Brockweir.
Results released after markets closed on Thursday continued a familiar tune for Vivendi investors.
That's history worth considering as the old foes of reform sing their familiar tune.
"Just the two of us," she sang, getting into the swing of a familiar tune.
Dancing with the Stars newcomer Jodie Sweetin brought a very familiar tune to her debut on the show.
When Dennis Quaid and wife Kimberly Buffington-Quaid announced their divorce on Tuesday, they were singing a familiar tune.
The classics are always waiting to be put on the record player and greet you with a familiar tune.
But seasoned Nintendo-lovers will recognize a familiar tune from Yoshi's Island DS playing in the background of the game.
The silence was broken only by the familiar tune that plays every time the country's "supreme leader" is about to enter.
Women's fight for workplace equality is a familiar tune, but this one's set to an insanely catchy one by Dolly Parton.
But he is definitely in the orchestra that is playing an old familiar tune louder than any American president ever has.
If you hear the opening notes to a familiar tune, for instance, you expect the rest of the song to follow.
My mother made sure to remind me of the people she left me with when, midway through the service, a familiar tune began to play.
Its the same familiar tune: stop posting pictures of minors, stop making fun of people with mental and physical disabilities, stop posting peoples' personal information.
It's a familiar tune for the Republican president, whose administration is preparing antitrust action against Silicon Valley giants, but it comes with some ironic context.
The perennial song is a reminder that it's time for another familiar tune — nauseating, anti-Trump, liberal commencement speeches often courtesy of the American taxpayer.
The camera on the 10 is also a familiar tune: it's a 12-megapixel3 unit with a bright, f/63, optically-stabilized lens and laser autofocus.
Jimmy Fallon pulled off the most ambitious crossover event yet on The Tonight Show when he assembled the cast of Avengers: Infinity War to sing a familiar tune.
Then the drums suddenly drop away, leaving the strings to play a familiar tune: the perfect fifths that opened the first movement, only now shakily articulated with trills.
The domino effect of the Harvey Weinstein scandal has been wide-reaching, and the equality manifestos of organisations like Time's Up and 50/50by2020 are a sadly familiar tune.
The pianist begins again and the central figure, clad entirely in teen-goth black, starts to sing the familiar tune "Memory," from the Broadway musical Cats, but in Russian.
Not every type of music works, though—generally, if the volume is lower, if it's a familiar tune playing in the background, people will get more pleasure out of shopping, and when people are in a good mood, they spend more.
Most episodes are not preoccupied with the familiar tune—the terror of families being ripped apart by deportation—and instead search elsewhere; they juggle the reality of citizenship, of what it means to make a big life from the little you've been apportioned.
Jessica Biel plays Cora Tannetti, a lovely young wife and mother who, on a summer day at the edge of a lake in upstate New York, loses her head to a familiar tune and stabs a stranger to death for no apparent reason.
Justin Timberlake scored a major hit with "Can't Stop the Feeling," but it wasn't quite the familiar tune it is now when Anna Kendrick sang her own take on the song for the animated film Trolls – and occasionally she missed a lyric or two.
This, however, seems to be a developing area and one that will not simply be resolved once and for all: currently Cabify and Uber are both under the scrutiny of politicians in Chile over complaints from some in the taxi industry that they are not working under the same regulations — a familiar tune that we have heard in other markets.
The familiar tune is most probably a derivation of a German Protestant church hymn or a popular folk song.
The hymn in the Protestant hymnal, EG 530, is printed with a different melody, but with the option to sing the lyrics with Neumark's familiar tune.
Rig-a-Jig-Jig is a popular nineteenth-century silly song where a young man encounters a pretty girl. It is useful for singing games since it is a familiar tune that can be used by activity leaders even if there are no available musicians.
When they return to their hotel they learn that they have exceeded their credit card limit. They bolt and ask Morgan to come to their aid. He arrives at the cafe bringing sympathy and the possibility of help. The movie ends as Nick puts a familiar tune on the jukebox.
Berkeley, California: University of California Press, 1995: 206. The "Concord Hymn" was written at the request of the Battle Monument Committee. At Concord's Independence Day celebration on July 4, 1837, it was first read, then sung as a hymn by a local choir using the then-familiar tune "Old Hundredth".York, Jake Adam.
XVII (1931), pp. 47–73. Several of Stanton's ballads were set to music by Oley Speaks.See the list in the Speaks article in the Dutch Wikipedia. Possibly Stanton's most successful hit in popular music was his lyrics for the wildly selling 1901 parlor song "Awearyin' for You" for which Carrie Jacobs-Bond provided the familiar tune.
Although he is a stranger to the people gathered there, his obvious charisma attracts their attention. To the familiar tune of the "Habanera" from Bizet's Carmen, Luca antagonizes the men by flirting with their girlfriends and by pushing or slapping them and, in one case, kissing one of the men on the lips. He is particularly attracted to Lana. Dino appears.
In English-speaking countries, services often include the singing of the traditional hymn "For All the Saints" by Walsham How. The most familiar tune for this hymn is Sine Nomine by Ralph Vaughan Williams. Other hymns that are popularly sung during corporate worship on this day are "I Sing a Song of the Saints of God" and "Ye Watchers and Ye Holy Ones".
One can now read more of Dante or Villon, Rilke or Mandelstam, Lorca or even Petrarch in English versions without any sense of the poem's original form. Sometimes these versions brilliantly convey the theme or tone of the originals, but most often they sound stylistically impoverished and anonymous. All of the past blurs together into a familiar tune. Unrhymed, unmetered,and unshaped, Petrarch and Rilke sound alike.
The new theme music, performed by the cast, was a departure from the familiar tune that had served most previous adaptations of the series. The familiar finger- snapping was present, albeit at a faster pace, accompanied by two different characters (first Lurch, then Gomez) saying the word "snap" twice in rapid succession to match the beat. It was written by Barron Abramovitch, Jeremy Sweet, and Michael Whittaker.
Stalling also parodies the typical music score of shorts produced by Warner Bros. Cartoons. The credits of the film within a film make use of The Merry-Go-Round Broke Down (1937), but the familiar tune is simplified, giving the impression that it is played by an amateur. A number of notes are repeated, in the style of a broken record which repeats over and over. The film includes some references to war.
She was put to sleep every night by her mother, who sang to her the melody of the Venezuelan National Anthem, a tradition in the South American country. When she was fifteen months old, her parents noticed she was picking out a familiar tune on the little piano. Three months later, before she could speak, she had picked out the melody of the National Anthem. Subsequently, she repeated this process with other songs.
Agnus Dei II begins as if the cantus firmus is present on 'A', but proceeds to a freely composed trio. Agnus Dei III places the now-familiar tune in extremely long notes sung by the highest voice. Beginning on 'A', an indication instructing the soprano to "sing without ceasing" is present, which means, without rests. The other three voices in this movement sing closely woven, motivic, imitative passages around the climatic top voice.
The Piano Puzzler is a weekly feature on the show. Every week, composer Bruce Adolphe re-writes a familiar tune in the style of a classical composer; a listener then calls in to the show and listens to Bruce play the Puzzler of the week. The listener then tries to do two things: name the hidden tune, and name the composer whose style Bruce is mimicking. The Piano Puzzler is also available as a podcast.
The format of the program, while not always the same, is usually consistent. The program begins officially at 6.10 am following the hourly news broadcast. The news broadcasts are state-based and occur on the hour – and every hour – with the traditional "Majestic Fanfare" tune. The program has a familiar tune, during which the presenter indicates the main stories which will be covered during the program, including the interviews which are planned.
Instead the bullet saws the broken hat that came from the cow. He rushes as he recognized some rockets and grabbing some piano keys. She then plays with the cannons by playing the first phrase of the familiar tune "Yankee Doodle" until another bullet destroys the house; killing her. It displays the sky with the cow (who apparently goes straight to heaven with wings, and having a different color scheme) plays the last parts of "Yankee Doodle" with her harp.
Nina's cover of "Can't Find the Words to Say Goodbye", a song originally recorded in two different versions by David Gates and Billy Dean who both wrote and composed it, aired on February 29, 2008. Her version was described as the "classiest, most polished reinvention" along with the less familiar tune of the Justin Timberlake original, "Never Again". The "Justin Timberlake Night" episode aired on May 29, 2009. She performed "What Goes Around... Comes Around" and "Until the End of Time" alongside "Never Again".
When both Estonia and Finland became independent after the First World War, the identical melody with different words was recognized as the national anthem of both nations. Estonia officially adopted it in 1920, after the War of Independence. During the decades of the Soviet occupation of Estonia, the melody was strictly forbidden and people were sent to Siberia for singing it. However, even during the worst years the familiar tune could be heard over Finnish radio; it was played every day at the beginning and end of the program.
The National Anthem was written by Rabindranath Tagore as early as in 1911 and was sung at the annual session of the Indian National Congress at Calcutta on 27 December that year. But it was actually done in Besant Theosophical College, Madanapalle, where Tagore stayed for few days in February 1919 that the now familiar tune was set. It was Margaret Cousins, wife of educationist, Dr. James Henry Cousins, who composed the tune for "Jana Gana Mana". Dr.J H Cousins was then the Principal of the Madanapalle College that was established by Dr. Annie Besant.
Alternative English language versions of the songs were provided by John Wolcot under the pen name of "Peter Pindar", but after he withdrew in August 1793 Thomson persuaded Burns to produce the English verses as well as his Scots language lyrics. Thomson frequently suggested "improvements" which Burns rejected. A particular instance was Scots Wha Hae where Thomson insisted on an alternative to the familiar tune, and had Burns alter his stanzas to suit, but was later forced by public pressure to restore the original version.Donald A. Low, ed.
"The Story of Spring" () is a patriotic Chinese song praising Chinese leader Deng Xiaoping, although it never mentions him by name. Originally sung by famous Chinese folk singer Dong Wenhua, Deng is referred to as "an old man" throughout the song. Its two verses allude to Deng's economic reform policies and their success from its inception in spring 1978 to his southern visit in spring 1992, when the song was created. The song was widely played during the 1990s and is now a familiar tune to most Chinese people living on the mainland.
The familiar tune called "Veni Emmanuel" was first linked with this hymn in 1851, when Thomas Helmore published it in the Hymnal Noted, paired with an early revision of Neale's English translation of the text. The volume listed the tune as being "From a French Missal in the National Library, Lisbon."Hymnal Noted, parts I & II (New York: Novello, 1851), 131 (Hymn 65 or 30) Google Books However, Helmore provided no means by which to verify his source, leading to long-lasting doubts about its attribution. There was even speculation that Helmore might have composed the melody himself.
" Scott Yanow of AllMusic describes Free Country as an apt title for a "strange but consistently colorful set". While he finds the various singers unexceptional and "This Land Is Your Land" "surprisingly downbeat", Yanow admires Binney's alto saxophone playing and the musical support provided by Thomas, Caine and accordionist Tony Cedras. In NPR's online poll "The Best Songs of 2003: All Songs Considered", music journalist Jim Fusilli selected Harrison's version of "This Is Your Land" as the first of three personal favourites. Fusilli wrote: "the performance ultimately transcends genre: it's just a new way of looking at a familiar tune, a beloved American classic.
Crowd participation is often noted in the Fantasia performance during the Last Night of the Proms. Mock tears were shed by the audience during "Tom Bowling", feet were stamped in time to the introduction of "Jack's the Lad", a familiar tune which gets faster and faster, being followed by the honking of hooters and a clapping crescendo during the climax. Occasionally the orchestra have been known to deliberately perform this part out of tune in response to the audience. The frantic pace was then juxtaposed with solemn humming in "Home, Sweet Home" and then the whistling of the melody of "See, The Conquering Hero Comes".
Each show has two teams of three players (usually two women and a man), on the left side are the champions (green) and on the right side is the challengers (yellow). To start the game - there are three general rounds, which each follow the same format: A series of nine squares are presented - with each square hiding a note in a "familiar" tune. The host gives the contestants notes 1, 5, and 9 in all 3 rounds with note 7 being added as an extra free note in round 3 from series 2 onwards. A member of each team joins the host at the central podium, where they'll have three coloured buttons each.
Last's trademark sound employed big band arrangements of well-known tunes with a jaunty dance beat, often heavy on bass and brass. Though his concerts and albums were consistently successful, especially in the UK, where he had 52 hit albums between 1967 and 1986, which made him second only to Elvis Presley in charting records, he had relatively few hit singles. In the UK, his only chart singles were "The Seduction", a cover version of the theme from American Gigolo (1980) composed by Giorgio Moroder, and "Biscaya" from the album Biscaya. His single "Mornings at Seven" became a familiar tune in Britain after the BBC used it as the theme music for an ice skating program.
The main theme of the "Ride", the leitmotif labelled , was first written down by the composer on 23 July 1851. The preliminary draft for the "Ride" was composed in 1854 as part of the composition of the entire opera, which was fully orchestrated by the end of March 1856. In the Walküre opera, the "Ride", which takes around eight minutes, begins in the prelude to the third act, building up successive layers of accompaniment until the curtain rises to reveal a mountain peak where four of the eight Valkyrie sisters of Brünnhilde have gathered in preparation for the transportation of fallen heroes to Valhalla. As they are joined by the other four, the familiar tune is carried by the orchestra, while, above it, the Valkyries greet each other and sing their battle-cry.
2007 SDMB Block A Formation during Pregame "Maroon & Gold", ASU’s fight song, is a familiar tune for Sun Devils all over the country, but is not the only "fight song" at ASU. In 1940, during World War II, Fred Waring composed a piece for the Arizona State College called "Fight, Arizona State (March On, Arizona)" which had become lost in history until 2015 when director James G. Hudson discovered it in the archives. He arranged it to be a part of the pregame show during the band program's 100th anniversary. Also in the 1940s, band director Albert Davis wrote "Go, Go Sun Devils" (more commonly known to the band as "The Al Davis Fight Song"); to this day, though Davis retired in the 1950s, the Sun Devil Marching Band continues to play the Al Davis Fight Song in their pregame performance as the Sun Devils come out of the tunnel onto the field, and occasionally make up humorous lyrics.
The comment to Truffaut mentioned above has not prevented film scholars from finding value in this unusual Hitchcock film, as they point to Waltzes from Vienna as the foundation for many revolutionary ideas that appeared in his more highly regarded films. For example, Jack Sullivan and David Schroeder both agree that Hitchcock used this film to explore the potential of the waltz, which he used as a musical device that carried sinister meaning or accompanied dangerous situations in films like The Lodger (1927), Shadow of a Doubt (1943), Strangers on a Train (1951), and Torn Curtain (1966). Schroeder also suggests that Waltzes from Vienna taught Hitchcock that "gradually building towards a familiar tune, from a murky beginning to the melody known to everyone, will have little dramatic effect" – an experiment that likely remained on his mind as he built the unfamiliar "Lisa" tune out of nothing in Rear Window (1954). In "Family Plots: Hitchcock and Melodrama," Richard Ness positions Waltzes from Vienna as the beginning of a series of films dealing with public performances, including the Royal Albert Hall scenes in the two versions of The Man Who Knew Too Much (1934 and 1956) and the ballet performance in Torn Curtain (1966).

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