How to use extemporizations in a sentence? Find typical usage patterns (collocations)/phrases/context for "extemporizations" and check conjugation/comparative form for "extemporizations". Mastering all the usages of "extemporizations" from sentence examples published by news publications.
His 1962 adaptation of the novel by Franz Kafka offered one of his most ingenious extemporizations: Told that his producers had not procured the funds necessary for his elaborate sets, Welles discovered a moody, abandoned Parisian railway station and shot the bulk of the picture there.
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Variations and extemporizations on elements of the original song and its ten different remixes were incorporated into a forty-five minute set. It marked 15 years since the original release of the song. In November 2013 a Drum and Vocal Renditions version of Merz's album No Compass WIll Find Home was released by drummer/sound artist Julian Sartorius. Only the vocals from the original album were used to re-create the songs in drum and percussion arrangements.
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There's an element of folly to the whole thing – > you look even though you know you shouldn't. Music kind of yokes together > the feeling of attainment and the feeling of loss at the same time. In Stuart Nicholson's words, "Mehldau's art is not based on negotiating his way through a harmonic sequence with a string of bravura licks [...] Instead he patiently weaves melodic developments from motifs, fragments and inversions of the [...] songs he plays into the fabric of his extemporizations, making the tunes gradually assume the proportions of an alternative composition."Nicholson, Stuart (December 2001) "Brad Mehldau Trio: Progression: Art of the Trio, Volume 5". JazzTimes.
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He employed every variety of lyric and made his mark in all. His roundels are good, his epigrams witty, his satires rigorous and searching, his odes often full of nobility, but his fame must rest on his sonnets, which almost rival those of Camões in power, elevation of thought and tender melancholy, though they lack the latter's scholarly refinement of phrasing. So dazzled were contemporary critics by his brilliant and inspired extemporizations that they ignored Bocage's licentiousness, and overlooked the slightness of his creative output and the artificial character of most of his poetry. In 1871 a monument was erected to the poet in the chief square of Setúbal, and the centenary of his death was observed there with much circumstance in 1905.
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20 "There seems to be a general movement on both sides to try and salvage, preserve and develop the musical culture of the region at a time when war and political strife mitigate against such concerns. Jozef Kapustka’s Improvisations with Bashir, which sets Kapustka’s piano alongside the santur (a hammered dulcimer) and the tonbak (one of the splendidly onomatopoeic names given to the double-pitched hand drum common throughout the region)before closing with an extensive solo piano workout, is a fine example of this, its slowly developing, restrained extemporizations building sonic structures that seem to shimmer like desert mirages." Mikołaj Szykor Józef Kapustka:Improvisations with Bashir Nowa płyta Józefa Kapustki (wyd. DUX), jest nagraniem, które mnie osobiście zaskoczyło… choć może lepszym słowem będzie zafascynowało… i to od pierwszych dźwięków.
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Jazz music incorporates a wide variety of ornaments including many of the classical ones mentioned above as well as a number of their own. Most of these ornaments are added either by performers during their solo extemporizations or as written ornaments. While these ornaments have universal names, their realizations and effects vary depending on the instrument. Jazz music incorporates most of the standard "classical" ornaments, such as trills, grace notes, mordents, glissandi and turns but adds a variety of additional ornaments such as "dead" or ghost notes (a percussive sound, notated by an "X"), "doit" notes and "fall" notes (annotated by curved lines above the note, indicating by direction of curve that the note should either rapidly rise or fall on the scale), squeezes (notated by a curved line from an "X" to a specific pitch, that denotes an un-pitched glissando), and shakes (notated by a squiggly line over a note, which indicates a fast lip trill for brass players and a minor third trill for winds).
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