24 Sentences With "every mother's son" | Random Sentence Generator

He had been every mother's son and every woman's ideal husband; he had employed the hopes of every father of what his boy could be.

But all facets of her practice — from teaching art at Rikers Island to her mural "Every Mother's Son" (2014), gray-scale silhouettes of mothers who lost sons to police violence (and part two, which includes daughters), to her portrait of football player Colin Kaepernick that harkens back to John Carlos's and Tommy Smith's show of solidarity with the Black Panther Movement in the 1968 Olympics — push the conversation forward.

Every Mother's Son is the debut album by American garage rock band Every Mother's Son, and was released in 1967 on MGM Records. It blended both sunshine pop and folk rock influences. The album was preceded by the single, "Come On Down to My Boat".

"Big Balls" is a version of a song by AC/DC (with lyrics rewritten by Oldham), and "Every Mother's Son" was originally performed by Lynyrd Skynyrd.

A documentary film, Every Mother's Son, profiling the mothers of three men killed by the NYPD and their legal and political efforts, was made in 2004, about the cases of Gidone Busch, Amadou Diallo and Baez.

"Come On Down to My Boat" is a song written by Jerry Goldstein and Wes Farrell and performed by Every Mother's Son. It reached #6 on the Billboard Hot 100 in 1967 and appeared on their 1967 album, Every Mother's Son; on the album it was titled "Come and Take a Ride in My Boat". This same title was used by The Rare Breed who released their version the previous year - September 1966. The song was produced by Wes Farrelland was ranked #22 on Billboard magazine's Top Hot 100 songs of 1967.

The nucleus of Every Mother's Son formed in early 1966, when brothers Larry (vocals, guitar) and Dennis Larden (vocals, guitar) met Bruce Milner (organ, piano) at a Greenwich Village nightclub. The Larden brothers had previous experience playing four years together as a folk duo for engagements in Greenwich Village's burgeoning music scene. Milner had also spent time performing with various folk bands, but desired to involve himself with a group long-term. Soon after meeting Milner, the Larden brothers recruited Schuyler Larsen (bass guitar) and Christopher Augustine (drums), forming a quintet named Every Mother's Son, and rehearsed their sound before playing professionally.

The band invited Peter C. Leeds, a manager the Larden brothers knew from their days as a folk act, to spectate at a performance for a college fraternity. Impressed by what he witnessed, Leeds signed Every Mother's Son to a contract, and introduced the band to Wes Farrell, a songwriter and record producer who had composed songs such as "Hang on Sloopy", "Boys", and "Come a Little Bit Closer". Sensing the group's potential, Farrell utilized his Senate Records studio to record a dozen demo sides with Every Mother's Son. Through Farrell's connections in the music industry, five major record labels expressed interest in the band; ultimately, MGM Records signed the group as a clean-cut alternative to the 1960s counterculture.

Much of the music on the album was described as "clean summer rock (with almost imperceptible echoes of The Beach Boys and The Association)". Although Every Mother's Son never managed to attain huge commercial success that paralleled "Come on Down to My Boat", they flirted with the national charts throughout the remainder of the year. MGM Records quickly distributed their second album Every Mother's Son's Back in late 1967, spawning three charting singles, "Put Your Mind at Ease" (number 46), "Pony with the Golden Mane" (number 93), and "No One Knows" (number 96), but the album itself failed to sell in sufficient quantities to chart. Schuyler Larsen departed Every Mother's Son following the release of their sophomore effort, and was replaced by Don Kerr.

Larden had encountered previous success as a member of Every Mother's Son. Grimes later played with Captain Beefheart, as a member of The Tragic Band. Larden and DeWitt White would later become members of Toast, the backing band for The Monkees in the late 1970s. Goetz would go on to become the longtime manager of the Red Hot Chili Peppers.

Band members approached and organized by Goetz were Dennis Larden on guitar, Jay DeWitt White on bass and Ty Grimes on drums. Larden had encountered previous success as a member of Every Mother's Son. Grimes later played with Captain Beefheart, as a member of The Tragic Band. Larden and DeWitt White would later become members of Toast, the backing band for The Monkees in the late 1970s.

The Illustrated New Musical Express Encyclopedia of Rock. New York: Harmony Books, 1977, p. 234. At the beginning of 1970, after the demise of Blind Faith, Winwood returned to the studio ostensibly to make his first solo album, originally to be titled Mad Shadows. He recorded two tracks with producer Guy Stevens, "Stranger to Himself" and "Every Mother's Son", but yearned for like-minded musicians to accompany.

Dinah Shurey (1888 – 1963) was a British film producer and director of the late 1920s. She is most famously known for her 1929 film The Last Post. Additional credits to her name include Afraid of Love (1925), Second to None (1926), Every Mother's Son (1926), Carry On (1927). Shurey often calls upon themes surrounding the British war within her films, tending to take on a more melodramatic narrative style.

It remains the only studio album by the pre-crash lineup to have not yet reached platinum or higher in the United States, though it did include minor hits "Gimme Back My Bullets" and "Double Trouble." It is also the only studio album by the pre-crash lineup to contain more than eight tracks. Dinosaur Jr. frontman J Mascis covered the song "Every Mother's Son" on his 1996 solo album, Martin + Me.

"Funk, Eavesdropping, p 235 China was the third war film in a row John Farrow had directed after being discharged from the Canadian navy. Farrow was keen to make the movie as accurate as possible. "We have a big army and there are bound to be service men in every theatre", he said during the film's shoot. "Not only that, every mother's son has a mother – and you can bet she knows what it's all about too.

In 1968 work commenced on a third album; however, the group disbanded by the end of the year. Dennis Larden later joined Ricky Nelson's Stone Canyon Band. In 1998, Collectables Records distributed the compilation album The Very Best of Every Mother's Son: Come on Down to My Boat. In 2012 a CD of both MGM albums and a bonus non-album single was issued by Now Sounds as "Come On Down: The Complete MGM Recordings" using the original master tapes.

Following up on the success of their hit single "Come On Down to My Boat", which eventually reached #6 on the Billboard Hot 100, Every Mother's Son recorded their debut eponymous album in 1967. The single which was previously recorded by garage rock band Rare Breed, had been recorded in late 1966. It was written by the team of Wes Farrell and Jerry Goldstein who also produced the album. The remaining ten tracks were all written by Dennis Larden in conjunction with other group members.

According to Major, the Clan Cameron and Clan Chattan both having deserted Alexander of Islay, Earl of Ross attached themselves like honest men to the king, but on the Palm Sunday following the Clan Chattan put to death every mother's son of the Clan Cameron. Buchanan stated that many of the Mackintoshes and almost all of the Camerons were slain. The Clan Cameron account states that the Clan Mackintosh who were leaders of the Chattan Confederation attacked the Camerons when they were worshiping in a church and that during the engagement most of the Mackintoshes and almost the whole tribe of Camerons were cut to pieces.

The ship station had several transmitters and a studio on board, and it was towed to its location off Long Island by Frank Ganter using his tugboat the M/V Munzer. It was Ganter who had obtained the vessel from the U.S. Government officials and then sold it to Weiner for $30,000. When broadcasting began the RNI signals were picked up over half of the United States; the first song they aired, fittingly, was "Come on Down to My Boat" by the 1960s band Every Mother's Son. Unfortunately, federal authorities did just that a few days later: they raided the Sarah and arrested Weiner, crew member Ivan Rothstein of Brooklyn, NY, and a reporter from The Village Voice.

Musically, Peter Frampton contributed acoustic, Spanish, and lead guitars, Steve Marriott played guitar, sitar, percussion and keyboards, and took a rare turn on bass. Bassist Greg Ridley also contributed guitar and tambourine, while Jerry Shirley handled not only his drum kit, but added a percussion saw on the first cut, as well as tambourine, tablas, maracas, and Wurlitzer piano on his own composition "Cold Lady". Amongst the more memorable Marriott- composed tracks were his country rock-flavoured compositions of contrasting mood, "Every Mother's Son", "The Sad Bag Of Shakey Jake" and "Down Home Again". Frampton's delicate but atmospheric lead guitar work throughout the album is also worthy of note and his compositions "Take Me Back", "Only You Can See" and "Home and Away" (a nominal co-write with Marriott and Ridley) nod vigorously in the direction he would take in his later solo career.

Late in 1966, Every Mother's Son recorded the Farrell and Jerry Goldstein-penned song "Come on Down to My Boat", originally released by the garage rock band The Rare Breed (who became The Ohio Express) under the title "Come and Take a Ride in My Boat" earlier in the year. An almost instant favorite on American pop radio stations, Every Mother's Son's take on the song reached number six on the Billboard Hot 100 in July 1967. Because the group was signed to MGM, not only did the band appear on several nationally televised programs to promote the single, they also were featured in a two-part episode of The Man from U.N.C.L.E., titled "The Karate Killers". A self-titled studio album, featuring mainly original material as well as their hit single, followed soon after, and became a moderate commercial success, peaking at number 117 on the Billboard 200.

The Rare Breed issued one more single in 1966 on Attack, "Come and Take a Ride in My Boat", which was a minor chart hit in the US southwest though this single also failed to chart nationally (the song hit No. 6 a year later for Every Mother's Son as "Come on Down to My Boat"). The Rare Breed then apparently had a dispute with Super K Productions and left the company, never to record again. The band's original recording of "Beg, Borrow & Steal" sung originally by former member Michael Fenneken, was then re-mixed and re-issued in August 1967 on Cameo Parkway Records, now credited to the Ohio Express (a name to which Super K Productions controlled all rights). The record was a No. 1 single in Columbus, Ohio, by early September, and gradually became a hit across Canada and the US through the following months.

Romantic Ireland's dead and gone, It's with O'Leary in the grave. Yet they were of a different kind, The names that stilled your childish play, They have gone about the world like wind, But little time had they to pray For whom the hangman's rope was spun, And what, God help us, could they save? Romantic Ireland's dead and gone, It's with O'Leary in the grave. Was it for this the wild geese spread The grey wing upon every tide; For this that all that blood was shed, For this Edward Fitzgerald died, And Robert Emmet and Wolfe Tone, All that delirium of the brave? Romantic Ireland's dead and gone, It's with O'Leary in the grave. Yet could we turn the years again, And call those exiles as they were In all their loneliness and pain, You'd cry `Some woman's yellow hair Has maddened every mother's son': They weighed so lightly what they gave. But let them be, they're dead and gone, They're with O'Leary in the grave.

Farrell's catalogue includes close to 500 songs that he wrote, produced, or published. One of his earliest successes, "Boys" (co-written with Luther Dixon), appeared on the B-side of the Shirelles' number-one 1960 hit "Will You Love Me Tomorrow", and in 1963 was covered by the Beatles for their debut album Please Please Me. Farrell's biggest chart hit as a composer – the McCoys' 1965 US #1 single "Hang On Sloopy" (a reworking of "My Girl Sloopy", co-written with Bert Russell) – remains one of the most performed songs in the history of popular music, according to the RIAA. Other Farrell pop hits include the Animals' UK debut single "Baby Let Me Take You Home" (co-written with Bert Russell, #21, 1964) and two 1964 releases for Jay and the Americans: "Come a Little Bit Closer" (co-written with songwriters Tommy Boyce and Bobby Hart, US #3) and "Let's Lock the Door (And Throw Away the Key)" (with Roy Alfred, US #11 in early 1965). Farrell also co-wrote "Come and Take a Ride in My Boat" (with Jerry Goldstein), slightly reworked in 1967 to provide Every Mother's Son with their signature hit "Come on Down to My Boat" (US #6).