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244 Sentences With "fading out"

How to use fading out in a sentence? Find typical usage patterns (collocations)/phrases/context for "fading out" and check conjugation/comparative form for "fading out". Mastering all the usages of "fading out" from sentence examples published by news publications.

type: All Declarative Interrogative Exclamative

structure: All Simple Compound Complex Compound-Complex

length: All <=10 words 10-20 words 20-30 words 30-50 words

The downpour intensifies for two increasingly uncomfortable minutes before fading out.
Google is fading out the Picasa desktop application starting on March 15.
"During the AIDS disaster, he did these portraits of men's faces fading out," Mr. Whalen said.
What none of us noticed was that the ideal of liberation was fading out with the word.
" Or as George Orwell said: "The very concept of objective truth is fading out of the world.
But then more layers arrive, fluty sounds and buzzy ones, swallowing the song before prettily fading out.
The show reads like a look back over my shoulder at a culture that is fast fading out.
The logical endpoint of all this would be the eventual fading-out of the breathing, acting middlemen entirely.
One recession has followed another, with each period of recovery and expansion fading out earlier than the last.
In Allen Park, Michigan, one camera captured the bright streak going across the sky and then fading out.
The song has "fluty sounds and buzzy ones, swallowing the song before prettily fading out," Jon Pareles writes.
It'll be like he's fading out of my sphere of famous influence into the coldness of irrelevance, you know?
It shifts into some kind of dream sequence, turning into a grandiose, overdone waltz for a minute before fading out.
A video version of the S20183 invite which it tweeted last month emphasizes bokeh by fading out in a blur of glory.
By the end of the '90s, Yorke was fried, guitar rock was street-spiriting (fading out), and Radiohead was in danger of backdrifting.
Two weeks after the Parkland shooting, the gun control debate shows no signs of fading out like it has after previous mass shootings.
Sometimes, though, simply fading out a friend over time isn't the approach that serves us best when it's time for a friendship to end.
Whether we're distracted, or just fading out a post-orgasm stupor until this sweaty body rolls off us, sometimes the mind wanders to strange places.
But that effect is already fading out, and the economy would have been slowing down even without the extra drag created by the Trump shutdown.
The progress that is being made with 9-year-olds and 13-year-olds is fading out and not producing results for high school seniors.
Blais tosses out complex passages like snowflakes in a blizzard and they start to blur together into dreamy waves, losing their shape before fading out entirely.
That doesn't come as a total surprise, given that Google already announced it would start fading out SPDY support in favor of HTTP/2 a year ago.
If a meme is lucky it might live about a month so before fading out of our minds when an exciting new inside joke catches our eye.
When you opt to share from within a video chat, photos, text and stickers will briefly appear overlaid onto the video feed before fading out of view.
And the sudden cut-off and restart set up comedic timing, so punch lines and surprise endings hit hard and disappeared instead of lingering and fading out.
" Reflecting back on the Spanish Civil War and the falsification of its record, Orwell worried that the "very concept of objective truth is fading out of the world.
That gradual fading out and in of the light — from partial to total eclipse and back — will last for about two and a half hours in each location.
Dr. Scott C. Weaver, a Zika expert at the University of Texas Medical Branch in nearby Galveston, described himself as "cautiously optimistic" that the epidemic was fading out.
This can make life pretty profitable for studios like Rovio that strike gold and can spend a decade milking their former glory and fading out, but it's still fascinating.
We did some testing, but it got much colder than we expected and the crystal displays don't work very well in the cold, so the images started fading out.
"Fading out is not the Elton John way," our culture reporter observed after seeing a show by the 69-year-old superstar, whose 33rd album is due out next week.
But what I did when their situation started fading out with Ruthless [Records] and it wasn't happening no more, I kept it alive and took it and made it worldwide.
This week the Harlem-based musical collective unveiled the music video; it covers just over half of the almost-seven-minute song, fading out right before an Afrobeat-tinged instrumental section.
At the receiving end, this invisibility, extinction, extermination, and disappearance ultimately becomes a form of identity: an identity outside the concreteness of civic and political rights, a spectral substance progressively fading out.
Two-plus minutes later, Carr beat two defenders to hit a 5-footer while fading out of bounds to give the Golden Gophers a 62-57 edge at the 3:20 mark.
Founded: 2000Peak valuation: $297 million in 2005Shut down: 2016Founded six years before Facebook, Friends Reunited was an early social media platform that was primarily popular in the UK before fading out of relevance.
"The stabilisation of price growth in the coming quarters will be facilitated by a fading out of the effects of earlier rises in commodities prices on global markets," the bank said in a statement.
The use of the developing world as an artistic backdrop is simply fading out of vogue and "Hymn For The Weekend" is a reminder that these practices are neither artistically imaginative nor subversive anymore.
And then you've got the Blues, a franchise with a nearly 50-year history of playing perfectly solid regular-season hockey, then fading out of the picture as soon as the playoffs get serious.
Opener "Do You Feel It" slowly evolves into a grandiose freakouts with galloping drums, searing lead guitars before abruptly fading out while "High" maintains its fire-breathing intensity with overpowering bass and chugging riffs.
The Chicago Bulls looked as though they were fading out of playoff contention and might trade their leading scorer a few weeks ago, but suddenly they are one of the hottest teams in the league.
Closing track "Infinity Beach" ends the album on climatic note where all the instruments work together to provide an emotional crescendo to the entire project before slowly fading out like waking up from a dream.
DZ Bank economist Michael Holstein said negative base effects of past oil price drops were now fading out, meaning German inflation was likely to reach the ECB's target of nearly 1990.4 percent in the coming months.
The Calgary Flames, who looked as though they were fading out of the playoff picture a few weeks ago, can extend their winning streak to four games when they visit the New York Rangers on Sunday.
"The biggest challenge is to find new growth drivers from consumption and technology, as old ones such as property and globalization are fading out," Larry Hu, the head of China economics at Macquarie, told the NYT.
Writing by hand may be fading out of everyday use, but that just makes it more powerful when a person (or in this case a group of people) wants to express a dearly held and fundamental belief.
The Blue Jays are fading out of the AL wild card race with four straight losses to start their road trip after leaving the tying run at third base with one out in Tuesday's 6-5 setback.
Whether that was because taboos were fading out as men began searching for more advanced and interactive ways to masturbate, or because of the rise in long-distance relationships thanks to online communication, is yet to be determined.
But if we did that, we knew that we risked completely fading out, having our ranking fall on iTunes, which is the only way that anyone's ever found us, just by being in the Top 50 [of comedy podcasts].
Last week the Rockies seemed to be fading out of contention in the West, but a 5-3 win over the Philadelphia Phillies on Thursday gave them a one-game lead over the Los Angeles Dodgers in their division.
The show's most irritating gimmick, a time-displaced Superman cape that was slowly fading out of existence like Marty McFly in Back to the Future, knit itself back together to indicate Superman was no longer being eliminated from the future.
Until now, free users were restricted to using three very basic Power-Ups: Calendar for seeing Trello's calendar view, Card Aging for slowly fading out cards as they age, and Voting for (you guessed it) adding a voting option to cards.
Fading out of Cruise's "The World Spins" into this eldritch Bathory track that's Nordic midnight breeze mixed with drone, honors the ecological continuity between Twin Peaks and black metal, alike in their belief that the woods are zones of dark enchantment.
The Carolina Hurricanes slowly are fading out of the Eastern Conference playoff picture thanks to a three-game winless streak, but they can gain on one of their competitors when the Toronto Maple Leafs pay them a visit on Sunday.
BERLIN, Dec 3 (Reuters) - A law to compensate utilities for fading out coal energy generation in Germany will be subject to a formal vote as soon as an agreement among ministers has been reached, an environment ministry spokesman told a news conference on Tuesday.
Those at streaming giants may hope that it's fading out, but until technology has been invented that allows computers to resemble humans (and, likely, signaling the end of humanity) they're going to have to put up a hard battle to compete against the romantic essence of good radio.
Mercury enters your sign, Libra, on September 21, finding you in a much more social and chatty mood than you've been in lately—the shyness of Virgo season is fading out and you're ready to drift down a staircase like a belle of the ball as the autumnal equinox arrives on September 22.
Other tasks we've seen done with Automate include automatically erasing temporary cached files at regular points in the day, turning up the brightness when a call comes in, reading out text messages, putting a simple countdown in a notification, turning on Bluetooth when driving, fading out music after a specified length of time and sharing your location with others.
As a socialite, "She was pretty much the first celebrity to get paid to go to an event," her sister Nicky told the LA Times' Lindzi Scharf, "Once she saw that that trend was fading out and all of the venues were putting their budgets into DJs, then she became the DJ. It's pretty smart if you ask me." 
One last thing on this highlight: fading out after every basket isn't exactly a move out of the Thelma Schoonmaker Book of Best Editing Practices, but it does infuse the proceedings with a kind of importance, a feeling that every one of these plays is so remarkable that the only way you can cool down is by sitting in contemplative darkness for a second.
It was really important that that was there, too, and I think now I can say what the real reason for all this is that sexual abuse is such a taboo subject and we're used to: the lights fading out before the event, a door closes and... I really feel that it's time, basically, to look this straight in the eye and see just how ordinarily horrific this is.
It's a gorgeous album, the kind of thing you'd put on when the clouds have gathered outside, your heart's started to ache, and your last good lightbulb starts flickering "By way of a desolate train yard at night, forgotten objects in an abandoned room, and other near empty spaces past and present, I bring my third offering, Diminution: the diminishing value of art forms and processes, individual expression, and even human life itself to almost nothing in this 21st Century world, is like a fading out, or creative death on a large scale," Abdul-Rauf told Noisey.
It finishes with the repeated line "Bring that beat back!" before fading out.
Barbara Estermann says it is concerned with, "the fading out of life's energy".
Since the mid-2000s, they are gradually fading out of vogue in popular culture.
The song fades with the normal piano and the musicbox- fairytale riff fading out.
The cartoon then fades to the regular end title card of the era before fading out.
The screen freeze frames on the creature as the screen inverts, shortly before fading out and the credits roll.
The breakdown also namechecks singer Beyoncé and actress Lucy Liu. The song closes by repeating the chorus and then gradually fading out.
Ten Years ends with a quote from the Book of Amos: and "Already too late" fading out and replaced by "Not too late".
Fading Out is the Primitive Radio Gods' first and only officially released EP. It doubles as an extended single for the song of the same name from the White Hot Peach album. Aside from the title track, the EP contains two songs from Mellotron On! that did not make the cut for White Hot Peach, a remix of "Fading Out", and a new track called "Rope".
At the end the background changes from blue to red, and the three members are featured together singing and clapping while the song is fading out.
There is a dark discal spot and the postmedial line is clear at the costal margin, fading out posteriad. The anterior distal area has a faint brownish transverse streak and the terminal wing veins are dark spotted.
The song title "The Beginning" is shown at the end sparkling then fading out too. "The Beginning" won two awards at the 2013 MTV Video Music Awards Japan and an award at the Space Shower Music Awards.
Later, a honky-tonk piano solo accompanied by tap dancing is present, with the song switching in and out of the slow-paced "blues" before fading out. "Legs" Larry Smith performed the tap dancing routine on the track.
The soundtrack to the video is a unique version of the song, fading out at the last chorus and omitting the instrumental outro (like the radio version), but including the instrumental intro (which is missing from the radio version).
In some cassette tape versions of the album, this song was divided into two parts after the first verse, fading out on side one and fading back in on side two, in order to minimize the total length of tape.
"The Great Composers and Their Music", Vol. 50, Marshall Cavendish Ltd., London, 1985. I.H. as quoted on p1218 The technique of ending a spoken or musical recording by fading out the sound goes back to the earliest days of recording.
"Call of the Wild" was originally to be titled "Hero" – but, when Osbourne used that title on No Rest for the Wicked, Iommi changed it. "Devil & Daughter" had the original title "Devil's Daughter", but was changed for the same reason. "Call of the Wild" and "Devil & Daughter" are also the only songs that do not end slowly fading out with Tony Martin ad-libbing; although "Nightwing" has only the band performing fading out with no ad-libbing on Martin's part. According to Martin, the vocals on "Nightwing" were the original guide vocals, because Iommi thought they sounded better than later recordings.
Although learning by rote recitation began fading out by the 1890s, these poets nevertheless remained fixed as ideal New England poets.Sorby, Angela. Schoolroom Poets: Childhood, Performance, and the Place of American Poetry, 1865–1917. Durham, NH: University of New Hampshire Press, 2005: 133.
Smiling, he reaches out for the butterfly. While reaching, however, he is shot and killed by an enemy sniper. The final sequence shows the 2nd Company arriving at the front for the first time, fading out to the image of a cemetery.
On the original LP, the laughter is an endless loop as it plays in the run-out groove, while on CD it loops a few times before fading out. A remastered CD reissue was released in May 1999, with packaging duplicating the original vinyl release.
The shell is elongated and thick. It has seven to eight convex whorls. There is a thick cord running over the abapical end of the body whorl. The color is a whitish with a blurry brown suprasutural band, fading out on the body whorl.
The anal fasciole is constricted. There is no spiral sculpture. The axial sculpture consists of (on the body whorl 10) rounded sigmoid ribs, feebler where they cross the fasciole, fading out on the base, and most prominent at the periphery, with subequal interspaces. The aperture is moderately wide.
The tracks 'In The Way', 'Games', 'Love Song 1968', 'I Wonder Where You Are' and 'Deep Freeze' enjoyed radio play in Canada and the U.S. The full-length 'Daylight Fading Out' was released in 2012, followed by the 'Sea & Space' EP in 2013, both on Bradley's own Afternoon Tea label.
Like its sister stations, KYCS broadcasts from a tower located on Wilkins Peak, which is just outside Rock Springs. The 11,500 watt signal reaches into parts of northern Utah to the south. To the west, the station reaches Evanston before fading out completely. To the east, Rawlins receives fringe coverage.
The columella is straight, twisted, and without apparent fold. The parietal wall is covered by a thin callus. The columella is brown; this color tinges the adjacent area, fading out altogether on the middle of the base.Dall & Bartsch (1906), Notes on Japanese, Indopacific and American Pyramidellidæ; Proceedings of the National Museum, vol.
The film then quickly cuts to a completely unrelated shot of Marie, an actress from the Thebes group who still seems to be searching for the missing Renaud and the money he stole. A golden statute of a Greek goddess, perhaps Athena, towers above her. The shot is held for a second before fading out.
A busy corner would have several hawkers, each representing one major newspapers. They might carry a poster board with giant headlines, provided by the newspaper. The downtown newsboy started fading out after 1920, when publishers began to emphasize home delivery. Teenage newsboys delivered papers on a daily basis for subscribers who paid them monthly.
There is no fine spiral striation. The axial sculpture consists of (on the penultimate whorl about a dozen) strong, wide ribs less prominent on the fasciole and fading out on the base and the last half of the body whorl. The interspaces are equal or sometimes wider. The ribs are cut by the incised lines but are not nodulose.
It opens with a fade-in bass section, heavily processed to resemble an orchestra. It continues with mid-tempo riffing, followed by a bass solo at half-tempo. The tempo accelerates during the latter part, and ends with music fading out. Burton arranged the middle section, which features its moody bass line and multipart guitar harmonies.
The song then goes onto the third verse followed by a final chorus which is treated as the outro with the words, "I'm on a plain/I can't complain" being repeated multiple times until all instruments and main vocals start fading out until the last thing that's heard is the repeating, wordless vocal harmony from the chorus.
In the 1870s, with the introduction of architecture as part of the curriculum at the Imperial College of Engineering under Josiah Condor led to the adoption of true Western-style architecture, and the Giyōfū style was gradually superseded. In the nineteenth century, Giyōfū was gradually fading out as the lines between Japanese and western- style became blurry.
The stripes are more numerous and narrower at the periphery than upon the upper surface, and continued upon the base, or fading out there, and replaced by dots of brown on a light ground. The sutures are deeply impressed. The shell contains about five whorls. The apical ones are acute, pale pink, the following closely granose-cingulate.
Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Both fades and cross-fades are very valuable since they allow the engineer to quickly and easily make sure that the beginning and the end of any audio is smooth, without any prominent glitches.Langford, S. 2014. Digital Audio Editing.
Her mom had three girls before her and all were born insubstantial and faded out soon after birth. Her mom constantly presses her to have a child so she will no longer be in danger of fading out too. She is constantly ashamed of sticking to people, claiming that is how her race traps men into being their husbands.
Together, they wrote and produced some of the biggest hit songs of the 1980s, including several of Madonna's biggest hits. The songs Bray and Madonna composed often followed a distinctive structure, many of which repeat the song's second verse and bridge before fading out with the chorus. Their partnership concluded with their work on Madonna's Like a Prayer.
All songs written by Mike Patton Note: Track 13 is not listed, as thirteen is considered an unlucky number. There is no song on this track, simply the fading out of a cymbal from "Book 1: Page 12", the previous track. The next Fantômas album, The Director's Cut, also has silence in place of track 13.
Instructions for music included pipers playing and fading out at exactly two minutes and 45 seconds. Along the river banks, dockers would lower their cranes as a salute as the vessel passed by. Planes would overfly the procession route. From London Waterloo station, the coffin will be transported in a special train to Bladon, the final resting place.
At the very end of the song, musically, the song silences very suddenly instead of fading out or being ended at the end of a bar, due to the tape running out during recording. In the music video at this moment, the band members disappear from the performance area leaving the space only with instruments in place.
The inner lip is complete, applied, smooth. The columella is long and nearly straight. The axial ribs are oblique, fading out above the angle, rounded, nearly as wide as the spaces, ten in the penultimate whorl, absent from the base. The spiral lirae are crowded, fourteen in the penultimate, whorl, very close-set on the base, granulated by fine accremental striae.
Numerous fine, unequal, raised, spiral lines cover the whole surface, except the subsutural band. The upper whorls are also crossed by sixteen to eighteen blunt, transverse ribs, about as broad as their interspaces, most elevated on the middle of the whorls, fading out above and below. The aperture is elongated and narrow. The sinus is broad and well marked, just below the suture.
Watkins ends the track with the lines "I creep around because I need attention / I don't mess around with my affection" while fading out with the heavy beat and the horn sample. Billboard Larry Flick said the pair's vocals were "tightly woven" and "rife with raspy grit", which provided a nice contrast to the song's horn sample and funk guitars.
Others proposed abandoning the classical curriculum, in favor of more vocational offerings. Harvard was in the middle of this crisis. After three undistinguished short- term clerical presidencies in a ten-year period, the college was slowly fading out. Boston's business leaders, many of them Harvard alumni, were pressing for change — though with no clear idea of the kinds of changes they wanted.
Home delivery was not uncommon in the early 1900, but became increasingly important as paperboysbegan to deliver more newspapers to subscribers. A busy corner would have several hawkers, each representing one major newspapers. They might carry a poster board with giant headlines, provided by the newspaper. The downtown newsboy started fading out after World War II, when publishers began to emphasize home delivery.
The official music video for "Trouble Is a Friend" shows Lenka making her way towards the screen. As the video progresses, her dresses and the backgrounds start to change in the verses. At times Lenka interacts with the newly found backgrounds and illustrations. The music video ends with the camera closing up on Lenka then fading out to a dark screen.
The length of the shell varies between 10 mm and 23.5 mm. The shell has usually a rather high spire with seven or eight tolerably convex whorls, scarcely or not at all shouldered. It shows 13 to 16 sigmoid ribs, fading out about or above the middle of the body whorl. There are numerous, fine, close revolving lines, sometimes not apparent on the ribs.
Kwun Tong District is one of the industrial areas in Hong Kong. The factories had been built since the 1950s. These industrial areas are mainly located in Kowloon Bay, Kwun Tong (to the southwest of Kwun Tong Road), and Yau Tong. Since the importance of manufacturing in Hong Kong is fading out, many factories have been demolished and commercial buildings are being constructed to replace them.
The strings again gain prominence at around the 2:20 mark. During the intermediate verse, a "raucous" laugh by Madonna can be heard. The song ends with interpolating electronic swirls and the orchestra fading out. Sterling Clover from The Village Voice explained that the ending recalled the snare drums and bass usage in songs of the microhouse genre, describing it as "cacophony of harmonic fragments".
M5+ quakes continued in the caldera; on December 19, vertical displacement at the caldera was measured at 56 metres. The eruption continued to emit intense sulphurous gasses which affected air quality throughout Iceland, depending on the weather conditions. On 25 December, a new earthquake sequence was recorded at the Geysir geothermal field 140 kilometres west of Bárðarbunga; the activity lasted for two days before fading out.
However, the Allman Brothers cover "Midnight Rider" which appears on the album was later released on Seger's compilation record Early Seger Vol. 1 in 2009. The song was remixed and remastered from the original vinyl LP version, and it was shortened by fading out at the end. The original version did not fade out but instead broke down to where Seger "scat sang" before the final beat.
The destroyer continued to circle on the surface near the initial contact point. By daylight, a second destroyer had joined the first; and, for the next three hours, the two surface ships were heard, alternately close, then fading out. After 09:30, no further pinging was heard. Little damage had been done, but pressure in the boat was high, a result of blowing and venting tanks.
"In order to facilitate the transition from learning from worked examples in earlier stages of skill acquisition to problem solving in later stages, it is effective to successively fade out worked solution steps" (Renkl et al., 2004). Fading out steps in worked-example triggers self-explanation activities, which consists of the learners' own explanations to the reasons for the given solution steps (Renkl et al., 2004).
The boarding party discovers that Defiant is slowly fading out of our universe. At one point, McCoy passes his hand through an almost invisible man and a table. With limited transporter functionality due to the unexplained malfunctions, Kirk orders his men to return to Enterprise first. The beaming takes longer than usual, and as Chief Engineer Scott tries to beam Kirk aboard, the Defiant vanishes.
Other words fall into these distinct classes too, like for vs. four: vs. , mirroring RP as spoken at the beginning of the 20th century (though it had a distinct vowel). This distinction is rapidly fading out of currency (with the words belonging to the class being transferred over to the class, undoing the merger of with –), as it is in almost all regions of North America that still make it.
There are about 140 tribes and clans in Libya. Family life is important for Libyan families, the majority of which live in apartment blocks and other independent housing units, with precise modes of housing depending on their income and wealth. Although the Arab Libyans traditionally lived nomadic lifestyles in tents, they have now settled in various towns and cities. Because of this, their old ways of life are gradually fading out.
The song fades to silence as it nears the end. A moody acoustic guitar then enters which is soon accompanied by a lead guitar solo before slowly fading out together. Meeks described the song composition process in an interview with LAUNCHcast, stating that he wrote the guitar and vocal pattern first before demoing in the studio. While there, he created the bass line and composed samples around that.
An intertitle card appeared before every ad break in season nine, however the show returned to fading out in the tenth and eleventh seasons. At the beginning of the eleventh season, a new title card premiered and this appeared at the start of every episode. This title card was refurbished for the twelfth and final season to coincide with the change of name. This title card saw the show out.
The echo is noticeably different in the mono and stereo mixes. The mono version also starts fading out slightly earlier than in the stereo version. The musical arrangement also features sweeping orchestrated strings and the distinctive vibraslap percussion instrument. While the Lemon Pipers played on the record, producer and joint author- composer Leka hired a string section to accompany the band, to add extra depth to the already psychedelic arrangement.
In addition to Western North Carolina, the station's signal makes it into parts of South Carolina, Georgia, Tennessee, Virginia and even parts of southeast Kentucky. The station can be heard well west of Knoxville, fading out near Crossville, Tennessee and prior to 2005 with the inception of WCMC-FM in Raleigh, could be heard at higher elevations in central North Carolina as far east as Chatham County and Orange County.
A few seconds of the song are also heard on the cassette at the very end of side one before fading out. Jett independently put out "Spinster" as a 7-inch blue vinyl single in the US with a picture sleeve. The B-sides were "Go Home" and "Hostility". The track "World of Denial" was eventually released in the US on Jett's greatest hits album Fit to Be Tied.
Available at Rock's Backpages (subscription required). The edit was achieved by cutting a 35-second portion from around the three-minute mark, thereby removing the third chorus and the fourth verse (the last of which, beginning with the line "Time for me to look at you and you to look at me", had appeared in the film), and by fading out before the final minute of the coda.
There are four versions, one that uses the "Single Version", but with a cold ending, rather than the fading out ending. There are remix videos by Dan-O-Rama, a long version, and a short version. The two remix versions are composed of modified production shots of the original video. The original version wasn't released on a public video until The Best Of: Volume 1 was released in 2006.
The intro and outro are performed in time, led by Shaw's acoustic guitar tracks and Dennis DeYoung's synthesizer melodies. The vocal sections of the song are in . The instrumental features a synthesizer solo in time, before returning to for the final chorus. After a brief intro recap, there is a brief break with two measures of time, and then a return to the meter, with another synthesizer solo, before fading out.
The spiral sculpture consists of a strong cord at the periphery angulating the whorls, with smaller threads (sometimes alternated) covering the rest of the surface with about equal interspaces. The axial sculpture consists of (on the body whorl 10) slightly sigmoid ribs, widest at the periphery, reaching the suture and fading out on the base, with narrower interspaces. On the obscure anal fasciole the interspaces are markedly concave. The aperture is narrow.
The song also includes a slide guitar solo which Copeland dismissed as "old wave," yet Summers shared that as of 2000, he was still getting letters "about that brilliant slide guitar solo". Additionally, the song appears in the music video game Rock Band as a playable track. For gameplay reasons, the song was also edited to have a proper ending, rather than just fading out as the song does on Outlandos d'Amour.
Old logo of Cariparma Cariparma was acquired by Crédit Agricole in 2007. With the aid of the parent company, Cariparma acquired some branches from Italian major banking group Intesa Sanpaolo in 2007 and again in 2011. However, the parent company also started to introduce duo brand Cariparma – Crédit Agricole, which fading out the use of Cariparma. In 2006 Banca Intesa had a proposed merge with Sanpaolo IMI (eventually the formation of Intesa Sanpaolo).
The second movement begins abruptly and suddenly changes to a soft melody played by the bass oboe. Then the strings take over with a style which has been classified by some critics as "Wagnerian". The sound starts to dissipate towards the end of the movement, fading out using the highest and lowest registers simultaneously. The third movement tries to resemble "the atmosphere of a massive nightclub with people dancing and taking drugs".
This song was originally performed by Elis Regina, as it appeared on her 1970 album Em Pleno Verão. Her version only clocked in at 1 min 38 sec. Regina literally joins the orchestra in a wordless tour-de-force, which is ended by a fadeout. Santana's version of "Verão Vermelho" also has a fadeout ending with a flamenco guitar solo and flourish, which goes on for about a minute while gradually fading out.
They are of the view that these ancestral spirits take vengeance on enemies, protects the rest of the family and care for the general well being of the surviving relations. They, thence, pour libation and perform sacrifices to appease the ancestral spirits.Banyubala, D.N., Posthumous Organ Retention and Use in Ghana: Regulating Individual, Familial and Societal Interests. Health Care Anal, 2014 These indigenous Bikpakpaam beliefs are fading out and giving way to Christianity and Islam.
"Dear Jessie" ends with all instrumentation and vocals fading out, except the orchestra, which is equalized to make it sound very thin and trebly, as if coming out from a distorted radio. The lyrics encourage the young girl Jessie to use her imagination. It summons up a psychedelic landscape, where pink elephants roam with dancing moons and mermaids. It references fairy-tale characters and creates an image of children playing with each other.
During the intermediate line "I learned to let go of the illusion that we can possess", the structure changes to D/F–Bm–G–D–A–G–A. Backing vocals are used on the later choruses for support with the strings, cascading down to a minor arrangement before the third one. The song ends with fading out and devoid of any musical climax. A number of remixes were issued alongside the regular version.
The song ends with the words "respect yourself" fading out. Set within a simple song structure, "Express Yourself" plays with ambiguity through a subtle control of harmony and the avoidance of diatonic closure. The song appears to be in the key of G major but its actual composition seems to be written in the key of C major. But the first note of the melody, "don't" in B major, implies the G Dorian mode.
Coloration patterns around the eyes differ between the slender lorises (middle two) and the slow lorises (top and bottom). The ears are small, sparsely covered in hair, and hidden in the fur. Similar to the slender lorises, the fur around and directly above the eyes is dark. Unlike the slender lorises, however, the white stripe that separates the eye rings broadens both on the tip of the nose and on the forehead while also fading out on the forehead.
Like the song "Ja Ja Ja", "Ja Ja Wo gehts lank Peter Pank schönen Dank" is an example of hard rock. To a very fast guitar riff and a drum lick consisting of only the bass drum and snare, Remmler sings a series of unrelated phrases in German including Trio's telephone number. The songs ends abruptly without fading out. The only "cover version" on the album is "Ya Ya", a Rhythm and Blues hit by Lee Dorsey in 1961.
The track ends by fading out during the middle of a verse, offering the listener no definite conclusion. Each version of the single has featured the instrumental of the track on the B-side. The lyrics take the form of improvised role playing, with Rammellzee playing a pimp and K-Rob in the character of a schoolboy. Rammellzee's vocal delivery has been cited by Allmusic as a clear example of his "flights of wordplay, fantasy, and street surrealism".
In the new prologue, a group of planes is seen flying over what was ancient Rome. The conversation of the soldiers in one of the planes leads directly into the film's original opening scene. The last few seconds of the edited version of the film showed the planes flying off into the distance, rather than simply fading out on the original closing scene of the movie. For many years, this edited version was the only one available.
Instead of returning directly to tech house, Schaufler decided to create a record based on all of his own influences. As such, the album runs a gamut of indie dance, dub reggae, post-punk, Balearic beat, broken beat, Philly soul, Americana and downtempo music. Only one song, "Resistance", is a tech house song. "Flying" and "Sleepy Head" are two full- length ambient pieces; elsewhere, most songs disassemble into ambient reflections of themselves instead of fading out or cutting off.
The song begins with a fingerpicking section combined with an interpolation of a melody strongly based on Beethoven's Ode to Joy. As the song progresses, it builds into a march, with the introduction of trumpets and horns. Near the end, everything fades out as Oberst delivers the final verse, and then all of the instruments come in at once in a loud frenzy, and continue for about 30–45 seconds before fading out and ending the album.
"Shellfish Toxin" is an instrumental. It begins with the sounds of "seagulls laugh[ing] and the rapid-fire of sci-fi weapons blast[ing] in the distance, incidental sounds eventually fading out as some guitar notes are plucked and synthesized tones waver. A slow drum arrangement enters, with a breathy vocal introduced as accompaniment." The song "gradually deteriorates like an acid trip at the beach gone wrong" and has been described as the album's most "anomalous" song.
In the "Just Can't Last" music video, directed by Liz Friedlander, Merchant comes into view and is standing in front of a white screen in a black dress. Throughout the video there are three crawls going across the screen trying to match up people's bodies. In the end, everyone's body matches up and the video ends with Merchant walking into the distance and fading out. The video utilizes the 3:56 single remix, rather than the longer album version of the song.
After 4 years, the beginning of the end arrived in 1987, when Italo disco was fading out in Europe and its business suffered drastic decline due to the increasingly strong popularity of house music. The label, like many others, then tried to survive changing its style towards house and Eurobeat with discrete results. In 1989, Memory closed shop in 1989. Zanni and Cundari went on to form MCE Records to produce techno house music, but ceased its operations after Cundari's death in 1993.
Hoping the shadow figure to be her father, Aguilera holds out her hand with the elephant necklace on it to him. She breaks down crying when she realizes the silhouette has disappeared and that her father is gone. The video ends with a shot of Aguilera sitting on a circus box, singing and crying, before fading out to Aguilera's grief-stricken form on the ground outside the circus tent. The camera then zooms out and Aguilera is seen on the ground.
It was the last of their studio releases to carry a numbered title. The titles of the final two tracks are clearly intended as a joke. The preceding track, "Down the Road", fades into a swirling abstract jumble of notes on keyboards which plays with little variation for three minutes before fading out, and there is nothing musically to indicate the transition from German to French lessons, and no explanation as to why these two tracks are credited to different composers.
Living Root Bridges Living root bridge, Meghalaya Northeast India is also the home of many Living root bridges. In Meghalaya, these can be found in the southern Khasi and Jaintia Hills. They are still widespread in the region, though as a practice they are fading out, with many examples having been destroyed in floods or replaced by more standard structures in recent years. Living root bridges have also been observed in the state of Nagaland, near the Indo- Myanmar border.
"Space-Dye Vest" is the eleventh and final song from American progressive rock/metal band Dream Theater's 1994 album, Awake. The song was written entirely by the keyboardist Kevin Moore, and indeed its demo featured Moore on vocals. It is structured around a dark, brooding duet between Moore playing the piano and vocalist James LaBrie. The rest of the band kick in for a dramatic outro, fading out until Moore ends the song with the piano passage that opened the song.
With the exception of the vocals, the basic music tracks are the same as the Eat 'Em and Smile version, with the only exception being "Big Trouble", which ends abruptly as opposed to fading out on the English version. According to Sheehan, the album wasn't well-received, with many people considering it "gringo Spanish". Any future Spanish-version ideas were dropped. Sonrisa Salvaje was originally released on vinyl and cassette, but deleted almost immediately; a CD version did not appear until 2007.
In 1606, the Iga men rebelled due to harsh treatment. They continued to serve the shogunate as a musketeer unit and as dōshin, low ranking samurai policemen, with their ninja skills gradually fading out in later generations. One of the last known recorded ninja missions performed by an Iga ninja was in the late Bakumatsu period of the 19th century, when an Iga ninja by the name of Sawamura Jinzaburo infiltrated one of the black ships of Commodore Matthew C. Perry.
First, by applying for college, apologizing to Latonya (who doesn't accept it), and opting to stay in and do dishes instead of going out with her friends. The film ends with her and her father halfway between her high school and house, with him saying that he is going to walk with her the next day. She offers meeting him halfway (because of his hip), but he refuses. She starts to cry and the two embrace, slowly fading out to the credits.
Björk transforming into a polar bear in the music video of "Hunter". The video begins with a white screen followed by a fade-in of a close-up of a bald Björk. She passionately sings looking into the camera; as she shakes and moves her head, she begins to morph into a polar bear. Towards the end of the video, she completely transforms into the "techno-bear", before returning to her original state and the image once again fading-out to white.
A rare original variation has "Bend a Little" replacing "England" on side two (a repeat from side one, but with a slightly different mix), and "Ace" replacing "Travelin' Clean." Also, "High Cumberland Jubilee" continues to the end rather than fading out as on the standard version of the album. The longer version of "High Cumberland Jubilee" was used on Before The Beach. The 1998 re-release of the album contained an additional track, "High Cumberland Dilemma," which was recorded for but not included on the original album.
Opening with "Barbados", the version on the album was slightly different. It began with an additional pre-take-off conversation between Captain Tobias Willcock and Air Traffic Control, whereas the single version begins with the Captain's welcome to his passengers. At the beginning of the single, but not on the album, is the unusual sound of grasshoppers chirruping (which also features at the end of Rocket Now), and a dog barking. The album version of the track curtails the single's original ending, fading out earlier.
Composed in a minor key with whispering voices in the background (one of them being of Babyface's), the song features a string section in the middle eight. The instrumentation is kept at minimum to emphasize the vocals, and the song ends with fading out. Track eight, "Love Tried to Welcome Me", is a ballad which was inspired by a stripper Madonna met in a club, and has a fetish about rejection. The first 42 seconds consist of a string section, following which the verses start.
Christianity has influenced this modern trend in current marriage system among Bikpakpaam. Another prominent phenomenon that is waning in Bikpakpaam marriage system is polygyny. Formerly, a typical ukpakpanja could marry more than one wife, depending on his social and financial strength. Now due to Christianity, economic hardship, rivalry and modernity, the polygamy is fading out and most men now marry just one wife and a maximum of two except biborb (chiefs) who still marry many wives betrothed onto them by clans and well wishers.
If a close-range DF section heard the agent transmission, it first had to determine if all it was hearing was the ground wave, i.e. the radiations in the near proximity, or the skywave. If the section heard the agent transmission, without fading out, then it was an indication they were close to the agent. As the close-range HF DF section not only had direction but also senses, then the DF team, working on the direction of the agent, could take further bearings.
The performances of the tracks in the promotional film differed to the album versions. "Mihalis" had an extended ending guitar solo. "There's No Way Out of Here" was slightly shorter as one of the verses was deleted, but the ending guitar solo was different from that on the album and had a clean ending instead of fading out like on album version. "So Far Away" had an extended ending guitar solo on this performance and ended in a faster tempo than the album version.
This area is spirally sculptured with numerous, very fine, close-set threads, one of which, two-thirds of the way to the keel, is more prominent than the others. These are crossed by numerous rather irregular low sharp ridges strongest near the keel, which they nodulate more or less, especially on the earlier whorls, and, fading out toward the suture, faintly reticulating the spirals. The keel is high, sharply compressed below, with a rounded edge. The whorl in front of it is spirally sculptured with numerous flat low ridges with narrower channelled interspaces.
The first sample is of a male voice apparently telling a story in a restaurant while dishes clink in the background, and a female companion laughs. The second sample is from Skeeter Davis' 1962 recording of "The End Of The World" played on a scratchy vinyl record. Both samples return at the end of the track, with the male voice continuing his story and the Skeeter Davis record fading out with audible vinyl surface noise. The US version of "I've Changed My Plea To Guilty" runs 3.11 and omits both samples.
Sid Smith of the BBC wrote of the song, "U2's palette broadens on 'Red Light' with backing vocals from Kid Creole's Coconuts no less, and some equally superfluous trumpet – the latter making a tokenistic jazz noise atop the impervious surface of the band's default setting, that only loosens up enough to work effectively by the time the track is fading-out." Sputnikmusic contributor, John Cruz, felt the song indicated a change of tone on the album, saying: "The album's mood becomes looser, with Bono chasing hopeless love in Red Light".
While they had underage teams for most of their history and focused on developing this side of the club from the fifties on, they, like Commercials, were the club that any outsider who came to the city played for. The other clubs in the city had developed stronger roots and the locals could identify with them better. Things might have ended up differently if their field in Westfields was bought and developed for the use of Gaelic Games. This never materialized and the blue and gold of Young Irelands ended up fading out of existence.
Other spiral sculpture consists of (on the spire one or two) strong peripheral cords, swollen and almost angulated where they override the ribs. On the body whorl there are six or seven cords with much wider interspaces and as many more smaller close-set threads on the siphonal canal. The axial sculpture consists of seven or eight very prominent short ribs on the penultimate whorl; fading out on the body whorl, and rather prominent widely spaced incremental lines most conspicuous on the body whorl. The aperture is subovate.
During the bridge, a waiting room is shown where the other band members wait for the result of her condition; Jesse is shown in a room full of candles. When the bridge ends, she wakes and opens her eyes. At the end of the video, Jesse is shown lying on the ground at the scene of the accident, suggesting that he did not actually survive the crash. Between the storyline, the band is shown in a room where they play the song, with Jesse slowly fading out at the end.
Some historians have felt that, due to negligence and apathy by Government agencies, the inscriptions are fading out and damaged by vandals. Activities of coal mines in surrounding hills, industries like sponge iron are putting environmental pressure on this prehistoric archeological site. The rock shelter, where the inscriptions are found, is not fully protected and kept open to atmosphere, giving scope for vandals and visitors to deface the inscriptions. As it is located inside Reserve Forest of Belpahar range, the remote access to the place has also contributed to neglect by Government Agencies.
Evan Sawdey of the website PopMatters found several rock elements in the composition of the song. Vena also felt that what made the song stand out from others on the radio was the saxophone solo by Clemons right in the middle of the track, as Gaga belts out, "I'm on the edge with you." Robert Copsey from Digital Spy said that the musical composition is a mixture of loud-sounding electric guitars and club-beat influenced synths. The song and album ends with a long coda, with the sound of the saxophone fading out.
Often two to three puppeteers operate puppets on the screen at the same time, each one delivering the lines for his or her own puppet. As the players manipulate the puppets, placing them on the screen and then moving them away, they create the illusion of the figures suddenly materializing and then fading out. They also cause the figures to walk, sway, hop, and fly through the air. They can swivel a dancer's detachable head and manipulate her hands while keeping her hips swaying to create a remarkable illusion of twirling.
The album is composed of electronic ambient pieces, similar to Aphex Twin's Selected Ambient Works releases. Like the Aphex Twin releases, the work is mainly instrumental (although there are samples of the sound of a choir vocalizing on "Tongues", and a woman saying 'bad days' in the background of "Bad Days"). Many of the tracks are beat-driven, except "J Breas" and "Piano and String", which both use pianos and synthesizers. "Bad Days" uses a 'sweeping' synth effect, and "Sound" is a high pitched loop playing and fading out and in.
The movement gradually accelerates in this way, eventually climaxing on the note C from the entire orchestra before fading out into a quiet coda, which ends mysteriously and unresolved. # Allegro vivace #:This movement begins softly with quiet colouristic effects that seem to bubble from the texture: brooding sustained brass resonances and flickering woodwind and string pizzicati. Eventually the music becomes louder and more intense, with a great sense of Beethovenian dynamic energy. After a primary climax, the middle of the movement is dominated by mysterious threads of contrapuntal lines that gradually increase in dynamic.
The umbilicus is small, deep, and does not show any whorls. The aperture is somewhat oblique, circular with a slight sutural angle, and not modified by the body whorl to which the simple, continuous peritreme is but slightly attached. The aperture often has an indistinct thread just within the inner lip, fading out above and below, so that it extends but about halfway round the aperture. It is much nearer the edge along the columellar margin than at the ends and is evidently to prevent the thin operculum being drawn in too far.
Despite the multitude of electric guitar tones, no electric guitars were used in the recording process. The tones originate from Brown's acoustic Martin guitar, which is set up through two preamplifiers which are connected to their own power amplifiers. Brown can swap between the preamplifiers with the aid of an expression pedal so that he is able to "swell into a distortion sound while fading out the clean tone". Brown claimed he does not know "[that] many guitar players", thus he took three different guitar sounds that he enjoyed and merged them into his sound.
The Evening Mail advertised that it could be seen for a "small fee". Though Woolley was not known as a sculptor, the Hobart Town Examiner reported that "numerous" busts he had produced were at Walch and Sons and Birchall’s bookshops. As Charles Woolley photographed Aboriginal people of differenet nations he highlighted the details of how each was different, mainly anatomically. Woolley's "Trugannini" was produced as an engraving in the Atlas, the vignette form it took provided a visual metaphor for the fading out of the Tasmanian Aboriginal people.
After this, Wade is seen with the rest of Lifehouse in a concert setting in a restaurant. It then splits to shots of Wade singing the lyrics of the song to the camera. Toward the end of the video, it switches to Lifehouse playing the song in front of a crowd while showing shots of Wade in a car going down a highway. It ends with the scene of Lifehouse in a restaurant and then switches to a camera shot of all of the band members with the video fading out on Wade.
By the early 1930s longer songs were being put on both sides of records, with the piece fading out at the end of Side One and fading back in at the beginning of Side Two. Records at the time held only about two to five minutes of music per side. The segue allowed for longer songs (such as Count Basie's "Miss Thing"), symphonies and live concert recordings. However, shorter songs continued to use the fade-out for unclear reasons—for example, Fred Astaire's movie theme "Flying Down to Rio" (1933).
Another earthquake begins during the chorus and finally the band is shown playing an outdoor concert to fans in a Southwestern United States desert inside an Aircraft boneyard for the third verse, bridge and final chorus. One last earthquake is shown during the final chorus as well. After the band finishes the song, the video zooms out of the boneyard concert and back into outer space, focusing on Earth before fading out. The video swept the 2009 MuchMusic Video Awards, winning awards for best video, best rock video and best post production.
The Coleco Telstar brand is a series of dedicated first-generation home video game consoles produced, released and marketed by Coleco from 1976 to 1978. Starting with Coleco Telstar Pong clone based video game console on General Instrument's AY-3-8500 chip in 1976, there were 14 consoles released in the Coleco Telstar series. About one million units of the first model called Coleco Telstar were sold. The large product lineup and the impending fading out of the Pong machines led Coleco to face near-bankruptcy in 1980.
Micky Dolenz sang lead vocals, and was the only member of The Monkees who did not play an instrument on the track. For an ending, Douglas and engineer Hank Cicalo decided to "keep pushing everything up", adding more and more reverberation and echo until the sound of the music became unrecognizable, before fading out the recording. Separate mono and stereo versions were mixed for single and album records. The single peaked at No. 3 on the Hot 100 and was featured in the second season of their television series.
Eaton, p. 125. Simply Media brought out a second DVD release of the serial in September 2010, although on this occasion there were no extra features. This edition contained an edit not present on the 2002 BMG release; most of the song "Don't Look Back In Anger" by Oasis is removed at the end of the final episode, fading out early and the credits instead running in silence. Our Friends in the North has been invoked on several occasions as a comparison when similar drama programmes have been screened on British television.
The history of the City of Campbellton is not complete without mentioning the infamous Phantom Ship known as "Fireship of Baie des Chaleurs". Stories of its appearance include seeing a burning sailing vessel, sometimes a vessel with all its sails set scudding along the water or sometimes a ball of fire or burning vessel on the water's surface or fading out of sight. This is not frequently seen. Some believe it is a ghost ship from the Battle of the Restigouche whereas others believe it is merely caused by heat waves, reflections or hallucinations.
However, Lim did not contest in the election, while the Alliance Party did not win any seats; Lim resigned his chairmanship from the SPA, fading out of Singaporean politics. In January 1964, the then-Malaysian Prime Minister Tunku Abdul Rahman appointed Lim as Malaysian High Commissioner in Australia. When Singapore gained independence from Malaysia in August 1965, he acquired Malaysian citizenship and was issued a Malaysian passport. Remained in office as the High Commissioner, he described himself as a 'child of estranged parents', hoping for the reunification of the two states.
With the fighting fading out completely towards 23:00, the two commanders were at their respective headquarters, knowing that the following day would be decisive for the outcome of the battle. Meanwhile, with an extremely cold night settling in, soldiers from both armies lit fires to warm up, while they were resting and consuming their modest rations.Rothenberg 172. Late that night, the French Corps commanders reunited at the Emperor's headquarters at Raasdorf; only Bernadotte was absent, as he was still struggling to rally his routed infantry at Aderklaa.
In the film, this is replaced by Louis Armstrong playing introductory notes while Crosby is dressing. Then Crosby starts to sing as he continues to dress. In the United Kingdom, an instrumental version of the song recorded by the Pete Moore Orchestra was used by broadcaster David Jacobs to introduce his BBC Radio 2 program The David Jacobs Collection, which aired from 1998 to 2013. Jacobs had previously used the orchestral section of the soundtrack recording to end his music programs, fading out just before the Bing Crosby vocal began.
The scene for the video is set in a club with a bar and sees Jade and all her girls with their boyfriends hanging out, as Jade follows the camera as it changes angles. The video then fades out to Jade singing with her band behind her at the same club, before fading out a second time to Jade's fellow R&B; star Israel who also produced her album, as he adds his rap to the track, before going back to Jade as she performs to the crowd.
The fasciole is narrow, excavate, and crossed by close-set scales. The radials are arcuate round-backed riblets, parted by interstices of equal breadth, fading out on the base, absent behind the varix, amounting to thirteen on the antepenultimate whorl The spirals are close narrow threads, alternating in size on the peripheral area, and over-riding the riblets. On the body whorl there are twenty-five, of which ten ascend the penultimate. The aperture is fortified by a broad and high varix, from which a free limb reaches across the aperture, reducing the width of the aperture.
In concert, especially at acoustic shows, Matthews has been known to interpolate Elvis Presley's "Can't Help Falling in Love" towards the end of the song as the crowd sings along. Late saxophonist LeRoi Moore plays the melody of the song on the album version. During live performances of the song, the band plays an outro not featured on the studio version. Toward the end of the song, after it decrescendos, the band suddenly and intensely comes back in with the main riff of the song and finishes that way, as opposed to fading out gradually as on the album itself.
The subject of homosexuality is not infrequent in Pym's work, but it is usually referred to in oblique and subtle ways. This novel is surprisingly frank about the subject, especially for a comedy of manners published in 1958. The reader can reach no conclusion other than that Piers and Keith live together in a romantic relationship.Betty Smartt Carter, "Barbara Pym's Affectionate Irony", First Things, Nov 2006 The British class structure, which was gradually fading out at the time the novel was published, is essential to the interactions between the characters, like Wilf Bason, who cooks for a house full of celibate priests.
Defenders of slavery referred to factory workers as the "white slaves of the North". Meanwhile, Northern industrialists and workers benefited from the slave system, even as some westerners politicians and religious leaders denounced it. The South expanded into rich new lands in the Southwest (from Alabama to Texas).Adam Rothman, Slave Country: American Expansion and the Origins of the Deep South. (2005) However, slavery declined in the border states and could barely survive in cities and industrial areas (it was fading out in cities such as Baltimore, Louisville and St. Louis), so a South based on slavery was rural and non-industrial.
As the video continues, the desert road backdrop becomes more unusual, with landmarks such as Mount Rushmore with the heads of cats being passed by, until the bridge, where the car is seen to drive off a cliff and begins to fly (another allusion to Thelma & Louise). The video then continues with Ladyhawke playing the guitar in watercolour, and driving through space. The video finishes by fading out of the picture and back into the now-empty motel room. When producing the music video, Frater collaborated with Sarah Larnach, who also drew the album cover for the Ladyhawke album and her singles.
Mickey tries to comfort her, saying "My mother used to burn them all the time!" which made her cry even more, however, which leads to Fifi and Pluto crying too. Mickey suddenly has an idea, and leaves in a flash with Pluto. When they come back, they have several Nabisco products, including: Oreos, Lorna Doone, Ritz Crackers, Barnum's Animal Crackers, Social Tea biscuits, Fig Newtons (Mickey's and Minnie's favorite), and Milk Bones (which Fifi accepts and kisses Pluto). The film ends with Minnie kissing Mickey all over his face before fading out to "The End" and then the Nabisco logo.
In a fit of madness, Donald Arlington flees the house with Conrad in pursuit. He comes to his senses, and is not harmed. Julie realizes that Cummins, who is now firmly convinced that the hand is out for vengeance and even sees it playing the piano, is responsible for the attacks and confronts him; he tries to kill her, but she is able to escape by claiming to believe his claims about the hand. Cummins (now completely mentally unhinged) tries to burn it in the fire, but the hand crawls out and chokes him, fading out of existence after he dies.
In Windows 2000, Microsoft introduced balloon help-like passive pop-up notifications, tied to the notification area of the task bar. Notifications get queued when user is away or screensaver is running, and get shown when the user resumes activity. They remain on screen for nine seconds while fading out if the user appears to ignore them. Microsoft also adopted similar notifications for its other software such as Windows Phone using the Microsoft Push Notification Service, Internet Explorer 7 and later, Microsoft Outlook, Microsoft Security Essentials, as well as Windows 8 and Windows 10 using the Windows Notification Service.
The stereo mix of the song had been used on Shut Down Volume 2 when it was released in 1990 and 2001. A single mono mix appeared on the 20 More Good Vibrations compilation. On the 2008 Singles box set, a mono album version was used instead of the single mix. The original stereo mix of "Don't Worry Baby" had Brian's lead vocal hard-panned in the left channel, the instrumental track in the centre and backing vocals on the right, and had an uneven fade out with most of the instruments abruptly fading out before the vocals.
Bolides that disintegrated in the Earth's atmosphere worldwide, 1994–2013 On September 7, 2015, at about 08:40 local time a bolide meteor appeared over Thailand and burned up approximately 100 km (62 mi) above the ground. The meteor briefly flared up producing a green and orange glow before disappearing without a sound of explosion and leaving a white smoke trail. The meteor was recorded by several dashcams during the morning rush hour in Bangkok, and sightings were also reported in Thai towns of Kanchanaburi and Nakhon Ratchasima. The meteor was visible for about four seconds before fading out.
The antemedial and postmedial lines are incomplete or absent, when present then best developed toward the anal margin and fading out towards the costa, the antemedial line double, sometimes with slightly paler grey infill. The postmedial line double, often forming pale, indistinct crescent opposite claviform spot. The subterminal area with diffuse dark shading in subapical and anal areas, latter sometimes with a small white crescent. The basal dash is black and crisp and the orbicular spot slightly oblong to slightly kidney shaped, with an incomplete, thin black border and the interior slightly paler than the ground colour.
He believed that the complexity builds up more after the second chorus, when the choir fully supports Madonna's vocals and she re-utters the opening lines, but this time accompanied by a synthesizer and drum beats. While singing "Just like a prayer, your voice can take me there, Just like a muse to me, You are a mystery", an R&B-influenced; voice backs Madonna. The song ends with a final repetition of the chorus and the choir gradually fading out. Taraborrelli noted in Madonna: An Intimate Biography that the lyrics of the song consist of "a series of button-pushing anomalies".
Though she never takes any help from her husband, her son Azad often goes his father's house to take money from his father and spends lavishly. By the time when the liberation war of Bangladesh began, Azad was grown-up, almost self-reliant and a graduate from the University of Dhaka but in the middle of the war he is caught by Pakistan Army on 29 August 1971 and tortured brutally and martyred. Nonetheless Shafia does not lose hope and carries on searching for him, as the dead body is never found. Gradually her almost-fulfilled dream begins fading out.
At 4:30, the song fades back in for a reprise of the bridge, with an extremely flanged guitar playing the G minor, C major chord progression in the key of G minor. The drums and bass soon follow the guitar, with the bass playing the vocal melody from the lyric "In all of the universe, there is nobody for me" using the G minor scale. The drums slowly start building and the song eventually comes to a crescendo with layered guitar overdubs and synths. The song then suddenly stops with a soft synth fading out a second after the band do.
Escalator over the Hill is more than an hour and a half long and was recorded over three years (1968 to 1971). It was originally released as a triple LP box which also contained a booklet with lyrics, photos and profiles of the musicians. Side six of the original LPs ended in a locked groove, the final track "...And It's Again" continuing infinitely on manual record players. (For the CD reissue, the hum is allowed to play for almost 20 minutes before slowly fading out.) In 1997, a live version of Escalator over the Hill, re-orchestrated by Jeff Friedman, was performed for the first time in Cologne, Germany.
Jerry Causi, as lead vocalist, initiates call and response with Bruce Benson and Jeff Morris on backing vocals. There is also mockery toward bands from England with lyrics like "Your're either a girl, or you come from Liverpool", and more specifically "You can dance like a female monkey, but sink like a stone...yeah a rolling stone", a direct reference to The Rolling Stones. The song ends with a brief R&B-influenced; guitar solo before fading out. "Are You a Boy or Are You a Girl", with its B-side "Take It or Leave It", was released in September 1965 on the Laurie label.
After months of touring, the band signed with Eulogy Recordings where they released the Fading Out EP in 2002, and later their second album, also on Eulogy, titled Moments From Mourning, in 2002. Months after their last release, the band posted on their web site that a new EP was in the works. However, in 2004 the band announced it would be breaking up, never officially releasing the forthcoming EP. The band played one final show in their hometown to a sold-out crowd. The EP was to be titled Life On Repeat, and contained five tracks that were released to the public on their website before the band dissolved.
The dual meet event was fading out of favor in collegiate track and field and the Oregon-UCLA dual meet was discontinued with UCLA holding the advantage over the Ducks 10–4. In 1994, the Pepsi Team Invitational which included Oregon, UCLA and Washington was scored as a dual meet, which UCLA won. In 2008, the dual meet series between the two schools restarted and Oregon won the first three meets. Although the location of the meet had alternated between Eugene and Los Angeles between 1966 and 1976, subsequent meets have been held at Hayward Field in Oregon until 2011 where the two teams battled to a tie at UCLA.
The whorls are crossed below the subsutural band by about 16 strong, prominent, rounded, somewhat oblique ribs, most prominent on the middle of the whorl, but not angulated. On the body whorl these ribs become very oblique below the middle and follow the curve of the edge of the lip, nearly fading out anteriorly. The surface between the ribs is marked by faint growth lines and by fine, unequal, slightly raised revolving lines, which pass over the ribs without interruption. They become more evident on the lower part of the body whorl and are very faint on the subsutural band, which is more decidedly marked by receding, strongly curved growth lines.
The train sound effect was created by Slick using flangers and delay effects. The noise pans from right to left across the stereo channels before fading out using feedback, which Doggett likens to "disappearing into a tunnel". According to Nicholas Pegg, the effect "acknowledges" the influence of the 1974 album Autobahn by the German electronic band Kraftwerk, which begins with a car starting up and driving across the stereo speakers. Pegg believes another influence is from Edgar Froese of the German electronic band Tangerine Dream, whom Bowie befriended during his "Berlin" years (1977–1979); Froese's 1975 album Epsilon in Malaysian Pale also begins with a train sound effect.
Like a number of successful Paul McCartney songs, "Beware My Love" is made of several disparate elements. The song begins with a brief harmonium melody followed by a repeated acoustic guitar figure. (The song's album version has the previous song, "She's My Baby", fading out into the harmonium intro; "Beware"'s single version fades in as the harmonium part fades out into the acoustic guitar riff.) This calm intro provides a contrast with the propulsiveness of main body of the song. Linda McCartney sings the intro and outro movements, with her voice multi-tracked, effectively singing on behalf of Paul McCartney—who sings the lead vocal in the main song.
In the meantime, the oil wells around Pithole were rapidly fading out, and the area was becoming depopulated. Some work was done on an extension north 5 miles from Pithole to Pleasantville, where another local boom took place in 1868, but it is not clear that this was ever completed or opened. Forman joined Jacob J. Vandergrift, who had invested heavily in the Oil City and Pithole, to establish the Star Tank Line, which furnished tank cars for shipping oil from Pithole and was absorbed by Standard Oil in 1873. The two also constructed a 4-mile pipeline from West Pithole to Pithole to bring more oil traffic to the railroad.
Ian 'Shoey' Schubert (born 22 August 1956) is an Australian former professional rugby league footballer who played in the 1970s and 1980s. He later became chief salary cap auditor for the National Rugby League. An Australian international representative player, Schubert had a long club career which began with a sensational opening season for Eastern Suburbs, before fading out and re-inventing himself with Manly-Warringah and Western Suburbs so well that he regained his Australian jumper after having been in reserve grade a year prior. By the time his career closed Schubert had played 269 first grade games, which stood as the third highest in the history of the NSWRFL.
Some of these included "Taste is the enemy of art", "Religion is a club", "Ignorance is bliss", "Watch more TV", "Believe" with letters fading out to leave "lie", and "Everything you know is wrong". (During the first week of the tour, media outlets incorrectly reported that the words shown included "Bomb Japan Now", forcing the band to issue a statement denying the claim.McGee (2008), pp. 144–145) Before "Even Better Than the Real Thing", Bono channel surfed through live television programming, and during the song, as random images from television and pop culture flashed on screen, he filmed himself and the rest of the band with a camcorder.
One-chair or single-chair barbershops are small, usually independent, barbershops that have only one barber chair available to customers. This is an older tradition in the barbering business that is slowly fading out as the last generation of barbers begins to retire and few younger barbers step up to fill the roles. One-chair barbershops serve one customer at a time and provide a one-on-one barber experience, whereas multi-chair barbershops serve many clients at once and get clients in and out faster, so they can make more money by serving more clients concurrently. Some salons have also incorporated the single-chair barbershop model into their businesses.
The instrumental elements of the song are fast and aggressive. Significantly, "My Generation" also featured one of the first bass solos in rock history. This was played by Entwistle on his Fender Jazz Bass, rather than the Danelectro bass he wanted to use; after buying three Danelectros with rare thin strings that kept breaking easily (and were not available separately), a frustrated Entwistle used his Fender strung with nylon tapewound strings and was forced to simplify the solo. The song's coda features drumming from Keith Moon, as well, whereupon the song breaks down in spurts of guitar feedback from Townshend's Rickenbacker, rather than fading out or ending cleanly on the tonic.
Madonna sings the chorus in the same G3 to C5 range. After the second chorus there is a Spanish guitar interlude whence Madonna's voice expands to F minor as she sings "I want to be where the sun warms the sky" and then comes down to the C minor when she sings "loves a girl". There is another musical interlude with a harmonica and the song, after another chorus, ends with fading out and Madonna's voice uttering the words "Él dijo que te ama (He said he loves you)". Paulinho da Costa played percussion on the track with Jonathan Moffett on drums and it was engineered and mixed by Michael Verdick.
The entire video is portrayed to be a dream sequence by Prince, dozing off in his dressing room. In the United States, the single went to number 2 on the Billboard Hot 100 singles tally, the week of October 17, 1987, only behind "Lost in Emotion" by Lisa Lisa and Cult Jam. The single stayed in the top 10 of the chart for six weeks. The extended version of the song (called the "Long Look") is similar to the video but has an additional musical section in the middle of the song with Sheena Easton's vocal, and continues for a few more seconds instead of fading out at the end.
The chords in this section follow a progression of Em–D–Em–G–D–Em–G–D–A, implying a key of D major. The bass plays a G note beneath the Em chord, implying a chord change does not occur. The lyrics for this section are set in space above Earth and describe the sights that one witnesses, including China, the Grand Canyon, tuna fleets, and Bedouin fires. After the third chorus and a return of the bridge section, the song suddenly ends in a "low-key" fashion; most of the instrumentation stops and a regeneration of a guitar signal drifts back and forth between channels before fading out.
The Compact Disc version of State of the Art is sold with a video disc which contains the video for "Conquer Mentally". The video which includes ONLY the verses from Sadat X and Large Professor before it cuts to "On" featuring LOWD (track number 5 on the US release) which only plays for one verse before fading out. Other artists featured on the album can be seen on miscellaneous billboards, benches and backgrounds during the video which is mostly computer animated. The video, created by Jake York and Marcos Ponce, is also played on YouTube and rumored to be in rotation on MTV/MTV2.
The authors noted that the music was the central identification for the song, with its "splashes of electronica and production tricks" from reverse cymbal crescendo, and "tightly quantized" pitch and sounds from a Hammond organ. Madonna sung with her mouth close to the recording microphone, which Fouz-Hernández found gave the track a natural sound. Barry Walters from Billboard found the composition to also contain a blend of French electronica and 1970s electro funk, while Richard S. He of the same publication described the record as "postmodern, escapist dance-pop". The instrumental riff in the track is created by a 1970s analogue Moog synthesizer, which ultimately leads to the song fading out.
This was the last Morrissey release before he joined up with Alain Whyte and Boz Boorer on a full-time basis. The US and UK versions of "My Love Life" have some slight differences, both in the mix of the title track and especially in the mix of the B-side "I've Changed My Plea To Guilty." Both mixes of "My Love Life" use the same take, but the US version is a full 25 seconds longer at the end, while the UK version starts fading out at 4:08. The UK version of "I've Changed My Plea To Guilty" runs 3:40 and includes two overlapping samples at the beginning of the track.
In the United States, only the first five Presidents, from George Washington to James Monroe, wore this style of hat according to the fashion of the 18th century. James Monroe earned the nickname "The Last Cocked Hat" because of this. The tricorne quickly declined in use at the end of the 18th century. It evolved into the bicorne, which was widely used by military officers in Europe from the 1790s until World War I, not completely fading out of style until World War II. For enlisted soldiers, the tricorne was replaced by the shako at the turn of the 19th century, which had become the new dominant style of military headgear from 1800 on.
The series is only designed to have one commercial break on every episode; this is seen by the episode fading in and fading out at the middle of each episode, while Chris (or Geoff in the Aftermath episodes) says a line (like "We'll be right back!", for example) right before the screen fades. Originally, Teletoon has a commercial break on this fade, but as for Cartoon Network, they have two or sometimes even three commercial breaks on each episode, resulting in an edit-out and interrupting the main plot of that episode. One example is when a contestant or a team wins a certain challenge, and then all of a sudden the screen fades and a commercial pops out.
After the three beats of silence that open the score, a tubular bell is struck three times very quietly (pianissimo), with 12 beats between the strikes and gap of 18 beats between the groups of three. This bell tells of the death of Britten—it is the funeral bell. It continues to be struck in groups of three widely spaced intervals for most of the piece, fading out for a time in the last 21 bars, only to reappear at the last. After the bell has struck there is a brief pause for three beats of silence, and then the first violins begin setting the pattern which the rest of the ensemble will follow at slower speeds.
The establishing shot is of the landscape, which fades to reveal Manson tending to an unconscious man who has washed up on the shore. While she tends to him, the male members of Garbage are seen lurking in silhouette in the background, while she sees her own reflection acting independently of her at the man's other side. After a while, the man regains consciousness as the sky changes to pink and the image onscreen changes to soft focus, before fading out as Manson sings the final lyrics. The "You Look So Fine" video was first commercially released on All About Garbage, a covermounted CD-ROM issued by Italian magazine Tribe in 1999.
Some are not pleased with the officers; > others object to the paying of dues, while others still believe that they > can do better by themselves than by acting in concert with all the other > players; and so the Players' Protective Association gradually is being > allowed to die out. One hears but little of it now, and in a year from now > will hear less. It would have been a good thing for the players if they had > been true to its principles and the officials had been active in carrying > out all its aims and laws. However, there was failure on all sides, and the > result is that the organization gradually is fading out of existence.
It starts as the sound of slap bass plays along with sequenced synth bass, as Madonna sings the opening lines, "Keep, keep it together, keep people together forever and ever". As the first verse starts, a guitar comes into play with Madonna's voice being backed by percussion and banjo. After the second chorus comes near the end, Madonna utters the line "Brothers and sisters, They hold the key, To your heart and your soul, Don't forget that your family is gold", the percussion sound is thinned out and a mixture of the sound from a live drummer and conga comes into the picture. The song ends with the main groove sound gradually fading out.
The lyrics end at 3:37, and the song returns to the chord progression of D–D5–A5. The harmony gradually grows in volume until 4:33, at which point the song enters into a coda; the keyboards come to a finish and the guitar returns to playing A notes before fading over the next eight seconds alongside the bass. The synthesizer, drums, and drum loop conclude the song, fading out slowly over the last thirty-one seconds. Eno used a piano as a percussive instrument and mixed the result with the drum loop through a PCM70 effects unit to create a sound that bassist Adam Clayton called "eerie and foreign and scary".
A single from the album, "Tulsa Ballroom" became West's last Top 40 Country hit in her solo career. The other single from the album, "The Night Love Let You Down", didn't chart, her first single not to do so since her career on major labels began in 1963. The album did chart on the "Top Country Albums" chart (this would be West's last chart appearance on the "Top Country Albums" chart), but didn't go farther than No. 65. West was 50 at the time and although a highly popular concert artist her mainstream success on records was fading out like several of her other contemporaries, being overtaken by a new generation of stars.
Morgan described the single as different from the rest of the album, but not so drastically different that it would upset the fanbase, and he felt that, along with his respective management and record label, that it would stand out at rock radio and make a good single as a result. The song was described as "despondent" and "beautifully tormented", containing lyrics such as "It's so dangerous, all this blamelessness / and I feel like I've lost all the good I've known / See hope fading out of your eyes / This time the pain is going to feel unreal." The song was described as "alternative metal anthem" and a slow burn building of a "rock jam".
The forewings are ochreous, with a rosy flesh-like tinge, which becomes very narrowly rich salmon-red along the costa and termen, fading out toward the base. There is a slender purplish line, leaving the costa at three-fourths from the base, curves outward, running roughly parallel to the termen and reverting, with a slight bend on the fold, to the dorsum before the tornus. There are a few scales of the same colour forming an indistinct cloud across the end of the cell, and a minute fuscous dot occurs on the middle of the cell at a little less than one-third from the base. There is also a black spot at the base of the costa.
The original 1987 version ended in a fade-out while repeating the last line of the outro, "I will always feel for you". The "94 album mix", also included on the international edition of (The Best of) New Order as "1963-94", had all new orchestration and is similar in structure to the original version, except that the outro is removed and replaced with a repeat of the final bridge and chorus, faded out. The 1995 Arthur Baker remix restores the original outro, and, instead of fading out, has a cold ending after four repeats of the last line. An extended mix of "1963-94" appeared on the 2005 Singles compilation, while the 2016 re-release of Singles features the Arthur Baker remix.
Jacobs made his major league debut with the Mets on August 21, , hitting a three-run pinch-hit home run against Esteban Loaiza of the Washington Nationals in his first ever Major League at-bat. Jacobs rather instantly assumed the position of everyday first baseman and continued to hit, tallying four home runs through three games, during the Mets' 4-game drubbing of the Arizona Diamondbacks. During this stretch the Mets were able to pull within a half- game of the National League Wild Card lead, but faded quickly, dropping two straight games at home to the Philadelphia Phillies and promptly fading out of the race. Jacobs continued to play well, increasing his stock as a trade chip by slugging a monstrous .
78 Also according to Lucian Boia, Toma's belonging to one of Romania's ethnic minorities was of further interest to the regime, at a time when proletarian internationalism was highlighted in official discourse: "the recourse to 'other nationalities' seemed to the new masters as an ideal method to crush the traditional cultural patterns." Although Ion Vitner's study on Alexandru Toma served as a model for Mihail Novicov's monograph on Sadoveanu,Selejan, p.324 the poet himself was fading out of official discourse by the moment of his death. He happened to die in August, at a time when the regime was preparing to celebrate the 10th anniversary of an event which it considered its founding moment, the King Michael Coup of 1944.
Standard cassettes of the album end with the shortened "It's a Beautiful Day (Reprise)", fading out after Track 12 ("Yeah"), where this untitled track would continue on. Track 13 can be purchased also as part of the full album or as a separate piece from Queen's official online store. The LP (vinyl) edition of the album has only the first few seconds, which run into the run-off of the groove on the record, which actually means that if a listener has a record player which does not have an automatic stop activated at this point, it will play indefinitely, consisting only of the few seconds looped over constantly. The album's last listed track (all formats) is track 11: "It's a Beautiful Day (Reprise)".
As seen on Viking and MOC imagery, the streamlined forms of the Athabasca Valles often have up to ten distinct layers exposed by later catastrophic erosion, with each layer having a thickness of up to 10m. They are often paralleled by grooves that are up to 10m tall, fading out from the streamlined forms within a few hundreds of meters. These grooves are interpreted to be depositional, and are dimensionally consistent with similar features observed within the Channeled Scablands of Washington State. In support of the megaflooding hypothesis, some authors have interpreted the platy and ridged terrains (described by others as characteristic lava textures) as relict sections of the underlying Medusae Fossae Formation that have been exhumed by aeolian processes.
The entire Winnipeg police force was dismissed because its members refused to sign an anti-union pledge and was replaced by a much larger and better paid force of untrained Special Constables explicitly to end the strike and the police union. Today, in Canada, the term 'Special Constable' has been fading out and instead uses a more common name as 'Peace Officer'. Special constables / peace officers do not signify a police volunteer. Instead, they are sworn-in and employed by Police Services, law enforcement agencies or the provincial ministry responsible for law enforcement to undertake specific duties many of which require the powers of a police officer, such as explosive disposal technicians, court security, campus security, transit security, bylaw and traffic enforcement, or executive protection for diplomats.
Although she insisted that the 23-year-old himself and the 21-year-old Lai Wenfeng started a simple relationship in 1994 and broke up in 1997, they still attracted all kinds of rumors. In 1997, Yang Yuying suddenly announced that she was fading out of the singer's career, and the original record of the mainland's original record and the myth of Chinese native idol singers have not been broken and surpassed. At the beginning of 2012, Yang Yuying returned to the stage again, still showing a strong market appeal, and the media attention and influence did not diminish. Since then, Yang Yuying has appeared frequently in public media and in commercial performances, and has been enthusiastically embraced by a large number of fans of all ages.
In total, the song has three different versions, the original version, the album version and the acoustic version, with the original being the only one that is not featured on Phobia. The original version was released with the single and was the track used for the video and radio airplay. It maintains almost no difference from the album version, with an exception of the ending fading out on a lower note along with other minor differences. The album version is included on Phobia as the second track, it features the usual Breaking Benjamin sound of heavy percussion, down-tuned guitars, and the powering vocals of Benjamin Burnley, as well as the use of death growl vocals during two vocal passages.
Primarily these are works by the three principal composers of the Second Viennese School, Arnold Schoenberg, Anton Webern, and Alban Berg; Virgo cites the school as among his musical influences. (Also see the Samples section.) The paper also analyzes the overall structure of the song: it opens with a guitar arpeggio followed by a solo piano composition (noted as being "strikingly similar to Erik Satie's Gnossienne#1 in f"), along with a 5/4 drum loop. About one minute into the song, the bulk of the samples are introduced by a one-second sample from the fifth movement of Luciano Berio's Sinfonia, which is repeated intermittently throughout this section. The beat stops in the last minute of the song, which returns to the piano motif, fading out.
The wingspan is about 21 mm. The forewings are brownish ochreous, partly suffused with purplish grey. The first suffusion touches the flexus, is diffused outwards along the cell, branches narrowly to the costa at one-third, and is somewhat intensified on the dorsum at the same distance from the base. The second suffusion, faintly connected with the first above the middle, leaves the costa a little beyond the middle and fading out at the end of the cell, where there is a small round spot, reappears below this and is diffused downward to the dorsum and tornus, whence arises an indistinct, outwardly curved, series of small purplish grey spots reverting to the costa after forming a slight angle below it.
Radu Paisie's election to the throne was made possible by a collapse of public order and the fading out of the ruling dynasty, the House of Basarab. Wallachia's elective custom had always allowed sons born outside wedlock to contest the throne, creating the background for massacres among pretenders; in the 1500s, this strife was doubled by civil wars between factions of the boyar nobility. These backed individual pretenders in exchange for domination of the country's affairs.Cîrstina, passim; Gheonea, pp. 49–50; Rezachevici, passim The conflicts were tolerated by the Ottoman Empire, which exercised suzerainty over Wallachia and neighboring Moldavia (the Danubian Principalities), throughout the Medieval era. The fall of Hungary in 1526 left both countries entirely controlled by the Sublime Porte.
Besides automatic writing, Pessoa stated also that he had "astral" or "etherial visions" and was able to see "magnetic auras" similar to radiographic images. He felt "more curiosity than fear", but was respectful towards this phenomenon and asked secrecy, because "there is no advantage, but many disadvantages" in speaking about this. Mediumship exerted a strong influence in Pessoa's writings, who felt "sometimes suddenly being owned by something else" or having a "very curious sensation" in the right arm, which was "lifted into the air" without his will. Looking in the mirror, Pessoa saw several times what appeared to be the heteronyms: his "face fading out" and being replaced by the one of "a bearded man", or another one, four men in total.. Astral chart of the heteronym Ricardo Reis by Fernando Pessoa.
Double Platinum is the first greatest hits album by the American hard rock band Kiss, released in 1978. Many of the songs on Double Platinum were remixed and differ from their original versions: in the case of "Strutter," it was re- recorded with a slight disco beat and dubbed as "Strutter '78." Other songs ("Hard Luck Woman," "Detroit Rock City") had sections completely removed, while the beginning of "Black Diamond" was repeated at the end, fading out at the start of the first verse and giving the song a "wrap around" feel. The overall sound of the album is slightly flat and compressed, to give a similar sound to the varying productions of each track which are taken from the albums between the years 1974 up to 1977.
It was founded in 1871 by Iranis (a term used for Zoroastrians in Mumbai who arrived in India in 19th century, as opposed to "Parsis"). These Zoroastrian Iranians came to India in the late 19th and early 20th century, and many of them opened restaurants now often termed Irani cafés. India's Iranian cafes fading out, Jayshree Bajoria, BBC News, 27 April, 2005 It first started out as a wholesale cooking oil store and over the years has variously been a restaurant, store and pharmacy (hence the name "Leopold Cafe & Stores" Yash Raj Films' asks hotels like Four Seasons, JW Marriott to pay for its music By Maulik Vyas, The Economic Times, Sep 18, 2014). Prior to the terrorist attack, it was particularly known as a popular hangout for foreign tourists.
Following Lee's death, the producers of Sesame Street were uncertain how to acknowledge the death of one of the series' most visible actors. After considering a number of options, including recasting the role of Mr. Hooper, explaining that he moved out of state, or having him retire, CTW decided to have the character of Mr. Hooper die as well, and created an episode that dealt with the difficult topic of death. Episode 1839, now known as "Farewell, Mr. Hooper," aired on November 24, 1983 (Thanksgiving Day), and was quickly selected by the Daytime Emmys as being one of the 10 most influential moments in daytime television. Before the broadcast ended, a picture of Lee was shown, along with the dates of his birth and death and the writing "In Loving Memory of Will Lee" before fading out.
"Runaway Child" then segues into an extended instrumental passage, during which Earl Van Dyke's Hammond organ, Joe Messina's electric guitar, and Dennis Coffey's distorted wah-wah pedal guitar take center stage for four minutes. After the instrumental builds the song up to a second climax, the track is stripped to the bassline and repeating hi-hat figure, and The Temptations return to the mix to issue one final admonition to the runaway: "Listen to your heart beat/it's beating much too fast/go back home/where you belong". The single version of "Runaway Child" only features the first five minutes of the song, fading out before the instrumental section begins. "Runaway Child, Running Wild" is often cited as one of the best songs on the subject of runaways, and Temptation Otis Williams often hears from fans that the record's terrifying depiction of running away kept them from doing so as children.
Despite this, the record label had serious problems with the lyrics "The blood is still as rich / That poor sinners drink like wine," until Hindalong had to explain to them that the phrase refers to the Christian practice of Communion. Some of the musical highlights of the album are the transitions between songs, which often blend into each other. "Clouds" and "Sad Face" are linked by the snippet of a hymn sung by Daugherty's mother, recorded at his parents' church, while "Sad Face" ends with a long instrumental break that includes portions of "Clouds" played in reverse. "The Rifleman" includes a number of spoken verses recorded by everyone who was in the studio that day, and the fade-ins and -outs to different individuals speaking at the same time was mixed live as it was recorded, ultimately fading out to a snippet of "Render Love," from the band's previous album Diamonds and Rain.
Vlad Savov of The Verge has complained of under-saturated and distorted OLED displays, and there have also been reports of screen burn-in on some Pixel 2 XL units. The Pixel 2 XL also suffers from a "black smear" problem, which occurs when a group of black pixels transition to colored ones, and tend to linger for a while, before changing to their expected state. Google conducted an investigation and said that a software update would be coming soon that would add a new mode for more saturated colors, reducing the maximum brightness of the Pixel 2 XL devices by 50 cd/m2 to reduce load on the display, and fading out the navigation bar after a period of inactivity. The November security patch came with three new screen modes that Google promised earlier, although Google has also said that further enhancements would be included in a separate software update to be released in December.
The performance of "No Way" had Gilmour playing regular lead guitar solos at the end of the track on his Fender Esquire (with distortion) instead of the lap steel guitar solos (with distortion) that had appeared on the album version and had a clean ending instead of fading out like on the album (the remastered CD version of the album had Gilmour's lap steel solo extended this time to feature a duel between himself playing high notes on his lap steel and lower notes on his trademark Stratocaster during the fadeout on the remaster). The middle part of the album version, for where the first of two lap steel guitar solos were on the album version, was deleted. "I Can't Breathe Anymore" had Gilmour playing a regular guitar solo at the end of this song's performance while on the album version (and on the remastered CD in an extended coda), a distorted lap steel guitar countered the ending guitar solo. The ending of the promo performance of "I Can't Breathe Anymore" was longer than on the album.
The whorls are flattened below the shoulder and a little narrowed at the suture, which is strongly impressed. The sculpture on the subsutural band consists of numerous, close, revolving lines, most distinct towards the shoulder, and of small, slightly raised, thin riblets, which are most distinct close to the suture and strongly excurved in the middle of the band, but bend forward strongly to the angle of the shoulder, where most of them disappear or blend with the ribs and lines of growth a little farther forward. Below the shoulder the surface is covered by many, rather thin, closely arranged, revolving cinguli, which on the whorls of the spire are separated by interspaces about twice their own width, but become much closer on the middle of the body whorl, gradually becoming coarser and more widely separated as they approach the siphonal canal, those on the anterior part being also thicker and more obtuse. Numerous rather small and slightly elevated ribs commence at the shoulder and curve obliquely forward across the convex part of the whorls, extending to the suture on the upper whorls, but mostly fading out at the middle of the body whorl.
The video ends with the music fading out and a closing slide wishing "GOOD LUCK TO EVERYONE OUT IN SOCHI." It finally cuts to a station ident that features the Channel 4 logo, a super- imposed, revolving, rainbow-coloured prism and the caption: "BORN RISKY". Channel 4's Chief Marketing and Communications Officer, Dan Brooke, has been quoted as saying: "This is a typically Channel 4 way of celebrating the start of the Winter Games and showing our support to all of the athletes out in Sochi, gay or straight." The video was scheduled to be broadcast by the channel for a week after its launch and ties in with Channel 4's temporary rebranding of its logo in the rainbow colours, in response to Russian legislation restricting the rights of lesbian, gay, bisexual and transgender (LGBT) people, introduced in 2013,LGBT rights in Russia as well as widely reported human rights abuses against members of the LGBT community, such as those investigated in Channel 4's own documentary "Hunted", which was first broadcast in the "Dispatches" series on Wednesday 5 February 2014, in the run up to the Sochi Winter Olympics.

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