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65 Sentences With "fakeness"

How to use fakeness in a sentence? Find typical usage patterns (collocations)/phrases/context for "fakeness" and check conjugation/comparative form for "fakeness". Mastering all the usages of "fakeness" from sentence examples published by news publications.

That represents all the fakeness when you're trying to make it.
There's a lot of fakeness online so don't worry about that.
H: How do you see the fictionalization in relation to fakeness?
The latter does not nurture true piety, it only nurtures fakeness and hypocrisy.
He said he won't miss the "brainwashing" and "fakeness" he experienced during his career.
Or perhaps it's the wall's association with "fakeness," another sore point for our times.
Some of the fakeness in the public sphere is the result of this unavoidable human processing.
Yet the total fakeness of the whole thing is obvious for a number of other reasons.
Saagar Enjeti argues about the fakeness behind Left Twitter's outrage over Senator Sanders endorsing Cenk Uygur. Rep.
The sex part is obvious, but she is also more insistent about her real fakeness, her digital sentience.
Go deeper: The robot trust tightrope The overwhelming fakeness of today's internet Misinformation bots are smarter than we think
Because it's not my general modus operandi, the fakeness makes me wince, and it shows all over my face.
It's a metaphor for the 2016 campaign: Trump's fakeness veiled in populist charisma against Clinton's never-ending political calculations.
Middling efforts have burned listeners in the past — "The fakeness of bad audio fiction is really a turnoff," he said.
Fake news is only fake if you realize its fakeness — which is why it's such an effective concept for propagandists.
In a sermon last February, the outspoken Pope called out the "fakeness" of Christians who talk piously, but do little to help others.
This has made Othello syndrome easier to ignore, because seeing my experiences in others emphasizes the fakeness of the paranoia the condition causes.
The two are more negative images of each other than opposites, with Jenna's self-aware fakeness cutting through Liz's tone-deaf self-righteousness.
So people might actually be reacting negatively to the fakeness of the display of affection, but Emery stresses that more research is needed.
There's a reckoning coming over fakeness online, as people increasingly realize the dangers of an online ecosystem where everything is definitely not all right.
But Facebook created a medium that is optimized for fakeness, not as an algorithmic quirk but due to the core conception of the platform.
Sorry, folks, but headlines that repeat Trump claims about jobs saved, without conveying the essential fakeness of those claims, are a betrayal of journalism.
Maybe this was it: The washed-up star would give up on shining to seek real happiness elsewhere, outside the maddening fakeness of entertainment.
On the drive back to the house, Bregoli shared a bag of gummy bears with Dellatto and chattered away about the fakeness of Los Angeles.
This, in the age of Trump's fake news, fake claims, and overall fakeness, was an important demonstration that reason and coherence still matter in politics.
Appearing authentic on it can require a good bit of fakeness, which is probably why anyone I've ever met who is good at Twitter is also insane IRL.
Not for me, the executive producer of the wildly popular semi-autobiographical television series Entourage, based loosely around my own dealings with the fakeness and bullshit of Hollywood!
Everyone knew it was fake, but because no one had any alternative vision for a different kind of society, they just accepted this sense of total fakeness as normal.
What we think we know about celebrities and project on them — their authenticity, their fakeness, their goals, their failures, their interests, their dislikes — we consume, we taste, we judge.
" "When you think of the evolution of fakeness, and how it can grip us," Raleigh said, "if we aren't seeking the truth, I think the consequences could be dire.
It's easy to forget, in the aftermath of so many other Kardashian/Jenner controversies since, but the wedding stunt was touted as one of the ultimate examples of celebrity fakeness.
" While Saravia is far from the only influencer to edit her photos, travel blogger Stephanie Van Hoeijen told Insider that she believes editing is misleading and contributes to "the culture of fakeness.
For the first time, the UFC women's side will inhabit a place where its true leader wants to talk about the nuances of Brazilian jiu jitsu instead of the fakeness of their opponent.
"I enjoy [fame], but the parts I don't enjoy is probably the fakeness of it and people acting like they fuck with you just for opportunity," he explained to me over crab cakes.
Before the hack, the majority of Miquela's followers appeared dedicated to unmasking her "fakeness," although some were more sweepingly positive, leaving behind an endless trail of fire and heart-eye emojis in their wake.
But when he's battling a jihadist group, that same tone seems (as Theodor Adorno observed that such bids for authenticity often do) like little more than a shrewder variety of fakeness, a subtler posturing.
Though the commercial collection was exclusively costume jewelry, Mr. Binns celebrated the fakeness of his pieces rather than try to pass off rhinestones and paste as gems, playing up wild colors and oversize volume.
If you spend enough time scrolling through manicured photos of manicured lives on social media, you might come to the realization that maybe the fakeness of the online world has started to look too real.
"Since we're still on the path, I want to stay on the right path because everyone seems like they're being sincere and the empowerment and sisterhood and everything — but there's still fakeness at this table," she said.
While much is made of the "fakeness" of some Facebook posts, grandparents across the country eagerly await photographs, videos, and posts about their grandchildren, and they know that Facebook's media richness is second only to being there.
Leslie J. Ghize, the executive vice president of Tobe, a consumer culture and creative think tank, believes this ratcheting up of fidgety, tactile design serves as a reality check or antidote to the fakeness of the virtual realm.
By no means letting the media off the hook, the study suggested that journalists step away from the "Washington power game" and focus on policies that affect regular Americans, a fair criticism that's far from Trump's cries of fakeness.
Fear of narcissism is a little different than fear of sociopathy or psychopathy; it's about fakeness, and performance, about the possibility that someone can seem to have a warm, charming surface, but under the surface, total absence of empathy, total emptiness.
Clanking pipes and banging ductwork would be a fitting soundtrack to "LAG (January)" (57 x 40 inches), in which sections of printed diamond-plate pattern and its silver-foil doppelganger vie for supreme fakeness, along with competing systems of perspective.
So, the other side of the coin is that Brooker chose a cheesy pop song like "Heaven is a Place on Earth" to mark the episode's the most poignant moments as a way to point out the underlying fakeness of it all.
"I love the fakeness of it all," Ms. Hall said cheerfully this week on the SoHo set, where Paramount workers on a cherry picker were securing the creature, which she called "phallic and umbilical," to the fire escape of a cast-iron building.
When I wrote my first book, Body Drama, my goal was to educate teenagers about the plethora of airbrushed and digitally enhanced photos in magazines and on social media, and to warn them about how buying into the fakeness could be damaging to their self-esteem.
I took the opportunity to share my frustrations of the past five years in various media outlets for the sole purpose to demonstrate to the world that I too could manufacture "gossip/fakeness" and create a lot of unnecessary drama that simply didn't make any sense.
"I enjoy [fame], but the parts I don't enjoy is probably the fakeness of it and people acting like they fuck with you just for opportunity," Meek Mill told Noisey's Lawrence Burney over crabcakes on the day that Meek's third studio album, Wins & Losses, was released.
"I took the opportunity to share my frustrations of the past five years in various media outlets for the sole purpose to demonstrate to the world that I too could manufacture 'gossip/fakeness' and create a lot of unnecessary drama that simply didn't make any sense," Ayers says.
He escaped association with a made-for-TV act tainted by its fakeness, and proceeded to implode the whole paradigm of authenticity in rock by glorying in a radically plastic, sexually indefinite persona that was essentially a kind of anti-persona — less an image than a capacity to accommodate any identity at will.
To recover, Ella stayed away from filming for two days, during which she cut off approximately two centimeters of burnt hair on both sides of her head. In 2007, Chen was voted by online fans as Taiwan's most down-to- earth (unpretentious) artist. Yahoo! China News. Fans vote; sweetheart Cindy Wang is too fake, Tony Chen's fakeness gets him first place.
In Ancient Greek literature, the River Styx forms the boundary between Earth and Hades, the Underworld. In contemporary Western cultures, parallels to the Japanese utamakura can be found in many popular songs. Musicians use place names in their lyrics to invoke certain conformed thoughts. California is a common reference for artists in that it invokes thoughts of excess, splendor, wealth, and a sense of fakeness in body and spirit.
The awards scheduled for January 8, 2018 at 5pm CST. Trump changed the date to January 17, citing increased interest in the award in a January 7 tweet. Several late-night talk show hosts, including Samantha Bee and Jimmy Kimmel, satirically campaigned for an award. The Late Show with Stephen Colbert displayed a billboard doing such in New York City's Times Square, with categories including "Least Breitbarty" and "Corruptest Fakeness", and Trevor Noah's The Daily Show bought a full-page ad in The New York Times.
Although the country has become an increasing tourist power, concerns of human rights' maltreatment and fakeness remain. Ahmed Mansoor, an Emirati human rights activist, has criticized the Emirati authorities for its unlimited tortures, abuse on dissidents and lack of certain support for migrant workers, and warned the situation is deteriorating. The ongoing exploitation and systematic discrimination of South Asians continue to take place under the kafala system has also met with criticism, notably with Dubai. Some criticism also points against the “soulless” development of the cities in the country, notably Dubai.
On 5 September 2011, Ninja Tune released the fourth single "Pretend"/"Professional Loving". The first track, in Emika's words, is "about all sides of fakeness, disbelief, dancing on the head of a pin. It begins with a synth I made to feel like a heartbeat, and ends with psychotic hi-hats playing a melody which will come get you while you sleep", the second about the way in which the music industry uses "friendship" as a form of control. Among the remixers were Berlin experimentalists Brandt Brauer Frick, Kyle Hall and DJ Rashad.
" Likewise Joshua Rothkopf of Time Out New York bestowed 3 of 5 stars, saying, "Black has massively upped the verbal sparring and kept the broad inventiveness of comic-book malleability in mind. ... The most wonderful of Black's surprises harkens back to his '80s reputation for character revision and is simply too good to ruin here." But, he asked, "[W]hy, finally, are we down at the docks—in the dark, no less—for one of those lumbering climaxes involving swinging shipping cranes? The energy bleeds out of the film; it's as if the producers were scared the crowd would riot over not enough digital fakeness.
O Dinheiro, written in 1976 and revised by the author in other opportunities, is the best- known work of dramaturgy by Miguel M. Abrahão. Combining fakeness, comedy and detective's elements, this story is about a family that is made prisoner in an isolated mansion for twelve years, just to receive uncle Josafa Paranhos I's inheritance, following the rules of a really creepy will. Each character presents a pathological deviation, all linked to the habit of collecting something (syringes, boards, men, spiders), or fixed ideas (such as ET or famous characters in American films). At the end of the twelve years, advocates of Josafá require that hosts in the mansion, a young man intern: Alexandre Pousa.
Yurchak coined the term "hypernormalization" in his 2005 book Everything was Forever, Until it was No More: The Last Soviet Generation. The book focused on the political, social and cultural conditions during what he terms "late socialism" (the period after Stalin but before Perestroika, mid-1950s - mid-1980s) which led to the ultimate collapse of the Soviet state in 1991. Yurchak argues that everyone knew the system was failing, but as no one could imagine any alternative to the status quo, politicians and citizens were resigned to maintaining a pretence of a functioning society. Over time, this delusion became a self-fulfilling prophecy and the "fakeness" was accepted by everyone as real, an effect that Yurchak termed "hypernormalization".
Seth Bogart was produced and co-written by Cole MGN, and also features vocal performances from Chela, Kathleen Hanna, Tavi Gevinson, Jeremiah Nadya, and Clementine Creevy. Seth Bogart was promoted with an art show, videos and a tour that contained props inspired by Pee-wee's Playhouse, as well as numerous pre-album song premieres. Upon its February 2016 Burger Records release, the album was praised by some reviewers for its concept of fakeness of apparent beauty in celebrity and fashion culture, as symbolized in its use of cheap keyboard sounds and vocal effects such as autotune. There were also critics that complimented its combination of elements of punk and pop music and liked it as being a fun record.
The word hypernormalization was coined by Alexei Yurchak, a professor of anthropology who was born in Leningrad and later went to teach in the United States. He introduced the word in his book Everything Was Forever, Until It Was No More: The Last Soviet Generation (2006), which describes paradoxes of Soviet life during the 1970s and 1980s. He says that everyone in the Soviet Union knew the system was failing, but no one could imagine an alternative to the status quo, and politicians and citizens alike were resigned to maintaining the pretense of a functioning society. Over time, this delusion became a self-fulfilling prophecy and the fakeness was accepted by everyone as real, an effect that Yurchak termed hypernormalisation.
Moffatt's work in film and video has included short films, experimental video and a feature film. The short films rely on the stylistic genre features of experimental cinema – usually including non-realist narrative scenarios often shot on sound stages echoing her work in still photography. Early works such as Nice Coloured Girls and Night Cries also use sound mixes that reinforce the 'fakeness' of the settings and use well-worn experimental cinema devices such as audio field recordings and low tones to provide atmosphere. Her short video works such as Artist (2000) use the cut up methodology of taking images from pre-existing sources and re-editing them into ironic commentaries on the material – Artist for example providing a commentary on the clichéd role of the artist in Hollywood cinema, and her Doomed (2007) – made in collaboration with the artist Gary Hillberg – a collection of scenes of destruction from disaster movies.
The themes of fakeness and phoniness and counterfeit that drive many of the original plots are replaced in the film with messages that feel "as though we have wandered into a seminar on monetisation through self- empowerment … It's like making a biopic of Nietzsche that depicts him as a born-again Christian, or of Gandhi as a trigger-happy Rambo blasting his way through the Raj." Steve Rose from The Guardian wrote about one of the film's major criticisms: that The Adventures of Tintin, much like The Polar Express, crossed into the uncanny valley, thereby rendering Tintin "too human and not human at all". Manohla Dargis, one of the chief critics of The New York Times, called the movie "a marvel of gee-wizardry and a night's entertainment that can feel like a lifetime". The simplicity of the comic strip, she wrote, is a crucial part of the success of Tintin, who is "an avatar for armchair adventurers".
He added that it could be seen as "a nostalgic, or regressive book, depending on your point of view." The literary critic Tom McCarthy suggested that some of the early scenes of the book "take the form almost of Platonic dialogues, dramatized theoretical discussions about art itself", although later in the book Hergé turns to revealing "the deeper and more essential Platonic truth of art: that it is fake, that its whole currency is fakeness." Discussing the final scene in the book, he opined that it "reads like a snuff movie: not of Tintin, ultimately, but of Hergé". Further, he argued that Tintin and Alph-Art reflected a number of themes that also appear in other Adventures of Tintin; these include the idea of Castafiore bridging the connection between the protagonist and the villains, and the concept of Haddock being confronted "with his own inauthenticity", in this case through purchasing a giant plastic 'H' artwork.
Literary critic Seong Min- yeop, who wrote the commentary for his second collection, Nareul Humchyeora (나를 훔쳐라 Steal Myself), has said that “ if Park Seongwon’s first collection Isang isang isang (이상 이상 이상 Roger Roger Roger) was struggling to figure out how to recognize and realize what is real within a postmodernist context, where the distinction between the fake and the real is blurry, his second collection Nareul Humchyeora (나를 훔쳐라 Steal Myself) is more about how there is already a general reality of established false truth, which the author attempts to deconstruct and overthrow that given reality.”Seong, Min-yeop, “The Truth of Fakeness, and the Novel of Ventriloquism”, Nareul Humcheora (나를 훔쳐라 Steal Myself), Moonji Publishing, 2000: 269. After 2000, Park Seongwon chose the form of serialization, depicting the world in which people today live their lives in multilateral methods. Park Seongwon’s serial works – “Urineun dallyeoganda isanghan nararo” (우리는 달려간다 이상한 나라로 We Are Running to a Strange Country), “Dosineun mueoteuro irueojineunga” (도시는 무엇으로 이루어지는가 What is a City Made Of?), “Kempingkareul tago ullanbatoreukkaji” (캠핑카를 타고 울란바토르까지 To Ulaanbaatar in a Camping Car) – use peripheral characters from one short story as protagonists of another story, continuing the narrative in such ways, and they focus on the multidimensional truth of the world that is viewed from each method and situation.

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