136 Sentences With "Everywoman" | Random Sentence Generator

CHRISTINA APPLEGATE Jen is unlike anyone, but she's an Everywoman.

This time, Lopez made her personable, everywoman friendliness her savior.

She came across as Everywoman — an Everywoman with a Ph.D. — at once guileless about politics yet schooled in the science of memory and psychology, "terrified," as she put it, to be at the center of the vortex.

She is everywoman; it seems almost that she was never truly there.

Stacy functioned as our white-trash Carrie Bradshaw—a salty, sympathetic everywoman.

It's easy to imagine her an everywoman telling it like it is.

For Colt Coeur, Adrienne Campbell-Holt directs a story of an American everywoman.

At the hearing, Dr. Blasey came across as an Everywoman — an Everywoman with a Ph.D. (Read our profile of her.) Her testimony was a stark reminder of gender dynamics and of the mental gymnastics required of women who speak up.

It's designed to make her appear like an everywoman, despite her far-left politics.

Now Schumer is bigger than ever before — and farther than ever from being an everywoman.

Slimane has a fantastic and directional mind, but his previous work celebrates outcasts, not the everywoman.

"When It's You," with its wry Everywoman of a narrator, is more drawn to the commonplace.

She's both the everywoman and the everything woman of pop—equal parts mall rat and celebrated icon.

She's a quintessential Everywoman trying to make her way in an appearance-obsessed society, to humorous effect.

Clinton finally got to unload what felt like the pent-up frustration of Everywoman, it was powerful.

It's for the everywoman who's working on her own project, whether it's a company or consulting or writing.

Now comes the pivot where the type-AAA female becomes an Everywoman, with advice on how to relax.

The shrine's exalted centerpiece is a full-size mannequin bust, iconic and anonymous, an everywoman, both consumer and consumed.

In her longer pieces, however, her Everywoman struggle to be a good parent becomes more hospitable to conflict and inconsistencies.

"It was an Everywoman name," used for everyone who once formed an underground network that provided clandestine abortion services, Laura Kaplan said.

And maybe I'm over-projecting, but doesn't that make this seem, at this moment in time, like an Everywoman kind of play?

A slickly produced video shows her as a strong Everywoman — mother, lawyer and patriot of France (whose symbol, Marianne, is a woman).

"[A]n everywoman she is not," the Post declared, noting that Clinton had worn a $12,495 Giorgio Armani jacket at a speech.

Both actresses play the character as an affable everywoman who cares about her friends and family, and has a general zest for life.

"Adele's isn't the Everywoman hand," said Jennifer Adjali, the global director of education for Essie nail polish, whose campaigns often feature Ms. Uddo.

Obama's Everywoman appeal, pledging to "take good care" of the kitchen garden she has planted at the White House, and speaking, as Mrs.

In that sense "Mary Jane," with its ordinary name, is a character study, an Everywoman story, despite its origin in specific personal experience.

There are trends, and there are trends: the ones so beloved by celebs and the everywoman alike that they just don't seem to quit.

But in Didion's view they were all the same, all the Everywoman, all capable of making different choices from the ones they had made.

She's not in the declarative, Everywoman anthem mode of "Girl on Fire" or "No One"; she's breathy and almost breathless, reveling in the subjunctive.

A small seated figure in a large white space, Mr Gates has underlined her "everywoman" status by casting her from tar, one of his favoured materials.

The writer is co-founder of Everywoman Everywhere, a grass-roots campaign to fight violence against women and girls, and the author of "A Thousand Sisters."

The actress, who died Wednesday at age 80, became so invested in health that she filmed several workout videos for the "everywoman" — those aged 35 and up.

These were tips for the everywoman who didn't mind that her clothes reflected the fact that she actually lived in them (and had a good time doing so).

In Gillibrand's announcement of an exploratory committee in January in her hometown of Troy, New York, the senator packaged herself as a political dynamo, a "young mom" and everywoman.

Dolce & Gabbana does not make clothes for the everywoman, but its designers are as keen as Disney to get everywomen dreaming about fantasy lives lived in pretty, glittering clothes.

Whether Winnie is a symbol of a despoiled Mother Earth or just an Everywoman trapped in the wasteland of life, this production, directed by James Bundy, does not decide.

That was the brand Kelly was hoping to capitalize on in her transition from political firebrand to the everywoman for daytime audiences, but it was rocky from the start.

She attended the charter meeting of the colored Everywoman Suffrage Club in 1914 and was elected its president, a position she held until well after passage of the 19th Amendment.

But now those roads have converged on the presidential campaign trail, with Ms. Holton sharing stages with the Clintons and amplifying her husband's high school teacher vibe with her Everywoman appeal.

Her popularity exploded last year with the publication of "Girl, Wash Your Face," a self-help manifesto that interrogates the "lies" that Ms. Hollis (and, by extension, the Everywoman) tells herself.

For many women, David is an easy person to identify with—the everywoman who was scorned in a very public way, and whose ex immediately rushed into commitment with an international pop superstar.

"I mostly just realized that yes, they were saying my name, and yes they were standing by me, but it was really just a symbol for the bigger issue, the everywoman issue," Sadler said.

Sedaris may not be the everywoman—she is a blonde celebrity, after all—but she presents herself as a flawed human being, and her advice acknowledges that she is also speaking to flawed human beings.

Though she drinks more (half a bottle of wine more per week), earns more as a "top news producer" and takes fewer "men for [her] own pleasure", she matches the physical blueprint of the everywoman exactly.

The "Everywoman" anchorwoman is almost always white — a point raised in fleeting appearances by Mindy Kaling as a rival anchorwoman in "The Morning Show" — and Fox News elevated her race to a new level of significance.

That was my interest when I was working with my image: a very specific kind of self-portraiture, where the character was a person, as opposed to somebody like Cindy Sherman's characters where she's exploring an everywoman.

An apotheosis of American girlhood, Nancy isn't quite an everywoman — we can't all crack a safe or pilot a speedboat — but she is an archetype, just generic enough for readers to imagine themselves in her sensible heels.

It follows the stories of five of those passengers (the other three are soon blown up) as well as that of Libby Dixon, a young everywoman who is serving her week on the ultra-secretive Vehicle Inquest Jury.

Ocasio-Cortez's unusual candor about her personal experience allows her to come across as an everywoman—and also to assert pride in her identity as somebody who is breaking into spaces that haven't historically included people like her.

The rot in America doesn't come from an invading force in these books, it comes from within, to the shock and dismay of some everyman (or everywoman) protagonist who holds the comforting belief that, well, it can't happen here.

What that did was reinforce the idea that the female body not only needed to be clothed, but that it needed to be rewarded and celebrated — and provided the everywoman with the handbook in feeling powerful in their nakedness.

She has that same everywoman down-to-earth anti-celeb thing that people either love or despise Jennifer Lawrence for, but which may also be the least terrible way to exist sanely within the horrendous headfuck of contemporary fame.

In those early days it and Instagram were rivals for your visually-based social interactions, but where Instagram courted teens and celebrities with gaudy filters and an air of exclusivity, Pinterest was for everyone—in particular it was for the everywoman.

Chrissy Teigen, a hero of the Everywoman who is not afraid to talk frankly about perineal distress, tweeted back in 2016 that she was buying herself a "push present," accompanied by a picture of one of these clear plastic peri bottles.

In "Rhoda," which made its debut in 22010 and ran until 22013, the character moves back to New York City and, as someone with acknowledged flaws and insecurities, becomes a kind of Everywoman alternative to Mary Richards's ideal American sweetheart.

The Amy Schumer brand of studio comedy rests on the notion that she is Everywoman — which means that when she approaches the front desk of a SoulCycle studio in the opening moments of I Feel Pretty, we know where this is going.

While she was still a prospective first lady, she famously insulted all those cookie-baking mothers of the world; there was a gap between her and everywoman, and she walked right into it with a misstep that colored her public persona going forward.

The sole unnamed character in the novel (a fact that emphasizes her mythic status and role as an "Everywoman"), she survives in a future post-civil-war society in the wilds of Virginia's Blue Ridge Mountains, eking out an existence however she can.

Having spent more time as a bartender than a politician, she has an appealing everywoman persona, and a Latina from the Bronx is the reminder mainstream politics needs that there's more to working-class life in America than old guys in Appalachian diners.

It dawned on me that Sandberg was human—a small, vain, bright, self-absorbed, convivial everywoman with a talent for money and fame—and that no one human, even Sandberg, could discipline the galactic, epochal spiritual wildfire that Mark Zuckerberg had inflicted on the Internet.

She's an ace Everywoman, the star with that ineluctable something who also feels like best-friend material, the sort you can weep, laugh and close the bar down with, and who makes it easy to wake up the next morning feeling faintly optimistic about the new day.

As a general rule, though, the show's been at its best when presenting sharply feminist (and hilarious) sketches that cast its star as an everywoman stand-in for her audience — young, female, self-deprecating, struggling to get by in a culture that often seems hopelessly stacked against them.

A House for Essex, Essex, by Grayson Perry Dedicated to a fictitious Essex everywoman, whose invented biography — including death by curry-delivery moped — provides inspiration for the kooky tapestries covering the walls of its chapel-like interiors, this is the most extraordinary rental home in England: a fairy-tale house and a work of art.

Kravitz is pitch-perfect as the elusive A-lister who's had enough of the Hollywood life, but Kirke, who holds our attention for the entirety of the film, is the kind of everywoman protagonist who is not plebeian but rather someone who proves to be clever—even when her disguise isn't so—in dire situations.

They were well-executed, but Ms. Perry was plainly more at ease when she could carry out her Everywoman approach to megafame, like when she invited an audience member — "a dad!" she screamed — to play basketball with her, or when she made a plea for peace and tolerance and then brought a young girl onstage for a hug and a chat.

And while I wouldn't go so far as to call Katie Otto an everywoman — she is, after all, a college-educated, conventionally good-looking, and comparatively privileged white woman — she is also part of a new wave of female representations of TV, in which women who wear a size 8 or up are portrayed as real, fully fleshed-out people, not as a stereotype of a fat person.

Francis (1874–1969) was a suffragist and civil rights activist who was the first president of the African-American suffragist group, Everywoman Suffrage Club.

In 2016 Newton won the Institute of Practitioners in Advertising Women of Tomorrow Award. In 2017 she won the FDM Everywoman in Tech Inspiration Award.

She was also recently announced as the winner of the Entrepreneur of the Year Award during the 2014 edition of the FDM everywoman in Technology Awards.

Her Broadway plays included Laugh, Clown, Laugh! (1923), Everywoman (1911), The New Dominion (1906), and Sam Houston (1906). Kerrigan's film debut came in No. 99, with her brother as the star.

Karen Gill and Maxine Benson co-founded and own Everywoman, as well as Modern Muse. Both Gill and Benson were awarded an MBE in 2009 in recognition of her service to women’s enterprise.

Julie joins Sam in his adventure, demonstrating more brazen courage. Also lacking powers, she is an everywoman to match Sam's everyman. Due partially to Smith's behavior, Julie becomes briefly involved with industrialist Charles Locke.

The Undercurrents Series explores the feminine perspective of relationships between lovers, friends and family members. In 2007 the painting Everywoman became the symbol of a research into the psychological impact of genetic breast and ovarian cancer at the Leiden University Medical Centre. In 2011 Everywoman was used on the cover of the research publication. In 2011-2012 Paola collaborated with art critic and author Claudia Moscovici, creating The Seducer painting, inspired by Moscovici's research and novel by the same name, to raise awareness of psychopathic seduction and domestic abuse of women.

"Every Man Has a Woman Who Loves Him" was later released as a single by Yoko Ono in 2004 under the title "Everyman... Everywoman...". The Blow-Up remix was later included on Ono's 2007 remix album Yes, I'm a Witch.

The British Liquid Crystal Society gave Majumdar their Young Scientist Award in 2012. The London Mathematical Society gave her their Anne Bennett Prize in 2015. In 2019 she was the winner of the academic category of the FDM Everywoman in Technology Awards.

She starred for five years in Everywoman. During her travels she was known as "the most beautiful blonde on the American stage". She made two motion pictures including The Devil's Toy (1916) and The Riddle: Woman (1920). By December 1917, Blood retired.

" In September 2005, Floyd elaborated on her comments about Grace in Elle saying: "Nancy's appeal is not unlike Oprah's. Nancy is Everywoman, someone you could see at a mall, on the bus. She's not an elitist from Harvard. She is what any woman could become.

In 1968, she campaigned for Robert Kennedy. She had a syndicated women's page column, "A Woman, Still", and from 1972 to 1976, was a television host, first with Everywoman and then with Nine in the Morning. She worked for Committee for National Health Insurance.

Linda Rosborough, "Canadians on list for Orange Prize". Winnipeg Free Press, March 25, 2007. She followed up with The Wife's Tale in 2009,Rebecca Wigod, "Mary Gooch, overweight Everywoman; Lori Lansens' compulsive overeater is pushed into changing her life". Vancouver Sun, September 12, 2009.

USA Today. Retrieved on 2011-04-17. Steven Hyden of The A.V. Club commended Blige for "reaching beyond the relative stability of her personal life and playing up the vulnerable everywoman persona that's long resonated with her female fanbase".Hyden, Steven (December 18, 2007).

Atherton worked as a journalist from 1980. In 1984, she co-founded Everywoman - a "post-feminist" women's magazine, and later co-wrote a book on housing for single homeless people in North London. Atherton also worked with ex- offenders, and co-founded a women's shelter in West Sussex.

On 23 February 2017, her first book, Everywoman, One Woman's Truth About Speaking the Truth, was published by Penguin Books. In May 2019, the book was optioned to be adapted as a television drama by RED Production Company. Her second book, Truth to Power: 7 Ways to Call Time on B.S., was published by Octopus on 3 October 2019.

A promotional photograph in Theatre Magazine advertising Hall's role in Everywoman by Walter Browne. The play premiered at the Herald Square Theatre in New York on 27 Feb 1911. Hall wasted no time getting back to work, however. She soon became a leading lady of the Arden Stock Company in Washington, D.C. before moving on to New Orleans, Louisiana.

The first production of Everywoman by Walter Browne came at the Herald Square Theatre in February 1911. Hall was in the production together with Patricia Collinge and Wilda Bennett. Hall was in two motion pictures. They were most likely produced in or around New York where the film industry was still centered and near stage actors.

Utilizing shoes again in 1994's she: a room full of women she brings together twelve pairs of women's and girls' shoes spray painted matte black. This piece is the first time that HeavyShield utilized her own words (eventually bringing her poetry into future work) with framed black and white panels over each pair of shoes, representing "everywoman".

Seize The Day have featured on the BBC Radio 4 programme Singing in the Wilderness, hosted by Tom Robinson. Lead singer Shannon Smy was subsequently interviewed for BBC World Service's Everywoman, reaching 45 million listeners worldwide. Smy's appearance was also selected for the Pick of the World programme, and Theo Simon was a guest on BBC Two’s Newsnight.

In November 2010 everywoman launched the Modern Muse project, designed to engage the next generation of female business leaders and entrepreneurs by showcasing women of today in all walks of business life. Modern Muse's goal is to reach out to one million young women and girls to inspire them to look at business careers and entrepreneurship as a way to achieve their dreams.

She had a syndicated newspaper column entitled "A Woman, Still" and from 1972 through 1976 was a TV presenter, first with Everywoman and then with Nine in the Morning. She worked for the Committee for National Health Insurance. She later married Lester Shor, a real estate developer. The wives of the Next Nine astronauts, chosen in 1962, began meeting in December 1963.

She began writing her syndicated column, "A Woman, Still", in 1965, ending the column in 1969. After their divorce, and at the invitation of Washington Post publisher Kay Graham, who owned the local CBS affiliate, WTOP, Rene developed and hosted a TV show entitled Everywoman, airing weekly on Saturday night. It took on then-controversial themes of the feminist movement and garnered a faithful viewership.

Murria was named Woman of the Year at the 2012 Cisco Everywoman in Technology Awards and Entrepreneur of the Year at the 2012 AIM Awards. She was also named Aim Plc CEO of the Year in 2013, and UK Tech Awards 2013 Tech Personality of the Year (shared with David Braben, CEO of Frontier Developments). In 2014 Advanced was named Technology company of the Year.

All songs written by Yoko Ono. #"You're the One" (Bimbo Jones Main Mix) - 5:25 #"Everyman Everywoman" (Basement Jaxx Classic II Mix) - 4:27 #"Walking on Thin Ice" (Felix da Housecat's Tribute Mix) - 4:25 #"Hell in Paradise" (Peter Rauhofer Reconstruction Mix) - 5:55 #"Give Me Something" (Morel Pink Noise Vocal Mix) - 4:22 #"Walking on Thin Ice" (Pet Shop Boys Electro Mix) - 5:31 #"I Don't Know Why" (Sapphirecut Mix) - 4:38 #"Yang Yang" (Orange Factory Down & Dirty Mix) - 5:01 #"Will I" (John Creamer & Stephane K Mix) - 5:17 #"Everyman Everywoman" (Murk Space Mix) - 3:59 #"Kiss Kiss Kiss" (Superchumbo Main Mix) - 3:49 #"Open Your Box" (Orange Factory Club Mix) - 6:19 #"Walking on Thin Ice" (Danny Tenaglia Walked Across the Lake Mix) - 7:50 #"Give Peace a Chance" (DJ Dan Vocal Mix) - 5:47 Tracks 3, 6, 8, 9, 11 & 12 are edited versions.

Since 2015, she has been a member of the Science and Technology Facilities Council (STFC) and chair of the STFC Skills and Engagement Advisory Board. She is a member of the Research Councils UK Public Engagement with Research Advisory Panel. Mundell is involved with several campaigns to improve representation of women in astronomy. In 2016, Mundell won the Woman of the Year Award at the FDM Everywoman in Technology Awards.

Gish, superficially fragile and innocent, could plumb the depths of her steely soul and find the will to prevail. The genius of both Seastrom and Gish comes to a climactic confluence in The Wind. Gish is Everywoman, subject to the most basic male brutality and yet freshly open to the possibility of romance. As a result, the film offers a quintessential cinematic moment of the rarest and most transcendentally pure art.

Judith Clegg was introduced to entrepreneurship at a young age by the examples of her father and grandfather, who were both technologists and entrepreneurs. Her father encouraged her and her sister to learn how to code when they were 7 or 8 years old. Judith attended an all-girls secondary school, and earned her bachelor of science degree, first class, in management science at Warwick Business School in 1993.Everywoman Profile.

" After her time in prison, Cookie needed to reclaim what she put into Empire. In order to "be a boss woman", Cookie sets up a wardrobe that allows her to "look like one." Empire costume designer Rita McGhee says of the character: "She is everywoman...She wears a suit, but it's a leopard suit and she wears it with some thigh-high boots. She owns the armor of her fashion.

Menstruation is mentioned in some Wiccan and pagan texts. There are collected books and material on Witchcraft and menstruation at the Museum of Witchcraft and Magic. In the 2010s public Wiccan and pagan practitioners began sharing rituals, spells and histories of menstruation in these belief systems. Pagan rituals and histories of menstruation is also discussed in books such as Penelope Shuttle and Peter Redgrove's The Wise Wound: Menstruation and Everywoman.

New Realities. Occultism & Parapsychology Encyclopedia. Accessed 2009-11-15. Ken Wilbur, in his book Sex, Ecology, and Spirituality expresses his appreciation for Bolen's two books Goddesses in Everywoman, and Gods in Everyman for its "wonderful presentation of all the 'archetypal' gods and goddesses that are collectively inherited by men and women..." Bolen was a keynote speaker at the 2015 Parliament of the World's Religions in Salt Lake City, Utah.

In July 2015 Tan White and Joe White were ranked 5th on Business Insider Indias list of the "13 Coolest Power Couples in London". In 2017 they were voted into the Europas, Hall of Fame. In 2013 Computer Weekly named Tan White a "Rising Star" as part of their "Most Influential Women in UK IT" campaign. In 2011 she was named Entrepreneur of the Year at the CWT Everywoman in Technology Awards.

Away from her broadcasting and television work, Gemma is a supporter of women's initiatives and hosted the FDM Everywoman in Technology Awards in 2016, 2017 and 2018. She also hosted events for the Inspiring Leadership Trust, including the charity's launch gala. She devotes much of her spare time to researching health optimisation through nutrition, exercise, biohacking and the latest tech innovations in health. Some of this has featured in her TV reports.

As Burney scholar Margaret Doody explains, "the heroine thus arrives [in England] as a nameless Everywoman: both black and white, both Eastern and Western, both high and low, both English and French."Doody, "Introduction", xv. She asks for help from the group, but because she knows no one, she is refused. The protagonist, later identified as Juliet Granville, tries to become self-sufficient, but her story reveals the “difficulties” of a woman in her friendless situation.

Josephine Earle (February 23, 1892 - April 26, 1960/1961) was an American silent film actress who worked in the United States and the United Kingdom. Born as Josephine MacEwan (sometimes listed as McEwan), she was of Scottish descent. Her first role was in New York as the Beauty in Henry W. Savage's production of Everywoman (1911–12). In late 1917 she accepted an invitation to go to England and appear in the stage production of The Lilac Domino.

She is also an award-winning writer of non- fiction, fiction and poetry. She has had media presence locally and abroad as a columnist since 1994 and commentator of current affairs since 2005. She has been quoted in the BBC and interviewed on Everywoman, a women's programme on Al Jazeera. She has helmed three columns: Off Our Backs (The Sun, Malaysia in 1995), Dina's Dalca (New Straits Time, 1996 to 1998) and I Am Muslim (www.malaysiakini.

She is also an Ambassador for rainforest charity Cool Earth, alongside Patron Dame Vivienne Westwood, as well as breast cancer charity Future Dreams. She has also worked with Made by Dyslexia and The Diana Award. In December 2013, Hoppen was awarded the Natwest Everywoman Ambassador award for inspiring young women to excel. On 29 October 2015, Hoppen was listed by UK-based company Richtopia at number 35 in the list of 100 Most Influential British Entrepreneurs.

Miranda Hart is a female comedian from the UK. She is most well-known for her television series Miranda. Her awkward and clumsy character in the show is a embodiment of all the society neuroses that women face in daily life. Such a style of comedy makes her into an everywoman. Hart herself sees a divide in comedy, with some using comedy as a tool to increase their coolness (others) and some using comedy as a tool for clowning around (her).

In 1911, Collinge played Youth in the Broadway production of Everywoman, with Laura Nelson Hall in the title role. She reprised the role in the 1912 London production starring Alexandra Carlisle. She appeared as Agnes with Douglas Fairbanks, Sr., Amelia Bingham, and William H. Crane in The New Henrietta, a play based on a comedy by Bronson Howard, produced at the Knickerbocker Theatre on Broadway in December 1913. In 1914, she again appeared with Fairbanks in He Comes Up Smiling.

He criticises the characters as sometimes appearing overly scripted. In an analysis of why the novel succeeded, Maass writes that > Zeidner dug deep, and as a result Claire Newbold achieves a kind of > Everywoman depth and power. Emotional appeal, a rare-but-credible decision > to drop out and the conflict inherent in a married woman plunging into a > mind-numbing, soul-freeing bout of sex all combine to make a breakout > premise. Poetic and honest writing then turn that premise into a breakout > novel.

Mazelis was born near Fairwood Common on the Gower Peninsula. She grew up in Swansea, later living in Aberystwyth and then London for over 14 years before returning to her hometown. She worked as a graphic designer for Spare Rib, Undercurrents, Women’s Review, Everywoman and City Limits. She did a Foundation Course at Swansea College of Art, and was awarded a Higher Datec Diploma from Ealing College of Higher Education, a degree in Art & English from Swansea Metropolitan University and an MA in English Literature from Swansea University.

While at Western Illinois University, McNeely decided that she was ready to go to New York City, where she moved in 1967 with her husband and opened a studio in the East Village. In 1968, she completed Woman's Psyche, a multi-panel work that Sharyn Finnegan has described as a "tragic vision of monthly bleeding." Maryse Holder characterized it an image of "an Everywoman deep with primal mysteries" in the " depths of the female experience."Maryse Holder, "Another Cuntree: At Last, a Mainstream Female Art Movement," Off Our Backs (September 30, 1973): 11–17.

The busts are also animated to blink, speak, drink and turn left and right for a short sequence. J. Stuart Blackton's Chew Chew Land; or, The Adventures of Dolly and Jim (1910) features primitive clay animation in chewing-gum inspired dream scenes. Walter R. Booth's Animated Putty (1911) featured clay molding itself into different shapes. Willie Hopkins produced over fifty clay-animated segments entitled Miracles in Mud for the weekly Universal Screen Magazine from 1916 to 1918. He also made artistic modeled titles for the movie Everywoman (1919).

The lyrics convey an actress's desire to become a film star and her promise to the narrator that he can be her chauffeur. According to Riley, the song satirises the "ethics of materialism" and serves as a "parody of the Beatles' celebrity status and the status-seekers they meet". Author and critic Kenneth Womack describes the lyrics as being "loaded with sexual innuendo", and he says that the female protagonist challenged the gendered expectations of a mid-1960s pop audience, as an "everywoman" with ego and a clear agenda.

Nellie F. Griswold Francis (November 7, 1874 – December 13, 1969) was an African-American suffragist, civic leader, and civil rights activist. Francis founded and led the Everywoman Suffrage Club, an African-American suffragist group which helped win women the right to vote in Minnesota. She initiated, drafted, and lobbied for the adoption of a state anti-lynching bill that was signed into law in 1921. When she and her lawyer husband, William T. Francis, bought a home in a white neighborhood, they were the targets of a Ku Klux Klan terror campaign.

At the end of 2015, Black published a book about the process, Saving Bletchley Park, initially funded via Unbound, that became the fastest crowdfunded book of all time. everywoman says Black "embodies the traits of a modern leader", particularly in regard to social media use. The BBC technology correspondent Rory Cellan-Jones spotted early on that Black was making sophisticated use of Twitter (and other platforms) in her campaigning. Black set up Techmums, reaching out to mothers who wanted to understand what their children were up to online.

She won the Wellington West electorate in the , when she defeated long-standing MP Robert Alexander Wright. She was the second woman to be elected to Parliament after Elizabeth McCombs and first to enter parliament as a result of a general election. Stewart saw herself as the "Member for Everywoman" and felt obliged to concentrate on issues in the interests of women, children and those in need. In 1941, she was joined by Mary Dreaver, also of the Labour party, bringing the total of female MPs to two.

Renat Nelli explains the entire débat as a Cathar exercise in worldly renunciation, while Angelica Rieger treats it as a traditional debate tenso on the value of marriage. Perhaps the most unconventional interpretation has been put forward by Patrician Anderson. Anderson theorises that the piece is a satire of Midons ("milady"), who chooses a convent for vanity's sake (a major point of the sisters' stanzas is the physical toll of marriage on the wife). Carenza therefore represents the virgin, Alais the peasant, and Iselda the noblewoman; together they are "everywoman".

Drawn by Alan Davis, the strip featured a pair of alien juvenile delinquents with a penchant for mindless thermonuclear destruction. He went on to create The Ballad of Halo Jones with artist Ian Gibson. Halo was an everywoman in the far future, born into mass unemployment on a floating housing estate, who escaped the earth and became involved in a terrible galactic war. Three books were published, and more were planned, but Moore's demands for creator's rights and his increasing commitments to American publishers meant they never materialised.

Seize The day's political and environmental commitment has sometimes led to controversy. In 2003 they won the Audience poll for the BBC Radio 3 Awards for World Music, but were denied the award (perhaps because of their stance on the war in Iraq) - and responded by protesting naked on the stage. Their music was featured however on the international CD Peace Not War, alongside Ani Difranco and Billy Bragg. Their international appeal was reflected in the BBC World Service listeners selection of Shannon as "pick of the week" in 2000, following her appearance on Everywoman.

Bennett's Broadway credits included Everywoman (1911-1912), A Good Little Devil (1913), The Only Girl (1914-1915), The Riviera Girl (1917), The Girl Behind the Gun (1918-1919), Apple Blossoms (1919-1920), Music Box Revue (1921-1922), The Lady in Ermine (1922-1923),"Lovely Little Runaway Scores Her Greatest Operatic Success" Asbury Park Press (November 7, 1922): 5. via Newspapers.com and the title role in Madame Pompadour (1924-1925). She had a "sweet" soprano voice. Bennett's later stage appearances were in Lovely Lady (1928),"Wilda Bennett in 'Lovely Lady'" New York Times (February 22, 1928): 24.

Ono had great success with new versions of "Walking on Thin Ice", remixed by top DJs and dance artists including Pet Shop Boys, Orange Factory, Peter Rauhofer, and Danny Tenaglia. In April 2003, Ono's Walking on Thin Ice (Remixes) was rated number 1 on Billboard's Dance/Club Play chart, gaining Ono her first no. 1 hit. She returned to no. 1 on the same chart in November 2004 with "Everyman ... Everywoman ...", a reworking of her song "Every Man Has a Woman Who Loves Him", in January 2008, with "No No No", and in August 2008, with "Give Peace a Chance".

The scene required several takes. Fierro recalled slapping the actor playing the police chief (Roy Scheider) 17 times, saying "I slapped him hard with a loose wrist, which was what I was taught in acting school." Fierro reportedly had also "objected to the profanity" of the scene's dialogue as originally drafted, and the director, Steven Spielberg, wanted dialogue that accorded with Fierro's "everywoman looks," so the scene's dialogue was rewritten the day before it was filmed. Fierro lived for many years on Martha's Vineyard, where from 1974 to 2017 she was artistic director of the Island Theatre Workshop and mentored hundreds of aspiring actors.

Shaikhli started her media career in 1990 in Washington as a broadcaster for Arab American TV. After joining the BBC World Service in London in 1994, Shaikhli went on to anchor several programs in various Arab satellite stations, where she then joined the Middle East Broadcasting Center in 1996 and later Abu Dhabi TV in 1999. Her shows include Dialogue with the West (MBC), Agenda (MBC), Dunnia (ADTV) and Panorama (ADTV). She hosted "A day in the life of Iraqi women" in 2007 as a Everywoman special alongside fellow Iraqi activist Houzan Mahmoud, in which they discuss the lives of Iraqi women under the US-led occupation.

She returned to London in April 1907 to join one of the theatrical companies of George Joseph Edwardes. In 1908, she returned to the United States to perform in George M. Cohan's The Yankee Prince when it had its premiere in Hartford, Connecticut. Hammerstein's hopes of eventually singing grand opera and becoming a prima donna were dashed when her father's throat specialist told her in 1908 that her vocal cords were "much too weak for really great music". Hammerstein's Broadway credits included Everywoman (1911), The American Idea (1908), The Yankee Prince (1908), Winsome Winnie (1903), The Blonde in Black (1903), Notre Dame (1902), and Frocks and Frills (1902).

As part of their efforts, they have sponsored the 2013, 2014, 2015 and 2016 everywoman in Technology Awards in London. FDM Group also has an ex- forces initiative, which began in their New York academy as the Veterans Initiative. Through this, they have partnered with the British Forces Resettlement Services and signed the Ministry of Defence Armed Forces Corporate Covenant as well as a US Army Memorandum of Agreement with the Army PaYS Programme. In New York, FDM Group has sponsored the Wall Street Rocks charity concert and marched in the Veterans Day Parade to further support the cause of helping veterans find jobs.

Basement Jaxx in 2016 In addition to their own work, Basement Jaxx have become in-demand remixers. Their more prominent work includes remixes of "4 My People" by Missy "Misdemeanor" Elliott, "Everyman… Everywoman…" by Yoko Ono, "Like I Love You" by Justin Timberlake, and "She Wants to Move" by N.E.R.D, which was included as a B-side on the follow-up single "Maybe." They also collaborated with Janet Jackson on unreleased songs for her Damita Jo album. Sophie Ellis-Bextor, as well as The Botz and Garold Marks, have stated they are fans and would like to collaborate with Basement Jaxx in the future.

In May 2018, Hambling was chosen to create a statue commemorating Mary Wollstonecraft, the “foremother of feminism”. The Mary on the Green campaign has been working to erect a permanent memorial to the philosopher and author of A Vindication of the Rights of Woman since 2011. It chose Hambling for the sculpture unanimously. Hambling's design, features a figure – described as an everywoman – emerging out of organic matter. It is inspired by Wollstonecraft's claim to be “the first of a new genus”. Wollstonecraft's famous quotation, “I do not wish women to have power over men but over themselves.”, will appear on the plinth.Slawson, Nicola (16 May 2018) "Maggi Hambling picked to create Mary Wollstonecraft statue", The Guardian.

Series creator Phoebe Waller-Bridge said that Polastri is an "Everywoman" to whom people can relate, wanting an easy life but craving an extraordinary one. Actor Sandra Oh remarked that Polastri lacks super-spy skills and James Bond gadgets, but has good instincts and general sense, a head on her shoulders and determination. Though Oh said that honesty is Polastri's superpower, the character has been described as being "cursed with zero poker-face game, a hilarious liability for a spy". While characterized as "a highly capable hot mess, the kind of unlikely hero who's always just on the edge of moral ruination", Polastri's determination is said to make up for her lack of guile.

Feeling that Bianca was defined only by her sexuality, they began writing her character "to become everywoman, to make her more real and to understand what makes her good or bad". Writers were initially uncertain whether to pair Maggie romantically with Bianca; they did not want Maggie to be a copy of Frankie, and subsequently scripted Maggie as heterosexual with various aspects of her personality different than Frankie's. Complicating matters further, Bianca was given a different lesbian love interest, Lena Kundera. At the time, in an interview reported by the New York Post, Frons stated that he considered the Lena and Bianca pairing "much bolder" than romantically pairing Bianca with "longtime" galpal Maggie.

Saint Phalle's light-hearted figures have been compared to the joyful dancers of Matisse and the sturdy female figures by Gaston Lachaise, Aristide Maillol, and Rodin. By 1965, she was calling her artistic expressions of the proverbial everywoman Nanas, after a French slang word that is roughly equivalent to "broad", or "chick". The first of these freely-posed forms—made of papier-mâché, yarn, and cloth—were exhibited at the Alexander Iolas Gallery in Paris in September 1965. During this show, she joined a type of tombola raffle organized by the Artist's Club of New York, whereby artworks were randomly left in coin-operated luggage lockers at Pennsylvania Station, and keys were offered for $10 each.

Labour's Consultation on Women's Safety, 'Everywoman safe, everywhere' is a UK policy consultation set up by Labour Shadow Home Secretary Yvette Cooper MP in November 2011 and will be chaired by former solicitor general Vera Baird QC supported by Kate Green MP (Shadow Minister for Equalities) and Stella Creasy MP (Shadow Home Office Minister) and will examine the cumulative effects of Coalition Government policy on women's safety, reporting its findings to the Labour Party’s policy making process. The consultation will hold events across the country with local women's groups to examine the impact of the Government's spending and policy changes on women's safety, and will also consider potential legislative measures that could safeguard women’s safety despite the downturn and the lack of available public funds.

"22" received mixed reviews from music critics. Jody Rosen from Rolling Stone called the song "rousing" and single-worthy, while AllMusic reviewer Stephen Thomas Erlewine states that Allen may feel more mature than her age and rather than directly suggest it, "puts it into the character sketch" of the song. Mayer Nissim of Digital Spy awarded "22" three stars and wrote that the song projects the life of a "Bridget Jones-type everywoman" and complimented the lyrics, but went on to say that Allen's "nursery rhyme melodies" are losing originality. Lucy Davies from the BBC considered that if, in the singer's opinion, women who are single and approaching thirty are worthless to society, then she could be "an unreconstructed male in a young woman's body".

This gained them a reputation in the pop and dance music world resulting in requests to write, produce and remix for several up and coming acts as well as some of the top names in music. The Flaming Lips chose Blow-Up to remix Ego Tripping and Madonna commissioned them to remix her Hollywood single for the American Life Remixed LP. After that project was cancelled, they remixed Love Profusion instead. More recently, they've completed remixes for Yoko Ono, Esthero, Blondie as well as Rod Stewart for a 25-year anniversary release of Da Ya Think I'm Sexy. Three of these remixes - Madonna's Love Profusion, Esthero's O.G. Bitch, and Yoko Ono's Everyman/Everywoman reached #1 on the Billboard dance chart in 2004.

In March 2008, she joined the international campaign to end gender-based violence at gunpoint. In a press release published in February 2013, Akreyi called on UN negotiators of the Arms Trade Treaty to include a legally-binding provision to prevent armed gender-based violence, noting the importance of maintaining the "momentum created over the last seven years" in favor of a strong and an effective Arms Trade Treaty. "We aim to provide new directions to assist in developing policy measures that counter the harmful impacts that illicit trade in small arms and light weapons have on vulnerable populations, especially on women and children" said Akreyi. In December 2014, Dr Akreyi joined the Everywoman Everywhere Coalition at the Harvard Kennedy School of Government’s Carr Center for Human Rights Policy.

The Ballad of Halo Jones is a science fiction comic strip written by Alan Moore and drawn by Ian Gibson, with lettering by Steve Potter (Books 1 & 2) and Richard Starkings (Book 3). Halo Jones first appeared July 1984 in five- page instalments in the pages of the weekly British comic 2000 AD and is regarded as one of the high points of 2000 AD. The eponymous heroine is a highly sympathetic 50th-century everywoman, and the tone of the strip ranges from the comic to the poignant. The three "books" span more than ten years of her life, and also serve as a tour of the well-realised futuristic universe which Moore and Gibson created. Originally, Halo Jones was planned to run to nine books, chronicling Halo's life from adolescence through old age.

He drew the covers for the English editions of The Catcher in the Rye (1951) and Raymond Chandler's The Long Goodbye. He illustrated religious works by Dorothy L. Sayers such as The Story of Noah's Ark (1956), The Story of Adam and Christ (1953) and The Days of Christ's Coming, (1960) in a slightly medieval style. Some of his illustrations for Mordecai Richler's Jacob Two-Two Meets the Hooded Fang (1975) riff off and rework George Cruikshank's illustrations for Oliver Twist. Working constantly to support a family of three children, Wegner undertook a range of illustration work for John Bull, Puffin Annual, Radio Times, Farmers Weekly, Everywoman, Woman and Beauty, as well as postage stamps for Christmas and other festivities and, from 1973, a string of drawings for the American children's magazine, Cricket, which featured running commentary by insect characters.

Morgan's articles, essays, reviews, interviews, political analyses, and investigative journalism have appeared widely in such publications as the Amazon Quarterly, The Atlantic, Broadsheet, Chrysalis, Essence, Equal Times, Everywoman, The Feminist Art Journal, The Guardian (US), The Guardian (UK), The Hudson Review, the Los Angeles Times, Ms. magazine, The New Republic, The New York Times, Off Our Backs, Pacific Ways, The Second Wave, Sojourner, The Village Voice, The Voice of Women, and various United Nations' periodicals, etc. Articles and essays have also appeared in reprint in international media, in English across the Commonwealth, and in translation in 13 languages in Europe, South America, the Middle East, and Asia. Morgan has served as a contributing editor to Ms. magazine for many years, receiving the Front Page Award for Distinguished Journalism for her cover story titled "The First Feminist Exiles from the USSR" in 1981. She also served as the magazine's editor-in-chief from 1989 to 1994, re-launching it as an ad-free, international bimonthly publication in 1991.